Manuscript chronicle roll, on parchment, in two hands. The first three membranes contain a late thirteenth-century chronicle in Latin prose on the kings of England from Atheldred to Henry III. The last two membranes contain John Lydgate's Middle English Verses on the kings of England.
Description:
Binding: modern case., Decoration: decorative frames around names of kings and families., From the collection of Toshiyuki Takamiya, 2013-., Layout: single column., and Script: two gothic bookhands.
Manuscript fragment, on parchment, of text from a Brut chronicle in Anglo-Norman rhyming octosyllabic couplets.
Description:
Decoration: initial C in blue and initial Q in red., Formerly owned by Martin Schøyen (MS 650). From the collection of Toshiyuki Takamiya, 2013-., Layout: two columns of 39 lines., Script: gothic hand., and Stained and somewhat worn from use as a pastedown, with some later pen trials.
Manuscript, on vellum, in a single hand, of a portion of Bracton's treatise on English law.
Description:
A fuller description of the contents is found in Baker and Taussig, Catalogue (London: 2007), pp. 13-14., Annotated on f. 1 in the hand of Sir Thomas Phillipps: H. Bracton De Legibus Angliæ. From Sir G. P. Turner's Library. Phillipps MS 3097., Binding: nineteenth-century full russia, blind-stamped. Gilt title on spine: Bracton De Legibus Angliæ., Decoration: headings, paragraph marks, and running titles in red or blue; two-line initials throughout in red and blue; two large initials in red and blue., In Latin; one lengthy marginal annotation in Law French., Layout: double columns, 32 lines., Part of the Anthony Taussig Collection of English Legal Manuscripts (OSB MSS 184). Taussig catalog number: MS 82.12.7 (number 19 in main catalog numbering)., Previously owned by Sir Gregory Osborne Page Turner; Phillipps MS 3097; William Carr; W. J. Carr. Purchased from Anthony Taussig on the Hazel M. Osborn and the James Marshall and Marie-Louise Osborn Funds, 2012., Script: Gothic Textura., Some early marginalia. Lengthy annotation in Law French (ff. 182v-183) concerning a dictum by "Denam" (probably John or William de Denum)., and Title from incipit.
Manuscript fragment on parchment (damaged). The one side has fine drawings of a king and queen (with falcon) in elaborate robes. Beside them is a foot soldier in armor; below a warrior on horseback, in armor, pursued by an archer, without armor. Above is a centaur (Chiron?) shooting an arrow at a flying bird, a second bird on the ground. On the other side (much affected by paste) three warriors storm a tower.
Description:
Removed from Marston MS 89 where it was used as a front pastedown. and See catalogue entry for Marston MS 89.
Manuscript fragment on parchment of the biblical book of Matthew, containing portions of chapter 25 (Parable of the Talents).
Description:
Contained in Zi +237 (Dionysius de Burgo Sancti Sepulcri, Commentarii in Valerium Maximum), in which the fragment has been used as a spine support., Decoration: initials in red., In Latin., and Script: written in an unidentified script.
Manuscript on parchment, composed of three parts, of Petrus Riga, Aurora, Biblia Versificata (a Latin verse translation of the Bible). Parts I and III in the same format and possibly from the same manuscript.
Description:
Binding: Nineteenth century, Belgium. Tan calf over wooden boards, blind-tooled with the Arenberg arms on the sides. Title on spine: "Sacrae Scripturae excerptae/ Circa 1225-50". Remains of old fore-edge tabs., Parts I and III: Red initials, plain or with modest designs throughout. Headings in red often added to right of text. First letter of each verse stroked in red or ochre, often by drawing a single line the length of the written space. Part II: Plain initials and headings in red throughout., Presented by Otto Rauschberg in 1956 to Thomas E. Marston., and Script: Parts I and III (ff. 1-72 and 113-136): Copied by multiple scribes in small gothic bookhand, with first letter of each verse usually aligned on the second vertical bounding line. Part II (ff. 73-112): Written by multiple scribes in a larger module and a neater gothic script than that in Parts I and III; each verse is justified by the placement of the final letter along outer vertical ruling. Script has often been retraced.