Manuscript on paper, written in two stages. Part II was copied in the mid-14th century (before 1369) in Tuscany, possibly in Pisa. Part I was copied by Niccolo di Giovanni Cinuzi da Siena in Ferrara, Italy, by 1 Sept. 1415. Part I: Boccaccio, Filostrato. Part II: Articles 2-35 and 38-39 consist of a collection of Italian canzoni by various authors as well as anonymous poems. Artt. 36 and 37 are fragments of Petrarch, Rerum vulgarum
Description:
In Italian., Watermarks: Part I: similar to Briquet Monts 11678. Part II: similar to Briquet Ciseaux 3737., Script: Part I (ff. 1r-78v): Written by a single scribe in a bold upright notarial script. Part II (ff. 91r-110v): Written in a clear notarial script by a single scribe; later writers have added the initials, offset in margins, for the major sections of text (sometimes inaccurately) and the notes on ff. 109v-110v., Crude drawings include a falconer with birds, f. 103v, and a ghost (?), f. 103r., The pattern of stains suggests the two parts were originally bound separately. Stained throughout; some ink blotches affect text., and Binding: Nineteenth century. Brown calf over wooden boards, blind-tooled. Red-brown, gold-tooled label. Parchment reinforcements between quires.
Manuscript on parchment of Formularium novum, copied after an unbound exemplar in the hands of master Ulrich, librarius at the papal court in Rome. Preserved from the end of chapter 531 up to the end of the text, i.e. chapter 586. Many documents have connections with Bologna. Also contains an undated and unsigned letter addressed to a Pope, answering a letter by the General of the Franciscan order and referring to an invasion of property belonging to the writer's family by a certain Tiburtius, made into a formula
Description:
In Latin., Script: Art. 1 copied by one hand in Gothica Cursiva Libraria; art. 2 is in another hand, writing a small script of the same type., Headings in red; instructions for them are written in small Cursiva in the margins, together with the chapter numbers. 2-line flourished initials, alternately red with purple and blue with red penwork. Art. 2 is undecorated., The reading is doubtful at many places. The corners and outer edges of the final leaves damaged., and Unbound.
Manuscript fragment on parchment of a gradual containing the Second and Third Sundays after Easter
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: one 4-line initial "I", the body of which is divided into three columns of blue, blue-grey, and light brown, each column decorated with a different pattern of white filigree; the first letter of the rubric is a blue uncial with red penwork, and the rest of the rubric is written in red; punctuated with the punctus; musical notation is in black on 4-line staves in red.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, and Graduals (Chants).
In Latin., Script: written in gothic script, with notation in nota quadrata., Many illuminated, several historiated initials, the rest in red and black penwork. Made for a church where there was a special veneration for Sts. Lawrence, Concordia and Pope Marcus., Many folios are damaged, some were repaired and all were cut off at the upper and side edges., and Binding: old wooden boards covered with leather; metal corners and center pieces, leather clasps; rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Graduals (Liturgical books)., Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Music
Manuscript bifolium, on parchment, containing part of a didactic poem about Latin grammar
Description:
In Latin., Script: Italian gothic. Marginal annotations in a contemporary cursive gothic hand., Decoration: Initial letters in red and blue ink., and Ownership? inscription in gutter of bifolium: "Al molto nobilo Messer Antonio R----."
Manuscript bifolium on parchment, containing text from the Heroides, with the text of the Italian prose translation by Filippo Ceffi framing it in the margins
Description:
In Latin and Italian., Script: gothica textualis rotunda italiana., Decoration: capitals touched in yellow ink. Headings in red ink., and Labeled in a large later hand: "Ricorda...anno...161...."
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ceffi, Filippo. and Ovid, 43 B.C.-17 A.D. or 18 A.D.
Manuscript fragment on parchment of an initial; De Ricci records two manuscript numbers for this fragment; however, it contains only one initial
Description:
In Latin. and Decoration: initial "N" in light pink decorated with white foliate patterns around the outer edge of the letter and white dots around the inner edge; the ends of the letter terminate in green and yellow; the letter is on a gold geometric ground that is outlined in black and filled with green, pink, and red leaves attached to a blue vine and with balls that are half white and half blue or green.
Manuscript on parchment, composed in two parts with different formats, of Jacobus de Voragine, Legenda aurea. With several Saints' Vitae by various authors. Part I was written in (probably Northern) Italy at the end of the 14th or beginning of the 15th century. Part II may have been written in Hainaut and added during the 15th century
Description:
In Latin., Script: Part I written in round gothic bookhand by a single scribe who made neat corrections, often on lines ruled in the margins. Part II written in well formed gothic textura., Part I: Border decorations: long stems, inner and top margins or between text columns, in blue, pink, and grey segments divided by small balls, sprouting curling foliage (blue, light blue, and orange), concentrated at corners, with large spiky leaves at terminals and large spiral angular returns filled with mauve or gold in the lower margins; large gold dots tucked under leaves and trailing from the tips of leaves on thin brown pen lines. Initials, 4- to 3-line, attached to stems, pink and grey with white highlights; foliage serifs, as above; letters filled with blue and gold, with some vine work (green and grey), against gold grounds with thick black edging. 2-line initials, set into text columns, blue or red, with very elaborate, minute penwork, blue, red, and occasionally green, built up of small spirals, roundels, and long "caterpillar"-like segments, often extending the full length of text columns; with curling flourishes in margin. 1-line initials in Table of Contents red or blue, with thin vertical strokes in the opposite color; chapter numbers in red. Headings and paragraph marks in blue or red; rubrics throughout., Part II: Plain initials, 5- to 3-line, alternating red and blue, with large serifs; one on f. 300v in red and blue. Headings and initial strokes in red., and Binding: Nineteenth century. Pinkish brown calf case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jacobus, de Voragine, approximately 1229-1298. and Cistercians.
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Legends, and Manuscripts, Medieval
Manuscript fragment on parchment containing a portion of Johannes de Deo's Liber Poenitentiarius
Description:
In Latin., Script: written in a rounded gothic script (littera textualis)., and Decoration: there are spaces with guide letters for 2-line initials, but they have not been added; rubrics in red in the same script as the text; guides for the rubricator are in the margins in light brown ink; punctuated with the punctus.
Manuscript on parchment of an anonymous Italian translation of Giordano Ruffo, Liber marescalcia equorum, as well as recipes for various equine illnesses and schematic drawings of bits
Description:
In Italian., Script: main text copied by one hand in Southern Gothica Textualis Libraria., Capitals and headings in red in main text. Diagrams of various bits for horses on ff. 39v and 40r., and Binding: S. XX binding: plain parchment over cardboard.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Rufus, Jordanus, fl. ca. 1225-1250.
Subject (Topic):
Horses, Italian literature, Literature, Medieval, and Manuscripts, Medieval