Manuscript on parchment of 1) Unidentified Greek-Latin lexicon. 2) Anonymous treatise on breathing marks in Greek. 3) De formationibus temporum uerborum graecorum. 4) De praepositionum significatione et constructione. 4) De numeris.
Description:
Belonged to Sir Thomas Phillipps (no. 3384). Purchased in 1956 from L. C. Witten by Thomas E. Marston., Binding: ca. 1500, Italy. Original sewing on three tawed skin, slit straps laid in channels on the outside of wooden boards. Gilt edges. The secondary, beaded endband is cream and green. Covered in reddish brown goatskin, blind-tooled with a floral border and fleurons in a central panel. Name of owner is gold-tooled on side in Roman letters that have been modified to form Greek letters. Spine: triple fillets at head and tail; single fillet diapering in the panels. Gold tooling added later. Traces of two fastenings, the catches on the lower board; the upper board heavily cut in for clasps. Modern title on spine: "Guarini Lexicon Ineditum. MS. in membranis"., and The decoration consists of an illuminated title page, with full border, thin white vine-stem ornament with stylized foliage in red, pink, blue against blue, green and pink ground with white dots and gold balls. In outer border two vases, blue with white highlights, and three roundels framed in red, green or pink with Roman profile heads wearing fillets against blue or gold ground. In inner border foliage curling around a thin gold bar. The upper border consists of a garland, green with gold highlights, tied with red ribbons against a blue and gold ground with two masks, one spouting water. Unidentified arms (palm? tree on red ground) in center of lower border. Large illuminated initial, 12-line, gold against a predominately blue ground with some green, pink, red and gold, and sprouting vine-stem ornament, white with pale brown shading and stylized foliage in red, pink and light brown. 25 illuminated initials for letters of Greek alphabet, 6- to 5-line, gold, against blue, green and dark pink grounds with stylized white vine-stem ornament or white stylized foliage. 2 small illuminated initials (ff. 205v and 206r), 3-line, gold against blue, red and green ground with pale yellow and white dots and white filigree. Heading on f. 1r in blue; others in red. Plain initials in red.
Manuscript on paper containing 119 numbered sermons. and Manuscript on paper of Conrad de Brundelsheim, 119 numbered sermons.
Description:
Imperfect: mutilated with loss of text., Leaf excised between ff. 272-273., Water damaged at top with some loss of text., and With iron chain attached.
Aeschines Anaximenes, of Lampsacus Bruni, Leonardo, 1369-1444 Demosthenes
Published / Created:
[ca. 1415-20]
Call Number:
Marston MS 10
Image Count:
207
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment (speckled on hair side) of Greek works translated into Latin by Leonardo Bruni: 1) Demosthenes, Olynthica tertia. 2) Aeschines, Epistola senatui populoque Atheniensi. 3) Anaximenes of Lampsacus, Epistola Philippi ad Athenienses. 4) Aeschines, Oratio contra Ctesiphontem. 5) Demosthenes, Oratio pro Ctesiphonte (De corona).
Description:
Belonged to Sir Thomas Phillipps., Binding: Nineteenth century, France or Italy. Brown calf blind- and gold-tooled, with shells and caducei in the blind-tooled borders. Edges red., One very fine illuminated initial, 12-line, in gold on vibrant blue ground with white vine-stem ornament. The stems of the initial are divided into compartments and filled with penwork decoration in red, blue and green on parchment ground. Four small initials, 6- to 5-line, gold on vibrant blue ground with white vine-stem ornament. Headings in red., and Script: Written in an expert humanistic bookhand characterized by prominent approach and finishing strokes. The headings in red are by a different scribe.
William, of Saint-Thierry, Abbot of Saint-Thierry, ca. 1085-1148?
Published / Created:
[between 1200 and 1250] and ca. 1200
Call Number:
Beinecke MS 828
Image Count:
73
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment of Guillelmus de Sancto Theoderico (William of St. Thierry, c. 1080-1148), Epistola ad fratres de Monte Dei (De vita solitaria), without the Preface. The letter is addressed to the monks of the Charterhouse of Montdieu in the diocese of Reims. With an index of the chapters of art. 1.
Alternative Title:
Frater Bruno
Description:
Binding: Twentieth century. Yellow velvet over rounded wooden boards. The former cover consists of a 17th-century document on parchment with text on the inner side, largely illegible due to the remnants of paste on its surface, issued by “Frater Bruno [d'Affringues, 1600-1631], ... totius ordinis Cartusiensis generalis minister”. The former binding contained also three fragments of a 13th-century manuscript on parchment, containing liturgical directions. These are now kept apart with the former cover and a former parchment flyleaf., Red heightening of the majuscules, but layout and decoration lack uniformity. (1) Up to f. 12r inclusively the chapters start in the middle of a line and are preceded by a red paragraph mark; the corresponding chapter number is written by another hand at the same height in one of the side margins, and the chapter heading is added by the same hand in one of the margins and connected to the beginning of the chapter by a reference mark or by a connecting line. (2) From f. 12v up to at least f. 22v the chapters open at the left margin with a 1- or 2-line red plain initial and the corresponding heading and chapter number are copied in red by a contemporary hand in the open space on the preceding line; instructions for these are provided by the scribe (B) in small handwriting alongside the upper or lower edges. (3) Starting f. 23v for the final chapters 40-42 we see the type of layout and decoration as described under (1). On f. 1r a large and narrow “shaped inset” littera duplex in red and green initial F in red and green (8/16 ll.). with extremely developed penwork in the same colours and green extensions in the left margin., Script: Copied by two scribes writing a heavily abbreviated early Gothica Textualis Libraria with simplified letter forms: hand A (ff. 1r-10r, line 5) is rather bold and uses single-compartment a and straight s in all positions; hand B (ff. 10r, line 6-26v) is slightly less careful, there is more variety in the shape of a, and final s is either round or straight., and The lower edges of ff. 2, 7 and 11 are irregular; the lower outer corners of ff. 18, 23 and 24 are defective.
Subject (Geographic):
Reims (France)
Subject (Name):
William,--of Saint-Thierry, Abbot of Saint-Thierry,--ca. 1085-1148?
Manuscript on parchment of Decimus Iunius Iuvenalis, Satirae. With a Survey of the Satires copied in Satirae, with their incipits and subjects and Quotations and proverbs, added by a later hand.
Description:
Binding: Original Italian brown leather over thin wooden boards, the covers blind-tooled and decorated with gold dots. Spine with three raised bands. Remnants of two clasps, attached to the front cover by means of brass nails with engraved heads; palmette-shaped thin brass catches fixed to the rear cover with three nails each. The pastedowns and flyleaves are covered with carefully written notes and quotations on grammar, morals, education, etymology and meaning of rare words, variant readings in classical texts, etc., Script: Copied by one hand in careful Humanistica Textualis., and Space for headings was provided at the head of each Satire, but the headings were not executed. Satt. 2-16 open with a 3-line (6-line Satt. 6 and 7) plain initial (Capitalis) in blue. On f. 1r (Sat. 1) 6-line white vinestem initial integrated in a three-margins left border in the same style and colours; in the lower section of the latter, between two birds, there is a damaged coat of arms in a wreath. Guide letters.
Manuscript on paper containing letters by or related to Lapo da Castiglionchio (d. 1381), and his family: 1) Lapo da Castiglionchio, Letter, written in 1377, to his son Bernardo, canon of the cathedral of Florence, then 14 years old, containing an elaborate treatise in three parts dealing with political and historical questions. 2) Bernardo da Castiglionchio (1363-1383), Letter to his father Lapo, in which he thanks him for the education and protection his father has provided and in particular for the extensive letter he has written in reply to his questions. 3) Bernardo da Castiglionchio, Second letter to his father Lapo, of about the same time, in which he resumes the theme of the nobility of the Castiglionchio family and provides a panegyric of his father with details about his career. 4) Francesco da Castiglionchio (second half of the fourteenth century), Letter to his father Alberto, brother of Lapo, written 8 June 1381 or slightly later. Describes the coronation of Charles III, King of Naples and Sicily (1381-1386) by Pope Urban VI in the church of St. Peter in Rome on 2 June 1381, an event in the preparation of which Lapo had an important role. 5) Francesco da Castiglionchio, Second letter to his father Alberto staying at Verona, dated 17 July 1381 and relating the death of Alberto's brother Lapo, which happened in Rome on 27 June of the same year after a short illness, a couple of weeks after the coronation of Charles III, which had been so important for the improvement of the Castiglionchio family. 6) Niccolò Acciaiuoli (1310-1365), Extracts from a letter, dated 26 Dec. 1364, to the Florentine merchant Angelo Soderini (d. 1377) established in Avignon.
Description:
Binding: Seventeenth century (?). Brown leather with artificial cross grain over cardboard. Blind-tooled spine with four raised bands and gold-tooled inscription in the second compartment: “CASTIGLIONCHIO / EPISTOLE”. Below a small oval paper label with the number “7” in red ink. Yellow spine., Headings and explicit formulas in pale red ink; marginal captions and notes in the same colour or in black; paragraph marks in pale red ink. 4-line initials (Capitalis) in blue (missing f. 2v), at the opening of each art. and of the subdivisions of art. 1. On f. 1r 7-line white vinestem initial integrated into left margin border of the same style. In the lower margin, in a wreath, the Volognano-Castiglionchio coat of arms: silver, with four chains azure in saltire and castle azure. Running headlines in pale red Capitalis in art. 1 only., On the author, a Florentine poet, friend of Petrarch, professor of Canon Law, lawyer, diplomat, politician, see Dizionario biografico degli Italiani, v. 22 (1979), pp. 40-44., and Script: Copied by one hand in careful Humanistica Semitextualis Libraria. The first line of each text and some headings are in Capitalis.
Binding: Nineteenth century, England. Bound by Zaehnsdorf (London, 1842-1930) in brown goatskin, blind-tooled, with gold-tooled spine "Cicero" and "MS". Yellow edges. Discoloration on early parchment endleaves reveal traces of corner tongues., Blanks at end not digitzed., Script: The manuscript was copied by two scribes who exhibit distinct formats and scripts reflecting the transition from gothic to humanistic types of book production. Scribe I) ff. 1-107r, line 14. Written in a very fine early humanistic bookhand, above top line. Scribe II) ff. 107r, line 15-135r. Written in a semi-gothic script, below top line, in a style of writing similar to that used by Coluccio Salutati; strong gothic influence in forms of majuscules., and Twenty-three illuminated intials of fine quality, 6- to 2-line, yellow on rectangular bright blue grounds with narrow black frames. Grounds filled with restrained and stylized thin white vine-stem ornament and intricate white filigree. Most spaces for rubrics left unfilled.
Manuscript on parchment (poor quality), composed of two distinct parts. Part I: Thomas Aquinas, Super Metaphysicam. Part II: Thomas Aquinas, Super de causis.
Description:
Binding: 14th-15th centuries, Spain. Original sewing on five tawed skin, double supports laced into beech boards. Plain, wound natural color endbands. Single parchment leaf (front) and bifolium (rear), from what appear to be two different Hebrew Bible manuscripts, serve as pastedowns and spine-lining; they have been cut out around the sewing supports. Yellow edges. Covered in what was originally blue tawed skin (now faded) with two fastenings, the catches on the lower board and the straps attached with star-headed nails. Traces of title (?) scratched onto skin of upper board., Part I: One illuminated initial, rubbed, f. 1r: blue with white highlights on dark red ground with white highlights; terminals of ground extend up and down as modest border in blue, dark red and gold. Flourished initials of various sizes, styles and quality: blue with red penwork designs, red with blue, red with purple (ff. 75r-119r) and red and blue divided with penwork in purple (e.g., f. 88v); some flourished initials with border extensions (e.g., f. 110v). Running headlines in red and blue; paragraph marks alternate red and blue. Traces of guide letters for decorator. Part II: Spaces for decorative initials remain unfilled., and Script: Part I (ff. 1-120): Written by a single scribe in small gothic book hand. Part II (ff. 121-132): Written in a less accomplished gothic script than that in Part I.
Subject (Name):
Aristotle and Thomas,--Aquinas, Saint,--1225?-1274