A sleeping clergyman sits in an armchair, oblivious to a maid tickling his nose with the tail of a sucking pig, just delivered by a man standing in the open doorway. On a table is an inkstand and quill, a wine bottle, glass and candle with a book entitled "Tythe laws fully consider'd". At cat pulls from the table a paper labelled "Bans of marriage", while on the floor near a small dog a large book lies open to "Poem on good living". The clergyman's portrait and that of a woman hang on the wall behind him beside a map entitled "A Plan of the doctor's parish."
Alternative Title:
Tythe pig no bad sight and Pleasing method of rousing the doctor
Description:
Title from item. and Numbered in plate: 328.
Publisher:
Printed for Carington Bowles ... No.69 in St. Pauls Church Yard, London
Subject (Geographic):
England. and England
Subject (Name):
Church of England
Subject (Topic):
Clergy, Tithes, Church of England, Clothing & dress, Practical jokes, Dogs, and Swine
A fashionably dressed young woman in a low-cut dress sits talking to an old (bearded but not bald) cleric in monastic habit who holds her hand. Behind the pair another monk peeks around the door smirking. Above the door a painting shows semi-clothed figures. Miss Tittup was a character in Garrick's "Bon Ton".
Alternative Title:
Miss Titups visit to Father Bald-pate and Miss Tit ups visit to Father Bald-pate
Description:
Title from item.
Publisher:
Printed for R. Sayer & J. Bennett, No. 53 Fleet Street, as the Act directs
Subject (Geographic):
England
Subject (Name):
Catholic Church
Subject (Topic):
Clergy, Monasticism and religious orders, Paintings, and Clothing & dress
publishd. according to act of Parliament the 30 Octobr. 1777.
Call Number:
777.10.30.02+
Image Count:
1
Resource Type:
still image
Abstract:
A print showing the front elevation of a brothel, with a sign over the door "Young Ladies Educated & Board." At the threshold of the establishment, the brothel keeper (possibly Charlotte Hayes) stands at the front door talking with a young man who holds a riding crop (possibly her common-law husband, Dennis O’Kelly.) The two windows on the ground floor show, on the left, a woman entertaining a portly gentleman, and, on the right, two pretty, young woman, one leaning out the window to view the scene at the door. In the two windows on the upper, left and center, two other women are already entertaining men (one of whom is a clergyman) while on the right, two pretty women look down at the scene on the brothel threshold. On the left, a man reads handbills in a covered alley identified as "Kings Place." On the sidewalk (left) a pedestrian holds a monocle to his eye to better see the women; in his pocket is a paper with a title "Economical Lowe[r?]. On the sidewalk to the right, a flower girl in ragged clothes holds out a bunch of flowers to the young man addressing the madam. A woman (dwarf) crier holds a sheet titled "The Harlot's Progress."
Description:
Title etched below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
publisher not identified
Subject (Geographic):
England and England.
Subject (Name):
Hayes, Charlotte, 1725-1813, and O’Kelly, Dennis, 1725-1787,
A white-bearded and tonsured cleric in a monastic habit gazes at a young woman wearing a long mantilla and a dress with a revealing decolletage
Description:
Title etching below image., Publication date conjectured from that of the print of which this one is a reduced copy., Reduced copy, with different plate number and without imprint. Cf No. 3775 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Four lines of verse in 2 columns below title: "Here the fair humble penitent behold, to the good father all her sins unfold. He hears, absolves. But mark his leering eyes, and judge by them where his devotion lies.", and Numbered in plate: 130.
Publisher:
publisher not identified
Subject (Name):
Catholic Church
Subject (Topic):
Clergy, Confession, and Monasticism and religious orders
Correspondence relating to Jonathan Edwards's mission to Stockbridge, Massachusetts. Includes a letter from Edwards to Elisha Williams stating the reasons why Abigail Williams Sergeant Dwight should not be made headmistress of a Native American female boarding school; a letter to Elijah Williams regarding dissenters in the Stockbridge church; a letter to Ephraim Williams and his family addressing their grievances against the church; and a letter to Joseph Dwight about a Mohawk tribe leaving Stockbridge. Also includes a deposition where Japheth Bush attested that he was assigned to build the Native American female school. Also includes two letters from Elisha Williams to Edwards and two letters from Joseph Dwight to the Stockbridge church discussing Abigail Williams Sergeant Dwight’s involvement with the female school
Description:
Jonathan Edwards (1703-1758) was a theologian and leader of the Great Awakening. He served as minister of the Congregationalist Church at Northampton, Massachusetts from 1726-1750 and became a missionary to the Mahican and Mohawk Indians at Stockbridge, Massachusetts in 1751. and In English.
Subject (Geographic):
Massachusetts, Stockbridge, United States, Massachusetts., and Stockbridge (Mass.)
Calvinism, Clergy, Dissenters, Religious, Girls' schools, Indians of North America, Education, Missions, Mahican Indians, Missions, American, Mohawk Indians, Off-reservation boarding schools, Stockbridge Indians, Women, Women school principals, and Church history
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Sotheby 33++ Box 310
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., and Title from Paulson: The gate of Calais, or, The roast beef of old England.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., Ms. note in pencil in Steevens's hand to side of print: See Nichols's book, 3d edit. p. 289., Sheet trimmed within plate mark to: 37.7 x 44.5 cm., and Formerly on page 145 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., 1 print : etching and engraving on laid paper ; plate mark 38.3 x 45.7 cm, on sheet 45 x 56 cm., and Leaf 33 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., 1 print : etching and engraving on laid paper ; plate mark 38.2 x 45.7 cm, on sheet 46 x 59 cm., and Plate 33 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Manuscript, on vellum, in a single hand, of a version of this fourteenth-century pastoral manual. The text is in eight sections, or Tabulae, in Latin, with extensive passages in Middle English prose and interpolated Middle English verse
Description:
In Latin and Middle English., Layout: single columns of 32 lines., Script: written in an English bookhand., Decoration: red and blue initials with contrasting penwork., and Binding: nineteenth-century morocco.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Clergy, Christian life, English poetry, English prose literature, and Manuscripts, Medieval
