"The Duke of Clarence drags his three children (left to right) in a go-cart. His waistcoat is open, a handkerchief under his hat drapes his head, perspiration pours from his forehead. The boy, an infant replica of his father, holds a pair of reins which are attached to the duke's pocket, and flourishes a whip. Beside him are a little girl hugging a dog, which hides her face except for the eyes, and a crying infant whose features, though infantine, are those of her father. The crest on the cart is a chamber-pot (cf. BMSat 7835, &c.) surmounted by a crown. From the duke's pockets project a toy battleship, a coral and bells, a toy windmill, and a doll. Mrs. Jordan, in a dress of masculine cut, walks beside the cart, intent on the part which she is studying from an open book ('The Spoil'd Child', see BMSat 7835): 'Act IIId enter Little Pickle'. A signpost (right) points (left) 'From Richmond', (right) 'To Bushy'. A sandy bank with trees forms a background."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Children -- Toys -- Pets: King Charles spaniel -- Literature: Bickerstaff's Farce of the Spoil'd Child.
Publisher:
Pubd. April 23d, 1797, by H. Humphrey, New Bond & St. James's Street's
Subject (Name):
William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, and Munster, George Augustus Frederick FitzClarence, Earl of, 1794-1842
"The Duke of Clarence drags his three children (left to right) in a go-cart. His waistcoat is open, a handkerchief under his hat drapes his head, perspiration pours from his forehead. The boy, an infant replica of his father, holds a pair of reins which are attached to the duke's pocket, and flourishes a whip. Beside him are a little girl hugging a dog, which hides her face except for the eyes, and a crying infant whose features, though infantine, are those of her father. The crest on the cart is a chamber-pot (cf. BMSat 7835, &c.) surmounted by a crown. From the duke's pockets project a toy battleship, a coral and bells, a toy windmill, and a doll. Mrs. Jordan, in a dress of masculine cut, walks beside the cart, intent on the part which she is studying from an open book ('The Spoil'd Child', see BMSat 7835): 'Act IIId enter Little Pickle'. A signpost (right) points (left) 'From Richmond', (right) 'To Bushy'. A sandy bank with trees forms a background."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Children -- Toys -- Pets: King Charles spaniel -- Literature: Bickerstaff's Farce of the Spoil'd Child., 1 print : etching on wove paper, hand-colored ; plate mark 25.2 x 36.4 cm, on sheet 28.7 x 40.5 cm., and Mounted on leaf 45 of volume 9 of 12.
Publisher:
Pubd. April 23d, 1797, by H. Humphrey, New Bond & St. James's Street's
Subject (Name):
William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, and Munster, George Augustus Frederick FitzClarence, Earl of, 1794-1842
"An elaborate design. The Prince of Würtemberg, grotesquely corpulent, conducts his bride in the procession (right to left) towards the bridal chamber which is led by the King and Queen. George III, plainly dressed and wearing a hat, partly concealed by a pillar, hurries forward; in each hand is a candle-stick holding a guttering candle-end (cf. BMSat 8117). The Queen, covered with jewels and her face hidden by a poke-bonnet, carries a steaming bowl of 'Posset'. On the back of the Prince's coat are slung five ribbons from which dangle the jewels of orders; three garters encircle his leg; a star decorates the bag of his wig. The Princess gazes at him from behind her fan. Round her waist is the ribbon of an order, to which is attached a jewel containing a whole length miniature of her husband, which exaggerates his corpulence. Behind the Princess is a group of princes: the Prince of Wales, in regimentals, is fat and sulky. Prince William of Gloucester stands with splayed-out feet as in BMSat 8716. The Duke of Clarence (caricatured) puts a hand on the right arm of the Prince of Wales. Behind is the more handsome head of the Duke of York. These four heads are clever juxtapositions of variations on the family features. Behind them is the grotesque profile of the Stadholder with closed eyes. The sharp features of Lady Derby tower above the Stadholder. Next him is the Princess of Wales, not caricatured. Two princesses hold up their sister's train, and, behind, a sea of feathered headdresses recedes in perspective under a lighted chandelier. Salisbury (left), the Lord Chamberlain, standing stiffly in profile to the right, much caricatured, with wand and key as in BMSat 8649, holds open the door through which the King is about to pass. Pitt, on the outskirts of the procession, carries a sack inscribed '£80,000' (the amount of the Princess's dowry). On the wall is a large picture, inscribed 'Le Triomphe de l'Amour', of an elephant with a little cupid sitting on his neck blowing a trumpet."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Marriages: Prince of Würtemberg to Princess Charlotte Augusta, May 17, 1797 -- Beverages: posset -- Furnishings: carpets -- Pictures amplifying subject: a cupid riding an elephant -- Male dress: court dress., and Mounted to 31 x 46 cm.
Publisher:
Pubd. May 18th, 1797, by H. Humphrey, 27 St. James Street
Subject (Name):
Frederick I, King of Württemberg, 1754-1816, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William Frederick, Duke of Gloucester, 1776-1834, William V, Prince of Orange, 1748-1806, Salisbury, James Cecil, Marquess of, 1748-1823, Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Pitt, William, 1759-1806
"An elaborate design. The Prince of Würtemberg, grotesquely corpulent, conducts his bride in the procession (right to left) towards the bridal chamber which is led by the King and Queen. George III, plainly dressed and wearing a hat, partly concealed by a pillar, hurries forward; in each hand is a candle-stick holding a guttering candle-end (cf. BMSat 8117). The Queen, covered with jewels and her face hidden by a poke-bonnet, carries a steaming bowl of 'Posset'. On the back of the Prince's coat are slung five ribbons from which dangle the jewels of orders; three garters encircle his leg; a star decorates the bag of his wig. The Princess gazes at him from behind her fan. Round her waist is the ribbon of an order, to which is attached a jewel containing a whole length miniature of her husband, which exaggerates his corpulence. Behind the Princess is a group of princes: the Prince of Wales, in regimentals, is fat and sulky. Prince William of Gloucester stands with splayed-out feet as in BMSat 8716. The Duke of Clarence (caricatured) puts a hand on the right arm of the Prince of Wales. Behind is the more handsome head of the Duke of York. These four heads are clever juxtapositions of variations on the family features. Behind them is the grotesque profile of the Stadholder with closed eyes. The sharp features of Lady Derby tower above the Stadholder. Next him is the Princess of Wales, not caricatured. Two princesses hold up their sister's train, and, behind, a sea of feathered headdresses recedes in perspective under a lighted chandelier. Salisbury (left), the Lord Chamberlain, standing stiffly in profile to the right, much caricatured, with wand and key as in BMSat 8649, holds open the door through which the King is about to pass. Pitt, on the outskirts of the procession, carries a sack inscribed '£80,000' (the amount of the Princess's dowry). On the wall is a large picture, inscribed 'Le Triomphe de l'Amour', of an elephant with a little cupid sitting on his neck blowing a trumpet."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Marriages: Prince of Würtemberg to Princess Charlotte Augusta, May 17, 1797 -- Beverages: posset -- Furnishings: carpets -- Pictures amplifying subject: a cupid riding an elephant -- Male dress: court dress., 1 print : etching & aquatint on wove paper, hand-colored ; plate mark 30.6 x 44.8 cm, on sheet 34.5 x 48.5 cm., and Mounted on leaf 47 of volume 9 of 12.
Publisher:
Pubd. May 18th, 1797, by H. Humphrey, 27 St. James Street
Subject (Name):
Frederick I, King of Württemberg, 1754-1816, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William Frederick, Duke of Gloucester, 1776-1834, William V, Prince of Orange, 1748-1806, Salisbury, James Cecil, Marquess of, 1748-1823, Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Pitt, William, 1759-1806
Title from item., Printmaker from earlier state. See Catalogue of prints and drawings in the British Museum, v. 7, no. 9015., Sheet trimmed within plate mark., Printseller's statement following the imprint: Folios of caracatures [sic] len [sic] out for the evening., Reworked state, with an additional figure riding the elephant. Cf. No. 9015 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Marriages: Prince of Würtemberg to Princess Charlotte Augusta, May 17, 1797 -- Beverages: cock broth -- Lighting: candlesticks -- Dress: court dress -- Pictures amplifying subjects: Bacchus riding an elephant -- Cupid: Prince of Orange as sleeping Cupid., and Matted to 47 x 62 cm.; printmaker's name printed on mat below image. Subjects identified by numbers with a key printed on mat below image.
Publisher:
Pubd by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Frederick I, King of Württemberg, 1754-1816, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William Frederick, Duke of Gloucester, 1776-1834, William V, Prince of Orange, 1748-1806, Pitt, William, 1759-1806, Smith Stanley, Edward, 1752-1834, and Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829
Title from item., Sheet trimmed to plate mark., Printseller's statement following the imprint: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Marriages: Prince of Würtemberg to Princess Charlotte Augusta, May 17, 1797 -- Beverages: cock broth -- Lighting: candlesticks -- Dress: court dress -- Pictures amplifying subjects: Bacchus riding an elephant -- Cupid: Prince of Orange as sleeping Cupid., and Watermark: Portal & Bridges.
Publisher:
Pubd by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Frederick I, King of Württemberg, 1754-1816, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William Frederick, Duke of Gloucester, 1776-1834, William V, Prince of Orange, 1748-1806, Pitt, William, 1759-1806, Smith-Stanley, Edward, 1752-1834, and Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829
