Manuscript on parchment (sturdy, of uneven quality) of a breviary
Description:
In Latin., Script: Written primarily by a single scribe in a small running script. Additions by several contemporary and later writers., Plain initials, 4- to 1-line, in red. Rubrics throughout., Portions of text, badly worn or trimmed, have been lost., and Binding: 15th-16th centuries. Resewn on two tapes. Wooden boards. Covered in dark brown calf, blind-tooled in a diamond pattern with indistinguishable ornaments within the diamonds and at their intersections. Traces of five round bosses, larger on lower board, metal corner pieces and a catch plate on the upper board. Rebacked, with leather formed in the shape of endbands in the turn-ins at head and tail of the spine and with a strap and pin (a modern nail?) fastening added.
Manuscript on paper (with parchment conjugate leaves at beginning and end of quires; calendar on parchment) of a Carmelite breviary
Description:
In Latin., Script: Written primarily by a single scribe in an informal, but careful, gothic script. Numerous additions by contemporary and later writers., Plain initials and KL monograms, 6- to 1-line, in red. Rubrics throughout. Paragraph marks, underlining, and initial strokes in red. The verso of the final folio bears the partially erased image of a large decorative initial, in green, over which the later text was written., and Binding: Nineteenth century. Head and fore-edge gilt, with tawed, pink markers on the fore-edge. Bound by William Matthews, a leading American binder (second half of the 19th century) in a dark brown goatskin Jansenist binding (plain outside with gold-tooled doublures).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Carmelites. and Catholic Church
Subject (Topic):
Liturgy, Breviaries, Manuscripts, Medieval, and Monastic and religious life
Manuscript on Paper of Breviary: Sanctorale and Common of the Saints from Erfurt, Southern Germany. Artt. 1, 2, 5, and 6 are the original texts in this volume
Description:
In Latin., Script: Written in Gothica Semihybrida Libraria. The original arts. 1, 2, and 5 are written in one hand. Art. 6 is in a different hand. The other texts are written by various hands in small script., Decoration: In the original parts, there are countless red rubrics, 1-line versals, red underlinings, red stroking of majuscules and red running headlines. Some articles open with a larger red plain initial. In art. 3 there is red underlining and red stroking of majuscules. Art. 4 is undecorated. In artt. 7-9 there is red stroking of majuscules and extensive parts of the text are in red underline., and Binding: Original quarter binding sewn on three double cords: white pigskin over wooden boards, now covered by fragments of a 14th century liturgical music manuscript on parchment, with text in Northern Gothica Textualis Formata and “Hufnagel” notation on 4-line black staves. Handwritten title on spine (18th century). Paper(?) flyleaves.
Manuscript on parchment. Written as a gift for Barbara Pfintzing, who entered a nunnery in 1441 at the age of 16. The text indicates that the manuscript was produced for use in a Dominican house of nuns; liturgical directions are written in German (the feminine forms in the antiphons and prayers often bear suprascript masculine endings, in red).
Description:
In Latin and German., Script: Written by a single scribe in well formed gothic textura. Articles 1 and 6 have 4-line staves, in red, and black square notes., Uninspired blue initial, 2-stave, on f. 1r, infilled and surrounded by red penwork flourishes with blue accents. Similar plain initials, 2-line, alternate in blue, red, and black with red throughout. Running titles and headings in red., and Binding: Sixteenth century. Resewn, using original sewing holes, on three double vegetable fiber cords laced into back-cornered and indented oak boards. Endbands embroidered on a strip of vellum and adhered, the vellum extending onto the outside of the boards. The spine is square and lined all along with manuscript fragments extending to the inside of the boards. Covered in vellum blind-tooled with concentric borders containing heads in oval frames among foliage in the outer, and busts of saints in the inner. Two brass fastenings, the catch on the upper board, straps attached to the lower with a metal plate. Straps wanting and a slight crack in one joint.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Dominicans
Subject (Topic):
Liturgy, Manuscripts, Dominican sisters, Manuscripts, Medieval, Monasticism and religious orders, and Processionals (Liturgical books)
Manuscript fragment on parchment (6 non-consecutive leaves) of vesper antiphons. Feasts noted for some antiphons are: Ascension; 21st-23rd Sunday after Pentecost; Vigil of Saints Peter and Paul
Description:
In Latin., Script: written by a single scribe in a formal gothic bookhand., Six lines of text with musical notation on a four-line red staff. Initials in red, blue, and black., and Unbound.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Antiphonaries, Manuscripts, Medieval, and Vespers (Music)
Manuscript fragment on parchment of an antiphonary containing the Common of the Apostles
Description:
In Latin., Script: written in rounded gothic script (littera textualis formata)., and Decoration: The 4-line initial at the beginning of the office is blue and red with blue and red flourishes; 2-line initials at the beginning of responses alternate blue and red; 2-line initials at the beginning of verses are brown with brown and yellow flourishes; 1-line initials within verses are in brown and are highlighted with red; rubrics written in red in the same script as the text; punctuated with the punctus; hyphenation is in the same ink as the text; musical notation is on a four-line staff.
Manuscript fragment on parchment of a breviary containing St. Andrew (30 November).
Description:
In Latin., Script: written in a hybrid gothic script (littera textualis with frequent but not consistent use of cursive forms of d, b, l, and t; s and f do not descend below the base line)., and Decoration: 1-line initials at the beginning of lessons are in red; other 1-line initials are in brown highlighted with red; rubrics are written in red in the same script as the text; liturgical directions are written in brown and are underlined in red; punctuated with the punctus and virgule.
Manuscript fragment on parchment of a breviary containing: The Passion of St. Ursula and St. Ursula (21 October).
Description:
In Latin., Script: written in gothic script (littera textualis libraria with simple form of "a")., and Decoration: 1- and 2-line initials alternate red and blue; other initials are in brown highlighted with red; rubrics written in red in the same script as the text; there is no punctuation; hyphenation in the same ink as the text.
Manuscript fragment on one leaf of parchment (soft, furry; trimmed) of 1) Apoc. 21.4-5: Epistle for last Sunday after Pentecost (?). 2) Beginning of Proper of the Saints, with Epistle for St. Andrew (30 Nov.); Rom. 10.10-15.
Description:
In Latin., Script: Written in bold, well spaced, and slightly rounded gothic bookhand., and Red hufnagel neumes scattered over the text for the subdeacon who reads the Epistle at Mass. On recto, space of 12 lines (140 mm.) left blank between arts. 1 and 2, perhaps for a miniature. 5-line initial in red, ending in pen and ink flourishes. On verso, illuminated initial C, 11-line, of poor quality, on brownish-red ground within rectangular frame of bright orange, green, and blue. Initial in white with bands of gold and silver; two gold-bordered medallions with white-blue centers, resembling jewels or mirrors. Initial encloses full-length figure of St. Andrew holding cross of his martyrdom. Text initials touched with red.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Epistolaries, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval