Title from item., Originally published by Thomas Bowles in 1720. See the Catalogue of prints and drawings in the British Museum., Publication date of this edition inferred from Carington Bowles's separation of his business from his father's in 1764., Sheet trimmed within plate mark., Numbered in lower right corner: 89., Nine lines of text below image: Here is represented Fortune conducted by Folly who is well known, by her ordinary attributes and her ample hoop petticoat, which is also a folly of the times. The chair is drawn by the principal company's who began this pernicious trade as [the] Mississippi with a wooden leg, South Sea with a sore-leg and a ligament upon another ..., Later state, by a different publisher. Cf. No. 1629 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Temporary local subject terms: Vehicles: car -- Personifications: Fame -- Folly -- Bank of England -- Assurance -- East India Company as a Chinese man -- Mississippi Company as a native man with a wooden leg -- West Indies Company as a native (Indian) man -- Devil -- Emblems: serpent -- Furniture: table -- Ladderback chairs -- Mottoes: desinit in luctum species formosa superne., Watermark: Band., and Window mounted to 27 x 35 cm.
Publisher:
Printed for Carington Bowles in St. Pauls Church Yard
A crowd of Londoners enjoying a variety of activities on the Nore
Description:
Title from caption below image., Shortshanks is the pseudonym of Robert Seymour., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1827.
"A band of assailants led by an irate bishop approaches from the right, to the attack of a stone building, a corner of the lower part of which is on the left. A closed door is inscribed 'Office of Justice'; from an open window immediately above it a man leans out, pistol in hand, saying, "This is my House this is my Castle". Two women kneel beside the stout bishop, one clutches his arm to restrain him, the other weeps; a third standing behind also weeps. Two parsons with clenched fists stand behind the bishop, one, who is fat, says "Turn him out"; the other, who is lean, says: "Ill thrach the Dog I'll box him what Dare to act contrary to the Opinions of his Spiritual Dictator, no not even in his Temporals, Turn him out." A third equally irate parson stands alone on the left of the door. A crowd with clubs and banners brings up the rear behind the clergy; the most conspicuous are two footmen in livery. The three banners are: 'Church Millitant', 'Unqualified Submission to our Spiritual Guides', and 'All Obedience.'"--British Museum online catalogue
Alternative Title:
Messengers of peace
Description:
Title etched below image., Printseller's announcement following publication statement: NB. Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Assaults -- Offices: diocese deputy registrar -- Parsons -- Samuel Grindley., Watermark: Strasburg bend., and Printseller's stamp in lower right of plate: S.W.F.
Publisher:
Pubd. Augt. 6, 1796, by S.W. Fores, No. 50 Piccadilly
"From the bustle and life visible on all sides it would seem that the period is fair-time, when the rustics and agricultural population of the vicinity in general flock into the town, holiday-making. A travelling mountebank has established his theatre in the market place; the person of the ingenious charlatan is decked out in a fine court dress, with bag wig, powder, sword, and laced hat complete, the better to excite the respect of his audience; he is holding forth on the marvellous properties ascribed to the nostrums which he is seeking to palm off on the simple villagers as wonder-working elixirs; while his attendants, Merry Andrew and Jack Pudding, are going through their share of the performance. One branch of the mountebank physician's profession was the drawing of teeth; an unfortunate sufferer is submitting himself to the hands of the empiric's assistant. The rural audience is stolidly contemplating the antics of the party, without being particularly moved by Dr. Botherum's imposing eloquence, these vagabond scamps being frequently clever rogues, blessed with an inexhaustible fund of bewildering oratory, and witty repartee at glib command. Leaving the quack, we find plentiful and suggestive materials to employ the humourist's skilful graver scattered around. In the centre, a scene of jealousy is displayed; the beguilements of a portly butcher are prevailing against the assumed privileges of a slip-shod tailor, who is seemingly tempted to have recourse to his sheers, to cut the amorous entanglement summarily asunder. On the left, the promiscuous and greedy feeding associated with 'fairings,' is going busily forward, and on the opposite side are exhibited all the drolleries which can be got out of a Jew pedlar, his pack, the diversified actions of customers he is trying to tempt with his wares, and the bargains for finery into which the fair and softer sex are vainly trying to beguile the cunning Hebrew on their own accounts. It seems probable that Rowlandson in his print of Doctor Botherum may have had a certain Doctor Bossy in his eye, a German practitioner of considerable skill, who enjoyed a comfortable private practice, said to have been the last of the respectable charlatans who exhibited in the British metropolis. This benevolent empiric, as Angelo informs us, dispensed medicines and practised the healing art, publicly and gratuitously on a stage, his booth being erected weekly in the midst of Covent-Garden Market, where the mountebank, handsomely dressed and wearing a gold-laced cocked hat, arrived in his chariot with a liveried servant behind. According to the old custom, the itinerant quack-doctor, with his attendant gang, was as constant a visitor at every market-place as the pedlar with his pack."--Grego
Description:
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., Twelve lines of verse below image, six on either side of title: High o'er the gaping crowd, on market day, while Andrew drolls the blockheads pence away ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Mountebanks -- Tooth Extraction -- Dr. Bossey., and 1 print : aquatint and etching, hand-colored ; sheet 373 x 433 mm.
Publisher:
Pubd. 6 March 1800 at R. Ackermann's Repository of the Arts, 101 Strand
Subject (Topic):
Quacks and quackery, Teeth, Extraction, Jews, City & town life, Plazas, Medicine shows, Audiences, Crowds, Peddlers, and Butchers
Title etched below image., Publication statement flanks both sides of title., Text below title: They even stooped to the most degrading submission to obtain tickets., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A wide space leads to the harbour. On one side (left) is the corner of a large old clothes shop: 'Moses Levy Money Lent', with garments, &c., hanging from it. Opposite is the old-fashioned 'Ship Tavern'. Off shore are ships in full sail, boats are making towards them. In the foreground is a bustle of departure: baggage is being carried, casks are rolled, sailors and their women embrace or fight; a one-legged sailor plays a fiddle, a child plays with dogs. At the door of the 'Ship' an officer takes leave of his family; from the bow-window above spectators lean out, an officer using a telescope."--British Museum online catalogue
Description:
Title from caption below image., Publisher and publication date from British Museum catalogue., Sheet trimmed within plate mark., Variant without complete publication date of no. 12408 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Watermark: 1800.
"One of a set of four, and a companion print to British Museum Satires No. 7177. A party of unsoldierly Dutch ragamuffins practises firing at the figure of a Prussian soldier (right) chalked on a high stone wall. They stand on the brink of a ditch close to the wall and are commanded by a man in civilian dress holding a pike, evidently a member of a Free Corps, who is directing the military training of the others. One man stands up to his knees in water; frogs are climbing up him. Other frogs stand on the bank holding weapons. A crowd of ruffians (left) watch the firing, some have muskets, one a blunderbuss, one blows a trumpet, another waves his hat; all exult at the success of their arms against the symbol of the Prussian army, at which a dog barks and ducks quack. The high stone wall has a ruinous gap which is filled with a windmill."--British Museum online catalogue
Description:
Title from item., DeGrey's ms. note on verso., and Watermark with initials R G below.
Publisher:
Publish'd Octr. 18th, 1787 by T. Harmar, No. 164 (opposite Bond Street) Piccadilly, London
Subject (Geographic):
Netherlands
Subject (Topic):
Foreign public opinion, Great Britain, Ethnic Stereotypes, Crowds, Weapons, Firearms, Frogs, Trumpets, Pipes (Smoking), and Military training
publish'd according to act of Parliament, Septr. 12th, 1745.
Call Number:
Quarto 724 771N
Collection Title:
Opposite page 1. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on fashion showing a crowd of people in St James's Park in front of Buckingham House. In the centre is a short, fat women wearing a large hooped skirt and saque, a lace cap and black lace mittens, and carrying a closed fan. On the left a young country gentleman, wearing a quilted waistcoat and holding a riding whip, is arm in arm with fashionably dressed man who seems to be showing him the promenade, they both wear breeches that end above the knee and high-heeled shoes with large tongues; the latter leers at a young woman, apparently a prostitute, wearing a straw hat with a soft brim who lifts her huge hooped skirt to reveal her ankle. She is walking with another young woman wearing a dark cloak with a hood; she wears a small cap and her hair is dressed in ringlets. In the centre, behind the fat woman, two men embrace, one of whom wears an eye patch. Another young woman, dressed in a similar fashion to the fat woman, stands to her right; behind her is another young woman wearing a hat with a very large brim. Next are two more young men,wearing large tricorne hats, tight coats the skirts of which open out in pleats below the waist, and high-heeled shoes one apparently pointing out matters of interest to the other who is possibly a young officer as he wears a sword and a cockade in his hat; his hair or wig is dressed in a large bag-wig. On the far right, a soldeir wearing large riding boots, walks away with a young woman wearing a laced hat."--British Museum online catalogue
Description:
Title engraved below image., Probably a later state, with printseller's statement burnished from plate. For a variant state with "Sold by C. Moseley, engraver & printseller in Round Court in the Strand" following price statement, see No. 2774 in the Catalogue of prints and drawings in the British Museum, v. 3., Sheet trimmed within plate mark., "Price 6d."--Following imprint., 1 print : etching and engraving ; sheet 22.6 x 31.6 cm., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge., On laid paper and mounted to 26 x 32 cm., and Mounted opposite page 1 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
publisher not identified
Subject (Geographic):
Saint James's Park (London, England),, England, and London.
Subject (Name):
Buckingham Palace (London, England),
Subject (Topic):
Clothing & dress, Crowds, Fans (Accessories), Military uniforms, British, and Parks
"A satire on Wilkes's release from custody in April 1763 and the successful actions for damages by the printers of the North Briton, No. 45. A copy without any background, and lacking the figure of Beckford, of British Museum satire no. 4065: The devils triumphant or The messengers in the suds."--British Museum online catalogue
Alternative Title:
Blessing of a London jury
Description:
Title etched above image., After Jefferyes Hamett O'Neale according to the British Museum catalogue., Publication date inferred from that of the original print: The devils triumphant, or, The messengers in the suds., Sheet trimmed within plate mark., Altered copy of No. 4065 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Watermark.
Publisher:
publisher not identified
Subject (Name):
Wilkes, John, 1725-1797, Camden, Charles Pratt, Earl, 1714-1794, Glynn, John, 1722-1779, Mansfield, William Murray, Earl of, 1705-1793, Norton, Fletcher, 1716-1789, Blackmore, Robert, -1763., Carrington, Nathan, -1777., Money, John, active 1763., and Watson, John, active 1763.
Subject (Topic):
Crowds, Demons, Fighting, and Judicial proceedings
A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant.--British Museum catalogue
Description:
Title from caption inscribed in brown ink below image., Title inscribed twice on sheet and struck out once., Imprint statement inscribed in brown ink below title: Pubd. July 19th, 1791 by S.W. Fores No. 3 Piccadilly., Description of published Gillray print in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7892., Description of published Gillray print in Works of James Gillray, the caricaturist with the history of his life and times / edited by Thomas Wright. London : Chatto and Windus, [1873?], p. 130., and A 'counterprint' or transfer in brown ink appears on the verso of the mount from another print: A Birmingham toast, as given on the 14th of July by the Revolution Society.
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, Wray, Cecil, Sir, 1734-1805, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Decapitations, Hangings (Executions), Executioners, Axes, Kings, and Crowds