Manuscript on paper of Antoninus Pontus (Antonino Ponti from Cosenza, ca. 1600-1650), Rhomitypion. An allegorical treatise in three parts on the past and present state of Rome and Italy, topography, cosmography, geography, etc. Includes a dream vision of heaven and a dialogue between the author and Cato the Censor. Ends with a panegyric in praise of Giovanni Ruffo de' Teodoli, Archbishop of Cosenza (1511-1527), the author's patron. The manuscript is apparently unique and probably an autograph fair copy.
Description:
At many places the paper is damaged and the reading impaired by the acidity of the ink., Belonged to Sir Thomas Phillipps, MS 887. Purchased on the Edwin J. Beinecke Fund., Binding: Original presentation binding: light brown leather over pasteboard. Spine with three raised bands, gauffered and gilt edges. Both covers are decorated with two frames of blind-tooled quadruple fillets surrounding rich gold-tooled frames with in the centre on the front cover the coat of arms of the dedicatee (with six-spoked wheel), on the rear cover a large rosette. Remainders of two pairs of ties., On f. 2v, painted coat of arms of Giovanni Ruffo de' Teodoli, Archbishop of Cosenza, surmounted by a cross and placed in a floral wreath, above two distychs. At the head of each part a 6-line silver initial (Capitalis), outlined with black ink, on a square red or blue background with silver foliate decoration. A small purple initial in the space for a 4-line initial on f. 4r., and Script: Copied by one hand in a slightly uneven upright Humanistica Cursiva Formata. Headings and explicit-incipit formulas in capitals.
Manuscript on parchment of Diogenes Laertius, Vitae et sententiae philosophorum, translated into Latin by Ambrogio Traversari and preceded by his dedicatory letter to Cosimo de' Medici.
Description:
Binding: Fifteenth century, Italy. A hybrid Italo-Greek binding. Sewn or resewn (the sewing is too tight to determine with certainty) on five tawed skin, slit straps. Wooden boards which are not flush at head and tail are grooved on the edges. Beaded Western endbands added. Covered in dark brown calf, blind-tooled with a triple cross made up of gilt annular dots and rope interlace in a central panel within concentric frames alternately made up of a beaded zigzag ribbon and feathered rinceau. Similar tools are used on Marston MSS 39 and 68. Spine: bands outlined and panels diapered with triple fillets. Traces of four braid-and-pin fastenings, the pins in the edges of the lower board instead of the upper board as is usual in Greek bindings. "Diogenes ***" is added on the fore edge; "diogenes laergi" is written in batarde on a label under horn at the head of the upper board, possibly added in northern Europe., Script: Main text written in round humanistic bookhand by a single scribe., Some worming at beginning of text., and The decoration consists of a 3/4 border, f. 1r, of intricate white vine-stem ornament curling around thin gold bars (doubled in inner and lower margins) on a blue, green and pale pink ground dotted with white, yellow and blue, and gold balls. Incorporated into the lower border are a medallion (blank) framed by a laurel wreath and two narrow gold bands, a stag, and a putto with multi-colored wings in blue, green and dark red. In the inner margin are two birds in brown, orange and white. Ten illuminated initials, 9- to 4-line, gold on blue, green and pale pink background with white vine-stem ornament. Numerous smaller initials, 3- to 2-line, gold on blue and pink or green and pink grounds with white and gold filigree. Headings in black majuscules. Running headlines, in red, on ff. 1-4 only.
Subject (Name):
Diogenes Laertius and Medici, Cosimo de',--1389-1464
Manuscript on parchment of Gottofredo da Trani, Summa super titulis Decretalium. With medicinal recipes and a list of Roman emperors.
Description:
5 fine illuminated initials, 30- to 7-line, in blue or pink with white filigree on blue and red grounds framed in blue or red accentuated at the corners by gold dots. Infilled with intertwining or angular vines, some with biting head terminals, mauve or blue with white highlights and gold dots. Ascenders and descenders, red, mauve and blue terminating in spiralling serifs with biting animal heads or grotesques against cusped grounds. Two initials with vines issuing from upper and left corners, blue with white highlights ending in grotesques. 3- and 2-line calligraphic initials, red and blue with blue and red penwork. Plain initials alternating in red and blue. Headings in red; running titles (chapter numbers) alternating red and blue. Instructions to rubricator in lower margins., Binding: Nineteenth century, France. Early sewing on five supports with 19th-century boards covered in parchment. Title on spine: "Gofredo de Trano/ Manuscrit"., and Script: Written in a rounded gothic bookhand, below top line; marginal annotations and finding aids by a contemporary hand in less formal script.
Manuscript, on parchment, in a single hand, of a Middle English copy of the "Defective Version" of the Book of Sir John Mandeville.
Alternative Title:
Itinerarium. English
Description:
Binding: contemporary light brown doeskin over wooden boards., Decoration: decorated border on opening leaf of text incorporating coat of arms of the Norton family of Yorkshire; a few initials in blue ink with red penwork., Four leaves preceding the Mandeville text contain numerous pen trials, a Latin prayer, medical advice organized by month, and a list of the archbishops of York. Two leaves following the text contain pen trials and Latin notes on the life of St. Wilfrid?., Layout: single columns of 20-23 lines., Previously owned by the Norton family of Yorkshire; Brockman family. Ex libris J. P. R. Lyell; H. L. Bradfer-Lawrence. From the collection of Toshiyuki Takamiya, 2013-., and Script: English bookhand.
Subject (Name):
Bradfer-Lawrence, H. L.--(Harry Lawrence)--Bookplate., Lyell, James P. R.--(James Patrick Ronaldson),--1871---Bookplate., and Mandeville, John,--Sir.
Manuscript on paper of 1) Ps.-Cyprianus Carthaginensis (Pseudo-Cyprian of Carthage or Pseudo-Augustine), De singularitate clericorum. 2) Ps.-Augustinus Hipponensis (Pseudo-Augustine), De incarnatione Verbi ad Ianuarium. 3) Pseudo-Augustine, De essentia divinitatis. 4) Letter from the bishops assembled at the council of Carthage, A.D. 416, to pope Innocentius I. 5) Letter of pope Innocentius I to the bishops at the council of Carthage A.D. 416. 6) Letter from the bishops assembled at the council of Mileve A.D. 416 to pope Innocent I. 7) Innocentius I, letter to the bishops assembled at the council of Mileve A.D. 416. 8) Prayer to be said before the image of Corpus Christi. 9) Prayer to Jesus Christ. 10) Prayer to Jesus Christ ascribed to Thomas Aquinas.
Description:
Binding: Original Italian reddish brown leather over pasteboard with a flap at the rear cover closing over the front cover with leather ties. Covers and flap are blind-tooled with frames and lozenges of quadruple fillets, decorated with small circular tools either single or in clusters, and a full border consisting of a scroll motif. At the top of the front cover, in black ink, Capitalis ca. 1500: “Aur. (?) Augustini opus”. Parchment flyleaves. On the front flyleaf verso a Table of Content written in red by hand A, recording artt. 1-7 only, under the title “Que in hoc libello inserte sunt”., Headings in purplish red. Spaces for 1- or 2-line initials have been reserved throughout the codex (in artt. 1-3 with guide letters), but these have not been executed, except in artt. 8-10, where they have been clumsily written in black ink in the left margin. At the opening of art. 1, 3-line half inset Humanistic dentelle initial on a square background in green and blue decorated with silver and gold penwork. It has floral extensions with gold balls in the upper and inner margin. In the lower margin of the same f. 1r, between three similar floral decorations, a circular medallion containing the coat of arms of the Ugolini family of Florence (parti per bend, or on azure, with two lions passant counter changed, surmounting)., and Script: Two hands, both writing a very small Humanistica hesitating between Semitextualis Currens and Cursiva Currens. A, the main scribe, copied ff. 1r-60v; B, an inexperienced hand, marked by the use of d with ascender curving to the right, i longa and round s in all positions, added the prayers on ff. 61r-63r.
Gilbert, of Hoyland Gregory I, Pope, ca. 540-604 Hugh, of Saint-Victor, 1096?-1141
Published / Created:
[between 1100 and 1150]
Call Number:
Marston MS 125
Image Count:
254
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper and parchment, composed of three distinct sections. Part I: Gregory the Great, Liber regulae pastoralis. Part II: Gilbert of Hoyland, Sermones in Cantica Canticorum XVIII-XLVIII. Part III: Hugh of St. Victor, Homilia prima in Salomonis Ecclesiasten.
Description:
Binding: Between 1800 and 1810, Italy. Half bound in brown calf with bright pink paper sides and edges spattered bluish green. Two green, gold-tooled labels: "Gregorii. M/ Pastoralis/ Manuscrip" and "Saecul XII". Bound in the same distinctive style as Marston MSS 50, 128, 135, 151, 153, 158, 159, and 197, also from the Cistercian abbey of Hautecombe., Part I: Decorative initials, 3- to 2-line, in black, with simple pen designs and small "pearls" on the thin parts of the letters, on irregular grounds of pale yellow wash. Initial strokes and plain line-fillers in pale yellow (initial strokes in red on f. 9r presumably added by the rubricator of ff. 1-8). A series of red dots (also a later addition?) outline the ground of initial on f. 18v. Explicit on f. 80r brushed with yellow wash. Part II: Plain monochrome initials, 3- to 2-line, in red or blue. Spaces for rubrics left unfilled; guide letters., and Script: Part I (ff. 1-80): Written by a single scribe in a well formed late caroline calligraphic minuscule. Part II (ff. 81-114): Written by multiple scribes in small highly abbreviated noting hands, above top line. Part III (ff. 115-121): Written by a single scribe in gothic bookhand, above top line. Plain initials, 3- to 2-line, in red. Guide letters.
Manuscript on paper of Henricus de Ratisbona, Vocabularius Lucianus. With other texts, including sermons, possibly by Matthias Engelschalk; sermons by Conradus Batt; partial text of Alain de Lille's Liber Poenitentialis.
Description:
Approximately 20 leaves excised between ff. 63-64. 30 leaves excised after ff. 184.
Manuscript, on vellum, in a single hand, of portions of Books I, VII, and VIII of this long narrative poem.
Description:
Binding: modern wrappers; modern case., Decoration: illuminated initial on f. 1; numerous penwork initials., Formerly owned by John Hayword; John Du Pont. From the collection of Toshiyuki Takamiya, 2013-., Layout: double columns of 98 lines., and Script: English bookhand.