Manuscript on parchment (goatskin) of 1) Raymundus Martini OP (c. 1215-after 1285), Capistrum Iudaeorum, composed c. 1267. 2) Nicolaus de Lyra (c. 1270-1349), Probatio adventus Christi, 2nd redaction, written 1331-1334. 3) Odo Biagi of Ancona (Odo Blasii de Ancona), Quaestiones de vera fide. A treatise addressed to the Jew A., a physician from Piceno, whom the author had met in Ancona the same year.
Description:
Binding: Nineteenth century. De luxe binding (loose) in Neo-Renaissance style: red morocco over cardboard, both covers richly gold-tooled; the turn-ins gold-tooled; the flat spine gold-tooled in five compartments, the second one bearing the inscription “NICOLAI / de / LYRA.” Grey marbled paper endleaves; gilt edges. A repair at the middle of the top of the front parchment flyleaf may indicate that the original binding was chained, the staple being fixed at the top of the front cover., Script: Copied by one hand writing Southern Gothica Textualis Libraria. In art. 1 the handwriting is larger and more careful, with fewer abbreviations, than in artt. 2-3., and Uniform decoration. Headings in red. Red stroking of majuscules. Numerous paragraph marks alternately red and blue. Alternately red and blue 2-line (rarely 3-line) flourished initials with penwork and more or less developed marginal extensions in the contrasting colour; up to f. 41v they have mostly a more developed pattern of penwork; towards the end of art. 3 they are only 1 line high; blue penwork of the initial on f. 31r is extremely pale. 2-3-line painted decorated initials with acanth extensions in the margins in art. 3 only. A 4-line historiated initial with acanths and gold balls in the margin at the opening of each art. At the top of the Genealogy of Christ on f. 94r two roundels containing the portraits of Abraham (“Abraam”) and David (“Davit”). There is a large drawing of a running bird in blue ink in the lower margin of f. 19r.
Subject (Name):
Martí, Ramón,--d. ca. 1286 and Nicholas,--of Lyra,--ca. 1270-1349
Subject (Topic):
Antisemitism, Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of a collection of texts, including: 1) A number of works by Albertano da Brescia, 2) Robertus Grosseteste's Templum De, 3) Laurence of Aquileia's Practica sive usus dictaminis, 4) Correspondence between Charles of Anjou and Peter III, King of Aragon, 5) Henry VII, Emperor, Letter to the citizens of Bologna. Manuscript also includes a number of other works.
Description:
A collection of texts, including: 1) Albertano da Brescia, De doctrina dicendi et tacendi, Liber consolationis et consilii, De amore et dilectione Dei et proximi et aliarum rerum et de forma vitae, a sermon delivered before a congregation of Genoese notaries and causidici 1243 December 6, and Sermo. 2) Petrus Damiani, De omnibus ordinibus hominum in saeculo viventium. 3) Pantaleon Barbo, Sermon on the Incarnation and Nativity. 4) Robertus Grosseteste, Templum Dei. 5) Laurence of Aquileia, Practica sive usus dictaminis. (In tabular form, each table covering two facing pages). 6) Iohannes Bondi de Aquilegia or Laurentius de Aquilegia, Theorica sive ars dictaminis. 7) Charles of Anjou (1226-1285), Letter to Peter III, King of Aragon 1276-1285, after the latter's conquest of Sicily, 1282, and a response by Peter III, King of Aragon, to Charles of Anjou. 8) Letter of the cardinals to the newly elected pope Bertrand de Got, archbishop of Bordeaux (pope Clemens VI, 1305-1314). 9) Henry VII, Emperor (1308-1313), Letter to the citizens of Bologna, 1311. 10) Astrological treatise ascribed to Claudius Ptolemaeus (Ptolemy, 2nd century) with extensive gloss. 11) Giovanni Boccaccio (1313-1375), Historia Griseldis, Latin translation by Franciscus Petrarca (Petrarch, 1304-1374). 12) A number of other letters, poems, and treatises., Binding: parchment wrappers over pasteboard made from leaves of a 15th or 16th century printed book; three white leather straps preserved., and Script: except article 1 (and 26?) copied by a single hand writing Gothica Cursiva Currens (Mercantesca); the orthography is very incorrect.
Subject (Name):
Damiani, Petrus,--Saint,--1007?-1072, Grosseteste, Robert,--1175?-1253, and Peter--III,--King of Aragon,--1239-1285
Subject (Topic):
Astrology, Christian literature, Latin (Medieval and modern), Diplomacy, Latin literature, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Rhetoric, Medieval
Manuscript on paper of 1) Augustine of Hippo, Confessions. 2) Mateusz z Krakowa, De modo confitendi. 3) Thomas Aquinas, De consideratione. 4) Series of short texts on simony, adultery and other abuses, including works by Bernardus de Reijsa and Wilhelmus Blok.
Subject (Name):
Thomas,--Aquinas, Saint,--1225?-1274
Subject (Topic):
Adultery (Canon law), Biography--To 500, Christian literature, Latin (Medieval and modern), Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Simony (Canon law)
Manuscript on paper of Nicolaus von Dinkelsbuehl (ca. 1360-1433), De Tribus partibus penitentie and other texts on virtues and vices.
Description:
2 loose leaves filed between ff. 77-78., 8 leaf quire excised at end. Several other possible excisions[?], Front cover loose., and Modern foliation employed. Flyleaf numbered as f. 1.
Subject (Name):
Nicolaus von Dinkelsbuehl
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Repentance, Vices--Early works to 1800, and Virtues--Early works to 1800
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Bonaventure, Saint, Cardinal, ca. 1217-1274 Hugh, of Saint-Victor, 1096?-1141 Isidore, of Seville, Saint, d. 636
Published / Created:
[ca. 1450]
Call Number:
Marston MS 123
Image Count:
450
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper of 1) Epistolae of Isidore, Braulio and Sisibutus. 2) Isidore of Seville, Etymologiae. 3) Richardus de Wedinghausen (Richardus Praemonstratensis), Expositio missae. 4) Bonaventure, Sermo VI de assumptione Beatae Virginis Mariae. 5) Extract from Hugh of St. Victor, Didascalion IV.14. 6) List of forbidden magical arts.
Description:
2[?] preliminary leaves excised., Binding: 15th-16th centuries, Bohemia. Stays from 15th-century parchment manuscript. Original sewing on three double supports attached to flush, sharply bevelled wooden boards. Spine leather originally sewn around endbands. Covered in cream colored suede-like skin with very faint traces of a blind-tooled X in an outer frame. Spine: double fillets at head and tail; a neat, sewn mend near the head. Pink paper place marks on the fore edge. Two strap-and-pin fastenings, the pins on the upper board and stubs of kermes pink straps attached to lower one with flower-shaped plates. Trace of a chain attachment near head of lower board; title (mostly effaced) in gothic bookhand near head of upper board., MS waste used in binding., Purchased from H. Rosenthal in 1946 by H. P. Kraus, who sold it in 1957 to Thomas E. Marston., Script: Written by a single scribe in running hybrida script., Unattractive initials in red (or red and black divided) with penwork designs, dots, knobs and/or heart-shaped appendages, all in red and black. Numerous plain red initials of similar design. Headings, running headlines, chapter numbers and initial strokes in red. T-O map of the world on f. 131v in red., and Watermarks for both end papers and text: Piccard, Ochsenkopf XII.685, Nuremberg 1430.
Subject (Name):
Isidore,--of Seville, Saint,--d. 636
Subject (Topic):
Christian literature, Latin (Medieval and modern), Latin language--Etymology, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of William of Tournai, Flores Bernardi. Text supplied on f. 10v in the second half of the 15th century. With excerpts from St. Bernard (?) on the Virgin Mary.
Description:
Imperfect: rubbed, mutilated with loss of text.
Subject (Name):
Bernardi, Flores
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Theology--Early works to 1800
The decoration is uneven and differs from section to section. Artt. 1, 3, 5, 6, 7, 8 have headings in red ink, red heightening of majuscules, red paragraph marks and red plain initials (plain and unusual flourished initials in red in art. 3) of various sizes. Artt. 2, 4 and 5-8 may have yellow heightening of majuscules too. No initials or paragraph marks in art. 8. Artt. 9-11 have red plain initials up to f. 81v; after that blank spaces with guide-letters; headings are missing after f. 67r. Artt. 2, 4, 12, 13, 14 have almost no decoration. Running headlines (author names) in large Southern Gothica Textualis Formata on pages of artt. 1, 3, 5 and 6., Binding: Nineteenth-century. Damaged half linen, the pasteboard covers covered with red paper impressed with a spiky lozenge pattern in black. Removed and rebound in purple paper. Modern binding not digitized., Cite as: Mariological, Ascetical and Other Texts. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on paper. This incomplete manuscript consists of a series of more or less independent sections. An unusual feature is the writing of text parts in the lower margins as if they were catchwords. Leaves are missing, and many texts are consequently incomplete. Many pages spoilt by the acidity of the ink. Apparently copied by four different hands, mostly very unstable and looking different depending on the period during which they entered the various sections. A (ff. 1r-54v = artt. 1-8 and ff. 107v-108v = art. 14) writes peculiar forms of Humanistica Semitextualis Libraria, which if written rapidly (Currens) tends to become a Cursiva with more pronounced Gothic features, especially in the additional artt. 2, 4 and 14; typical is the unusual abbreviation for in in the shape of dotted i. B (ff. 55r-66v = art. 9) writes Humanistica Semitextualis Libraria, equally under Gothic influence. C (ff. 67r-98v = artt. 10-11) writes a small sloping Gothico-Antiqua Currens. D (ff. 99r-105r = art. 12) writes a Humanistica Cursiva Libraria under Gothic influence; a deviant form D' is seen on ff. 106r-107r = art. 13., and Modern foliation followed. Wanting ff. 71-72.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 91-1153, John, of Wales, 13th cent, and Mary, Blessed Virgin, Saint
Subject (Topic):
Christian literature, Latin (Medieval and modern), Contemplation in literature, Exempla -- Early works to 1800, Manuscripts, Medieval -- Connecticut -- New Haven, and Sermons
Binding: Original blind-tooled brown leather over unbevelled oak boards, bound on four double cords. The two covers are decorated by means of triple fillets with different patterns: on the front cover a double rectangular frame divided into small lozenges decorated with lozenge-shaped hand-tools: griffon, unicorn (?), undetermined, ad two small flowerets; on the rear cover a double rectangular frame divided into six triangles decorated with only a few lozzenge-shaped hand-tools. Both covers protected by four engraved brass corner-pieces (three lost). Remnants of two clasps attached to the rear cover. Spine reinforcement consisting of four fragments from a missal (see below). Spine (damaged) with four raised bands and plaited headbands. Brown leather spine label with gold-tooled title and shelf-mark: VEN. BEDAE / SCINTILLA ETC. / I. XXII. B. V. (now detached). Five red leather tabs or traces of tabs, one at the beginning of each part. Front paste-down of blank parchment., Cite as: Mariological, Mystical and Ascetical Treatises. General Collection, Beinecke Rare Book and Manuscript Libra, Consecutive rear fly-leaf and paste-down cut from the same missal as the binding reinforcements, Germany, 14th century. Final part of the Ordinary of the Mass, containing corrections and changes. The Pater noster has neumatic notation on 4-line staves in black, red and yellow. Parchment. Copied by one hand in Gothica Textualis Formata, the corrections in smaller Textualis Libraria (ca. 1400). Red stroking of majuscules, red rubrics and plain initials., f. 142 loose. Originally tipped in and tab bound., In Latin., Manuscript on paper in five parts, each with its own very partial foliation (ca. 1800); they seem to have had the same history. The handwriting, by various scribes sometimes difficult to discern, is generally very uneven. The paper at places damaged by the acidity of the ink. Part I (ff. 1-84, art. 1): Copied by four Gothic hands: A (ff. 1r-29v): Hybrida Formata; B (ff. 30r-39va): Semihybrida Currens; C (ff. 39vb-56r): Hybrida Libraria; D (ff. 56v-77r): small Hybrida Libraria. Part II (ff. 85-215, art. 2): Copied by various scribes, writing Hybrida Formata, Hybrida Libraria, Cursiva Libraria (ff. 153v-157v) and Semihybrida Currens (f. 210r-v, 212v). The headings are in diverse types of script, often slovenly written. Part III (ff. 216-273, art. 3): Copied by three hands. A (ff. 216r-230v): large, bold Hybrida Formata; B (ff. 231r-272ra): Hybrida Libraria; C = friar Rudolphus Deyrdynck (f. 272rb-v): Hybrida Libraria. Part IV (ff. 274-343, artt. 4-19): Copied by one hand writing Hybrida or Semihybrida Libraria/Currens. Part V (ff. 344-388, art. 20): Copied by three hands. A (ff. 344r-352ra, 14): bold Hybrida Formata/Libraria; B (ff. 352ra, 14-354va): bold Semihybrida Libraria; C (ff. 354vb-388r): linear Hybrida Libraria/Currens sloping to the left., Note in the lower margin of f. 1r suggests that the manuscript was produced in the Benedictine abbey of Huysburg, north of Halberstadt. The scribe Rudolf Deyerdynck may have been a member of this community. Gift of the Library Associates of Yale University Library., Part I: Headings in red. The majuscules are stroked in red. Plain initials of various sizes in red, generally with the simplest form of penwork; they are all executed by the same hand., Part II: Plain initials in red of various styles and sizes, often with some flourishing; they are missing on ff. 206r-207v., Part III: Headings in red. The majuscules are stroked in red. 2-3 line plain initials in red., Part IV: Headings in red. Red stroking of majuscules and red paragraph-marks. Plain initials in red of mediocre execution; on ff. 279r-284r cadels with fancy forms; a face in the initial on f. 312r; some initials (ff. 324r-341v) apparently by the same hand as those in Part I., and Part V: Headings in red. Stroking of initials in red. 2-3-line plain initials in red at the opening of the chapters. A human face in the initials on ff. 351r, 352r, 375v. The names of the authorities quoted are in red.
Subject (Name):
Abbot of St. Mihiel, Smaragdus, fl. 809-819, Bishop of Brandenburg, Stephan Bodeker, 1383-1459, and Blessed Virgin, Saint, Mary
Subject (Topic):
Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval -- Connecticut -- New Haven, and Sermons