Manuscript, on parchment, in a single scribal hand, of a Gospel lectionary containing the daily lessons for the ecclesiastical year for both fixed and moveable feasts. Manuscript begins the readings of John from Easter to the sixth Sunday after Easter, and concludes with the readings from 21 May to 31 August.
Description:
Accompanied by detailed list of contents., Binding: Fifteenth-century? Greek-style binding of full brown leather over squared and grooved boards. Blind-tooled; bordered with interlace tendrils, diapered and checker-ruled with additional circular tools containing peacock, Agnus Dei, vase, rampant lion, eagle and fleuron designs., Bookplate: L. A., Decoration: ornamented headbands in red ink mark the four major sections of the text. Ornamented initials in red ink at the beginnings of some Gospel readings., Purchased in Beirut by Isaac Newton Phelps Stokes, 1886. Formerly owned by Anson Phelps Stokes; Anson Phelps Stokes II; Episcopal Divinity School, Cambridge, Massachusetts. Sold 18 November 2003 at Christie's London (sale 6853, lot 14). Ex libris L. A. Purchased from Les Enluminures, Ltd. on the Edwin J. Beinecke Book Fund, 2013., and Script: Greek miniscule.
Subject (Name):
Orthodoxos Ekklēsia tēs Hellados, piscopal Theologi, Stokes, Anson Phelps,--1874-1958--Ownership, Stokes, Anson Phelps,--1905-1988--Ownership, and Stokes, I. N. Phelps--(Isaac Newton Phelps),--1867-1944--Ownership
Manuscript fragment on parchment of Bernardo of Parma's gloss on the Decretals of Gregory IX, including sections over liber III.
Description:
Decoration: running heads, initials, and rubrics in red; some contemporary marginal commentary., Script: written in a heavily abbreviated gothic script., and These fragments, which appear to be from the same manuscript, are contained in Zi +156 (Bernhard von Breydenbach, Prefatio in opus transmarine...), in which the fragments are used as front and back endpapers.
Manuscript fragment, on parchment, of text from a Brut chronicle in Anglo-Norman rhyming octosyllabic couplets.
Description:
Decoration: initial C in blue and initial Q in red., Formerly owned by Martin Schøyen (MS 650). From the collection of Toshiyuki Takamiya, 2013-., Layout: two columns of 39 lines., Script: gothic hand., and Stained and somewhat worn from use as a pastedown, with some later pen trials.
Manuscript fragment on parchment of the biblical book of Matthew, containing portions of chapter 25 (Parable of the Talents).
Description:
Contained in Zi +237 (Dionysius de Burgo Sancti Sepulcri, Commentarii in Valerium Maximum), in which the fragment has been used as a spine support., Decoration: initials in red., In Latin., and Script: written in an unidentified script.
Manuscript on parchment of an illuminated Bible, with the prologues attributed to St. Jerome, and interpretations of the Hebrew names.
Description:
Binding: 19th century: calf over cardboard; both covers and spine, in six compartments, gold-tooled. Purple silk doublures., Manuscript on parchment of an illuminated Bible, with the prologues attributed to St. Jerome; interpretations of the Hebrew names: Interpretationes nominum Hebraicorum, with additions in the margins and at the end; an alphabetical list of words with explanations and/or ethymologies; a table of Epistles, Gospels and other readings for the ecclesiastical year: Temporale, Sanctorale and Common of the Saints; and a list, in two columns, of the kings of Juda and Israel., and Script: probably copied by one hand in extremely small Gothica Textualis Libraria (Perlschrift). Article 3 is by a contemporary hand. Numerous historiated initials of various sizes with long vertical extensions.
Manuscript on parchment (thin, pliable) of Aristotle, 1) Priora analytica, Lat. tr. Boethius. 2) Posteriora analytica, Lat. tr. Jacobus Veneticus (ca. 1130-40). 3) Books I-III of the Ethica Nicomachea. 4) De anima, Lat. tr. Jacobus Veneticus. 5) De anima (from the Parva naturalia), Lat. tr. Jacobus Veneticus.
Description:
Attractive flourished initials, red and blue divided with penwork designs in the same colors, mark the beginning of arts. 1-4; first few words of each of these texts written in red and blue alternating majuscules. For minor text divisions 2-line initials red or blue with designs in the opposite color. Paragraph marks in red (or sometimes alternating red and blue). Headings and instructions to rubricator in red., Binding: Nineteenth century, Germany. Parchment case binding made from a bifolium of a missal (Germany, 15th century) containing text for the end of the Secret for the 11th Sunday after Pentecost through part of the Gospel reading for the 12th Sunday. Remains of title, in ink, on spine. Pink (faded red?) edges., and Script: Written in a small neat gothic text script, above top line and with uncrossed tironian et. Marginal and interlinear annotations, contemporary or slightly later, in a variety of scholarly hands; annotations written in ink, crayon and lead, some very faded and barely legible.
Ambrose, Saint, Bishop of Milan, d. 397 Peter, of Poitiers, ca. 1130-1205 Petrus, Comestor, 12th cent
Published / Created:
[between 1200 and 1210; 1300 and 1350]
Call Number:
Marston MS 220
Image Count:
11
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment composed of two distinct parts. Part I (13th century): 1) Petrus Comestor, Historia scholastica. 2) Petrus Pictaviensis, Historia actuum apostolorum. 3) Unidentified text about Titus and Vespasian. Part II (14th century): 4) Augustinus Hibernicus, De mirabilibus sacrae scripturae, in the long recension. 5) Extracts from Ambrose, Exameron.
Description:
Binding: 18th-19th centuries, England. Brown calf, gold-tooled. Striped turn-ins., From the estate of Wilfred M. Voynich. Purchased in 1959 from H. P. Kraus by Thomas E. Marston., Part I: Two illuminated initials in parallel positions on f. 1r, beginning mid-page and extending almost to the bottom of the leaf. The first initial composed of a gold trellis edged in black with heads of a grotesque devouring the trellis at top and bottom, and foliage designs in green and white scrolling around the body of the initial against pink interior with white highlight and gold balls. The whole on a rectangular ground tapering to a point at bottom, with white designs. The second initial, somewhat narrower and less ambitious in design, gold edged in black with blue interior and thin white design in center and two rosettes, one at top, the other at bottom, and a third stylized floral motif in center, all on a pink ground in the same shape as the first initial. Also on f. 1r, 7-line initial divided red and blue with interior foliage designs in green and white on parchment ground, and red and blue penwork designs around exterior of letter. For major text divisions, fine medium blue and/or red initials, 9- to 6-line, with intricate penwork flourishes in red and blue, each accompanied by several lines of oversize letters for the first few words of text, with letters either in one color with designs in the other or alternating red and blue. Small penwork initials, red or blue with modest design in the opposite color, throughout. Headings, running headlines and vertical lines within text columns, in red. Remains of instructions to rubricator (some perpendicular to text in gutter) and guide letters for decorator., Part II: One gold initial, 4-line, with purple penwork designs on f. 194r. Blue initials with red penwork, 9- to 2-line, throughout. Headings and initial strokes added, in brown and red, unsophisticated drawings of birds, animals, leaves and grotesques in upper and lower margins., and Script: Part I (ff. 1-173): Written in neat gothic bookhand, above top line; glosses added by a variety of hands, some exhibiting anglicana features. Part II (ff. 174-197): Written in gothic bookhand with some marginalia by contemporary and later hands.