Manuscript on parchment of Nicolaus de Lyra, Postilla super psalterium; Postilla super libros prophetorum
Description:
In Latin., Script: copied by two scribes: A copied ff. 1r-95r (with the exception of f. 40) in Gothica Cursiva Antiquior Libraria; and B copied ff. 97r-272r in the same type of script, but closer to Anglicana., Decoration: Illuminated initials in red, purple, blue, and gold leaf. Elaborate marginal vine-and-floral ornamentation at beginnings of chapters in red, blue, green, brown, and gold leaf. Occasional multi-colored pictures and diagrams. Traces of indexing tabs on the first leaf of every book. See catalog description for further detail., and Binding: 19th century parchment over pasteboards. Each cover has a central embossed design of an interlocking lozenge and rectangle in red and black with floral ornamentation in gold and blue. Red leather labels on spine with embossed gold letters.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Nicholas, of Lyra, ca. 1270-1349.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Nicolaus de Lyra, Postillae on Genesis, Exodus, Leviticus, Numbers, Deuteronomy, Joshua, Judges, Ruth, and I-IV Kings
Description:
In Latin., Script: Written by several scribes in gothic bookhand., 19 pen-and-ink drawings with washes in red, green, blue and pale yellow, some inserted into the text column, others up to half-page size dealing with the Tabernacle in the Desert and the Temple of Solomon: the drawings serve to clarify the written text by depicting differences in interpretations between Jewish and Catholic exegesis; contrasting drawings are usually juxtaposed and labelled with the respective source for each., Many fine flourished initials, red and blue divided, 9- to 3-line, with penwork designs in red, blue and/or purple; somewhat smaller less ambitious initials alternate red and blue with designs in the opposite color. The minor decoration appears inconsistently, with running headlines, rubrics, paragraph marks and underlining of Biblical texts, in various colors or totally absent., and Binding: Modern restoration? Limp vellum case with earlier title (mostly illegible) running lengthwise on spine and later title added at top of spine: "Fr. Nicolai de Lyra ord. min. Commentaria in Libro historico Sacrae Scripturae".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Nicholas, of Lyra, ca. 1270-1349.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Scholasticism
Manuscript on parchment composed in two parts. Part I (13th century): Nicolaus Tornacensis [?], Commentaria super Exodum 14.4-15.5; Commentaria in Lucam 1.19-1.33. With Philippus Cancellarius, Sermones de tempore; and unidentified texts on canon law. Part II (15th century): Nicolaus de Lyra, Postilla in Iosuam; Postilla in Iudices
Description:
In Latin., Script: Part I (ff. 1-113): Written by multiple scribes in spiky gothic bookhand, both above and below top line; ff. 59v-60r in a later, less formal gothic script. Part II (ff. 114-165): Written in batarde script, below top line., Part I: Poorly executed initials, 3- to 2-line, in blue or red with designs in opposite color; plain red or blue initials for arts. 1 and 5. Headings and underlining for Biblical passages in red. Part II: Plain initials, 4- to 2-line, headings, paragraph marks, underlining for Biblical passages, initial strokes and punctuation, in red., Rust stains on ff. 109-113 indicate that Part I was once bound separately., and Binding: 19th-20th centuries, France (?). Quarter bound in brown calf, blind-tooled, over oak boards. Bound by the same binder as Marston MSS 119, 214 and 236.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Nicholas, of Lyra, ca. 1270-1349.
Subject (Topic):
Canon law, Church year sermons, Manuscripts, Medieval, and Sermons
Manuscript on parchment of Isidore of Seville, Quaestiones in Vetus Testamentum
Description:
In Latin., Script: copied by various hands, all writing Praegothica., Red headings, chapter numbers and running headlines. Red, blue, brown or green half inset 2-line (sometimes 1-line) plain initials. Yellow heightening of the opening majuscules in the chapter lists. 4-line decorated initial in green, blue and red on f. 1r., and Binding: early binding, the back repaired with a piece of leather fixed with nails: dark brown leather over wooden boards. On both covers numerous marks of clasps, bosses and corner pieces. On the rear cover remnants of a paper title label. On the back a parchment label with the handwritten s. XVII title "S. Isidor. Hisp. / In Sacr. Script."
Manuscript on paper (usually thin and white; watermarks vary) of texts on the faith of the Orthodox Church, specifically as it compares to Protestant doctrine. Includes prayers, sermons, commentaries, creeds, poems and glossaries
Description:
In Greek. and Script: Composed of 22 parts, written by different hands, mostly in Greek minuscule. The individual parts were perhaps collected and organized by Constantine Raphael Byzantinus, 18th century, whose notes are scattered throughout.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Dositheos, Patriarch of Jerusalem, 1641-1707. and Orthodoxos Ekklēsia tēs Hellados.
Subject (Topic):
Creeds, Devotional literature, Greek poetry, Manuscripts, Medieval, and Sermons, Greek
Manuscript on paper of Vincent of Beauvais, Speculum Historiale, Books 21-25. Previously bound together with the Vinland Map (Beinecke MS 350A).
Description:
In Latin., Watermarks: Briquet Tête de boeuf 15056., Script: Written by a single scribe in a well-formed running hand with bâtarde shading and flourishes in the upper and lower margins that are often decorated with red. The same scribe also wrote the Hystoria Tartarorum (Beinecke MS 350A.1). A somewhat later hand, (approximately 1500), added running titles in the upper margin in italic script., Rubrics, Roman numerals and some simple initials in red., and Binding: Fifteenth century. Sewn on four tawed, twisted, double supports laced into grooves extending approximately 25 mm on the inside of beech boards and pegged. The spine is square and lined with vellum extending onto the inside of the boards between sewing supports. Covered in brown leather blind-tooled with concentric frames, the center panel filled in with small, square bird tools. The entire binding was tooled upside down. Impressions of the tools go through to the wood. Four fastenings, the clasps on the upper board. Restored; endbands added and clasps wanting. On the glue left from the original pastedowns, now wanting, are the offset impressions from a single, heavily annotated manuscript document that was cut in half vertically; dated 1437 from the Council of Basel.
Manuscript on parchment of Petrus Cantor (d. 1197), Distinctiones (Summa Abel); with various sermon and treatise material on virtues and vices (artt. 1-4).
Description:
In Latin., Script: The main text (art. 5) is copied by perhaps one hand in a small early Northern Gothica Textualis Libraria; while artt. 1-4 are copied by another hand in similar script and light brown ink., Decoration: In Art. 5, there is red stroking of majuscules; alternately red and blue 1- to 3-line plain initials at the opening of each lemma; the first initial of each letter of the alphabet is a large flourished initial or littera duplex (but N.B. initial “B” missing on f. 14v); and the lemmata are connected with their various explanations by means of wavy red lines. Artt. 1-4 have red headings, red stroking of majuscules and 2- or 3-line plain, decorated, or flourished initials entirely in red., and Binding: Twentieth century white pigskin over cardboard. Both covers blind-tooled with a frame of stamps, and with interior space divided into 25 rectangles, each decorated with lozenge-shaped foliate stamp. The spine has five raised bands, and most compartments are blind-tooled with a quadrangular stamp.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Abel (Biblical figure). and Petrus, Cantor, approximately 1130-1197.
Manuscript on paper of texts on the Psalms and Canticles, and other texts
Description:
In Latin., Script: apparently four hands: A writing a bold Gothica Hybrida Libraria copied ff. 1r-186r and 201r; B writing Gothica Cursiva Currens copied ff. 189r-199va15; C writing Gothica Semihybrida Libraria/Currens copied ff. 199va16-200v; D writing Gothica Semihybrida Currens copied ff. 203r-299v; the document on f. 226v is probably in the same handwriting. Scribe D is the unrecorded Hinricus Landesberch in Wernigerode., Red underlining, paragraph marks, heightening of majuscules and plain initials, generally 2 lines, at the head of various texts larger. Pointing hands., The manuscript contains: 1) Honorius Augustodunensis (Honorius of Autun, c. 1090- c.1150), Expositio in psalmos CI-CL et in cantica veteris et novi testamenti. 2) Alanus de Insulis (Alain de Lille, c. 1120-1202), Glosatura super cantica veteris et novi testamenti. 3) Notes on the Book of Psalms, its subdivisions, significance, on Ps. 1 and Ps. 150, etc. 4) Extracts on the Psalms from a florilegium of the works by or attributed to St. Augustine, called Summula Florigeri sancti Augustini. 5) Treatise on the virtues and vices arranged according to the course of the sun through the signs of the Zodiac; the names of the months and of the zodiacal signs are given in Latin and in German, with examples from the Bible and legend. 6) Miracles and legends. 7) Copy of a notarial document. 8) Isidorus Hispalensis (Isidore of Seville, d. 636), Quaestiones in vetus testamentum. 9) Vision of the horrors of Hell shown to St. Paul of Thebe (Paulus Eremita, 228-341). 10) Rabbi Samuel, De adventu Messiae praeterito, translated from the Arabic by Alphonsus Bonihominis OP (d. c. 1353). 11) Two sermons on the Immaculate Conception, quoting many exempla. 12) Incomplete legend of St. Catharine of Alexandria. 13) Ps.-Augustinus Hipponensis, De essentia divinitatis: an excerpt from Eucherius Lugdunensis (Eucherius bishop of Lyons, d. c. 450), Formulae spiritalis intelligentiae, chapter 1., and Binding: original undecorated white deerskin over bevelled heavy wooden boards, sewn on three double thongs; spine with plaited headbands; in its upper compartment a paper label with a 17th-century indication of the content; in the second compartment a paper label with the number "VIII". On each cover five small brass bosses on indented square plates; marks of two leather straps attached to the rear cover, the holes of the pins visible in the front cover. At the top of the front cover a contemporary Table of Contents is written in ink in Gothica Hybrida Libraria, now badly legible; at the bottom of the same cover, in a large Gothica Hybrida Formata: "Tractatus Honorii pape" [sic]. The rear pastedown (half detached) consists of a large fragment and scraps on paper from a 15th-century Latin register of personal interdicts attached to persons with German names; the handwriting is Gothica Cursiva Currens.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Alanus, de Insulis, -1202., Catherine, of Alexandria, Saint., Honorius, of Autun, approximately 1080-approximately 1156., Isidore, of Seville, Saint, -636., Paul, the Hermit, Saint, -approximately 341., Pseudo-Augustinus., and Samuel, Marochitanus.
Subject (Topic):
Christian hagiography, Exempla, Manuscripts, Medieval, Theology, and History
Manuscript on parchment in two parts. Part I: Pseudo-Bede, Commentarius in Psalmos. Due to the loss of quires or leaves the following parts are missing: Ps. 23:1-31:6; Ps. 44:14-50:21; Ps. 88:48-95:10; Ps. 131:8-147:14. The contents of the first quire, which is equally lost, is unknown. Written at the Cistercian abbey of Morimondo. Part II: Unidentified definitions and theological and ethical discussions of Biblical terms and quotations without apparent order, on behalf of preachers
Description:
In Latin., Script: Part I (ff. 1-113): Written by various hands close to each other in small late Carolingian script, with sudden changes in the shade of ink and sometimes badly following the lines. The handwriting on ff. 77-84 (quire XI) and ff. 112-113 (quire XVI) has markedly different features. Part II (ff. 114-133): Written by a single hand in tiny Southern Gothica Textualis Currens, at different times and in many different ink shades. The scribe opens both quires with "Sancti Spiritus assit nobis gratia" in the upper margin., Part I: The very simple decoration is uneven and consists of plain Romanesque initials, 2 or 3 lines, in red ink; on f. 41r (Ps. 51) 5 lines; many initials are not executed or later coarsely added in black ink. Part II: Undecorated., and Binding: Fifteenth century. Brown sheepskin over heavy unbevelled wooden boards, blind-tooled with triple fillets. Spine with three raised bands.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Bede. and Cistercians.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, and Preaching
