"A young man (left) takes with his left hand the right hand of a young woman, who bows towards him, holding her limp skirt delicately between finger and thumb. Both wear burlesqued versions of the newest fashions. He wears a striped sleeveless vest or waistcoat made in one piece with a pair of pantaloons which reach below his calves where they are tied with bunches of ribbon. A voluminous swathed neckcloth conceals his chin. His powdered hair is frizzed on his head with a long queue. He holds a round hat and a bludgeon in his right hand. She wears in her hair three extravagantly long ostrich feathers, which rise from a small cap or turban and sweep across the design, with an erect brush-aigrette ; long tresses issue from the turban with the feathers and fall below her waist. Her limp high-waisted dress with short sleeves falls from below uncovered breasts, which are decked with a lattice-work of jewels caught together by an oval miniature (cf. BMSat 8521)."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray, working from a design by 'Miss Aynscombe.' See British Museum catalogue., Sheet trimmed to plate mark., Temporary local subject terms: Male costume, 1794 -- Female costume, 1794., Watermark: J Whatman., and Window-mounted to 40 x 28 cm.
Publisher:
Pubd. May 7th, 1794, by H. Humphrey, No. 18 Old Bond Street
"A mother and daughter face each other in profile. An elderly woman, heavily moustached and bearded, sits at a small rectangular table, her right forefinger accusingly pointed at a young woman (closely resembling her), apparently pregnant, who stands holding a fan with an expression of wary apprehension. Beneath the table is a large crow, one foot raised, turning its head towards the elder woman to say "Oh! too bad". A patterned carpet, plain wall, and door (right) form a background."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Pregnancy -- Expressions of speech: I have a crow to pluck with you.
Publisher:
Pubd. Novr. 1st, 1794, by H. Humphrey, No. 37 New Bond Street
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Restrike for Bohn's "Supressed plates," ii, 44, published in 1849, of No. 8557 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.7., and Temporary local subject terms: Pregnancy -- Expressions of speech: I have a crow to pluck with you.
Publisher:
Pubd. Novr. 1st, 1794, by H. Humphrey, No. 37 New Bond Street
A coach filled with passengers is driven by a coachman (smoking a pipe) and pulled by two teams of horses. The roof of the carriage is loaded with bags and a cage filled with poultry; the one bag is labeled 'Brussels'. Another cage of birds swings off the bottom of the carriage in the back, the top of which is covered in a tarp. The driver whips the lead team. A coat of arms decorates the door to the carriage
Description:
Title etched below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A scene in a kitchen showing a French male cook on his knees beside a cross-looking female cook holding a spatula. In the background, a roaring fire in the hearth with a slab of beef on a spit
Description:
Title etched below image., Printmaker attribution to Isaac Cruikshank from Rosenbach. For the original watercolor drawing by Cruikshank, see Huntington Library object number: 71.79.72., Imperfect; sheet trimmed within plate mark resulting in loss of imprint statement from bottom edge. Imprint supplied from impression at the Bodleian Library, shelfmark: Curzon b.02(065)., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Publish'd 1st March 1794 by Robt. Sayer & Co., Fleet Street, London
Subject (Topic):
Ethnic stereotypes, Kitchens, Cooks, and Pleading (Begging)
"Lansdowne, dressed as a news-boy, steps through a door in the garden wall of Lansdowne House. Across his cap (a bonnet-rouge) is a paper: 'Gazette Extraordiny'. He holds out a sheet headed with his arms and the title 'Gazette \ Extraordinary \ : Published without Authority \ Monday May 26th 1794 \ Berkeley Square'. Beneath, in two columns: 'Intelligence from America Lie the Ist Intelligence from France Lie the 2d Intelligence from Holland Lie ye 3d Intelligence from Italy Lie ye 4th Intelligence from Algiers Lie the 5th [signed] I am &c. Malagrida'. In his left hand is a news-boy's horn and under his left arm a sheaf of his 'Gazette Extraordinary'. Scrolls issue from his mouth: 'bloody News Great News' and similar scrolls float above the gate from the garden of Lansdowne House (where conspirators are supposed to be shouting): 'Ça ira Ça ira' (cf. British Museum Satires No. 8443)."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Text below title: --credat Judaeus Apella", "non ego.", Temporary local subject terms: Newsboys -- Lansdowne House -- Male costume: 'Bonnet rouge' -- Berkeley Square -- Newsboys' horns -- Members of the Opposition., and Mounted to 56 x 37 cm.
Publisher:
Publd. 31st May 1794 by H. Humphrey, No. 18 Old Bond Street
"Lansdowne, dressed as a news-boy, steps through a door in the garden wall of Lansdowne House. Across his cap (a bonnet-rouge) is a paper: 'Gazette Extraordiny'. He holds out a sheet headed with his arms and the title 'Gazette \ Extraordinary \ : Published without Authority \ Monday May 26th 1794 \ Berkeley Square'. Beneath, in two columns: 'Intelligence from America Lie the Ist Intelligence from France Lie the 2d Intelligence from Holland Lie ye 3d Intelligence from Italy Lie ye 4th Intelligence from Algiers Lie the 5th [signed] I am &c. Malagrida'. In his left hand is a news-boy's horn and under his left arm a sheaf of his 'Gazette Extraordinary'. Scrolls issue from his mouth: 'bloody News Great News' and similar scrolls float above the gate from the garden of Lansdowne House (where conspirators are supposed to be shouting): 'Ça ira Ça ira' (cf. British Museum Satires No. 8443)."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Text below title: --credat Judaeus Apella", "non ego.", Temporary local subject terms: Newsboys -- Lansdowne House -- Male costume: 'Bonnet rouge' -- Berkeley Square -- Newsboys' horns -- Members of the Opposition., and Mounted on page 95.
Publisher:
Publd. 31st May 1794 by H. Humphrey, No. 18 Old Bond Street
"Lansdowne, dressed as a news-boy, steps through a door in the garden wall of Lansdowne House. Across his cap (a bonnet-rouge) is a paper: 'Gazette Extraordiny'. He holds out a sheet headed with his arms and the title 'Gazette \ Extraordinary \ : Published without Authority \ Monday May 26th 1794 \ Berkeley Square'. Beneath, in two columns: 'Intelligence from America Lie the Ist Intelligence from France Lie the 2d Intelligence from Holland Lie ye 3d Intelligence from Italy Lie ye 4th Intelligence from Algiers Lie the 5th [signed] I am &c. Malagrida'. In his left hand is a news-boy's horn and under his left arm a sheaf of his 'Gazette Extraordinary'. Scrolls issue from his mouth: 'bloody News Great News' and similar scrolls float above the gate from the garden of Lansdowne House (where conspirators are supposed to be shouting): 'Ça ira Ça ira' (cf. British Museum Satires No. 8443)."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Text below title: --credat Judaeus Apella", "non ego.", Temporary local subject terms: Newsboys -- Lansdowne House -- Male costume: 'Bonnet rouge' -- Berkeley Square -- Newsboys' horns -- Members of the Opposition., 1 print : aquatint and etching on wove paper ; plate mark 38.9 x 27.3 cm, on sheet 40 x 28.1 cm., Mounted on leaf 77 of James Sayers's Folio album of 144 caricatures., and Watermark, trimmed: Edmeads & Pin[e].
Publisher:
Publd. 31st May 1794 by H. Humphrey, No. 18 Old Bond Street
Title from item., Two lines of text above image: Vive la Republique! ..., Companion print: A Paris Belle., Plate from: Illustrative description of the genuine works of Mr. James Gillray. T. M'Lean, 1830., Numbered '108' below imprint in contemporary hand., Cf. No. 8430 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Temporary local subject terms: Allusion to the French Revolution -- Frenchmen -- Jewelry: earrings -- Emblems: tricolored cockade -- Male costume: bonnet rouge.
Publisher:
Pubd. Feby. 26th, 1794, by H. Humphrey, N. 18 Old Bond Street
Title from item., Three lines of text above image: Des tetes! du sang! la mort! ..., Companion printt: A Paris Beau., Plate from: Illustrative description of the genuine works of Mr. James Gillray. T. M'Lean, 1830., Numbered '107' below imprint in contemporary hand., Cf. No. 8431 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Temporary local subject terms: Allusion to the French Revolution -- Frenchmen -- Daggers -- Emblems: tricolored cockade.
Publisher:
Pubd. Feby. 26th, 1794, by H. Humphrey, No. 18 Old Bond Street
Title from item., No. 122 in Laurie & Whittle Drolls series., Temporary local subject terms: Footmen -- Playing cards -- Furniture: card table., and Watermark.
Publisher:
Published 16th Augt. 1794 by Laurie & Whittle, No. 53 Fleet Street, London
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[12 March 1794]
Call Number:
794.03.12.01+
Image Count:
1
Resource Type:
still image
Description:
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Parsons.
Title from item., Plate numbered '224' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Trades: Flour merchant.
Publisher:
Published 12th May 1794 by Laurie & Whittle, 53 Fleet Street, London
Volume 2, page 88. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A scene of the ancien régime: two elaborately dressed Frenchmen wearing swords stand 'chapeau-bras', facing each other in profile; one (left) wears a ribbon and rests his hands on a long cane. A monk (left) walks off in profile to the left. A stout elderly lady (right) holding a fan walks off to the right."--British Museum online catalogue
Description:
Title from text below image., Sheet trimmed to plate mark., and Mounted on page 88 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd as the act directs June 1st, 1794, by J. Jones, No. 74 Great Portland Street
Title from item., Sheet partially trimmed within plate mark., Two images on one plate, signed below Lambeth and Spital Fields., Publisher's advertisement following imprint: ... where folios of caracatures are lent out for the evening., and Temporary local subject terms: Interiors: Lamabeth Palace -- Interiors: parsonage -- Poverty vs. abundance -- Spitalfields -- Subscriptions for war victims -- Consequences of war -- Banquets -- Dishes: tureen with bishop's mitre -- Food: roasted turkey -- Footmen -- Literature: Samuel Coleridge's Essay on His Own Time, i.45 -- John Moore, 1733-1805, Archibishop of Canterbury.
Title engraved below image., Plate numbered '207' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Female costume, 1794 -- Trades: hairdressers.
Publisher:
Published 12th May 1794 by Laurie & Whittle, 53 Fleet Street, London
Title from caption below images., Publisher's advertisement above images: In Holland's exhibition rooms may be seen the largest collection of humorous prints in Europe. Admittance one shilling., Design consists of eight panels arranged in two horizontal strips, with four lines of verse etched below every panel but the last., Sheet trimmed within plate mark on right and left edges., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Male costume, 1794 -- Female costume, 1794 -- Gambling -- Jockeys -- Military uniforms.
Publisher:
Pub. August 1, 1794, by Willm. Holland, No. 50, Oxford Street
Detail from Hogarth's The March to Finchley": an innocent young piper, a drunken drummer with a weeping woman and child behind him
Description:
Title from caption below image., "N. 02."--Upper left corner., "1."--Upper right corner., and See Paulson, R. Hogarth's graphic works (3rd ed.), no. 184.
Publisher:
Published 12th May, 1794 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Jacobite Rebellion, 1745-1746, Children, Intoxication, Marching, Prostitutes, and Soldiers
"A young woman, elaborately dressed, sits with downcast eyes in profile to the left at a table on which are a book and rosary. On her right sits, on a striped settee, a 'priest' wearing a skull-cap; a hat and cloak on a chair and stool show that he is a visitor. He holds a book, looking towards the 'nun' with a smile. The room is fashionably furnished with two sash-windows, in one of which stands a large vase of flowers. Between them is an oval picture of (?) the Temptation of St. Anthony. Beneath the title: 'At Twelve, I began to think of a Man, At Thirteen, I Sighed for a Man, At Fourteen I was Violently in Love with a Man, At Fifteen I run away with a Man. But he was a Very Pretty Man - therefore I hope youll Pardon me Sir.'"--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., From the Laurie & Whittle Drolls series., Five lines of text below image (first 4 in two columns): At twelve, I began to think of a man ..., Numbered '126' in lower right of plate., Temporary local subject terms: Rosaries -- Furniture -- Pictures amplifying subjects: Temptation of St. Anthony -- Furnishings: window curtains., and Watermark (partial): Strasburg bend at top of sheet.
Publisher:
Published 1st Octr. 1794 by Laurie & Whittle, No. 53 Fleet Street, London
Subject (Topic):
Priests, Prostitutes, Confessions, Religious articles, Sofas, Chairs, and Draperies
On the right a grotesque figure representing the French Republic sits on a pile of gin barrels, serpents writhing in her hair as flames -- labelled Rapine, Murder, Famine, Atheism -- spit from their mouths. At her feet lies the decapitated figure of Justice. Approaching her from the left are Stanhope carrying a model of the House of Lords, a crown, sceptre and the Holy Bible. Following him is Sheridan carrying a model of the Bank of England and Fox who carries a model of India House and the royal arms. The British lion walks in the opposite direction away from the arms. Next, Whitbread hauls three barrels labelled "Whitbreads intire", the Duke of Bedford a promisary note, and finally Erskine carries a pile of books labelled "Treason / Law of / Libel / Misprisons of ..."
Description:
Title from item., Printmaker from British Museum catalogue., "Publ" in imprint partially burnished from plate., and Mounted to 30 x 47 cm.; caricatures partially identified on mount.
Publisher:
Publ. Feby 10, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
France and Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Whitbread, Samuel, 1764-1815, Bedford, Francis Russell, Duke of, 1765-1802, and Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Justice (Virtue), Sansculottes, History, Foreign public opinion, British, and Foreign relations
Title etched below image., Eight lines of verse in two columns on sides of title: When he came to the Court, oh, what giggle and sport ..., Temporary local subject terms: Costume: Turkish costume -- Plenipotentiaries -- Eye-glasses -- Court -- Turks -- Alllusion to Barbary Coast -- Wands: Lord Chamberlain's wand -- Naval uniforms: admiral's uniform -- Ministers: Turkish minister., and Matted to 41 x 56 cm.
Publisher:
Pub. Janry 1, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Fitzherbert, Maria Anne, 1756-1837, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Salisbury, James Cecil, Marquess of, 1748-1823
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Nudity -- Male costume -- Jewelry -- Watches -- Female costume: fans -- Quizzing glasses -- Female costume: hats.
The equestrian statue of George III dressed as Marcus Aurelius stands behind the brick wall of Lansdowne House in Berkeley Square, London, watching the assembly in the garden through a spy-glass. Above the wall, hats with French republican cockades are being waved while invisible speakers express support shouting "Vive Barrere," and "C̦a ira," in reference to Lord Lansdowne's failed motion for peace with France in February 1794. In the background is the facade of the house
Description:
Title etched below image., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted to 43 x 35 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
Great Britain and France
Subject (Name):
George III, King of Great Britain, 1738-1820., George III, King of Great Britain, 1738-1820, Lansdowne, William Petty, Marquis of, 1737-1805., Barère, B. 1755-1841. (Bertrand),, and Lansdowne House (London, England),
Subject (Topic):
Statues, Politics and government, Foreign relations, Sculpture, Horses, Garden walls, and Hats
The equestrian statue of George III dressed as Marcus Aurelius stands behind the brick wall of Lansdowne House in Berkeley Square, London, watching the assembly in the garden through a spy-glass. Above the wall, hats with French republican cockades are being waved while invisible speakers express support shouting "Vive Barrere," and "C̦a ira," in reference to Lord Lansdowne's failed motion for peace with France in February 1794. In the background is the facade of the house
Description:
Title etched below image., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted on page 81 with one other print.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
Great Britain and France
Subject (Name):
George III, King of Great Britain, 1738-1820., George III, King of Great Britain, 1738-1820, Lansdowne, William Petty, Marquis of, 1737-1805., Barère, B. 1755-1841. (Bertrand),, and Lansdowne House (London, England),
Subject (Topic):
Statues, Politics and government, Foreign relations, Sculpture, Horses, Garden walls, and Hats
The equestrian statue of George III dressed as Marcus Aurelius stands behind the brick wall of Lansdowne House in Berkeley Square, London, watching the assembly in the garden through a spy-glass. Above the wall, hats with French republican cockades are being waved while invisible speakers express support shouting "Vive Barrere," and "C̦a ira," in reference to Lord Lansdowne's failed motion for peace with France in February 1794. In the background is the facade of the house
Description:
Title etched below image., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., 1 print : etching on wove paper ; plate mark 30.4 x 24 cm, on sheet 33.2 x 25.9 cm., and Mounted on leaf 62 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
Great Britain and France
Subject (Name):
George III, King of Great Britain, 1738-1820., George III, King of Great Britain, 1738-1820, Lansdowne, William Petty, Marquis of, 1737-1805., Barère, B. 1755-1841. (Bertrand),, and Lansdowne House (London, England),
Subject (Topic):
Statues, Politics and government, Foreign relations, Sculpture, Horses, Garden walls, and Hats
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Male dress, 1795 -- Snuff-boxes -- Sheriff's writs.
Publisher:
Published 18th March 1795 by Laurie & Whittle, 53 Fleet Street, London
Two huntsmen are seated at a table outside a wayside inn, one of whom turns to take on his knee a maidservant, a pretty girl who holds a jug in her right hand, and places a hand on her breast; the other (right) eats voraciously a slice of the roast beef. Behind, the innkeeper hurries from the door with a punch-bowl. At a horse-trough (left), placed under the inn-sign of a leaping stag, two saddle-horses are drinking; an ostler stands beside them."--British Museum online catalogue
Description:
Title etched below image. and No. '116' in the series of Drolls.
Publisher:
Published 20th May, 1794, by Laurie & Whittle, No. 53 Fleet Street, London
Subject (Topic):
Hunters, Hotelkeepers, Occupations, Servants, Signs (Notices), and Taverns (Inns)
Title from item., Publisher's advertisement following imprint: ... who has fitted up his caracature exhibition in an entire novel stile [sic]. Admit. 1 s. NB. folios lent out., Temporary local subject terms: Allusion to the French Revolution -- Reference to Louis XVI, King of France -- Symbols: skull and cross-bones -- Daggers -- Guns: pistols -- Executions -- Poverty., Watermark: Strasburg bend with initials G R below., and With S.W. Fores stamp.
Publisher:
Pub. March 10, 1794, by S.W. Fores, N. 3 Piccadilly
Title from item., Temporary local subject terms: Male costume: round hats -- Whips., and Sheet trimmed within plate mark on the right. Possibly etched on one plate together with Lewis Walpole print 794.11.27.02.
Publisher:
Published Novemr. 27th 1794 by H. Humphreys, No. 37 New Bond Street
Title from item., Printmaker and artist from the original issue, of which this reissue of the left half only. See The Attic miscellany, v. ii, p. 195, published by Bentley & Co., 1 March 1791, under title, Overthrow of the arts!, Above image: Engraved for the Carlton House magazine., Plate from: The Carlton House magazine, Oct. 1794., and Temporary local subject terms: Reference to the Somerset House -- Military: French soldiers -- Guns: bayoneted muskets.
"'Cits' (i.e. citizens) ride (left to right) (types of vulgar horsemanship, cf. BMSats 7233, 7242) in a cloud of dust, following a crowded stage-coach inscribed 'To the Races'. A rough two-wheeled cart, crammed with a family party, is drawn by a cantering pony. A signpost points 'To the Race Ground'. A suburban setting is given by the country box and 'grounds' of a 'cit', with a notice-board: 'Spring Blunderbusss on a new Construction - Planted in Various Paths of my Domain & whosown Trample Down or pull up the Shrubs in this Garden shall be Prosecuted - Deputy Dump'. In front of the house the owner (?) and his wife look over the paling at the race-goers. The house is a square box, whose small scale is indicated by the size of a pot-plant on the flat roof; on this are also figures of Neptune, Harlequin, and Mercury. Adjacent (left) is a shed inscribed 'Mr Dumps Stables', with a pretentious cupola."--British Museum online catalogue
Description:
Title from caption below image.
Publisher:
Pub. Feby. 1, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
London (England),
Subject (Topic):
City council members, Dogs, Ducks, Stagecoaches, Signs (Notices), and Spouses
Three mad persons look out the small windows of their cells. The man on the left wears a makeshift crown and grins out at the horrified couple who looks in. Above his cell is written "You lie, you mad dog, I am as hones a woman as any Parson's wife in London!" And futher below, "You are a cuckold." The two men on the right look at the two scowling women in their cells in horror
Description:
Title etched below image., Publisher's advertisement following imprint: Admittance to his Caricature Exhibition [...?] sh., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Bethlehem Hospital., and 1 print : etching, hand-colored ; plate mark 347 x 247 mm.
Publisher:
Pubd. August 7, 1794, by Willm. Holland, No. 50 Oxford St.
Three mad persons look out the small windows of their cells. The man on the left wears a makeshift crown and grins out at the horrified couple who looks in. Above his cell is written "You lie, you mad dog, I am as hones a woman as any Parson's wife in London!" And futher below, "You are a cuckold." The two men on the right look at the two scowling women in their cells in horror
Description:
Title etched below image., Publisher's advertisement following imprint: Admittance to his Caricature Exhibition [...?] sh., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Bethlehem Hospital., Mounted to 43 x 33 cm., and Slight alteration to the design in ink.
Publisher:
Pubd. August 7, 1794, by Willm. Holland, No. 50 Oxford St.
In a tavern, a group of men, several of them with very large bellies, sit around a table with a large punch bowl in the center; they are smoking pipes, some laughing at their companion who has just been struck with a stick by a large woman; others look up in alarm while still others continue to read. In preparing for another strike she accidentally hits the innkeeper wearing an apron behind her as he brings in another punch bowl, which spills as raises his arms. Above the fireplace is picture of a man racing a horse; another print of a horse hangs above the door. Their hats hang on pegs on the walls around the room
Alternative Title:
Special messenger!
Description:
Title from caption below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: 1819.
Publisher:
Pub. April 16, 1794, by Willm. Holland, No. 50 Oxford Street
Subject (Topic):
Anger, Bowls (Tableware), Pipes (Smoking), Taverns (Inns), Waiters, and Wigs
Title from caption below image. and Temporary local subject terms: Male costume: night-shirt -- Male costume: leather belts -- Lighting: lanterns -- Bogs -- Demons -- Will 'o-the-wisps.
A group of four musicians in a semi-circle play their instruments -- a viola, violin, harpsichord, and cello. Most of the musicians are seated in chairs, but the violist stands with one leg raised. A dog and cat (who plays amongst some fallen sheet music) are in the foreground left and right, respectively
Description:
Title etched below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. April 21, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Cats, Dogs, Musical instruments, Music ensembles, and Musicians
Title from item., Sheet trimmed to plate mark., Ten lines of text in two columns below title: Oh, by Jesus, madam, grease is in all your steps ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Male costume, 1794 -- Female costume, 1794 -- Wigs -- Irishmen -- Fur muffs.
Publisher:
Publish'd Decem. 12, 1794, by W. Fores, Piccadilly
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Military uniforms -- Recruits., and Watermark: John Hall 1825.
Publisher:
Published as the act directs, by S.W. Fores, No. 3 Piccadilly
Loutherbourg, Philippe-Jacques de, 1740-1812, printmaker
Published / Created:
[12 May 1794]
Call Number:
794.05.12.19
Image Count:
1
Resource Type:
still image
Abstract:
"The corner of a picture-gallery with a crowd of spectators peering at two pictures on the right. The most prominent are a short fat man, resembling caricatures of Captain Grose, and a dwarfish boy who stand in profile to the right. A man wearing a cocked hat, evidently standing on a bench, looks through a quizzing-glass at the upper picture. Two men in back view, one seated, one standing, look at pictures on the back wall, where a landscape is hung."--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark at top., From the series of Drolls., Numbered '133' in lower right of plate., and Temporary local subject terms: Print shops -- Quizzing glasses.
Publisher:
Published 12th May 1794 by Laurie & Whittle, No. 53 Fleet Street, London
Subject (Topic):
Interiors, Galleries (Display spaces), Spectators, and Pictures
"A stout John Bull sits in an arm-chair holding a long pipe in his left hand which rests on a circular table beside a glass and bottle of 'Coniac'. He looks up with an anxious scowl at an elderly man who stands (right), saying, "I 'am come again about the Taxes Sir - if agreeable to you to discharge them". The tax-collector holds a large open book, 'New Taxes for the Year 1796', [The last figure is doubtful] in which he writes with his left hand. He wears a hat in which a pen is thrust, an ink-bottle hangs from a button, in each pocket of his greatcoat is a large book, one being 'Additional Taxes on Window Lights'. Under his arm is another large book: '[T]axes Receipts Taxes'. Beside the taxpayer sits a dog, who glares up at the tax-collector with an expression resembling that of his master."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Not in J. Grego's Rowlandson the caricaturist., Lewis Walpole print 794.12.26.01: Title expanded in contemporary hand: Mr. Taxus or an unwelcome visitor to John Bull., and Watermark: Strasburg bend.
Publisher:
Publd. as the act directs by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain
Subject (Topic):
Taxation, John Bull (Symbolic character), Alcoholic beverages, Chairs, Dogs, and Pipes (Smoking)
"The head and shoulders of Stanhope, looking to the left, right arm raised in the attitude of an orator. He wears a large cocked hat. ... The bonnet-rouge does not fit this head."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Signed with the monogram of James Sayers., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., For a variant state with plate number "3" etched in upper right corner, see no. 8452 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: French republicans -- Opposition: Members of the Opposition -- Male costume: Cocked hat -- Reference to sansculottes., and Mounted on leaf 74 of James Sayers's Folio album of 144 caricatures.
Publisher:
Pubd. 12th May 1794 by H. Humphrey
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816 and Cloots, Anacharsis, 1755-1794.
"The head and shoulders of Stanhope, looking to the left, right arm raised in the attitude of an orator. He wears a large cocked hat. ... The bonnet-rouge does not fit this head."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., Plate numbered "3" in upper right corner., Temporary local subject terms: French republicans -- Members of the Opposition., 1 print : soft-ground etching ; plate mark 21.5 x 17.7 cm, on sheet 26 x 21 cm., and Printed on wove paper watermarked "1805." Later printing, with plate number "3" only faintly visible in upper right.
Publisher:
Publd. 12th May 1794 by H. Humphrey
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816 and Cloots, Anacharsis, 1755-1794.
"The head and shoulders of Stanhope, looking to the left, right arm raised in the attitude of an orator. He wears a large cocked hat. ... The bonnet-rouge does not fit this head."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., Plate numbered "3" in upper right corner., Temporary local subject terms: French republicans -- Members of the Opposition., Mounted on page 92 with one other print., and Later impression, with plate number "3" only faintly visible in upper right.
Publisher:
Publd. 12th May 1794 by H. Humphrey
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816 and Cloots, Anacharsis, 1755-1794.
"The head and shoulders of Stanhope, looking to the left, right arm raised in the attitude of an orator. He wears a large cocked hat. ... The bonnet-rouge does not fit this head."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., Plate numbered "3" in upper right corner., Temporary local subject terms: French republicans -- Members of the Opposition., and Mounted to 37 x 29 cm.
Publisher:
Publd. 12th May 1794 by H. Humphrey
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816 and Cloots, Anacharsis, 1755-1794.
Title from item., One plate printed on two sheets, each of the sheets with its own title etched below image., Printmaker and artist from first state published print 1 Jan. 1790 by Bentley & Co. as: Magentic dispensary., Date surmised from publication date of Magazine., Above left half of the joined image: Engraved for the Carlton House magazine., Reissue, with altered title, of no. 7748 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Temporary local subject terms: Machines for magnetic cures -- Bag-wig -- Male costume, 1790 -- Female costume, 1790 -- Pictures amplifying subject -- Animal magnetism -- Dr. Yeldell.
Publisher:
publisher not identified
Subject (Name):
De Mainauduc, John Boniot, -1797 and Loutherbourg, Philippe-Jacques de, 1740-1812
Title from item., Printmaker identified from the original drawing in the Huntington Library., One line of text below title: Lovely woman. There is in you all that we believe of heaven., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., "No. 129" from the Laurie & Whittle series of Drolls., and Temporary local subject terms: Female costume, 1794 -- Veils-- Male costume, 1794 -- Walking -- Military uniforms: naval officer's uniform -- Quizzing glasses.
Publisher:
Published 1st Novr. 1794 by Laurie & Whittle, No. 53 Fleet Street, London
Two men, their feet in the stocks, are guarded by a constable holding a staff. The man on the left smokes a pipe; a dog looks up at him. The man on the right scratches his head
Description:
Title etched below image.
Publisher:
Pubd. March 1, 1794, by Willm. Holland, No. 50 Oxford St.
Title from item., Publisher's statement following imprint: who has lately fitted up his exhibition in an entire novel stile [sic] admittance one shilling. NB. folios of caracatures [sic] lent out., Temporary local subject terms: Military uniforms: Dutch Light Horsemen -- Timpani -- Trumpets -- Pulleys -- Smoking: pipes -- Guns: muskets., and Watermark in center of sheet.
Publisher:
Pub. July 24, 1794, by S.W. Fores, N. 3 Piccadilly
"The interior of the Royal Exchange, showing part of two sides of the arcaded quadrangle, and the statue from the waist downwards of Charles II (by Grinling Gibbons) on a high pedestal surrounded by an iron railing. It is crowded with men, talking in couples, or walking off in deep dejection. All are elderly and caricatured and their dress is old-fashioned; one has a Jewish profile."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark: 23 x 33 cm., and Watermark: Strasburg lily.
Publisher:
Publish'd as the act directs, Decer. 28th, 1794, by S.W. Fores, No. 3 Piccadilly
"The interior of the Royal Exchange, showing part of two sides of the arcaded quadrangle, and the statue from the waist downwards of Charles II (by Grinling Gibbons) on a high pedestal surrounded by an iron railing. It is crowded with men, talking in couples, or walking off in deep dejection. All are elderly and caricatured and their dress is old-fashioned; one has a Jewish profile."--British Museum online catalogue
Description:
Title etched below image. and Printmaker from British Museum catalogue.
Publisher:
Publish'd as the act directs, Decer. 28th, 1794, by S.W. Fores, No. 3 Piccadilly
"The head of Sheridan in a similar position to that of Fox in British Museum Satires No. 8450, scowling and deeply furrowed, looking to the left. Sheridan is compared with the shifty, self-seeking Barère. Cf. British Museum Satires No. 8440."--British Museum online catalogue
Description:
Title etched below image., Attributed to Sayers in the British Museum catalogue., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., Plate numbered "2" in upper right corner., and Mounted to 37 x 30 cm.
Publisher:
Publd. 12th May 1794 by H. Humphrey
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and Barère, B. 1755-1841. (Bertrand),
"The head of Sheridan in a similar position to that of Fox in British Museum Satires No. 8450, scowling and deeply furrowed, looking to the left. Sheridan is compared with the shifty, self-seeking Barère. Cf. British Museum Satires No. 8440."--British Museum online catalogue
Description:
Title etched below image., Attributed to Sayers in the British Museum catalogue., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., Plate numbered "2" in upper right corner., and Mounted on page 91 with one other print.
Publisher:
Publd. 12th May 1794 by H. Humphrey
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and Barère, B. 1755-1841. (Bertrand),
"The head of Sheridan in a similar position to that of Fox in British Museum Satires No. 8450, scowling and deeply furrowed, looking to the left. Sheridan is compared with the shifty, self-seeking Barère. Cf. British Museum Satires No. 8440."--British Museum online catalogue
Description:
Title etched below image., Attributed to Sayers in the British Museum catalogue., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., Plate numbered "2" in upper right corner., 1 print : soft-ground etching on wove paper ; plate mark 21.4 x 17.7 cm, on sheet 23.6 x 19.8 cm., Perhaps a later impression from a worn plate; plate number is lightly printed and barely visible., and Mounted on leaf 73 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 12th May 1794 by H. Humphrey
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and Barère, B. 1755-1841. (Bertrand),
Title etched below image., Publication date from British Museum catalogue., Originally published by W. Locke, 1 Feb. 1792, in The attic miscellany?, Plate from: The Carlton House magazine, v. iv, p.391, Jan., 1796?, and Temporary local subject terms: Literature: John Dryden's Fables Ancient and Modern -- Literature: David Garrick's Cymon.
Publisher:
publisher not identified
Subject (Name):
Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828 and McDonald, Samuel, 1762-1802
"Two prostitutes sit weeping on a bank (left); two heavily shackled convicts stand beside them (right). A jailer with a pistol in his belt standing behind the women points sternly to a ship in the background. On a hill in the background a body hangs from a tiny gibbet."--British Museum online catalogue
Description:
Title etched below image., Numbered in lower left corner: 79., From the Laurie & Whittle Drolls series., and Watermark: Strasburg lily.
Publisher:
Published 12th May 1794 by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
Botany Bay (N.S.W.)
Subject (Topic):
Penal transportation, Gallows, Handguns, Prisoners, Prostitutes, Shackles, Ships, and British
"Bottom sits in an arm-chair directed to the left, wearing spectacles on his ass's forehead. In his right hand is a piece of charcoal in a holder, in his left is a paper, which he is studying. Above his head is etched 'Apollo'. On the left stands a man looking over Bottom's shoulder, his fists clenched. Behind (right) two students (seated) draw from the antique, a nude male statue on a pedestal just above the level of their heads."--British Museum online catalogue
Description:
Title from caption below image, a line from a speech by the character Quince, from Shakespeare's A midsummer night's dream, iii.1.121., Printmaker from British Museum catalogue., Six lines of verse below title: "W_hen Phidias or Raph'el shall chuse to repair, I_ncog to our fine modern Artists' fam'd School, L_ost in wonder to see stuck in Genius's Chair T_he Block which now fills it) a formal old Fool. O_ ff again with this sneering Remark they will go, N_o marvel your Pupils old Friend are so so". JP.", and Initial letters of each line form word 'Wilton.'
Publisher:
Pubd. Jany 1, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Wilton, Joseph, 1722-1803, Richards, John Inigo, 1731-1810, Phidias, approximately 500 B.C.-approximately 430 B.C., Raphael, 1483-1520., Royal Academy of Arts (Great Britain), and Apollo (Deity)
Subject (Topic):
Artists' materials, Artists' models, and Sculptors
Title from item., Printmaker identified from the original drawing in the Huntington Library., From the Laurie & Whittle series of Drolls., Plate numbered '131' in lower right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Pastimes: games -- Games: 'Blindman's buff' -- Haystocks.
Publisher:
Published 1st Decr. 1794 by Laurie & Whittle, 53 Fleet Street, London
Title etched below image., Printmaker and publication information from other prints in the series: Anacharsis Cloots., Temporary local subject terms: French republicans -- Members of the opposition -- Reference to Jean-Pierre Brissot de Warville, 1754-1793., and Mounted to 37 x 33 cm.
"A bust portrait of Lauderdale, the head turned in profile to the right, with a fixed, smiling stare, both arms raised as if in violent gesticulation. .... For Lauderdale and Brissot see British Museum Satires No. 8439."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., Plate numbered "4" in upper right corner., Temporary local subject terms: French republicans -- Opposition: members of the opposition., and Mounted to 37 x 29 cm.
Publisher:
Publd. 12th May 1794 by H. Humphrey
Subject (Name):
Lauderdale, James Maitland, Earl of, 1759-1839 and Brissot de Warville, J.-P. 1754-1793. (Jacques-Pierre),
"A bust portrait of Lauderdale, the head turned in profile to the right, with a fixed, smiling stare, both arms raised as if in violent gesticulation. .... For Lauderdale and Brissot see British Museum Satires No. 8439."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., Plate numbered "4" in upper right corner., Temporary local subject terms: French republicans -- Opposition: members of the opposition., Subject identified in contemporary hand in upper left corner of sheet., and Watermark: 1805
Publisher:
Publd. 12th May 1794 by H. Humphrey
Subject (Name):
Lauderdale, James Maitland, Earl of, 1759-1839 and Brissot de Warville, J.-P. 1754-1793. (Jacques-Pierre),
"A bust portrait of Lauderdale, the head turned in profile to the right, with a fixed, smiling stare, both arms raised as if in violent gesticulation. .... For Lauderdale and Brissot see British Museum Satires No. 8439."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Signed with the monogram of James Sayers., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., For a variant state with plate number "4" etched in upper right corner, see no. 8453 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: French republicans -- Members of the Opposition., and Mounted on page 92 with one other print.
Publisher:
Publd. 12th May 1794 by H. Humphrey
Subject (Name):
Lauderdale, James Maitland, Earl of, 1759-1839 and Brissot de Warville, J.-P. 1754-1793. (Jacques-Pierre),
"A bust portrait of Lauderdale, the head turned in profile to the right, with a fixed, smiling stare, both arms raised as if in violent gesticulation. .... For Lauderdale and Brissot see British Museum Satires No. 8439."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Signed with the monogram of James Sayers., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., For a variant state with plate number "4" etched in upper right corner, see no. 8453 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: French republicans -- Members of the Opposition., 1 print : soft-ground etching on wove paper ; plate mark 21.5 x 17.8 cm, on sheet 23.7 x 19.7 cm., and Mounted on verso of leaf 73 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 12th May 1794 by H. Humphrey
Subject (Name):
Lauderdale, James Maitland, Earl of, 1759-1839 and Brissot de Warville, J.-P. 1754-1793. (Jacques-Pierre),
A headless Brissot, with his right arm stretched forward and his head under his left arm, runs toward Lord Lauderdale who is sitting on a rocking horse. Lauderdale turns back his head on a snake-like neck to look in surprise at his guillotined friend. From Brissot's neck cavity issues a warning "To lead the crowd midst faction's storm, I rode your hobby horse Reform, And found my arts prevail,Till other Lev'llers ruled the mob, And then I lost my seat and nob, Take warning L........." The rockers of the horse are inscribed "Reform" and move over a document with an attached seal, titled "Nolumus leges Angliae mutari."
Description:
Title etched below image., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted to 42 x 35 cm.
Publisher:
Pubd. 17 March 1794 by H. Humphrey
Subject (Geographic):
Great Britain
Subject (Name):
Brissot de Warville, J.-P. 1754-1793 (Jacques-Pierre), and Lauderdale, James Maitland, Earl of, 1759-1839
Subject (Topic):
Hobby horses, Decapitations, and Politics and government
A headless Brissot, with his right arm stretched forward and his head under his left arm, runs toward Lord Lauderdale who is sitting on a rocking horse. Lauderdale turns back his head on a snake-like neck to look in surprise at his guillotined friend. From Brissot's neck cavity issues a warning "To lead the crowd midst faction's storm, I rode your hobby horse Reform, And found my arts prevail,Till other Lev'llers ruled the mob, And then I lost my seat and nob, Take warning L........." The rockers of the horse are inscribed "Reform" and move over a document with an attached seal, titled "Nolumus leges Angliae mutari."
Description:
Title etched below image., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted on page 79 with one other print.
Publisher:
Pubd. 17 March 1794 by H. Humphrey
Subject (Geographic):
Great Britain
Subject (Name):
Brissot de Warville, J.-P. 1754-1793 (Jacques-Pierre), and Lauderdale, James Maitland, Earl of, 1759-1839
Subject (Topic):
Hobby horses, Decapitations, and Politics and government
A headless Brissot, with his right arm stretched forward and his head under his left arm, runs toward Lord Lauderdale who is sitting on a rocking horse. Lauderdale turns back his head on a snake-like neck to look in surprise at his guillotined friend. From Brissot's neck cavity issues a warning "To lead the crowd midst faction's storm, I rode your hobby horse Reform, And found my arts prevail,Till other Lev'llers ruled the mob, And then I lost my seat and nob, Take warning L........." The rockers of the horse are inscribed "Reform" and move over a document with an attached seal, titled "Nolumus leges Angliae mutari."
Description:
Title etched below image., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., 1 print : etching on wove paper ; plate mark 29 x 23.8 cm, on sheet 31.7 x 25.9 cm., and Mounted on leaf 60 of James Sayers's Folio album of 144 caricatures.
Publisher:
Pubd. 17 March 1794 by H. Humphrey
Subject (Geographic):
Great Britain
Subject (Name):
Brissot de Warville, J.-P. 1754-1793 (Jacques-Pierre), and Lauderdale, James Maitland, Earl of, 1759-1839
Subject (Topic):
Hobby horses, Decapitations, and Politics and government
"The head and shoulders of Courtenay, leaning forward to the right. He wears a cocked hat with a cockade."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Signed with the monogram of James Sayers., Publisher and date of publication from British Museum online catalogue., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., For a variant state with plate number "5" etched in upper right corner, see no. 8454 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: French republicans -- Opposition: Members of the Opposition., and Watermark: 1804.
Publisher:
H. Humphrey
Subject (Name):
Courtenay, John, 1738-1816 and Desmoulins, Camille, 1760-1794.
"The head and shoulders of Courtenay, leaning forward to the right. He wears a cocked hat with a cockade."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Signed with the monogram of James Sayers., Publisher and date of publication from British Museum online catalogue., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., For a variant state with plate number "5" etched in upper right corner, see no. 8454 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: French republicans -- Opposition: Members of the Opposition., and Mounted on page 93 with one other print.
Publisher:
H. Humphrey
Subject (Name):
Courtenay, John, 1738-1816 and Desmoulins, Camille, 1760-1794.
"The head and shoulders of Courtenay, leaning forward to the right. He wears a cocked hat with a cockade."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Signed with the monogram of James Sayers., Publisher and date of publication from British Museum online catalogue., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., For a variant state with plate number "5" etched in upper right corner, see no. 8454 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: French republicans -- Opposition: Members of the Opposition., 1 print : soft-ground etching on wove paper ; plate mark 21.5 x 17.8 cm, on sheet 23.9 x 19.6 cm., and Mounted on verso of leaf 74 of James Sayers's Folio album of 144 caricatures.
Publisher:
H. Humphrey
Subject (Name):
Courtenay, John, 1738-1816 and Desmoulins, Camille, 1760-1794.
"A head of Lansdowne, looking to the right with an inscrutable expression."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., Plate numbered "7" in upper right corner., Temporary local subject terms: French republicans -- Members of the Opposition., Perhaps a later impression from a worn plate; end of imprint statement and plate number are lightly printed and barely visible., and Mounted to 37 x 33 cm.
Publisher:
Pubd. 12th May 1794 by H. Humphrey
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Chauvelin, Bernard-François, marquis de, 1766-1832.
"A head of Lansdowne, looking to the right with an inscrutable expression."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., Plate numbered "7" in upper right corner., Temporary local subject terms: French republicans -- Members of the Opposition., and Subject identified in contemporary hand in upper left corner of sheet.
Publisher:
Pubd. 12th May 1794 by H. Humphrey
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Chauvelin, Bernard-François, marquis de, 1766-1832.
"A head of Lansdowne, looking to the right with an inscrutable expression."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., Plate numbered "7" in upper right corner., Temporary local subject terms: French republicans -- Members of the Opposition., and Mounted on page 94 with one other print.
Publisher:
Pubd. 12th May 1794 by H. Humphrey
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Chauvelin, Bernard-François, marquis de, 1766-1832.
"A head of Lansdowne, looking to the right with an inscrutable expression."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., Plate numbered "7" in upper right corner., Temporary local subject terms: French republicans -- Members of the Opposition., 1 print : soft-ground etching on wove paper ; plate mark 20.8 x 17.7 cm, on sheet 23.4 x 20.1 cm., and Mounted on verso of leaf 75 of James Sayers's Folio album of 144 caricatures.
Publisher:
Pubd. 12th May 1794 by H. Humphrey
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Chauvelin, Bernard-François, marquis de, 1766-1832.
A satire, divided into quarters, with four small scenes of different episodes of persons trying to collect their Christmas boxes. In the first square in the upper left, a plump supplicant in an apron holds out his hat to a scowling-faced man with a kerchief tied over his hat and a walking stick under his arm as they meet in a road outside a building with a lamp. Behind him on the wall is a sign posted "Miser'. In response to the request, the miser says "Give you a Christmass box. Curse you don't I pay you for your meat." On the top row, right, a thin man (a grave digger?) with a pipe in his mouth, bows to an obese clergyman, with a fat dog at his heel, as they stand in the graveyard of a church. The gravedigger asks, "Most worthy Parson give me a Christmass box." The Parson replies, "Give you a halter you rascal. What should I give you a Christmass box for." In the lower left, clergyman shakes his walking stick at a surprised man who is carrying a large box on his back and secured with a strap over his forehead. The clergyman says to the laborer, "If you ever ask me for a Christmass box again, I'll physic you to death." They are standing in front of building with a lantern and sign that reads "Gargle Apothycary." The fourth square, lower right, shows old, hag-faced woman with a hat and muff standing in a parlor as she slaps the face of an astonished footman. She tells him, "Take that you saucy rascal for a Xmass box!" He replies, "What's that for. I did not want a box on the ear, not I."
Alternative Title:
Christmas boxes
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to: 33 x 43 cm.
Publisher:
Pubd. by Wm. Holland, 50 Oxford St.
Subject (Geographic):
England. and England
Subject (Topic):
Charity, Christmas, Social life and customs, Begging (Pleading), Cemeteries, Clergy, Dogs, Milestones, Muffs, and Obesity
"Sheridan stands in profile to the left, with fallen jaw and disconcerted expression, before a hoarding across the front of Carlton House, in which is a lion's-head knocker which looks fiercely at him. Over the hoarding appear the huge hands, head, and shoulders of Big Sam, the (former) porter at Carlton House (see British Museum Satires No. 7905), wearing a round hat with a curled brim and the motto 'Ich dien'. He looks down, saying, "no Admittance Sir We are all loyal". On the hoarding (right) are two play-bills: 'Drury Lane The Second Part of King Henry the IV .... The Manager in Distress' (by George Colman, 1780, here an allusion to Sheridan's position); 'Covent Garden Venice preser[ved] or a Plot discove[red]' (Otway, 1682)."--British Museum online catalogue
Description:
Title etched below image., Attributed to Sayers in the British Museum catalogue., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., Temporary local subject terms: Carlton House -- Emblems: British lion -- Mottoes: Prince of Wales's motto -- Literature: Reference to William Shakespeare's Henry IV, Part II -- Reference to George Colman's The Manager in Distress -- Reference to Thomas Otway's Venice Preserved or a Plot Discovered., and Mounted to 44 x 34 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Carlton House (London, England),, Covent Garden Theatre., and Theatre Royal, Drury Lane (London, England)
"Sheridan stands in profile to the left, with fallen jaw and disconcerted expression, before a hoarding across the front of Carlton House, in which is a lion's-head knocker which looks fiercely at him. Over the hoarding appear the huge hands, head, and shoulders of Big Sam, the (former) porter at Carlton House (see British Museum Satires No. 7905), wearing a round hat with a curled brim and the motto 'Ich dien'. He looks down, saying, "no Admittance Sir We are all loyal". On the hoarding (right) are two play-bills: 'Drury Lane The Second Part of King Henry the IV .... The Manager in Distress' (by George Colman, 1780, here an allusion to Sheridan's position); 'Covent Garden Venice preser[ved] or a Plot discove[red]' (Otway, 1682)."--British Museum online catalogue
Description:
Title etched below image., Attributed to Sayers in the British Museum catalogue., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., Temporary local subject terms: Carlton House -- Emblems: British lion -- Mottoes: Prince of Wales's motto -- Literature: Reference to William Shakespeare's Henry IV, Part II -- Reference to George Colman's The Manager in Distress -- Reference to Thomas Otway's Venice Preserved or a Plot Discovered., and Mounted on page 81 with one other print.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Carlton House (London, England),, Covent Garden Theatre., and Theatre Royal, Drury Lane (London, England)
"Sheridan stands in profile to the left, with fallen jaw and disconcerted expression, before a hoarding across the front of Carlton House, in which is a lion's-head knocker which looks fiercely at him. Over the hoarding appear the huge hands, head, and shoulders of Big Sam, the (former) porter at Carlton House (see British Museum Satires No. 7905), wearing a round hat with a curled brim and the motto 'Ich dien'. He looks down, saying, "no Admittance Sir We are all loyal". On the hoarding (right) are two play-bills: 'Drury Lane The Second Part of King Henry the IV .... The Manager in Distress' (by George Colman, 1780, here an allusion to Sheridan's position); 'Covent Garden Venice preser[ved] or a Plot discove[red]' (Otway, 1682)."--British Museum online catalogue
Description:
Title etched below image., Attributed to Sayers in the British Museum catalogue., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., Temporary local subject terms: Carlton House -- Emblems: British lion -- Mottoes: Prince of Wales's motto -- Literature: Reference to William Shakespeare's Henry IV, Part II -- Reference to George Colman's The Manager in Distress -- Reference to Thomas Otway's Venice Preserved or a Plot Discovered., 1 print : etching on wove paper ; plate mark 30.3 x 23.7 cm, on sheet 32.9 x 25.8 cm., and Mounted on leaf 61 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Carlton House (London, England),, Covent Garden Theatre., and Theatre Royal, Drury Lane (London, England)
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted to 45 x 35 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and 1 print : etching, on wove paper ; plate mark 312 x 241 mm, on sheet 46 x 28 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted on page 83 with one other print.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
Alternative Title:
Citizen Don Quixote becomes the champion of French principles
Description:
Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., 1 print : etching on wove paper ; plate mark 31.5 x 24.5 cm, on sheet 34.4 x 26.4 cm., Mounted on leaf 63 of James Sayers's Folio album of 144 caricatures., and Watermark: 1805.
Publisher:
Publd. 17 March 1794 by H. Humphrey
Subject (Geographic):
England., Great Britain, and France
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
"A domestic concert with a lady playing the piano, accompanied by male violinist, cellist and flautist, while a man sings behind; a man listening throws up his hands in horror."--British Museum online catalogue
Alternative Title:
Concert of vocal and instrumental music and Rising generation of Orpheus
Description:
Title from item., Printmaker identified from an original drawing in the Huntington Library., One of a series of Drolls., Eleven lines of verse in three columns below title: Orpheus was music master of the woods ..., Plate numbered '84' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Mythology: allusion to Orpheus -- Musical scores -- Musical instruments: cello, with head carved at top -- Pianoforte -- Violin -- Flute or recorder -- Amateur musicians -- Songs: God Save the King.
Publisher:
Published 12th May 1794 by Laurie & Whittle, 53 Fleet Street, London
"Social satire; two seated women, one on a wooden chair, dressed simply with a bonnet tied with a ribbon round her chin and holding a letter, the other on a sofa, more fashionably dressed, with jewellery and holding a fan."--British Museum online catalogue
Description:
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Female costume, 1794.
Publisher:
Published 24th Decr. 1794 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Clothing & dress, Women, Chairs, Sofas, and Fans (Accessories)
"A patient, wrapped in shroud-like draperies, sits (left) in a high-backed arm-chair gazing up and to the left. Two doctors in the foreground fight each other, overturning a round table on which are medicine-phials. A lean doctor (left) flourishes the wig of his fat opponent, whom he clutches by the neck-cloth. The fat doctor (right) siezes the other's pigtail queue."--British Museum online catalogue
Description:
Title from item., Printmaker identified from the original drawing in the Huntington Library., From the Laurie & Whittle series of Drolls., Plate numbered '143' in lower left corner., and Temporary local subject terms: Fist-fights -- Medicine bottles -- Walking staves -- Furniture: armchairs.
Publisher:
Published 23th Decr. 1794 by Laurie & Whittle, 53 Fleet Street, London
"A head of Grafton in profile to the right."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., Plate numbered "8" in upper right corner., Temporary local subject terms: French republicans -- Members of the Opposition., and Possibly a later impression from a worn plate; plate number is lightly printed and barely visible.
Publisher:
Publd. 12th May 1794 by H. Humphrey
Subject (Name):
Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811 and Orléans, Louis Philippe Joseph, duc d', 1747-1793.
"A head of Grafton in profile to the right."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., Plate numbered "8" in upper right corner., Temporary local subject terms: French republicans -- Members of the Opposition., and Mounted on page 94 with one other print.
Publisher:
Publd. 12th May 1794 by H. Humphrey
Subject (Name):
Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811 and Orléans, Louis Philippe Joseph, duc d', 1747-1793.
"A head of Grafton in profile to the right."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., Plate numbered "8" in upper right corner., Temporary local subject terms: French republicans -- Members of the Opposition., and Mounted to 37 x 32 cm.
Publisher:
Publd. 12th May 1794 by H. Humphrey
Subject (Name):
Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811 and Orléans, Louis Philippe Joseph, duc d', 1747-1793.
"A head of Grafton in profile to the right."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., Plate numbered "8" in upper right corner., Temporary local subject terms: French republicans -- Members of the Opposition., 1 print : soft-ground etching on wove paper ; plate mark 21.5 x 17.7 cm, on sheet 23.8 x 19.9 cm., Possibly a later impression from a worn plate; plate number is lightly printed and barely visible., and Mounted on leaf 76 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 12th May 1794 by H. Humphrey
Subject (Name):
Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811 and Orléans, Louis Philippe Joseph, duc d', 1747-1793.
"A German soldier sits in the front row of a theatre gallery, his hands in a muff. He has moustaches, wears a high fur cap, a cloak, the braided tunic of a hussar, and looks fixedly to the right with a contemptuous frown. Those sitting in the same row turn their heads to look at him; a stout man on the extreme right stares through a glass; those behind stand and stare. Some of those seated below look up."--British Museum online catalogue
Alternative Title:
Foreigner stared out of countenance
Description:
Titles etched below image., Publisher's advertisement following imprint: ...Where may be had all Rowlandsons works., and Temporary local subject terms: German soldiers -- Military uniforms: German uniforms -- Theatres: theatre gallery -- Male costume: muff and fur.
A copy based on Hogarth's Satire on flase perspective: A view of a tower, staircase, bridge over a river
Alternative Title:
Satire on false perspective
Description:
Title etched below image., Printmaker and artist statemetns inscribed in reverse on print., Sheet trimmed to plate mark., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 239., Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's book, 3d. edit, page 333., and On page 168 in volume 2.
"A stout lady (left), her hands in a muff, cannonades into a fat parson walking in the opposite direction. Behind (right) a rider urges his horse forward; on the left a pedestrian walks into a pond."--British Museum online catalogue
Description:
Title from item., Printmaker identified from the original drawing in the Huntington Library., From the Laurie & Whittle series of Drolls., Plate numbered '144' in lower right corner., Temporary local subject terms: Parsons -- Female costume -- Walking staves -- Signposts., and Watermark: fleur-de-lis.
Publisher:
Published 22d Decr. 1794 by Laurie & Whittle, 53 Fleet Street, London
"Two women, one tall and pretty, except for her grotesque slimness, the other short, fat, and ugly, wear burlesqued versions of the new fashions. Each walks, holding a glove in the (gloved) right hand, a nosegay in the left hand. Under each is a supplementary title: (left) 'St James's giving the Ton, a Soul without a Body'; (right) 'Cheapside aping the Mode, a Body without a Soul'. The former has a tiny waist, her breasts, lightly covered, project above it. Round her neck is a swathing connected with inflated puffs on her tight sleeves; her form is defined under the limp skirt. Another swathing seems to fasten a high straw scoop-like hat under her chin which shows her hair piled above her forehead. This is trimmed with an erect ostrich feather and a brush-aigrette. She wears sharply pointed slippers. The contour of the other lady, a 'City Fussock', see BMSat 8905, is broad and squat; she looks up with an ogling grin, her mouth half hidden by the swathing at her neck. Her feather, aigrette, and nosegay are much larger than those of her fashionable model. Fat legs and broad feet show under a petticoat which projects from her short waist."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Female costume, 1794 -- Nosegays.
Publisher:
Pubd. Decr. 9th, 1794, by H. Humphrey, No. 37 New Bond Street
Titled separately under each image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Fashion -- Male dress, 1795 -- Female dress, 1795 -- Quizzing glasses., and Watermark (partial): fleur-de-lis.
Publisher:
Published 30th March 1795 by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Hand lenses, and Fans (Accessories)
"The head and shoulders of Philip Francis, his head turned in profile to the left, with the baleful stare characteristic of Sayers's portraits of Francis as the enemy of Hastings, cf. British Museum Satires No. 7292."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Signed with the monogram of James Sayers., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., For a variant state with plate number "6" etched in upper right corner, see no. 8455 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Temporary local subject terms: French republicans -- Oppositions: Members of the Opposition.
Publisher:
Publd. 12th May 1794 by H. Humphrey
Subject (Name):
Francis, Philip, 1740-1818 and Philippeaux, Pierre, 1754-1794.
"The head and shoulders of Philip Francis, his head turned in profile to the left, with the baleful stare characteristic of Sayers's portraits of Francis as the enemy of Hastings, cf. British Museum Satires No. 7292."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., Plate numbered "6" in upper right corner., Temporary local subject terms: French republicans -- Oppositions: Members of the Opposition., Mounted on page 93 with one other print., and Possibly a later impression from a worn plate; plate number is lightly printed and barely visible.
Publisher:
Publd. 12th May 1794 by H. Humphrey
Subject (Name):
Francis, Philip, 1740-1818 and Philippeaux, Pierre, 1754-1794.
"The head and shoulders of Philip Francis, his head turned in profile to the left, with the baleful stare characteristic of Sayers's portraits of Francis as the enemy of Hastings, cf. British Museum Satires No. 7292."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., Signed with the monogram of James Sayers., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., For a variant state with plate number "6" etched in upper right corner, see no. 8455 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: French republicans -- Oppositions: Members of the Opposition., 1 print : soft-ground etching on wove paper ; plate mark 21.3 x 16.3 cm, on sheet 23.3 x 18.3 cm., and Mounted on leaf 75 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 12th May 1794 by H. Humphrey
Subject (Name):
Francis, Philip, 1740-1818 and Philippeaux, Pierre, 1754-1794.
A satyr seated in front of an easel is painting Fox's head in a cocked hat with a French cockade. He is using for his model a bust of Fox from which another satyr removes a smiling mask signed "Patriotism," revealing the word "Faction" on the forehead. A large portfolio signed "Outlines of the Opposition collected from the designs of the most capital Jacobin artists," is propped against four large volumes signed "Parliamentary Speeches" lying on the ground next to the easel
Alternative Title:
Outlines of the Opposition collected from the designs of the most capital Jacobin artists
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., First of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted to 43 x 34 cm.
Publisher:
Publd. 17 March 1794 by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806
Subject (Topic):
Satyrs (Greek mythology), Books, Artists' materials, and Politics and government
"Frontispiece to a set of eight satirical portraits (British Museum Satires Nos. 8450-7), in which members of the Opposition are travestied as French republicans. With the set is a bonnet-rouge, printed in red on paper cut along the lower edge of the cap so that it can be fitted to the forehead, transforming the subject into the Frenchman of the title. A satyr sits on a pile of large volumes, directed to the left, his head turned with a smile towards the spectator. In his right hand he holds out a large bonnet-rouge with a French cockade, saying, "If the Cap fit put it on". In his left is a large scroll inscribed: 'Illustrious Heads \ designed for a new History \ of \ Republicanism \ in French & English \ dedicated to \ The Opposition \ "... mutato nomine de te" \ Fabula Narratur" NB The work will not be compleat \ till all the heads are taken off.' On his breast is an irradiated head, probably of Truth. The six books forming his seat are: 'Conventional Decrees'; 'Addresses from Societies for Reform in England'; 'Speeches of the Minority'; 'Presbyterian Sermons'; 'Pamphlets'; 'Pamphlets'. Three other volumes form a back to the seat."--British Museum online catalogue
Alternative Title:
Illustrious heads designed for a new history of republicanism in French & English, dedicated to the Opposition
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., Temporary local subject terms: French republicans -- Opposition: Members of the Opposition -- Symbols: Bonnet rouge -- Emblems: Tricolored cockade -- Allusion to the French Revolution -- Symbols: Head of Truth -- Allusion to reforms., and Mounted to 45 x 34 cm.
Publisher:
Published 12st [sic] May 1794 by H. Humphrey, No. 18 Old Bond Street
Subject (Topic):
Republicanism, Satyrs (Greek mythology), Liberty cap, and Books
A satyr seated in front of an easel is painting Fox's head in a cocked hat with a French cockade. He is using for his model a bust of Fox from which another satyr removes a smiling mask signed "Patriotism," revealing the word "Faction" on the forehead. A large portfolio signed "Outlines of the Opposition collected from the designs of the most capital Jacobin artists," is propped against four large volumes signed "Parliamentary Speeches" lying on the ground next to the easel
Alternative Title:
Outlines of the Opposition collected from the designs of the most capital Jacobin artists
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., First of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted on page 78.
Publisher:
Publd. 17 March 1794 by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806
Subject (Topic):
Satyrs (Greek mythology), Books, Artists' materials, and Politics and government
Title from item., Temporary local subject terms: French republicans -- Opposition: members of the opposition -- Symbols: bonnet rouge -- Satyrs -- Emblems: tricolored cockade -- Allusion to the French Revolution -- Symbols: head of Truth -- Allusion to reforms., and Mounted on page 90.
Publisher:
Published 12th May 1794 by H. Humphrey, No. 18 Old Bond Street
Title from item. and Temporary local subject terms: French republicans -- Opposition: members of the opposition -- Symbols: bonnet rouge -- Satyrs -- Emblems: tricolored cockade -- Allusion to the French Revolution -- Symbols: head of Truth -- Allusion to reforms.
Publisher:
Published 12th May 1794 by H. Humphrey, No. 18 Old Bond Street