"Six brutal-looking men, much caricatured, sit round a table in a cellar, listening with apprehensive intentness to their chairman, who reads a paper: 'State Arrests - O'Conner Binns Evans Quigley'. He sits in an arm-chair, a grotesque ragged creature with sleeves rolled up; in his right hand is a candle taken from a candle-stick on the table. Beside him is a tankard inscribed: 'Tom Treason Hell-Fire Celler Chick Lane'. Against his chair leans an open book: 'Proceedings of the London Corresponding Society Ts Firebrand Secretary - Delegates - Forging Sam Barber Joe Dick Butcher Dissenting Nick Sheepshead Will Cut down Lary'. These names belong to the persons depicted: a barber sits on an upturned tub on the chairman's left, a comb in his ragged hair, a pair of tongs leaning against the tattered hat which lies beside him. Next (left) is a butcher, his steel hanging from his waist. All are grotesque denizens of the underworld. Two prints are on the brick wall, bust portraits of 'Horne Tooke' and 'Tom Payne'. Through an open door (right) is seen a flight of stairs, steeply ascending."--British Museum online catalogue
Alternative Title:
London Corresponding Society alarmed
Description:
French invasion of Ireland -- Interiors
Publisher:
Pubd. April 20th, 1798, by H. Humphrey, 27 St. James's Street
Subject (Name):
Paine, Thomas, 1737-1809, Tooke, John Horne, 1736-1812, and London Corresponding Society.
Title etched below image., Lettered above the image with text beginning: Hogarth's first thought for the medley. Copied from a very curious print designed and engraved by Hogarth, of which there are only two impressions, both of them in the possession of John Ireland. After taking the above impressions, Hogarth changed the point of his satire from the superstitious absurdities of popery & ridiculous personification delineated by ancient painters, to the popular credulities of his own day, erased or essentially altered every figure except two, & on the same piece of copper engraved the plate which is copied on the opposite page., Dedication etched below title: Humbly dedicated to his Grace the Arch Bishop of Canterbury, by his Graces most obedient humble servant Wm. Hogarth., Text following dedication: Advertisement. The intention of this print, is to give a lineal representation, of the strange effects of literal and low conceptions of sacred beings, as also of the idolatrous tendency of pictures in churches, and prints in religious books, &c., "Page 233"--Above image, right., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2425., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210., and On page 190 in volume 2.
Publisher:
Published March 1798 for John Ireland, Poets Corner, Palace Yard
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Witches, Sleeping, and Supervisors
Title etched above image., Legend to figures lettered or marked with asterisks in image, above imprint and below image: A. After Raphael. B. After Rubens. C. After Rembrandt. D.E.F.G.H. Are imitiations of other painters. *From sketches by Hogarth on the margins of the original prints., "Page 233"--Above image, left., Plate prepared for: Ireland, J. Supplement to Hogarth Illustrated, 1798, p. 233., Sheet trimmed to plate mark., Details from: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2425., Details form: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210., and On page 190 in volume 2.
Publisher:
Published by John Ireland, No. 3 Poets Corner, Palace Yard, Westminster
Subject (Name):
Toft, Mary, 1703-1763
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, and Witches
Title etched above image., Legend to figures lettered or marked with asterisks in image, above imprint and below image: A. After Raphael. B. After Rubens. C. After Rembrandt. D.E.F.G.H. Are imitiations of other painters. *From sketches by Hogarth on the margins of the original prints., "Page 233"--Above image, left., Plate prepared for: Ireland, J. Supplement to Hogarth Illustrated, 1798, p. 233., Sheet trimmed to plate mark., Details from: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2425., Details form: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210., and On page 191 in volume 2.
Publisher:
Published by John Ireland, No. 3 Poets Corner, Palace Yard, Westminster
Subject (Name):
Toft, Mary, 1703-1763
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, and Witches
"Horne Tooke, not caricatured, sits at an easel on which are juxtaposed two canvases, three-quarter length [Horne Tooke described his portraits as 'not whole lengths, and left for some younger hand hereafter to finish . . .', p. 7.] portraits of Fox (Ieft) and Pitt (right); he holds palette and brushes, but looks over his right shoulder at the spectator, saying: ""Which two of them will you chuse \ "to hang up inyour Cabinets; \ "the Pitts, or the Foxes? - \ "Where, on your Conscience, \ "should the other two be hanged?" [Op. cit., final words.] Fox's left hand rests on a pedestal inscribed 'Deceit', on which the head of a fox holding a mask is just discernible. Pitt's right hand rests on a similar but rather higher pedestal inscribed 'Truth'; Truth's head and a hand holding a mirror are just discernible. Their expressions support the two inscriptions. From the painter's pocket projects a pamphlet: 'Sketches of Patriotic Views - a Pension, a Mouth Stopper a Place.' On the ground, resting against a table, is the other pair of portraits, juxtaposed, Lord Holland (left) and Chatham (right), bust portraits, in peer's robes, the family likenesses to their sons, especially in the case of the Foxes, being stressed. Each holds a document: Holland, 'Unaccounted Millions' (he had been styled the public defaulter of unaccounted millions in the City petition of 1769, see BMSat 4296, &c, and cf. BMSat 8622); Chatham, 'Rewards of a Grateful Nation'. On the table is a portfolio of 'Studies from French Masters' from which protrude sketches inscribed 'From Robertspierre, from Tallien, from Marat'. (Cf. BMSat 8437, &c.) The wall, which forms a background, is covered with prints, &c. (left to right): [1] (partly visible) a dagger about to be plunged into a prostrate figure, inscribed '3d Sept [1792]', see BMSat 8122. [2] 'A Sketch for an English Directory', four members of the London Corresponding Society (see BMSat 9189, &c.) seated at a table, the chairman a butcher holding a frothing tankard. (The figures are not quite the grotesque denizens of the underworld represented in BMSat 9202.) [3] A framed half length portrait of Wilkes, squinting violently and clasping two large money-bags: 'Mr Chamberlain Wilkes ci-devant', 'Wilkes & Liberty' (see BMSat 6568); it is labelled: 'The Effect in this Picture to be copied as exact as possible'. [4] A profile in silhouette: 'Shadow of the Abbe Seyes' (see BMSat 9509). [5] A framed picture: 'view of the Windmill at Wimbleton' (from Horne Tooke's house, near Caesar's Camp). The two upper sails are 'Divinity' and 'Politicks', the lower 'Treason' and 'Atheism'. [6] A placard: 'just publish'd The Art of Political Painting, extracted from the works of the most celebrated Jacobin Professors - Pro bono publico.' [7] A bust of 'Machiavel', looking reflectively towards Horne Tooke. [8] Part of a landscape with a small house: 'Parsonage of Brentford' (cf. BMSat 4866, &c)."--British Museum online catalogue
Description:
: Interiors: painter's studio -- Paiting materials
Publisher:
Publishd. December 1s [sic], 1798, by J. Wright, Piccadilly, for [the] Anti Jacobin review
Subject (Name):
Tooke, John Horne, 1736-1812, Fox, Charles James, 1749-1806, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, 1759-1806, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Machiavelli, Bernardo, ca. 1426-1500, and London Corresponding Society.
State-watchmen mistaking honest-men for conspirators
Description:
: Interiors: cottage -- Fireplaces -- Daggers
Publisher:
Pubd. March 20th, 1798, by H. Humphrey, No. 27 St. James's Street
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, Bedford, Francis Russell, Duke of, 1765-1802, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Nicholls, John, 1745?-1832, Tooke, John Horne, 1736-1812, and Tierney, George, 1761-1830
"Horne Tooke, not caricatured, sits at an easel on which are juxtaposed two canvases, three-quarter length [Horne Tooke described his portraits as 'not whole lengths, and left for some younger hand hereafter to finish . . .', p. 7.] portraits of Fox (Ieft) and Pitt (right); he holds palette and brushes, but looks over his right shoulder at the spectator, saying: ""Which two of them will you chuse \ "to hang up inyour Cabinets; \ "the Pitts, or the Foxes? - \ "Where, on your Conscience, \ "should the other two be hanged?" [Op. cit., final words.] Fox's left hand rests on a pedestal inscribed 'Deceit', on which the head of a fox holding a mask is just discernible. Pitt's right hand rests on a similar but rather higher pedestal inscribed 'Truth'; Truth's head and a hand holding a mirror are just discernible. Their expressions support the two inscriptions. From the painter's pocket projects a pamphlet: 'Sketches of Patriotic Views - a Pension, a Mouth Stopper a Place.' On the ground, resting against a table, is the other pair of portraits, juxtaposed, Lord Holland (left) and Chatham (right), bust portraits, in peer's robes, the family likenesses to their sons, especially in the case of the Foxes, being stressed. Each holds a document: Holland, 'Unaccounted Millions' (he had been styled the public defaulter of unaccounted millions in the City petition of 1769, see BMSat 4296, &c, and cf. BMSat 8622); Chatham, 'Rewards of a Grateful Nation'. On the table is a portfolio of 'Studies from French Masters' from which protrude sketches inscribed 'From Robertspierre, from Tallien, from Marat'. (Cf. BMSat 8437, &c.) The wall, which forms a background, is covered with prints, &c. (left to right): [1] (partly visible) a dagger about to be plunged into a prostrate figure, inscribed '3d Sept [1792]', see BMSat 8122. [2] 'A Sketch for an English Directory', four members of the London Corresponding Society (see BMSat 9189, &c.) seated at a table, the chairman a butcher holding a frothing tankard. (The figures are not quite the grotesque denizens of the underworld represented in BMSat 9202.) [3] A framed half length portrait of Wilkes, squinting violently and clasping two large money-bags: 'Mr Chamberlain Wilkes ci-devant', 'Wilkes & Liberty' (see BMSat 6568); it is labelled: 'The Effect in this Picture to be copied as exact as possible'. [4] A profile in silhouette: 'Shadow of the Abbe Seyes' (see BMSat 9509). [5] A framed picture: 'view of the Windmill at Wimbleton' (from Horne Tooke's house, near Caesar's Camp). The two upper sails are 'Divinity' and 'Politicks', the lower 'Treason' and 'Atheism'. [6] A placard: 'just publish'd The Art of Political Painting, extracted from the works of the most celebrated Jacobin Professors - Pro bono publico.' [7] A bust of 'Machiavel', looking reflectively towards Horne Tooke. [8] Part of a landscape with a small house: 'Parsonage of Brentford' (cf. BMSat 4866, &c)."--British Museum online catalogue
Description:
: Interiors: painter's studio -- Paiting materials
Publisher:
Publishd. December 1s [sic], 1798, by J. Wright, Piccadilly, for [the] Anti Jacobin review
Subject (Name):
Tooke, John Horne, 1736-1812, Fox, Charles James, 1749-1806, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, 1759-1806, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Machiavelli, Bernardo, ca. 1426-1500, and London Corresponding Society.