Title engraved at top of design, within the scroll surrounding the images., Sheet trimmed to plate mark on top and left side., 'Price 1 shilling'--Below image., Ten lines of text in rebus, followed by two columns of further text in rebus, below image: Whosoever will [be] rich or [high] be [for] [all] things ..., The following words within the text are represented by a rebus: be by an image of a bee, high by an image of a throne, for by number 4, all by an awl., Temporary local subject terms: Cession of Gibraltar -- Cession of Port Mahon -- Conventions: Pardo, 1739 -- Electorates: German electorates -- Electorate of Hanover -- Cuba: Fort St. Iago -- Cumberland Harbor -- Fairs: Horn Fair -- Yarmough fish -- Hungary -- France -- Bavaria -- Slogans: wooden shoes -- Hats: King's hat -- Parodies: parody on Athanasian Creed., Mounted., and Watermark.
Publisher:
Sold by G. Bickha[m] at the Blackmoor's Head, Exeter Exchange
Subject (Name):
George II, King of Great Britain, 1683-1760, Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765, Walpole, Robert, Earl of Orford, 1676-1745, and Vernon, Edward, 1684-1757
Title engraved at top of design, within the scroll surrounding the images., Sheet trimmed to plate mark on top and left side., 'Price 1 shilling'--Below image., Ten lines of text in rebus, followed by two columns of further text in rebus, below image: Whosoever will [be] rich or [high] be [for] [all] things ..., The following words within the text are represented by a rebus: be by an image of a bee, high by an image of a throne, for by number 4, all by an awl., Temporary local subject terms: Cession of Gibraltar -- Cession of Port Mahon -- Conventions: Pardo, 1739 -- Electorates: German electorates -- Electorate of Hanover -- Cuba: Fort St. Iago -- Cumberland Harbor -- Fairs: Horn Fair -- Yarmough fish -- Hungary -- France -- Bavaria -- Slogans: wooden shoes -- Hats: King's hat -- Parodies: parody on Athanasian Creed., and With spine title: Caricatures anglaise 1740.
Publisher:
Sold by G. Bickha[m] at the Blackmoor's Head, Exeter Exchange
Subject (Name):
George II, King of Great Britain, 1683-1760, Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765, Walpole, Robert, Earl of Orford, 1676-1745, and Vernon, Edward, 1684-1757
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., Truman's notes about the print are shelved as: LWL Mss Group 1 File 4., Other notes identifying the figures in the print in unknown contemporary hand., and Imperfect: sheet trimmed within plate mark resulting in loss of imprint, text, and music of the song; sheet 28 x 32 cm, mounted to 33 x 45 cm.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1686-1746, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., and Numbered '113' in black ink in an unidentified hand.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1686-1746, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
Toms, W. H. (William Henry), approximately 1700-1765, printmaker
Published / Created:
[29 June 1741]
Call Number:
741.06.29.01+
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of Thomas Topham, taken on 28 May 1741; full length, standing slightly to right on high scaffold, preparing to lift three hogsheads full of water in Bath Street, London, in honour of Admiral Vernon's attack to capture Cartagena; after a drawing by Leigh."--British Museum online catalogue
Alternative Title:
Representation of Thomas Topham the strongman ...
Description:
Title etched below image., Printmaker from the Catalogue of engraved British portraits., "Price six-pence"--Following imprint., and Watermark: Countermark "IV".
Publisher:
Publish'd according to act of Parliament, June 29, 1741, and sold by W.H. Toms, engraver, in Union Court, Holbourn
Subject (Name):
Topham, Thomas, approximately 1710-1749, and Vernon, Edward, 1684-1757.
Title from item., 'Price 3d'., Three lines of dedication at the bottom of the image: To the brave Admiral Vernon, and his worthy collegue [sic], Charles Edwin, Esq. this plate is most humbly dedicated by G. Bickham., Twelve lines of verse in three columns below title: O, put it in the public voice to make a free and worthy choice ..., Temporary local subject terms: London: St. Paul's, Covent Garden -- Elections: Westminster election, 1741 -- Clubs: Independent Electors of Westminster -- Taxes: excise., and Watermark.
Publisher:
Sold in Mays Buildings, Covent Garden
Subject (Name):
Vernon, Edward, 1684-1757, Edwin, Charles, ca. 1699-1756, Wager, Charles, Sir, 1666-1743, De Veil, Thomas, Sir, 1684-1746, and Sundon, William Clayton, Baron, 1671-1752
