Manuscript on paper (thick, coarse, some deckle edges; watermarks indistinguishable) of William of Ockham, Summa logicae. With Walter Burley, De puritate artis logicae tractatus brevior, beginning of text only.
Description:
Binding: Date?, Italy? Backs of quires cut in for sewing. Plain limp vellum case with holes in each cover for two ribbons., Crude penwork initials on f. 1r in red and blue, 3-line. The first incorporates a five-pointed star in red, with blue dots, and terminates with a full-length marginal border in inner margin. The second incorporates a fleur-de-lis. Other plain initials in red and/or blue throughout. Headings and strokes on paragraph marks and majuscules in red., and Script: Written by a single scribe in small, cramped and highly abbreviated gothic cursive. Art. 6 added by two different hands.
Subject (Name):
William,--of Ockham,--ca. 1285-ca. 1349
Subject (Topic):
Logic, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Alternately red and blue paragraph marks. Alternately red and blue 2- or 3-line (sometimes 4- or 5-line) flourished initials, half inset, with penwork in the opposite colours extending in the left margin or in the intercolumnar space. On f. 1r at the beginning of the text a 9-line littera duplex with penwork, badly rubbed. Guide letters., Binding: Undecorated cardboard cover, sewn on three leather thongs., Collection of Bernard M. Rosenthal, Booksellers, Berkeley, CA (MS 192). Purchased from him on the Edwin J. Beinecke Fund., Script: Copied by one hand in Southern Gothica Textualis Libraria., and The leaves are badly soiled and rubbed, making reading often difficult or impossible (especially f. 1, which is waterstained and misses the lower corner).
Subject (Topic):
Latin language--Grammar, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Gregory IX, Pope, ca. 1170-1241 Raymond, of Peñafort, Saint, 1175?-1275
Published / Created:
[ca. 1250]
Call Number:
Marston MS 127
Image Count:
287
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment of Raymundus de Pennaforte, Summa de poenitentia et matrimonio (Libri I-IV). With 61 selections from the Decretales of Gregory IX compiled by Raymundus de Pennaforte; Raymundus de Pennaforte, Dubitalia cum responsionibus (Responsio canonica).
Description:
Binding: Date? The covers are wanting but were probably of limp vellum. Original sewing on twisted tawed skin, slit ribbons, the sewing beaded in the center. A fragment of a parchment bifolium from a 14th-century breviary (mostly rubbed and illegible) is glued to the spine and cut out for the sewing supports; a portion of the fragment extends along the front and back of the text block., Fine flourished initial, 5-line, divided red and blue, with penwork designs in both colors and long marginal tail of letter Q, f. 1r. Smaller flourished initials incorporating the heads of bird-like grotesques and cross-hatching designs. 1-line initials alternate red and blue for chapter lists. Paragraph marks and running headlines in red and blue. Rubrics throughout; instructions for rubricator along outer edges of leaves, some perpendicular to text., Parchment, ff. i (early parchment flyleaf) + 138 (medieval foliation i-l begins on f. 2)., Purchased from Enzo Ferrajoli in Geneva in 1957 by L. C. Witten, who sold it the same year to Thomas E. Marston., and Script: Written in small gothic bookhand, below top line.
Subject (Name):
Raymond,--of Peñafort, Saint,--1175?-1275
Subject (Topic):
Canon law--Early works to 1800, Manuscripts, Medieval--Connecticut--New Haven, Marriage (Canon law), Medieval and Renaissance Manuscripts in Beinecke Library, Penance (Canon law), and Scholasticism
Manuscript on paper containing 1) A short commentary on Mt. 23:2, against those who wrongly interpret the Scriptures and against simoniacs. 2) Simone Fidati da Cascia OESA (c. 1280-1348), L'ordine della vita cristiana. 3) Italian poetry: (a) Sonnet attributed to Dante (1265-1321); (b) attributed to Petrarch (1304-1374); (c) Dante, Divina Commedia, Inferno 34.1-12 (not a sonnet); (d) Sonnet by Antonio Pucci (1309-1388; often attributed to Domenico di Giovanni, called Burchiello, 1404-1449), Carboni, Incipitario, 785.
Description:
Binding: Early quarter binding, undecorated ... leather and beech boards. Spine with three raised bands and remnants of a printed paper title label: "[Tr]attato / della Vit[a] / Cristian[a] / di F. / Simone / da Casci[a]". Remnants of one clasp, attached to the rear board. On the front board the large 18th century (?) pressmark written in black ink "25.", In art. 2 red headings, heightening of majuscules and 2- or 3-line plain initials in the same colour, with guide letters; some initials have a slight penwork decoration. The additional texts are not decorated., Original foliation in Arabic numerals. Quires strengthened at inner and outer sides by means of parchments stays, cut from an erased manuscript., and Script: Art. 2 is copied by one hand in Gothica Cursiva Libraria/Formata (Cancelleresca). The scribe Agniolo Donati is unrecorded. A slightly later hand copied the additional art. 1 in Gothica Cursiva Libraria. Art. 3 was added by a hand writing a rapid Gothica Cursiva Libraria/Currens difficult to decipher.
Subject (Name):
Simone Fidati,--da Cascia,--d. 1348
Subject (Topic):
Bible--N.T.--Matthew, Christian literature, Italian, Italian poetry--To 1400, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of 1) Boniface VIII, Sextus liber decretalium. 2) Commentary of Joannes Andreae on art. 1. 3) Clemens V, Constitutiones, with preface of John XXII. 4) John XXII, "Quia nonnunquam".
Description:
Binding: Fifteenth century (?), Italy. Limp vellum case, restored., ff. 22 loose., Final leaf (now foliated 96) misbound between ff. 93-94., Script: Folios 1-96 written in littera bononiensis; ff. 1-22 written in a less formal Gothic bookhand. Numerous annotations in the margins by contemporary and later hands., and Two miniatures, f. 1r, an enthroned pope holding an open book and symmetrically flanked by ecclesiastical and secular parties, and f. 96r, a Franciscan monk presenting a book to an enthroned pope with clerical and lay attendants. Full border for text on f. 1r, constructed of solid panels, gold and red with white filigree, filled with two karyatid figures, a cleric, and a man in a blue robe. Partial border in lower margin, 3 medallions in blue, pink and red, with a papal portrait in half length, an angel, and a third subject now effaced. The medallions are connected by lozenges, green, blue and red with scrolling vines in blue, red, and green with white filigree and gold dots. 32 marginal figures in various costumes, among them several clerics, knights and an angel, often in animated poses. Numerous illuminated initials, 6- to 3-line in pink, blue or grey on blue, red, pink and gold grounds with white filigree. Foliage serifs in pink, red, grey and blue with white highlights. 39 initials with bust-length figures. Remaining initials in pink and red with white filigree. Calligraphic initials, alternating in red and blue with blue and red penwork scrolls. Plain initials and paragraph marks alternate in red and blue.
Subject (Name):
Boniface VIII, Pope, d. 1303, Boniface VIII, Pope, d. 1303|Clement V, Pope, ca. 1260-1314|Giovanni d’Andrea, ca. 1270-1348|John XXII, Pope, d. 1334, Clement V, Pope, ca. 1260-1314, and Giovanni d’Andrea, ca. 1270-1348
Subject (Topic):
Canon law, Illumination of books and manuscripts, Medieval, and Papal documents
Manuscript on paper, composed of two independant sections. Part I (ff. 1r-121v): Sermons, excerpts and treatises. With works by Thomas de Hibernia and Albertus de Padua. Part II (ff.122r-180v): Works by St. John Chrysostom; with a treatise on temptations and special Mass prayers.
Description:
Binding: Contemporary Northern French or Flemish binding, which no doubt was made for Part II and rebacked when Part I was added: blind-tooled brown calfskin over bevelled wooden boards; the decoration consists of frames and a lozenge pattern traced in triple fillets, the lozenges filled with three tools: a rose, an acorn motif and a standing figure (?). Remnants of two clasps attached to the rear cover, with engraved brass catches on the front cover. On the 19th-century (?) spine the gold-tooled inscriptions “SERMONES” / and “IOANNES / CHRYSOSTOMUS”., Part I: Underlining and plain initials. Headings underlined or framed or written in red. Framed running headlines on the pages where a new article begins. Part II: Headings, heightening of the majuscules, and red 2-line plain initials in art. 41. The heightening is continued up to f. 137v, but the initials have not been executed from art. 42 onwards. Guide letters for all initials., Script: Part I: Copied by one hand in small Gothica Hybrida Currens. Some additions in a larger and more formal handwriting. Marginal captions. The scribe is Iohannes de Lovanio (John of Louvain), called (de) Dynen, lector in the convent of the Hermits of St. Augustine in Venice. Part II: Copied by the priest Jean Frassent in Gothica Cursiva Formata (Bastarda), which is less carefully executed on the final pages. Calligraphic extensions at the ascenders on the top line., and There is a contemporary foliation in red ink in arabic numerals in the middle of the upper margins of the recto pages, which coincides with the modern foliation up to f. 86; ff. “87”-“88” of the contemporary foliation are missing; the latter continues from “89” (= f. 87) to “113” (= f. 111). There are traces of a still earlier foliation, also in the center of the upper margins, which has been erased and appears to run from “70” (= f.1) to “159” (= f. 90, “156” and “157” being the missing leaves).
Subject (Name):
John Chrysostom,--Saint,--d. 407 and Thomas,--of Ireland,--ca. 1265-ca. 1329
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Sermons, Latin