Manuscript on parchment containing 1) Nicolaus de Byard (ca. 1250), Tractatus de vitiis et virtutibus, often improperly titled Summa de abstinentia (themes treated in alphabetical order). 2) Readings for the liturgical year, referring to the chapters of Tractatus de vitiis et virtutibus, arranged as follows: the Vespers on Saturdays; Temporale and the feast of the Dedication of the church; Sanctorale ("De sanctis"), at the same time Common of the Saints.
Description:
Binding: Spine with four raised bands. On the spine and partly on the covers, an 18th century paper title label with handwritten inscription "Ancien / Manuscrit / sur / Velin / Complet / et ********" (cfr. MSS 940 and 941)., Headings and underlining in red. Alternately red and blue paragraph marks. Alternately red and blue 2-line half inset flourished initials, respectively with penwork at the opening of the chapters, with guide letters. 6-line littera duplex with penwork in the same colours on f. 1v (opening of art. 2). Red heigthening of the majuscules in artt. 1 and 3., and Script: Probably copied by one hand, writing a small, rapid Gothica Textualis/Semitextualis Libraria with numerous abbreviations.
Subject (Name):
Catholic Church--Prayers and devotions and Nicolas,--de Byard
Manuscript on parchment of a Book of Hours. With prayers in Italian. Probably made for a female member of the Augustinian order.
Description:
Binding: Original Italian brown cloth over wooden boards, sewn onto three double leather thongs; the cloth is embroidered with silver thread to a design of stars, squares and maltese crosses. Gilt and gauffered edges., Headings in red. 1-line versals alternately in red and blue; 2-line flourished initials with marginal extensions alternately in red and blue, the penwork in the contrasting colour (the normal type of initials throughout the manuscript); 3-line flourished KL ligatures in art. 1; 5-line litterae duplices or initials in the style of litterae duplices with developed penwork at the opening of the various Hours in art. 2; 6-line ditto in art. 3; a 4-line flourished initial at the opening of the Mass of the Virgin in art. 5. All initials are half inset., and Script: Copied by one hand in Southern Gothica Textualis Formata (Rotunda).
Subject (Name):
Augustinians and Catholic Church--Prayers and devotions
Manuscript on paper of 1) Bernard Silvestris, Epistola super gubernationem rei famailiaris. 2) Seneca, De remediis fortuitorum. 3) Elegantiarum viginti precepta. 4) Notes on moveable feasts, a calendar, mnemonics for remembering the names of saints, calendar tables, lists and other notes. 5) Office for the feast of St. Mary, Jubilus, hymn, prayers and other short readings from the Bible and the Apocrypha.
Description:
4 blank leaves. and Gatherings of 7, 7, 12, 6, 2, 2, and 2 leaves respectively as found.
Subject (Name):
Catholic Church--Prayers and devotions and Seneca, Lucius Annaeus,--ca. 4 B.C.-65 A.D
Manuscript on parchment (calfskin) of a collection of prayers, passion narratives and hymns.
Description:
Binding: Seventeenth century. Plain brown leather over pasteboard. The spine gold-tooled, with five raised bands. Paper pastedowns; red sprinkled edges., Headings in red. Heightening of the majuscules in yellow. 1-line plain versals alternately red and blue; 2-line plain initials and 4-line initials (plain or of the littera duplex type, but without penwork; 5-line on ff. 2r, 126v and 145r) in red and/or blue. Although the main prayers and hymns generally begin with a 4- or 5-line initial, the distribution of the various kinds of initials often seems at random., and Script: Copied by one hand in Gothica Textualis Libraria (Textus Quadratus, approximately Oeser variant II), with a tendency to develop cadels on the top line, in some cases (f. 57v) featuring a human profile.
Manuscript on parchment of a Book of Hours for the use of a convent.
Description:
Binding: Seventeenth century. Damaged brownish pigskin over bevelled wooden boards, the covers blind-tooled with frames of fillets and rolls; the central rectangle on the front cover, otherwise free, is decorated with a large oval stamp, heavily worn but probably picturing the Virgin in the Sun. Spine with three raised bands. Remnants of two brass clasps attached to the rear cover. Marks of a chain attachment at the bottom of the rear cover. Red edges., Headings and rubrics in red. Heightening of majuscules in red. 1-line red versals; 2-line plain initials (sometimes slightly decorated) in red. Intricate large flourished cadels in black filled with red in the texts accompanying musical notation. Art. 4 opens with a 6-line littera duplex in red and brownish red with red penwork. Guide letters for all initials. On f. 29v full-page picture of the crowned Virgin and Child, Mary presenting a flower to the Child, on a flowery pink background in a green and red rectangular frame., On some pages the ink is very faded., and Script: Copied mainly by one hand writing Northern Textualis Formata in two sizes with Central European features. A second less formal hand copied ff. 29r, lines 11-18 and 30r-31v, i.e. the beginning of art. 2. Musical notation in Nota Quadrata.