Bible. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Binding: Sixteenth-century. Blind-tooled brown calf over thin wooden boards, decorated with rolls. Rebacked. Remnants of two clasps fixed to the rear cover. On the spine two labels, the upper one with the gold-tooled title in Gothic, nineteenth century: Biblia sacra cum interpretationibus Hebraicorum nomine [sic] in fine; the lower one with gold-tooled inscription in Roman type MS.P. On the first fly-leaf (f. Iv) a list of Biblical Kings., Bookplate of James William Ellsworth. Collection of Col. Richard Gimbel. Gift of Mrs. Richard Gimbel, 1971., Cataloged from microfilm by Albert Derolez., Manuscript on parchment containing 1) List of Epistle and Gospel readings (incipit and explicit) for the liturgical year. 2) Survey of the subdivisions of the Bible. 3) Bible text. 4) Interpretationes nominum Hebraicorum. Thin parchment, many leaves and the lower outer corners of all leaves damaged by moist. Two folios are missing between ff. 184 and 185, two folios between ff. 282 and 283, one folio between ff. 295 and 296, all with loss of text. There is no good explanation for the complicated quire structure of this manuscript, except that art. 4 is a separate codicological unit. The first quire, made from goatskin and containing articles 1-2, is a 14th-century addition and the handwriting looks Italian. The rare marginal notes appear most in the first quires, are written in Italian Gothica Cursiva and seem generally to be of a grammatical nature. The manuscript, copied in France in the beginning of the fourteenth century, was consequently later in Italy. Written in very small Northern Gothica Textualis., Red headings and red heigthening of the majuscules. Alternately red and blue pain initials (1 line) in art. 4. Alternately red and blue flourished initials (2 lines) with long marginal extensions. Beautiful larger flourished initials in the same colours with very developed penwork, in which both colours are sometimes combined, at the beginning of the various books and sections. On f. 1r large littera duplex and on f. 8r (beginning of Genesis) large initial I with very fine penwork, both the full height of the text area and in the same colours. Running titles in red and blue., and Shailor, The Medieval Book, 40.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval -- Connecticut -- New Haven
Manuscript on paper of Colucii Salutati, De seculo et religione.
Description:
Belonged to S. Harrison Thomson (MS 6); note inside front cover states that he purchased the manuscript in Oxford in 1926. Acquired from Thomson in 1968 with the Edwin J. and Frederick W. Beinecke Rare Book Endowment Fund., Cataloged from microfilm by Albert Derolez., Cite as: Coluccio Salutati, De Seculo et Religione. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on paper of Colucii Salutati, De seculo et religione. Folios 49 and 50 (central conjugate leaves) were reversed in binding. Produced probably in Northwestern Italy (diocese of Ivrea) by the scribe Martinus de Laurentio de Padono, in 1485 (colophon, f. 81r). Written in neat gothic cursive that shows batarde influence; first word(s) of each section executed in bold textura. Spaces for decorative initials are unfilled; guide-letters in margins., and Seventeenth-century (?) binding: Sewn on three tawed, slit strap supports, the spine lined with vellum between them. Blue and cream colored endbands. Covered with tawed skin, originally white, over flush, made boards.
Manuscript on paper of eighty life-size pen-and-ink drawings, tinted with grey, of various styles of horse bridles and bits; apparently intended as a pattern book. Compiled by and/or for Carlo Filippo di Vuelden.
Description:
Acquired from the Sporting Gallery in 1967 with the Beinecke Rare Book Endowment Fund., Cataloged from microfilm by Albert Derolez., Cite as: Delle Imboccature De'i Cavalli. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Eighteenth- to nineteenth-century binding: Vellum case; stubs of two green ties., Manuscript on paper of Eighty life-size pen-and-ink drawings, tinted with grey, of various styles of horse bridles and bits; apparently intended as a pattern book. Followed by Descriptive index for drawings (incomplete). Compiled by and/or for Carlo Filippo di Vuelden whose name appears on f. 1r. Written in small neat italic., and Watermarks: similar in design to Briquet Armoiries - Pomme de pin 2118, but with a majuscule M sitting on the top of left and right upper corners, and with four divisions for the tree base.
Subject (Topic):
Horses--Early works to 1800, Manuscripts, Medieval -- Connecticut -- New Haven, and Pattern books
Art. 1 is decorated with red plain initials, more or less small decorated initials in various colours and large initials. Art. 3 has a title in mixed Capitalis/Uncialis. The part of art. 4 copied by hand B has some highlighting in yellow, red or green and plain initials; the part copied by hand C has a few plain initials; the 12th-century part copied by hand D has red headings with instructions in small script written in the outer margins, plain or flourished Romanesque initials and an explicit in decorated mixed Capitalis/Uncialis. Art. 5 is undecorated apart from its title and the opening initial. There are effaced drawings in the lower margins of some leaves in art. 1., Binding: Twentieth-century. Reddish brown morocco over cardboard, by Riviere and Son. Spine with five raised bands and gold-tooled inscription S. GREGORII DIALOGI. SAEC. X., Cataloged from microfilm by Albert Derolez., Gift of Mr. and Mrs. Hans P. Kraus in memory of Edwin J. Beinecke, 1975., Gregory the Great, Dialogi. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on parchment of varying quality, some parts very bad (quire IX), with irregular edges. Contains 1) Gregory the Great (Gregorius Magnus), Dialogi, Books I-III. Starts incomplete I, 3, 2 and ends incomplete III, 24, 3 followed by the title of III, 25. Between ff. 13 and 14 a page is missing which contained Dialogi I, 9, 8-13. 2) Sulpicius Severus, Sermo de transitu sancti Martini = Epistula III, 16-21. The beginning is missing. 3) Unidentified sermon for the feast of a Confessor in the Common of the Saints, containing 7 (?) Lessons. Above the line a twelfth-century hand has repeatedly identified the saint with St. Aderaldus archdeacon of Troyes (d. beginning of the 11th cent.). 4) Gregory the Great (Gregorius Magnus), Dialogi, Book IV. 5) Vita S. Symeonis Stylitae. There are more than five scribes: A (Carolingian script with very imperfect word separation, s. X2); B (large and bold Carolingian script, s. X2); C (smaller Carolingian script, very close to B, or same hand); D (Praegothica, s. XII); E (various hands writing Praegothica and succeeding each other at irregular intervals)., and T. E. Marston, A Manuscript of the Dialogues of Saint Gregory the Great, Gazette, 50 (1976), pp. 15-18.
Subject (Name):
Catholic Church, I, Pope, Gregory, ca. 540-604, and Severus, Sulpicius
Subject (Topic):
Christian literature, Latin (Medieval and modern), Dialogues, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval -- Connecticut -- New Haven, and Sermons
Manuscript on parchment, composed of two parts. Part I (ff. 1-44): Ovid, Heroides I-XIV; XVI-XXI (line 12). Part II (ff. 46-82): Ovid, Epistolae ex Ponto, I.1-IV.16. For the first eight letters, a brief introductory paragraph, written by the same scribe as the text, appears in outer margin.
Description:
Binding: Fifteenth-century. Caught up sewing on four double, tawed supports. Covers wanting., Cataloged from microfilm by Albert Derolez., Cite as: Ovid, Heroides. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Decorative initials, 4-line, body split red and blue, with neat penwork flourishes, in red (ff. 1r, 46r); plain initials, 3- to 2-line, alternate red and blue for each letter throughout text; first letter of each verse placed on middle ruling of three vertical bounding lines., Early modern provenance unknown. Belonged to Martin Bodmer, from whom it was acquired by H. P. Kraus. Purchased from Kraus in 1970 with the Edwin J. Beinecke Fund., and Manuscript on parchment composed of two parts of similar agenda format that were bound together by the 15th century when notes were added to the parchment pastedowns, now the flyleaves. Part I written in Rheims in 1303 (see colophon, art. 1); Part II was written by the same scribe in a contemporary period. Part I: ff. 1-44, 39 lines of verse. 1) Ovid, Heroides I-XIV; XVI-XXI (line 12). Part II: ff. 46-82, 45 lines of verse. 2) Ovid, Epistolae ex Ponto, I.1-IV.16. Letter 2 of Book I divided into two sections at lines 68-69. For the first eight letters, a brief introductory paragraph, written by the same scribe as the text, appears in outer margin. Stains in upper margin result in some loss of text. Written by one scribe whose hand is characterized by an unusually tall double compartment a.
Subject (Name):
Ovid, 43 B.C.-17 or 18 A.D
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Latin literature, and Manuscripts, Medieval -- Connecticut -- New Haven
Manuscript on parchment of 1) Petrus Comestor (d. ca. 1179-1189), Historia scholastica, Genesis. 2) Petrus Comestor, Historia scholastica, Exodus. 3) Petrus Comestor, Historia scholastica, Leviticus, chapters 1-15. 4) Raymundus de Pennaforti, Summa de casibus poenitentiae. 5) Pseudo-Augustine, De vita christiana (also attributed to Pelagius, d. ca. 423-429). 6) Augustine (doubtful authorship), Sermo 351, De paenitentia agenda. 7) Anonymous Italian Franciscan, Visiones. These seventeen visions are said to have been written in 1243, before the 1st Council of Lyons which took place in 1245 and during which Emperor Frederick II was deposed. 8) An additional vision by Peter of Treviso O.F.M., which he had in Bolzano (?) in 1245, at the time of the Council of Lyons mentioned in art. 7. The final rubric seems to indicate that the author of art. 7 was friar Stephen of Fiorentino. 9) Well-known poem on the Twelve Apocalyptic Stones (cf. Rev. 21:19-20), often ascribed to Marbod of Rennes (d. 1123).
Description:
Binding: Modern limp vellum., Cataloged from microfilm by Albert Derolez., Cite as: Petrus Comestor, Historia Scholastica. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on parchment of 1) Petrus Comestor (d. ca. 1179-1189), Historia scholastica, Genesis. 2) Petrus Comestor, Historia scholastica, Exodus. 3) Petrus Comestor, Historia scholastica, Leviticus, chapters 1-15. 4) Raymundus de Pennaforti, Summa de casibus poenitentiae. 5) Pseudo-Augustine, De vita christiana (also attributed to Pelagius, d. ca. 423-429). 6) Augustine (doubtful authorship), Sermo 351, De paenitentia agenda. 7) Anonymous Italian Franciscan, Visiones. These seventeen visions are said to have been written in 1243, before the 1st Council of Lyons which took place in 1245 and during which Emperor Frederic II was deposed. 8) An additional vision by Peter of Treviso O.F.M., which he had in Bolzano (?) in 1245, at the time of the Council of Lyons mentioned in art. 7. The final rubric seems to indicate that the author of art. 7 was friar Stephen of Fiorentino. 9) Well-known poem on the Twelve Apocalyptic Stones (cf. Rev. 21:19-20), often ascribed to Marbod of Rennes (d. 1123). Probably written by one hand in extremely small Southern Gothica Semitextualis Libraria under some Cursiva influence. The script of art. 9 is larger., On the front fly-leaf r a table of contents written in pencil by the owner S. Harrison Thomson. Purchased in 1972 from Thomson on the Edwin J. Beinecke Fund., Red headings, red heightening of majuscules and red plain initials, mostly 2-3 lines; the red initials were to alternate with blue ones but the latter have not been executed. Many initials are anyhow missing. Guide-letters are seen close to the fold or to the edge of the pages. The running titles were also planned to be executed in alternately red and blue majuscules, but the blue letters are missing; there are no running titles after f. 20 (quire II)., and The ink on the first pages has flaked, making them very difficult to decipher.
Subject (Name):
Comestor, Petrus, 12th cent
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval -- Connecticut -- New Haven, Religious poetry, Latin, and Sermons, Latin
128r: Signature of Jannette Brongnart, Binding: Modern limp vellum with two pairs of white leather ties. The preceding 19th-century binding is preserved: dark brown leather over cardboard, both covers framed with blind-tooled fillets; spine with four raised bands and gold-tooled title: HEURES DE SENLIS; gilt edges., Cataloged from microfilm by Albert Derolez., Cite as: Hours, Undetermined Use, with French Calendar. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on parchment. Written by a single scribe in Gothica Cursiva Formata (Bastarda) in two sizes. The ascenders on the top line often have calligraphic extensions., Red headings. Heightening of the majuscules in yellow. All initials (1- or 2-lines) are on a rectangular background and are executed in paint and liquid gold. At the opening of the various Hours there are 4-line initials of the same type, always accompanied by full acanthus borders and an arch-topped miniature. The borders are framed in gold and may also contain leaves, flowers, fruit, birds., and Senlis use according to the inscription on the binding, but this use is not documented. The saints in the Calendar and in the Litany point to Northern France and Hainault.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval -- Connecticut -- New Haven
Manuscript on parchment (thin, poor quality) of unidentified sermons.
Description:
Binding: Nineteenth-century. Tan calf over wooden boards, blind-tooled, with a red gold-tooled label Manuscript. Earlier fastenings covered over. Boards detached., Cataloged from microfilm by Albert Derolez., Crude 3- and 2-line initials in red, the initial on f. 1r with red flourishes. Many small initials not executed. Rubrics and paragraph marks in red, many missing or erased. Guide-letters for rubricator., Library of Arthur Hugh Smith Barry of Marbury Hall (1843-1925; bookplate, with Case 22, Shelf 9). Purchased from S. Harrison Thomson (MS 14, note inside front cover) in 1970, with the Edwin J. and Frederick W. Beinecke Fund., Manuscript on parchment (thin, poor quality). Numerous folios were end pieces; corners and edges have been squared and straightened by adding pieces of coarse paper. Folio 84, very poor quality and thin at the center, was reinforced on verso (blank) with a strip of paper. Written by three (?) scribes in small, neat Anglicana. Scribe 1: ff. 1r-145r, 174r-188v, rubrics and marginal notes throughout, and all catchwords except that for quire XIV. Scribe 2: ff. 145r-173r. Scribe 3: f. 173v (traced over hand of Scribe 2?)., and Sermons. General Collection, Beinecke Rare Book and Manuscript Library, Yale University.
Subject (Name):
Catholic Church
Subject (Topic):
Manuscripts, Medieval -- Connecticut -- New Haven and Sermons, Latin