Manuscript on parchment of 1) Curtius Rufus, Historia Alexandri Magni, translated into Italian and supplemented with material from Plutarch by Pier Candido Decembrio. 2) Pier Candido Decembrio, Comparazione di Cesare e d'Alessandro Magno.
Description:
Binding: 15th-16th centuries, Italy. Sewn on four tawed skin, slit straps laid in channels on the outside of wooden boards and pegged. Gilt edges. Covered in brown goatskin with corner tongues, and blind-tooled with a ropework star inside painted (red) and blind-tooled circles inside a floral border, all with metallic annular dots. There are traces of four leaf-shaped fastenings, the catches on the lower board, the upper one cut in for fabric straps attached with star-headed nails. Rebacked twice., One illuminated intial, 6-line, gold against blue, green and pink ground with white vine-stem ornament, extending into inner margin to form a partial border; terminating at top and bottom in pen inkspray with buds in green and pink and gold balls with hair-line extensions. Plain initials, 3- to 2-line, in blue, mark text divisions; headings in pale red., Purchased from Lathrop C. Harper in 1949 by Thomas E. Marston., and Script: Written by a single scribe in a slightly rounded humanistic bookhand with many cursive elements, below top line.
Subject (Name):
Caesar, Julius, Decembrio, Pier Candido,--1399-1477, Plutarch, and Rufus, Curtius
Manuscript on parchment of 1) Unidentified Greek-Latin lexicon. 2) Anonymous treatise on breathing marks in Greek. 3) De formationibus temporum uerborum graecorum. 4) De praepositionum significatione et constructione. 4) De numeris.
Description:
Belonged to Sir Thomas Phillipps (no. 3384). Purchased in 1956 from L. C. Witten by Thomas E. Marston., Binding: ca. 1500, Italy. Original sewing on three tawed skin, slit straps laid in channels on the outside of wooden boards. Gilt edges. The secondary, beaded endband is cream and green. Covered in reddish brown goatskin, blind-tooled with a floral border and fleurons in a central panel. Name of owner is gold-tooled on side in Roman letters that have been modified to form Greek letters. Spine: triple fillets at head and tail; single fillet diapering in the panels. Gold tooling added later. Traces of two fastenings, the catches on the lower board; the upper board heavily cut in for clasps. Modern title on spine: "Guarini Lexicon Ineditum. MS. in membranis"., and The decoration consists of an illuminated title page, with full border, thin white vine-stem ornament with stylized foliage in red, pink, blue against blue, green and pink ground with white dots and gold balls. In outer border two vases, blue with white highlights, and three roundels framed in red, green or pink with Roman profile heads wearing fillets against blue or gold ground. In inner border foliage curling around a thin gold bar. The upper border consists of a garland, green with gold highlights, tied with red ribbons against a blue and gold ground with two masks, one spouting water. Unidentified arms (palm? tree on red ground) in center of lower border. Large illuminated initial, 12-line, gold against a predominately blue ground with some green, pink, red and gold, and sprouting vine-stem ornament, white with pale brown shading and stylized foliage in red, pink and light brown. 25 illuminated initials for letters of Greek alphabet, 6- to 5-line, gold, against blue, green and dark pink grounds with stylized white vine-stem ornament or white stylized foliage. 2 small illuminated initials (ff. 205v and 206r), 3-line, gold against blue, red and green ground with pale yellow and white dots and white filigree. Heading on f. 1r in blue; others in red. Plain initials in red.
Manuscript, on vellum, incomplete, in a single hand, of John Lydgate's and Benedict Burgh's Middle English verse translation of the twelfth-century Latin treatise Secretum Secretorum, itself a translation of the Kitab sirr al-asrar. In addition to this text, the volume also contains several prose pieces in Middle English and Latin, including one with illustrated diagrams and a Latin tract on the interpretation of dreams.
Description:
Binding: disbound, but with some original sewing intact; modern case., Decoration: 15 illuminated borders; other decorated initials, some gilt., From the collection of Toshiyuki Takamiya, 2013-., Layout: various single-column., Script: English bookhand., Several medical recipes added on blank leaves and portions of leaves in a sixteenth-century? cursive hand., and Signature of John Bonen? in a seventeenth-century hand. Signature of Thomas Bowen in a seventeenth-century hand.
Manuscript, on vellum, of the text of the "short version" of the Polychronicon (final entry is for 1327).
Description:
Binding: contemporary calf over wooden boards, rebacked. Upper cover plain; lower cover contains central panel with the letters POLICRONICON created by stamping background with seven-pointed star stamp. Background pattern of diagonal fillets with five-petalled flower in circle stamped at each intersection. Remains of leather clasps and one brass catch. Sewn on six raised bands., Byname: Takamiya Polychronicon., Decoration: Rubricated. Approximately 404 marginal drawings in pen and ink, many with yellow wash: mostly portrait roundels, but also including two diagrams of Noah's Ark; views of London, Canterbury, Rome and other places; an image of the Annunciation; and a small T-map. Margins ruled to accomodate the roundels. One illuminated initial and others covered in matte gold., From the collection of Toshiyuki Takamiya, 2013-., Layout: double columns of between 44 and 51 lines., Script: cursive book hand., and Some leaves damaged with loss of text.
Manuscript on paper containing 119 numbered sermons. and Manuscript on paper of Conrad de Brundelsheim, 119 numbered sermons.
Description:
Imperfect: mutilated with loss of text., Leaf excised between ff. 272-273., Water damaged at top with some loss of text., and With iron chain attached.
Manuscript, on parchment, in at least two hands, containing the text of the psalter, preceded by prayers and a calendar, and followed by canticles and a litany. The calendar is very detailed and includes dates of various English battles, the latest of which is the battle of Dunkirk (1483).
Description:
Binding: contemporary binding of reversed skin over bevelled wooden boards; sewn on five double bands. Remains of clasps on the front board., Decoration: Rubricated. Small initials throughout in red and blue with contrasting penwork; seven large illuminated initials with two-sided borders; large illuminated initial on the first leaf of the text of the Psalter., Formerly owned by Alan G. Thomas. From the collection of Toshiyuki Takamiya, 2013-., In Latin; a few notes in the calendar in Middle English., Layout: single columns of 21 lines., Note concerning the probable date of the volume in Latin, in a later hand (9v.), and Script: rounded gothic liturgical script.
Subject (Name):
Catholic Church--Liturgy., Catholic Church--Prayers and devotions., and Thomas, Alan G.--Ownership.
Manuscript fragment from an illuminated Psalter. The first leaf contains Psalm 47: 12-45 through Psalm 48:16; the second contains Psalm 53:5 through 54:13 (Vulgate numbering).
Description:
Decoration: Two larger illuminated initials with birds perched on them. Smaller initials alternating between gilt with green penwork and blue with red penwork. Decorated line fillers, red and blue penwork, gilt., Layout: single columns of 20 lines., Script: gothic book hand., and Whitby Abbey; Lt.-Col. Moss. John Grant. From the collection of Toshiyuki Takamiya, 2013-.
Aeschines Anaximenes, of Lampsacus Bruni, Leonardo, 1369-1444 Demosthenes
Published / Created:
[ca. 1415-20]
Call Number:
Marston MS 10
Image Count:
207
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment (speckled on hair side) of Greek works translated into Latin by Leonardo Bruni: 1) Demosthenes, Olynthica tertia. 2) Aeschines, Epistola senatui populoque Atheniensi. 3) Anaximenes of Lampsacus, Epistola Philippi ad Athenienses. 4) Aeschines, Oratio contra Ctesiphontem. 5) Demosthenes, Oratio pro Ctesiphonte (De corona).
Description:
Belonged to Sir Thomas Phillipps., Binding: Nineteenth century, France or Italy. Brown calf blind- and gold-tooled, with shells and caducei in the blind-tooled borders. Edges red., One very fine illuminated initial, 12-line, in gold on vibrant blue ground with white vine-stem ornament. The stems of the initial are divided into compartments and filled with penwork decoration in red, blue and green on parchment ground. Four small initials, 6- to 5-line, gold on vibrant blue ground with white vine-stem ornament. Headings in red., and Script: Written in an expert humanistic bookhand characterized by prominent approach and finishing strokes. The headings in red are by a different scribe.
William, of Saint-Thierry, Abbot of Saint-Thierry, ca. 1085-1148?
Published / Created:
[between 1200 and 1250] and ca. 1200
Call Number:
Beinecke MS 828
Image Count:
73
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment of Guillelmus de Sancto Theoderico (William of St. Thierry, c. 1080-1148), Epistola ad fratres de Monte Dei (De vita solitaria), without the Preface. The letter is addressed to the monks of the Charterhouse of Montdieu in the diocese of Reims. With an index of the chapters of art. 1.
Alternative Title:
Frater Bruno
Description:
Binding: Twentieth century. Yellow velvet over rounded wooden boards. The former cover consists of a 17th-century document on parchment with text on the inner side, largely illegible due to the remnants of paste on its surface, issued by “Frater Bruno [d'Affringues, 1600-1631], ... totius ordinis Cartusiensis generalis minister”. The former binding contained also three fragments of a 13th-century manuscript on parchment, containing liturgical directions. These are now kept apart with the former cover and a former parchment flyleaf., Red heightening of the majuscules, but layout and decoration lack uniformity. (1) Up to f. 12r inclusively the chapters start in the middle of a line and are preceded by a red paragraph mark; the corresponding chapter number is written by another hand at the same height in one of the side margins, and the chapter heading is added by the same hand in one of the margins and connected to the beginning of the chapter by a reference mark or by a connecting line. (2) From f. 12v up to at least f. 22v the chapters open at the left margin with a 1- or 2-line red plain initial and the corresponding heading and chapter number are copied in red by a contemporary hand in the open space on the preceding line; instructions for these are provided by the scribe (B) in small handwriting alongside the upper or lower edges. (3) Starting f. 23v for the final chapters 40-42 we see the type of layout and decoration as described under (1). On f. 1r a large and narrow “shaped inset” littera duplex in red and green initial F in red and green (8/16 ll.). with extremely developed penwork in the same colours and green extensions in the left margin., Script: Copied by two scribes writing a heavily abbreviated early Gothica Textualis Libraria with simplified letter forms: hand A (ff. 1r-10r, line 5) is rather bold and uses single-compartment a and straight s in all positions; hand B (ff. 10r, line 6-26v) is slightly less careful, there is more variety in the shape of a, and final s is either round or straight., and The lower edges of ff. 2, 7 and 11 are irregular; the lower outer corners of ff. 18, 23 and 24 are defective.
Subject (Geographic):
Reims (France)
Subject (Name):
William,--of Saint-Thierry, Abbot of Saint-Thierry,--ca. 1085-1148?