Manuscript on paper (no watermarks), divided into five distinct parts. Part I: Aristotle, De caelo. Part II: Aristotle, De incessu animalium, with marginal notes drawn from Michael of Ephesus; De longitudine vitae; De iuventute. Part III: Porphyry, Isagoge, with marginal notes. Part IV: Aristotle, Categories. Part V: Aristotle, De interpretatione, with marginal commentary of Michael of Ephesus; Analytica priora; Analytica posteriora. With Scholia to Galen, De naturalibus facultatibus, De locis affectis, De elementis secundum Hippocratem
Description:
In Greek., Script: Part I (ff. 1r-51v): Written in a rather careless Greek minuscule by two scribes: Scribe 1, ff. 1r-16v; Scribe 2, ff. 17r-51v. Some marginal and interlinear notes by a later hand. Part II (ff. 52r-80v): Written in minuscule, large and rather careless, by Scribe 2 of part I; marginal and interlinear notes by same hand. Part III (ff. 81r-88v): Written in Greek minuscule, small and very neat (tops of letters close to but not touching ruling), by Scribe 3; marginal and interlinear notes in red by original scribe; notes in brown by a different hand. Part IV (ff. 89r-129v): Written in minuscule, large and rather careless, by Scribe 4, who adds flourishes in the margins; a few marginal notes by a later hand. Part V (ff. 130r-198v): Written in minuscule by several scribes: Scribe 5 (ff. 130r-176r), a small neat hand; Scribe 6 (ff. 177r-198v), a large and progressively more careless hand; f. 176v by a small, neat later hand. A few notes in margins by a later hand., Part I: Diagrams, labelled by the original scribe: syllogisms, consisting of geometrical figures and other groups of curved or straight lines. One simple 2-line initial in red; line-fillers and heading also in red. Part II: Contains a few diagrams of syllogisms. Title in red crossed out and rewritten in blackish-brown; one 2-line initial in red. Part III: Four-line initials in red, with floral ornaments; red also used for headings, notes of original scribe, and diagrams of syllogisms. Part IV: Many diagrams of syllogisms with labels by the original scribe; some doodles in the margins. Part V: Spaces left for initials within the text were never filled., Water damage on ff. 9r-16v and ff. 161-174; Parts I and III eaten by worms. The pattern of the damage suggests that the parts of the manuscript were not originally bound together., and Binding: 18th-19th centuries. Brown calf blind- and gold-tooled. Cloth label attached to the spine reads "ARISTOTELIS OPERA VARIA G. M-S."
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle. and Michael, of Ephesus.
Subject (Topic):
Classical literature, Manuscripts, Medieval, Scholia, and Science, Ancient
Manuscript on parchment of Boethius, De consolatione philosophiae. With Excerpts from the commentary of Nicolas Trevet (in margins) on Boethius, Book I.1.1 - II.5.34.
Description:
In Latin., Script: Written by two scribes in an ornate and elegant gothic bookhand. 1) ff. 1v-154v; 2) ff. 155r-210v. The marginal commentary is in a neat informal batarde (ink paler than that used for text)., Plain initial, 3-line, in blue at beginning of text; other initials, 2-line, in red throughout text to mark the beginning of poetry and prose sections. Title page (f. 1v): alternating lines of blue and gold., Grease stain in margins at end of codex; bottom of f. 81 trimmed., and Binding: Nineteenth century. Brown sheepskin, blind-tooled. Repaired.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524. and Trivet, Nicholas, 1258?-1328.
Subject (Topic):
Consolation, Dialogues, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Scholia
Manuscript on parchment of 1) Dante Alighieri, La Commedia secondo l'antica vulgata. 2) Bosone de' Raffaelli da Gubbio, "Capitolo" on the Divine Comedy, in 64 terzine. 3) Iacopo Alighieri, "Divisione" of the Divine Comedy in 50 terzine (thus of the B group).
Description:
In Italian., Script: Written in round gothic script., Very fine initials and borders. Three historiated initials, each with a personification with attributes. Each initial with a full border of fleshy acanthus, blue, orange, olive green, pink, grey and gold, with tooling; birds in lower margin of ff. 1r and 54r; on f. 1r a coat-of-arms, in lower margin: azure, a chevron or, between two roses in chief argent, a mount of 6 in base argent, probably of the Bini family, Florence. 3-line initials, red or blue, with mauve or red penwork with long intricate flourishes often extending the length of the page. Opening text of Inferno adjacent to the initial of f. 1r in display capitals with penwork panels in brown ink. Capitals on the beginning of each stanza stroked in yellow. Rubrics throughout., and Binding: Sixteenth century. Sewn on five double supports attached to wooden boards. The spine is square with well defined bands and red and green endbands. Covered in dark brown goatskin, blind-tooled in mudejar style in two sets of concentric frames; DO.IOAN.DE gold-tooled in the center of one, BORGA in the other. Trace of two fastenings. Gilt edges. Restored.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Dante Alighieri, 1265-1321. and Dominicans
Subject (Topic):
Manuscripts, Illumination of books and manuscripts, Medieval, Italian poetry, Manuscripts, Medieval, and Scholia
Manuscript on paper of Adolfus von Wein, Doligamus. The text, a series of fables concerning the deceitful conduct of women, is heavily annotated with interlinear glosses and lengthy explanatory prose passages inserted both between segments of the text and in the outer margins. With Albertus Magnus, attributed author, De secretis mulierum; and Pope Pius II (Aeneas Sylvius Piccolomini), Carmen in laudem Friderici Caesaris, a poem written in praise of Friedrich III (1415-93), King of the Germans and later crowned Holy Roman Emperor
Description:
In Latin., Watermarks: similar to Piccard, Ochsenkopf XIII.173 and XI. 201, and similar in design to Briquet Main 11090, 11092-93., Script: Written by a single scribe in inelegant gothic cursive, with a smaller script for commentary and interlinear notations., Crude decorative initials, 2-line, in red, some with foliage designs in body of letter; first letter of each verse stroked with red., Some loss of marginalia due to trimming on ff. 8v, 9r., and Binding: Twentieth century. Red paste-paper case with a black, gold-tooled label.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Adolfus, von Wien, 14th cent. and Frederick III, Holy Roman Emperor, 1415-1493.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Fables, Laudatory poetry, Latin, Manuscripts, Medieval, and Scholia
Prosper, of Aquitaine, Saint, approximately 390-approximately 463
Published / Created:
[between 1400 and 1425]
Call Number:
Beinecke MS 15
Image Count:
230
Resource Type:
unspecified
Abstract:
Manuscript on parchment of Prosper Aquitanus, Epigrammata ex sententiis Sancti Augustini. With Johannes Shepey, Sermones
Description:
In Latin., Script: Written in various styles of Anglicana, with some portions in gothic bookhand, by four scribes. Scribe 1) ff. 1r-10r; Scribe 2) ff. 10v-30r; Scribe 3) ff. 31r-107v; Scribe 4) f. 75r to the top of 76r (perhaps to supply text missing from the exemplar)., Blue initials with elaborate red, blue, and black penwork borders that almost totally encompass the written space on ff. 1r and 31r (trimmed along upper and outer edges); similar initials in blue with red penwork designs extending entire length of folio introduce each new section of text., and Binding: Nineteenth century. Brown sheepskin, blind- and gold-tooled. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustine, of Hippo, Saint, 354-430. and Prosper, of Aquitaine, Saint, approximately 390-approximately 463.
Subject (Topic):
Epigrams, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Scholia, Sermons, and Theology, Doctrinal
Manuscript on parchment of Martial, Epigrams. The codex was misbound; the epigrams are out of order. Excerpts from the critical commentary of Domizio Calderini (Professor of Rhetoric at Rome in 1470) surround the text on ff. 1r-24v and 165r-193r. With an unidentified prose text outlining the development of civilization
Description:
In Latin., Script: Written by one scribe in a neat italic for the text and a less formal hand for the commentary and for the unidentified text on ff. 193r-194v., Gold initials, 5-line, on blue, dark red and green grounds, with white and gold highlights, mark the beginning of each book. Small, plain initials, alternating red and blue, for each epigram. Commentary and titles, in various shades of red., Final folios creased and rubbed; some loss of marginal text due to trimming and wear., and Binding: 18th-19th centuries. Vellum case, blind-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Martial.
Subject (Topic):
Epigrams, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Scholia, and Verse satire, Latin
Manuscript on parchment (heavy, dark and poor quality) of 1) Porphyry, Isagoge. 2) Ammonius Hermeiou, In Porphyrii Isagogen. 3) Aristotle, Categoriae. 4) Aristotle, De Interpretatione. 5) Ammonius Hermeiou, In Aristotelis Categorias Commentarius. 6) Michael Psellus, In Aristotelis De Interpretatione Commentarius
Description:
In Greek., Script: Written by a single scribe in minuscule which varies considerably in size and angle. Many marginal notes by later hands., Some crude diagrams by original scribe within text (e.g., f. 33r: diagram illustrating the division of sounds); others added later in margins. Headpiece on f. 1r is a plaited design set in an elaborate rectangle. An elaborate initial O follows headpiece; simpler initials elsewhere. Brown ink used for decoration throughout., and Binding: Nineteenth century. Tan calf case of molded leather, blind-tooled with gold-tooled lettering on spine. Similar to bindings of MSS 255 and 258 and probably by the same binder. Possibly by Whitaker (we thank A. R. A. Hobson for this information).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Porphyry, approximately 234-approximately 305.
Subject (Topic):
Charts, diagrams, etc, Manuscripts, Medieval, and Scholia
Manuscript on paper of 1) Life of Oppian. 2) Summary of the poem in art. 1. 3) Scholia on Oppian, Halieutica, attributed to Tzetzes. 4) Paraphrasis of Oppian, Cynegetica, attributed to Tzetzes
Description:
In Greek., Watermarks: similar to Briquet Croix latine 5683 and Main 11292., Script: Written by Andreas Darmarius in Salamanca and dated 17 November 1580., Headings and simple initials in red. A few diagrams to illustrate text, mainly geometrical figures showing the elements of the cosmos (ff. 31r-32v), but also one stemmatic diagram illustrating the divisions of fishing (f. 72v)., and Binding: Nineteenth century (?). Limp vellum case; remains of tawed skin ties. Lettering in ink on spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Oppian, active 2nd century.
Subject (Topic):
Greek poetry, Hellenistic, Hunting, Manuscripts, Medieval, and Scholia
Manuscript on paper (rough; light brown) of 1) Tzetzes, Scholia in Hesiodi Opera et dies. 2) Hesiod, Opera et dies. The codex has been repaired extensively. Certain leaves have been replaced in different periods; in most cases the missing text was supplied in the same format. (Folios added later: 39, 68, 84, 94-97.)
Description:
In Greek., Script: The main text was written by a single copyist who used a well spaced, but crude, style of writing for the work of Hesiod, and a more cramped, abbreviated style for the commentary of Tzetzes. Numerous interlinear and marginal notes in several hands., Title of work and simple initial on f. 1r in red; other ornamental initials, some of which incorporate animal motifs, in black. Diagrams, also in black ink, include: f. 67v (outer margin) mortar and pestle; f. 67v (lower margin) man driving a cart pulled by two oxen; f. 69v (lower margin) plow, with parts labelled., The manuscript is in poor condition with loss of text due to: faded ink, water stains, worm-holes, and repaired leaves., and Binding: between 1800 and 1829. Tan, diced goatskin, gold-tooled. Bound by C. Lewis (active in London 1807-36).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Hesiod.
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Scholia