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1. And the child grew, and she brought him unto Pharaoh's daughter, and he became her son. And she called his name Moses from the original painting in the Foundling Hospital / [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- publish'd February 5, 1752 according to act of Parliament.
- Call Number:
- Folio 75 H67 800 v.2 (Oversize) Box 2
- Collection Title:
- Leaf 36. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The child Moses is being delivered up by his mother Jochebed (who has been acting as wet nurse) to Thermuthis, the daughter of Pharaoh (Exodus, ii.10; after the painting in the Foundling Museum); to right, the mother/nurse is handed coins by a steward as her son clings to her and looks at his adoptive mother warily; to the left, two female attendants, one a Nubian enslaved woman whispers the secret of Moses identity to her colleague. The scene is identified as being in Egypt by a small crocodile and an Egyptian figure with a snake wrapped around its torso beneath the throne; in the left corner an incense burner. In the background are pyramids and a sphinx
- Alternative Title:
- Moses brought before Pharaoh's daughter
- Description:
- Title from caption below image., Added title and state from Paulson., After Hogarth's 1746 painting: Moses brought before Pharaoh's daughter. One of a set of four paintings for the Council Room of the Foundling Hospital., Second state with caption. See Paulson., Ms. note in pencil in Steevens's hand beneath print: See Mr. Nichols's book, 3d edit, p. 324., Sheet trimmed to: 41.7 x 51.1 cm., and Formerly on page 162 in volume 2. Removed in 2012 by LWL conservator.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Egypt
- Subject (Name):
- Moses (Biblical leader), and Thermuthis (Biblical figure),
- Subject (Topic):
- Nubians, Adoption, Biblical events, Children, Mothers, Pyramids, Servants, Sons, and Sphinxes
- Found in:
- Lewis Walpole Library > And the child grew, and she brought him unto Pharaoh's daughter, and he became her son. And she called his name Moses from the original painting in the Foundling Hospital / [graphic]
2. And the child grew, and she brought him unto Pharaoh's daughter, and he became her son. And she called his name Moses from the original painting in the Foundling Hospital / [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- publish'd February 5, 1752 according to act of Parliament.
- Call Number:
- Kinnaird 33K Box 310
- Collection Title:
- Leaf 36. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The child Moses is being delivered up by his mother Jochebed (who has been acting as wet nurse) to Thermuthis, the daughter of Pharaoh (Exodus, ii.10; after the painting in the Foundling Museum); to right, the mother/nurse is handed coins by a steward as her son clings to her and looks at his adoptive mother warily; to the left, two female attendants, one a Nubian enslaved woman whispers the secret of Moses identity to her colleague. The scene is identified as being in Egypt by a small crocodile and an Egyptian figure with a snake wrapped around its torso beneath the throne; in the left corner an incense burner. In the background are pyramids and a sphinx
- Alternative Title:
- Moses brought before Pharaoh's daughter
- Description:
- Title from caption below image., Added title and state from Paulson., After Hogarth's 1746 painting: Moses brought before Pharaoh's daughter. One of a set of four paintings for the Council Room of the Foundling Hospital., Second state with caption. See Paulson., and Laid paper; sheet trimmed to 42.0 x 52.0 cm.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Egypt
- Subject (Name):
- Moses (Biblical leader), and Thermuthis (Biblical figure),
- Subject (Topic):
- Nubians, Adoption, Biblical events, Children, Mothers, Pyramids, Servants, Sons, and Sphinxes
- Found in:
- Lewis Walpole Library > And the child grew, and she brought him unto Pharaoh's daughter, and he became her son. And she called his name Moses from the original painting in the Foundling Hospital / [graphic]
3. Marriage a-la-mode. [graphic] / Plate V
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 800 v.2 (Oversize) Box 1
- Collection Title:
- Leaf 20. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
- Alternative Title:
- Marriage a-la-mode. Plate 4
- Description:
- Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., and Formerly on page 118 in volume 2. Removed in 2012 by LWL conservator.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V
4. Marriage a-la-mode. [graphic] / Plate V
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Collection Title:
- Plate 20. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
- Alternative Title:
- Marriage a-la-mode. Plate 5
- Description:
- Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., Ms. note, and On page 119 in volume 2. Sheet trimmed to: 38.1 x 46.1 cm.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V
5. Marriage a-la-mode. [graphic] / Plate V
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Sotheby 20++ Box 300
- Collection Title:
- Plate 20. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
- Alternative Title:
- Marriage a-la-mode. Plate 5
- Description:
- Title engraved below image., State from Paulson., and After the painting "The Bagnio" in the National Gallery, London.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V
6. Marriage á la mode. engraved from the original picture / [graphic] : Plate V
- Creator:
- Earlom, Richard, 1743-1822, printmaker
- Published / Created:
- [1 August 1800]
- Call Number:
- Hogarth 800.08.01.08++ Box 310
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays. The painting above the door, the mural on the back wall, and the portrait near the window illustrate the theme
- Description:
- Title engraved below image., In lower left corner: Size of picture 3 ft. by 2 ft. 4 in., After the painting "The Bagnio" in the National Gallery, London., Sheet trimmed to plate mark., No. 5 in a series of 6 images. Series title engraved below image., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2748., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 162., and Copy of: Paulson, R. Hogarth's graphic works (1st ed.), no. 232.
- Publisher:
- Pub. Aug. 1, 1800, by J. & J. Boydell, No. 90, Cheapside & at the Shakspeare Gallery, Pall Mall, London
- Subject (Topic):
- Adultery, Biblical events, Brothels, Homicides, Interiors, Judges, Masquerades, Rake's progress, and Spouses
- Found in:
- Lewis Walpole Library > Marriage á la mode. engraved from the original picture / [graphic] : Plate V
7. [Frontispiece to the oratorio of Judith] [graphic]
- Creator:
- Van der Gucht, Gerard, 1696-1776, printmaker
- Published / Created:
- [1733]
- Call Number:
- Folio 75 H67 800 v.1 (Oversize)
- Image Count:
- 1
- Abstract:
- Judith holding a sword by the cutting edge is posed to cut off the head of Holofernes. The print appears opposite the title page of the printed version of William Hogarth's Judith : An Oratorio, or, Sacred drama ... the musick composed by Mr. William de Fesch, late Chapel-Master of the Cathedral Church at Antwerp. London : Printed in the year MDCCXXXIII
- Alternative Title:
- Per vulnera servor moret tuâ vivens
- Description:
- Title and date from Paulson., Engraved caption title below image: Per vulnera servor moret tuâ vivens. Virg. Aeneid., Sheet trimmed to plate mark., Ms, note in Steevens' hand in pencil above print: Judith. Another note next to print on right: See Mr Nichol's Book 3d edit. p. 419., and On page 55 in volume 1.
- Publisher:
- publisher not identified
- Subject (Name):
- Virgil.
- Subject (Topic):
- Judith (Biblical figure) and Biblical events
- Found in:
- Lewis Walpole Library > [Frontispiece to the oratorio of Judith] [graphic]
8. [Harlot's progress]. [graphic] / Plate 2
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- [April 1732]
- Call Number:
- Folio 75 H67 800 v.1 (Oversize)
- Collection Title:
- Leaf 3. Album of William Hogarth prints.
- Image Count:
- 1
- Abstract:
- Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
- Description:
- Title devised by cataloger., Title, state, and date from Paulson., State before addition of black Latin cross in the center below design, "Plate 2."--Lower left corner., Sheet trimmed within plate mark., and On page 59 in volume 1. With pencilled ms. note in Steevens hand above print: 1st Impression. Plate trimmed to: 31.1 x 37.7 cm.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Prostitution, Biblical events, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Rake's progress, Relations between the sexes, Servants, and Tea
- Found in:
- Lewis Walpole Library > [Harlot's progress]. [graphic] / Plate 2
9. [Harlot's progress]. [graphic] / Plate 2
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- [April 1732]
- Call Number:
- Kinnaird 4K(b) Box 200
- Collection Title:
- Leaf 3. Album of William Hogarth prints.
- Image Count:
- 1
- Abstract:
- Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
- Description:
- Title devised by cataloger., Title, state, and date from Paulson., State before addition of black Latin cross in the center below design, "Plate 2."--Lower left corner., and Sheet trimmed within plate mark.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Prostitution, Biblical events, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Rake's progress, Relations between the sexes, Servants, and Tea
- Found in:
- Lewis Walpole Library > [Harlot's progress]. [graphic] / Plate 2