One hundred fifty claimants to the throne of Great Britain
Description:
Caption title., Letterpress text discussing the line of succession above an etched geneological chart (plate mark 27.9 x 26.5 cm) which illustrates the line of succession, following the reign of George IV, probably published in response to the death of Princess Charlotte in 1817 and before the birth of Victoria in 1819. However, the text also references "the present Princess of Wales", but further evidence that this was issued in response to her death is the dark black border around her name., and Imprint etched at top of chart. Date from letterpress: "The following is a brief sketch. A.D. 1818."
Publisher:
Printed & publish'd by W. Finch, No. 5 Charlotte Place, New Cut, Lower Marsh, Lambeth
47 letters and documents, on paper (one document on parchment) in various cursive scripts, produced in England between 1554 and 1706. Mostly from the Elizabethan and Jacobean periods, they consist of claims for expenses, wages, and other benefits. They include an account of a banquet (15 November 1561), signed by the Marquis of Winchester and Sir Walter Mildmay; a Claim for Allowances (1563) by Sir Thomas Chaloner, Ambassador to Spain; L. S. (1578) by Lord Burgley about money to be sent to Ireland and mentioning Sir Philip Sidney; A. L. S. (1597) by George, Lord Hunsdon; A. K. S. (Chester, 11 Aug. 1601) by the antiquary and mathematician Edward Brerewood to the Privy Council. The documents also include signatures of other government officials and nobles and The documents derive from the papers of Robert Petre, Auditor for the Exchequer, and his colleague Vincent Skinner
Description:
In English. and Binding: Middle Hill boards, spine missing.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Elizabeth I, Queen of England, 1533-1603., James I, King of England, 1566-1625., and Great Britain. Exchequer.
Title etched below image. and Temporary local subject terms: Allusion to Archbishop -- Anticipation of effects of insanity of King George III -- Mitres -- Allusion to Regency crisis.
Publisher:
Pub, Nov'r 5th 1788 by S.W. Fores No. 3 Piccadilly
"A symbolical bust of Napoleon, dressed as a Roman emperor, is on a rectangular base on which are title and inscription : 'Symbolical of the Effects produced by that Cause which the enlightened [image of a fox] in [the] Eighteenth Century sagaciously predicted would ultimately prove a Stupendous Monument of Human Wisdom!!!' The head is turned in profile to the left; the features are conventional but express ferocity, with glaring eye and fierce frown. It wears a fantastic helmet wreathed with laurel from which blood drips. The wreath is entwined by serpents, whose (three) heads are clustered at the back with words in large letters issuing from their jaws: 'Rapine', 'Lust', 'Murder'. The word 'Invasion' issues in the same manner from the mouth. Above the wreath the helmet is encircled by a band on which are quasi-zodiacal signs: a scorpion, a sickle, a crescent, an arrow, a caduceus, a goat-like monster. On the helmet sits a grinning Devil, playing a fiddle and spreading his webbed wings over the idol's head, while from under one wing Death, a skeleton, peers out; he holds a javelin poised to strike and a cup of poison inscribed 'Jaffa' [see British Museum Satires No. 10063]. The shoulders are covered by drapery, drawn aside to reveal (rotten) ribs and a torn and bleeding heart which is transfixed by a dagger and a barbed spear. A scroll floats from the dagger inscribed 'Wilsons Narrative'; the spear has a scroll inscribed 'British Press' and is surmounted by a cap of Liberty. Fragments torn from the heart are inscribed 'Acre' [see British Museum Satires No. 9412], 'Egypt' [see British Museum Satires No. 9250, &c], and 'Irel[and]', while in the middle of the heart is a triangular patch: 'England'. The heart is surmounted by a crown made of blood-stained daggers with a central fleur-de-lis."--British Museum online catalogue
Description:
Title from text in image., With an accompanying sheet of letterpress text describing: The crest, The helmet, and The heart., and Sheet trimmed to plate mark on top edge.
Publisher:
Published by R. Cribb and Printed by Cox and Baylie, Great Queen Street
Subject (Geographic):
France, Great Britain., Great Britain, and France.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Fox, Charles James, 1749-1806, and Wilson, Robert, Sir, 1777-1849.
Subject (Topic):
Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Foreign relations, Devil, and Skeletons
"Trotter walks off from the Bank of England with two sacks under his arm, one inscribed 'I [...] 000. Newland, appearing in the doorway (left), hurries after him, saying, "Hollo sir - where are you going with those bags!" On the opposite side of the street is a pawnshop where Melville, in bonnet and plaid, looks out over its half-door. Trotter answers: "I am only trotting over with them to Johnny Mac Crees Banking House!" Melville says: "Hoot awa mon! - dinna be afraid - they will be as safe with me as in your ain Strong box." On the pawnshop door are the words 'Money Lent' and the three balls or pawnbroker's sign."--British Museum online catalogue
Alternative Title:
Abraham Newland alarm'd and Abraham Newland alarmed
Description:
Title etched below image. and Questionable attribution to Isaac Cruikshank from the British Museum catalogue.
Publisher:
Pubd. April 5, 1805, by S.W. Fores, N. 50 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Trotter, Alexander, 1750-1830, Dundas, Henry, 1742-1811, and Bank of England.
Subject (Topic):
Impeachment, Trials (Impeachment), Misconduct in office, Money, Pawnshops, and Ethnic stereotypes
"Full-face portrait of a man walking to right. and looking to his right. His right hand is in his coat pocket, his left thrust in his waistcoat. He wears a looped hat, his hair or wig is in a long queue bound with black ribbon. He wears a sword, laced coat, ruffled shirt and cravat, low buckled shoes. A dog of greyhound type walks in front. He resembles portraits of Richard Grenville-Temple, 1st Earl Temple (1711-79)."--British Museum online catalogue
Description:
Title from caption below image., Initial letters of publisher's name in imprint form a monogram., For a later state, see no. 4994 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Plate numbered "11" in upper right corner.
Publisher:
Pub. by MDarly accorg. to act
Subject (Geographic):
England and Great Britain.
Subject (Name):
Temple, Richard Grenville-Temple, Earl, 1711-1779
Subject (Topic):
Clothing & dress, Dandies, British, Dogs, and Nobility
A doctor and nurse prescribing new medicines for their patient; representing Britain under a new government. The doctor (Peel) holding a medicine bottle labelled: "New tariff" says: "Come take it off like a man! Its the only remedy for your complaint, I have mixed you something very nice to wash it down." The nurse (Wellington) adds: "Come Johnny there's no use making wry faces, you know you must swallow it." John Bull holding a cup inscribed: "Income tax" retorts: "It's a great deal nastier than Dr. Russell's physic." Lying discarded on the floor are a bottle of medicine labelled; "Russell purge" and a container inscribed: "Barings pills."
Description:
Title from text below image., Print signed using John Doyle's "HB" monogram., and Temporary local Medical Library subject terms: Politics, British -- Baring's Pills -- Russell's Purge.
Publisher:
Published by T. McLean, 26 Haymarke[t] and Printed at the Genl. Lithc. Estabt., 70 St. Martins Lane
Subject (Geographic):
Great Britain.
Subject (Name):
Russell, John Russell, Earl, 1792-1878., Baring, Francis Thornhill, 1796-1866., Peel, Robert, 1788-1850., and Wellington, Arthur Wellesley, Duke of, 1769-1852.
Subject (Topic):
John Bull (Symbolic character), Legislative bodies, Reform, Physician and patient, Nurses, and Medicine
Cover title., Etchings of faces and heads, mostly untitled, two images per sheet, first sheet with numbers 3 and 4; no. 59 alone on last sheet., Reissue., and Not bound; in box labeled "Darly 1763".
Lyndhurst in Chancellor's wig and gown, stands between Wellington (left, standing beside a writing table) and Brougham (right, also in a wig and gown), who face each other in profile. Lyndhurst looks at Wellington while gesturing with his left arm at Brougham who steps toward him. In a speech balloon, Lyndhurst says: My honourable & learned Friend wishes to Enroll himself amoung Your Graces political friends
Description:
Title from text below image., Print signed with John Doyle's monogram: "HB"., Date of publication from the British Museum catalogue., A close copy of British Museum satires no. 15837 with the same signature, title, and inscription, but without the apostrophe in the word "Grace's" in the speech balloon., and Matted to 42 x 49 cm.
Publisher:
Pubd. by S. Gans, 15 Southampton St., Strand and Printed by C. Ingrey, 310 Strand
Subject (Geographic):
Great Britain.
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Lyndhurst, John Singleton Copley, Baron, 1772-1863
A collection of seven copper theater passes or tickets for London theatres dating between 1762 and approximately 1820, all blank on the obverse sides except for the token for the Box Prince's Side (BPS 1796) which is decorated with a chain of small linked circles around the perimeter. The 1788 token for a box at Covent Garden is the only token with a hole in the center
Description:
Title devised by cataloger. and For further information, consult library staff.
Title from caption below image., "Price 6 d"--Upper left corner., Date of publication, March or April 1248, based on the event depicted., and Three lines of dialogue below title: First juvenile. "I say Tommy, what do you think of this here jolly row?" Second Do. "Why I think we ought to down with the Harrystockracy, and pay no Hincome tax." First Do. "Oh! and have all the pastry cooks shops throw'd open to the people free, gratis, for nothink!!!"
Publisher:
Published at the Punch Office
Subject (Geographic):
Great Britain. and Great Britain
Subject (Topic):
Poor, Employment, Taxation, Economic conditions, Boys, and Crowds
Horace Walpole's extra-illustrated copy available as in a pdf., Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 9., Inscribed copy: "Bequeathed to Mary Dickenson by her valued friend the Earl of Orford." Numerous notes by Miss Anne Clark. Half calf, with worn marble boards., and For further information, consult library staff.
Horace Walpole's extra-illustrated copy available as in a pdf., Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11., Extra-illustrated with 100 original drawings, chiefly by G.P. Harding, and numerous engravings. Copy of "The disaster" inserted; also inserted is a ms. account of the occasion for the poem, written in 1871 by Bawtree's grandson. Inlaid to folio, russia, rebacked., and Title page printed in red, black and blue, with Gothic style architectural border in watercolor and watercolor vignette resembling Mary Berry's bookplate with strawberries. Attributed to G.P. Harding. Printed 1797? Trimmed to: 29 x 22.5 cm.
Horace Walpole's extra-illustrated copy available as in a pdf., Horace Walpole's copiously extra-illustrated copy, folio (65 x 48 cm), with Walpole's arms stamped on covers and with notes by Walpole and Thomas Kirgate. Drawings or proofs before letter are substituted for many of the original plates. Plates wanting - entrance of Strawberry Hill (Drawings removed from framing?). See W.S. Lewis's notes., Items removed from volume are shelved in two solander boxes., Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., and For further information, consult library staff.
Horace Walpole's extra-illustrated copy available as in a pdf., Bound in are 2 copies of: Harding, S. Epitaph on a canary bird., Russia by C. Lewis, rebacked; on spine: Walpole's Villa. Extra-illustrated with numerous plates and Strawberry Hill Press Detached pieces and original drawings by G.P. Harding and John Carter; ms. notes by Horace Walpole and Thomas Kirgate; name, perhaps S. Boyce, partially erased on the t.p. Probably from Kirgate's library. For further information, consult library staff., and Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 10.
Horace Walpole's extra-illustrated copy available as in a pdf., Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., Copiously extra-illustrated by Richard Bull with prints, drawings by John Carter, and Strawberry Hill Press detached pieces. Inlaid to folio probably before 1790, with letterpress pages and illustrations decorated with ruled edges, on fronts and backs of pages. Autograph memoranda by Walpole inserted. Coat of arms of Richard Bull painted inside cover. Formerly bound in russia, now in green morocco., and For further information, consult library staff.
"Pitt, Hastings, and Thurlow sit at a circular dinner-table on which is the King's head in a large dish. The dish is ornamented with a crown and the words 'Mal. y . Pense'. Pitt (left) sits in profile to the right cutting off a piece of the tongue with a knife and fork. Thurlow, in his Chancellor's wig and gown, faces him, using two large spoons greedily (cf. BMSat 7166), he is taking brains from a hole in the King's forehead. Hastings, in oriental dress, sits between them gouging out an eye with a spoon and fork. Besides Pitt is a sauce-boat inscribed 'Sauce', beside Thurlow a bottle inscribed 'Vinegar'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Sheet trimmed within plate mark on top edge., Temporary local subject terms: Male costume: Oriental costume -- Royal motto: Honi soit qui mal y pense., and Inscribed in ink below signature in an unidentified hand: Gillray's early feigned signature.
Publisher:
Pubd. March 28th, 1788, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Hastings, Warren, 1732-1818, and Thurlow, Edward Thurlow, Baron, 1731-1806
"A realistic view of the House receding in perspective to the Throne, above which is inset an oval bust portrait of Bartolomo Bergami, wearing a cluster of five decorations, see British Museum Satires no. 13810. Eighteen figures and objects are numbered referring to the key in the lower margin. Counsel are in a line across the foreground on each side of the centre figures, who are Gurney the short-hand writer and Majocchi facing the interpreter. The Queen is inconspicuously seated behind Brougham, next a smaller lady who must be the tall Lady Anne Hamilton. Eldon is at the Table in front of the Woolsack. On the Table is 13 Green Bag [see British Museum Satires no. 13735]."--British Museum online catalogue
Description:
Title from text below image. and Date of publication from British Museum catalogue.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron., Bergami, Bartolomeo Bergami, Baron,, Gurney, William Brodie, 1777-1855., Brougham and Vaux, Henry Brougham, Baron, 1778-1868., Hamilton, Anne, Lady, 1766-1846., Eldon, John Scott, Earl of, 1751-1838., and Great Britain. Parliament. House of Lords
Subject (Topic):
Scandals, Trials (Adultery), Government officials, Judicial proceedings, Queens, and British
Mr. Harley, with a very large belly and a shirt with lace trim, standing full-length in profile to right wearing on his head a cuckold's horns from which hangs a sign "A room to lett unfurnish'd". From his mouth a bubble reading, "I am one of the heads of the city." In his left hand a book open to pages that read, "The city poll dedicated to the Cheese mongers, trunk makers, etc. From his right pocket a letter, "At the court of C.C., it was carried NEM-CON that he was realy & not politically ill."
Alternative Title:
Figure that appeared in a Mazarine gown
Description:
Title etched above image., Publication date in British Museum catalogue: October 10, 1768, the date of the masquerade., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 1 (1768), p. 148., and Mounted to 30 x 36 cm.
Publisher:
Oxford Magazine
Subject (Geographic):
England and Great Britain.
Subject (Name):
Harley, Thomas, 1730-1804
Subject (Topic):
Clothing & dress, City council members, Horns (Anatomy), Masquerades, and Obesity
"Pushed by Knighton and pulled by Lady Conyngham, George IV, more corpulent than in other prints, walks in an ornate circular stand or support on castors (as used for toddling children, cf. British Museum satires no. 7497) towards Virginia Water (right), his fishing-rod against his shoulder. He wears a hat with a wide curving brim inscribed á la Townsend [cf. British Museum satires no. 10293], double-breasted tail-coat, breeches, and pumps; his right arm rests on the ring of the stand, in his hand is a small book: Old Izack [Walton]. From the stand dangles an ornate reticule: Fish Bag; the base is decorated with two fat squatting mandarins. Lady Conyngham looks over her right shoulder at the King, puffing from her effort, but singing Rule Britannia; the crossbar at which she tugs is a sceptre. She wears an enormous ribbon-trimmed bonnet and décolletée dress; the hook from the King's line has caught in her dress which strains across her vast posterior as she leans forward. Knighton wears a court-suit with bag-wig and sword. He pushes with both hands with great concentration, singing, Send him Victorious. In his coat-pocket are a clyster-pipe and a paper: Petition of the Unborn Babes. A signpost terminating in a realistic hand points To Virginia Water. There is a background of trees and water."--British Museum online catalogue and A later impression [i.e. state] of British Museum Satires No. 15413 ... A scroll has been added beside Knighton's coat-tails inscribed with his 'places of profit': Clerk of Stannaries Recr Genl Duchy of Cornwall, Privy Purse &c &c &c. See Diary of H. Hobhouse, loc. cit. A border has been added."--British Museum online catalogue
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pub. June 27th, 1827, by S.W. Fores, Pciadilly [sic]
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Knighton, William, Sir, 1776-1836, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Subject (Topic):
Bonnets, Fishing & hunting gear, Mistresses, Obesity, Physicians, British, Pulling, Scepters, Medical equipment & supplies, and Traffic signs & signals
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Buildings: East India House -- Declaratory Act., and Watermark.
Publisher:
Pubd. April 24, 1788 by Josa. Baldrey, No. 19 H. Holborn, London
Subject (Geographic):
Great Britain.
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Hastings, Warren, 1732-1818, Rumbold, Thomas, Sir, 1736-1791, and East India Company.
Subject (Topic):
Portraits, Impeachment, Taxation, Tax assessment, Justice, Donkeys, Stores & shops, Shutters, Lawyers, and Britannia (Symbolic character)
A man in ragged clothes stands facing right, hunched forward under the weight of a basket of 'Rents' and 'Taxes' strapped to his back. His legs are shackled, his mouth is closed by a padlock, and his hands are tied behind him. Image enclosed within a circle
Alternative Title:
Freeborn Englishman
Description:
Title etched above image., Printmaker is likely the publisher Thomas Spence's son William, who was born in the early 1780s and died in 1797. See Oxford Dictionary of national biography, entry for Thomas Spence., Probably a copy, with alterations, of a print published circa 1795 entitled "A freeborn Englishman, the admiration of the world, the envy of surrounding nations, &c. &c." See description for No. 8710 in the Catalogue of prints and drawings in the British Museum, v. 7., Sheet trimmed within plate mark., Thomas Spence seems to have also issued copper tokens in 1796 with depictions of a similar shackled figure on one side. See for example British Museum online catalogue, registration no.: T.6498., and Not in Catalogue of prints and drawings in the British Museum.
Publisher:
Publishd. by T. Spence, Turn Stile, Holborn
Subject (Geographic):
Great Britain. and Great Britain
Subject (Topic):
Taxation, Poverty, Poor persons, Locks (Hardware), Shackles, and Taxes
"The royal party on board a vessel which, though the sail is inscribed 'Southampton Frigate', resembles a fishing-vessel. They are seated in the stern in the worst throes of sea-sickness: the King (centre), his hat tied on with a handkerchief, clasps his stomach. One of the princesses, holding a smelling-bottle, supports the Queen. The helmsman is impeded by a fat lady who drinks from a bottle. A princess (left) droops despairingly, another (right) appeals to Heaven for mercy. A sailor (left) carries off a bucket, holding his nose. Below the deck appear the heads of two beef-eaters, vomiting."--British Museum online catalogue
Alternative Title:
Southampton Frigate
Description:
Title etched below image., Attributed to Rowlandson by Grego., and Temporary local subject terms: Southampton frigate -- Naval uniforms: sailors' uniforms -- Sails -- Beefeaters -- Sea sickness.
Publisher:
Pubd. Augst. 4, 1789, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte, consort of George III, King of Great Britain, 1744-1818
A copy in reverse of William Hogarth's Plate 4 of A harlot's progress: A scene in Bridewell prison with Moll Hackabout and the other inmates beating hemp under the supervision of a stern warder holding a cane. Moll is still dressed in her finery, but a one-eyed female attendant fingers the lace lappet hanging from her cap and her serving-woman sits before her in Moll's elegant shoes; next to her a fellow inmate picks vermin off her clothes. Next to Moll is a gambler, a torn playing card on the floor in front of him; behind her, a man stands with his hands in a pillory on which hangs a sign "Better to Work than Stand thus." Further down the wall is a whipping post with the words "The Wages of Idleness." On a shudder against the back wall is an effigy of Sir John Gonson ("Sr. J G").
Alternative Title:
Harlot's progress. Plate 4, In Bridewell beating hemp, and Dans la maison de correction a battre le chanvre
Description:
Title in English and French engraved below image., Date of publication based on the series of Rake's progress by Henry Parker dated 25 March 1768 in which these same engraved border pieces are used, here visibly more worn, and reversed on the page., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.5 x 36 cm)., Copy of Hogarth's original plate, engraved in reverse as per the piracy published by Elisha Kirkall in 1732., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2076., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 124.
Page 98. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Copy of Bridewell prison with inmates (including prostitutes and a card-player) beating hemp under the supervision of a warder holding a cane; Moll is still dressed in her finery, but a one-eyed female attendant fingers the lace lappet hanging from her cap and her erstwhile serving-woman is trying on her fashionable shoes and stockings; beyond, a man stands with his hands in a pillory."--British Museum online catalogue
Alternative Title:
Harlot's progress. Plate 4, In Bridewel beating of hemp amidst many others in the like circumstances, and In Bridewell beating of hemp amidst many others in the like circumstances
Description:
Title etched above image., Text below image: In Bridewel beating of hemp amidst many others in the like circumstances., One of three designs on a single plate, with the common imprint "Sold by G. King at the Golden Head in Brownlow Street, Drury Lane, and the booksellers & printsellers of London & Westminster." For the other two designs (the fifth and sixth plates in the Harlot's progress series), see nos. 2093 and 2108 the the Catalogue of prints and drawings in the British Museum, v. 3., Issued on 28 April 1732; see: Paulson, R. Hogarth's graphic works (3rd rev. ed.), page 76., Imperfect; sheet trimmed within plate mark with loss of title from top edge and statement of responsibility from bottom edge. Missing text supplied from impression in the British Museum., A copy in reverse of the original plate by Hogarth. Cf. Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 124., Mounted to 32 x 26 cm., and Mounted on page 98 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
"A court scene. The judge, Bayley (right), addresses the apprehensive prisoner at the bar, Wellington (left): '"If a party, wilfully & intentionally does an act likely in its results to produce death, & death actually ensues, the act so done by him is done with what the Law calls "malice afore thought" & the party is guilty of murder!"' The jury, in a raised box, Counsel seated in the well of the court, and a shorthand-writer standing on the extreme left, stare at judge or prisoner. The heads of spectators fill the space under the jury-box."--British Museum online catalogue
Description:
Title from text below image., Print signed using John Doyle's "HB" monogram., Imperfect; sheet trimmed with loss of imprint statement from bottom edge. Imprint supplied from impression in the British Museum., Text below title: A supposed case, founded on facts., A commentary on a recent trial of R.W. Lambrecht who was tried for manslaughter as a result of a duel, with Wellington appearing in the dock, alluding to an event in which Wellington himself went through the motions of a duel the previous year., and Matted to 41 x 53 cm.
Publisher:
Pubd. by Thomas McLean, 26 Haymarket
Subject (Geographic):
Great Britain.
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Bayley, John, 1763-1841
Subject (Topic):
Dueling, Courtrooms, Judges, Juries, and Spectators
Key plate to the print of the Death of the Earl of Chatham, in the Upper Chamber of the Palace of Westminster, 1778, with 55 members identified
Description:
Title engraved at top of image., John Singleton Copley's oil painting on which the engraving was based, was first exhibited at the Royal Academy in 1780 and is now held at the Tate Gallery, London., and Mounted on linen, bordered in silk; rolled with silk ties.
Publisher:
Published by John Singleton Copley, R.A., Decr. 26, 1791, and sold at Parr's Print Warehouse, No. 52 Pall Mall
Subject (Geographic):
Great Britain.
Subject (Name):
Copley, John Singleton, 1737-1815., Pitt, William, Earl of Chatham, 1708-1778., and Great Britain. Parliament. House of Lords,
George III stands before his throne, face hidden behind a pillar, his sceptre raised over head ready to strike Grenville as his kicks him. Other members of the ministry flee in confusion and terror, some rubbing their posteriors to show that they too have been kicked. A label floats from the King: What! What! bring in the Papists! O you cunning Jesuits you! What you thought I was like little Boney & would turn Turk or anything? ... Grenville has lost hold of a scroll on which can be read: Catholic Bill for bringing the Papists into power & supporting the Broad bottom Jesuits in their places for securing the Papists in commanding of the Army & Navy & all the Public offices ...
Alternative Title:
Emancipation of all the talents
Description:
Title from item. and Text following title: Vide the fate of yr Catholic Bill.
Publisher:
Pubd. March 23 by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Ellenborough, Edward Law, Baron, 1750-1818, Erskine, James Francis, 1743-1806, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Anti-Catholicism, Catholic emancipation, Politics and government, Fools & jesters, and Thrones
"Lee Lewes stands on stage at Covent Garden, with busts arranged on a table behind him, he holds one up, turning to the crowd; the audience in the pit in the foreground, with four tiers of boxes behind; after Woodward."--British Museum online catalogue
Description:
Title engraved below image. and Frontispiece to: A lecture on heads / by Geo. Alex. Stevens ; with additions, as delivered by Mr. Charles Lee Lewes ; ... embellished with twenty-five humourous characteristic prints, from drawings by G.M. Woodward, Esq. London : Printed for Vernor, Hood, and Sharpe ..., 1808.
Publisher:
Pub. by T. Tegg, 111 Cheapside
Subject (Geographic):
Great Britain.
Subject (Name):
Stevens, George Alexander, 1710-1784., Lewes, Charles Lee, 1740-1803, and Covent Garden Theatre,
Subject (Topic):
Theaters, Actors, British, Interiors, Audiences, and Public speaking
"Fox (right) has just fired a musket at the British Lion (left), who lies beneath a cushion on which are the crown and sceptre; in his paws is a large scroll: 'The Rights of the People'. Fox takes deliberate aim, resting his musket on the back of his shooting-pony (his stalking-horse), whose head is held by Sheridan. The headband, inscribed 'Ich Dien', and holding the Prince's feathers, indicates the Prince of Wales. His eyes are covered by blinkers. Under his fore-feet are two papers: 'Addresses from Edinburgh Glasgow Borough of Southwark' and 'City of London Vote of Thanks to Mr Pitt . . . 267'. Papers issue from Sheridan's coat-pocket and flutter to the ground: 'Paragraph against the Minister, Puffs direct for the P------e, Puffs oblique for the P------e of W(an allusion to the passage on 'the Puff direct', &c, in 'The Critic', 1. ii), Abuse of the Minister'. Under his foot is the 'Oath of Allegiance'."--British Museum online catalogue
Alternative Title:
Misfire at the Constitution
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 65 with one other print.
Publisher:
Publ. 12th Jany. 1789 by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Regency, Crowns, Horses, Rifles, Scepters, Slogans, National emblems, British, and Hanoverian
"Fox (right) has just fired a musket at the British Lion (left), who lies beneath a cushion on which are the crown and sceptre; in his paws is a large scroll: 'The Rights of the People'. Fox takes deliberate aim, resting his musket on the back of his shooting-pony (his stalking-horse), whose head is held by Sheridan. The headband, inscribed 'Ich Dien', and holding the Prince's feathers, indicates the Prince of Wales. His eyes are covered by blinkers. Under his fore-feet are two papers: 'Addresses from Edinburgh Glasgow Borough of Southwark' and 'City of London Vote of Thanks to Mr Pitt . . . 267'. Papers issue from Sheridan's coat-pocket and flutter to the ground: 'Paragraph against the Minister, Puffs direct for the P------e, Puffs oblique for the P------e of W(an allusion to the passage on 'the Puff direct', &c, in 'The Critic', 1. ii), Abuse of the Minister'. Under his foot is the 'Oath of Allegiance'."--British Museum online catalogue
Alternative Title:
Misfire at the Constitution
Description:
Title etched below image., Signed with the monogram of James Sayers., Watermark: (partial) crown on top of shield with fleur-de-lis., and On verso in contemporary hand: A horse being the arms of Hanover, the horse stands for the P[rince] of W[ales], 1789. Fox, Sheridan make the P[rince] of W[ales] their stalking horse to fire at the rights of the Crown & the people.
Publisher:
Publ. 12th Jany. 1789 by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Regency, Crowns, Horses, Rifles, Scepters, Slogans, National emblems, British, and Hanoverian
"Fox (right) has just fired a musket at the British Lion (left), who lies beneath a cushion on which are the crown and sceptre; in his paws is a large scroll: 'The Rights of the People'. Fox takes deliberate aim, resting his musket on the back of his shooting-pony (his stalking-horse), whose head is held by Sheridan. The headband, inscribed 'Ich Dien', and holding the Prince's feathers, indicates the Prince of Wales. His eyes are covered by blinkers. Under his fore-feet are two papers: 'Addresses from Edinburgh Glasgow Borough of Southwark' and 'City of London Vote of Thanks to Mr Pitt . . . 267'. Papers issue from Sheridan's coat-pocket and flutter to the ground: 'Paragraph against the Minister, Puffs direct for the P------e, Puffs oblique for the P------e of W(an allusion to the passage on 'the Puff direct', &c, in 'The Critic', 1. ii), Abuse of the Minister'. Under his foot is the 'Oath of Allegiance'."--British Museum online catalogue
Alternative Title:
Misfire at the Constitution
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching on laid paper ; plate mark 23.9 x 26.3 cm, on sheet 25.2 x 27.5 cm., and Mounted on leaf 47 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publ. 12th Jany. 1789 by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Regency, Crowns, Horses, Rifles, Scepters, Slogans, National emblems, British, and Hanoverian
"Against the left margin is a thermometer inscribed with degrees upwards and downwards from 0, in the centre. Those above zero are headed Temperance, those below Intemperance. Reading downwards: [70] Water; 60 Milk & Water; 50 Small Beer; 40 Cyder; 30 Wine; 20 Porter; 10 Ale Stou[t] ; 0; 10 Punch; 20 Toddy Crank; 30 Grog and Brandy Water; 40 Flip, Shrub; 50 Bitters infused in Spirits Usquebaugh. Hysteric Waters; 60 Gin Anniseed Brandy Rum and Whisky in the Morning; 70 D° during the day and Night. The rest of the plate is covered with eighteen small realistic designs arranged in three columns; the upper half show the results of Temperance and are headed Benefits. They are: Health. A sportsman tramps up hill with dog and gun. Respect, Esteem, & Reputation. A well-dressed couple walking to church preceded by children are greeted with a bow and a curtsey from a prosperous-looking pair. Cheerfullness. Three men drink, smoke, and sing at a table on which is a decanter. Wealth. Three men count great quantities of coin and notes. Happiness. Parents caress two children while an elder girl plays the piano. Strength. A man in a warehouse lifts up a big weight to the astonishment of another who holds a smaller one. Serenity of mind. A man sits with folded arms on a garden seat facing flowers. Old Age. A lady brings a little girl to an old man who sits with a large book beside him; the child offers him fruit. Nourishment when taken at meals or in moderate quantities. A well-covered dinner-table. Two men drain large tankards, two ladies hold glasses. The designs illustrating the consequences of Intemperance are in columns headed: [1] Vices, [2] Diseases, [3] Punishments. [1] Idleness. Three men, one tipsy, outside a rustic ale-house. Quarrell, Fighting, Swearing, and Obscenity. Two men fight; a tankard of gin lies on the floor. Swindling, perjury, burglary, murder Suicide. Two men in a wood with their dead victim; one rifles his pocket, the other loads his pistol. [2] Sickness, & Tremor in the Morning. A man, half-dressed, sits in a bedroom, leaning his head on his hand. Inflamed eyes, red nose & face sore and swelled legs. A doctor attends to his patient whose leg is supported on a stool. Dropsy, Epilipsy [sic], Melancholy, madness, palsy, appoplexy, Death. Men lift a man who has collapsed in the street; spectators stand round. [3] Poverty and Debt. Scene in a garret. A row of creditors, including a milkwoman, hold out their bills to a dismayed man. Two small children stand behind. Rags, hunger, and, the Poor-house. A man in tatters faces a stout citizen who points with his thumb to the large poor-house behind a wall. Jail, Whiping [sic], the Hulks, Botany-bay the Gallows. Four men, handcuffed in pairs, are led to a ship's boat by an armed man."--British Museum online catalogue
Description:
Title etched below image., Text below title: Dedicated to that eccentric gentleman Mr. Abernethy, who posessing the abilitie of a skilfull Docr. yet disowns the title. NB. Recomemended [sic] to the serious study of all sober heaads [sic] of families., Temporary local Medical Library subject terms: Alcoholism, Prevention and Control., 1 print : etching ; plate mark 343 x 245 mm., and Hand-colored.
Publisher:
Pubd. June 1827 by S. Knights, Sweetings Alley
Subject (Geographic):
Great Britain.
Subject (Name):
Abernethy, John, 1764-1831. and Lettsom, John Coakley, 1744-1815.
Subject (Topic):
Alcoholism, Prevention, Temperance, and Thermometers
"Against the left margin is a thermometer inscribed with degrees upwards and downwards from 0, in the centre. Those above zero are headed Temperance, those below Intemperance. Reading downwards: [70] Water; 60 Milk & Water; 50 Small Beer; 40 Cyder; 30 Wine; 20 Porter; 10 Ale Stou[t] ; 0; 10 Punch; 20 Toddy Crank; 30 Grog and Brandy Water; 40 Flip, Shrub; 50 Bitters infused in Spirits Usquebaugh. Hysteric Waters; 60 Gin Anniseed Brandy Rum and Whisky in the Morning; 70 D° during the day and Night. The rest of the plate is covered with eighteen small realistic designs arranged in three columns; the upper half show the results of Temperance and are headed Benefits. They are: Health. A sportsman tramps up hill with dog and gun. Respect, Esteem, & Reputation. A well-dressed couple walking to church preceded by children are greeted with a bow and a curtsey from a prosperous-looking pair. Cheerfullness. Three men drink, smoke, and sing at a table on which is a decanter. Wealth. Three men count great quantities of coin and notes. Happiness. Parents caress two children while an elder girl plays the piano. Strength. A man in a warehouse lifts up a big weight to the astonishment of another who holds a smaller one. Serenity of mind. A man sits with folded arms on a garden seat facing flowers. Old Age. A lady brings a little girl to an old man who sits with a large book beside him; the child offers him fruit. Nourishment when taken at meals or in moderate quantities. A well-covered dinner-table. Two men drain large tankards, two ladies hold glasses. The designs illustrating the consequences of Intemperance are in columns headed: [1] Vices, [2] Diseases, [3] Punishments. [1] Idleness. Three men, one tipsy, outside a rustic ale-house. Quarrell, Fighting, Swearing, and Obscenity. Two men fight; a tankard of gin lies on the floor. Swindling, perjury, burglary, murder Suicide. Two men in a wood with their dead victim; one rifles his pocket, the other loads his pistol. [2] Sickness, & Tremor in the Morning. A man, half-dressed, sits in a bedroom, leaning his head on his hand. Inflamed eyes, red nose & face sore and swelled legs. A doctor attends to his patient whose leg is supported on a stool. Dropsy, Epilipsy [sic], Melancholy, madness, palsy, appoplexy, Death. Men lift a man who has collapsed in the street; spectators stand round. [3] Poverty and Debt. Scene in a garret. A row of creditors, including a milkwoman, hold out their bills to a dismayed man. Two small children stand behind. Rags, hunger, and, the Poor-house. A man in tatters faces a stout citizen who points with his thumb to the large poor-house behind a wall. Jail, Whiping [sic], the Hulks, Botany-bay the Gallows. Four men, handcuffed in pairs, are led to a ship's boat by an armed man."--British Museum online catalogue
Description:
Title etched below image., Text below title: Dedicated to that eccentric gentleman Mr. Abernethy, who posessing the abilitie of a skilfull Docr. yet disowns the title. NB. Recomemended [sic] to the serious study of all sober heaads [sic] of families., and Temporary local Medical Library subject terms: Alcoholism, Prevention and Control.
Publisher:
Pubd. June 1827 by S. Knights, Sweetings Alley
Subject (Geographic):
Great Britain.
Subject (Name):
Abernethy, John, 1764-1831. and Lettsom, John Coakley, 1744-1815.
Subject (Topic):
Alcoholism, Prevention, Temperance, and Thermometers
Title from item. and Publication date based on Carington Bowles's succession to Thomas Bowles's business in 1764. See Ian Maxted's The London book trades, 1775-1800, p. 25.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Pauls Church Yard, London
Subject (Geographic):
Great Britain.
Subject (Name):
Westminster Hall (London, England), and Lovat, Simon Fraser, Lord, 1667?-1747
Subject (Topic):
Interiors, Legislative bodies, Legislative hearings, and Trials, litigation, etc
Leaf 101. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of a man whole length standing in profile looking to the left. Under his arm is a large book, 'Vegetab[le] Syste[m] by D ...' He wears patched old-fashioned clothes and torn stockings, a short wig which fails to conceal his own hair. His hat is under his right arm, a cane under the left."--British Museum online catalogue and "A portrait of 'Sir' John Hill, a quack or charlatan with a diploma of medicine from the University of St. Andrews, but a botanist of some repute. He began the publication of his 'Vegetable System' in 1759, the last of twenty-six folio volumes coming out in 1775."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. VI: Characters, macaronies, & caricatures. [London] : Pub. by MDarly, 39 Strand, Novr. 1, 1773., and Plate numbered "v. 6" in upper left corner and "24" in upper right corner.
Leaf 101. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of a man whole length standing in profile looking to the left. Under his arm is a large book, 'Vegetab[le] Syste[m] by D ...' He wears patched old-fashioned clothes and torn stockings, a short wig which fails to conceal his own hair. His hat is under his right arm, a cane under the left."--British Museum online catalogue and "A portrait of 'Sir' John Hill, a quack or charlatan with a diploma of medicine from the University of St. Andrews, but a botanist of some repute. He began the publication of his 'Vegetable System' in 1759, the last of twenty-six folio volumes coming out in 1775."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. VI: Characters, macaronies, & caricatures. [London] : Pub. by MDarly, 39 Strand, Novr. 1, 1773., Plate numbered "v. 6" in upper left corner and "24" in upper right corner., Third of three plates on leaf 101., and 1 print : etching on laid paper ; plate mark 17.4 x 12.5 cm, on sheet 27.5 x 44.4 cm.
Depicts a horizontal Scotsman wrapped in a letter which is floating in the air under a signpost inscribed "To London." The letter bears a round stamp "Free" and is addressed "To the Majority, St. Stephen's Westmr. Free Duke or no Duke". A reference to allegations that the Duke of Portland bribed Scottish M.P.s with money for travel
Description:
Title etched below image., Printmaker from British Museum catalogue., Probably a later state, with added scribbles in the background and with the presence of significant plate wear that makes printmaker's initials in lower left corner illegible. Cf. British Museum online catalogue, registration no.: 1868,0808.5108., 1 print : etching with engraving on wove paper ; plate mark 23.3 x 28.7 cm, on sheet 25.4 x 30.3 cm., Mounted on leaf 22 of James Sayers's Folio album of 144 caricatures., and Watermark: 1811.
Publisher:
Published as the act directs by Jas. Bretherton, New Bond Street
Subject (Geographic):
Great Britain.
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809.
Subject (Topic):
Legislators, National characteristics, Scottish, Corruption, and Signs (Notices)
Depicts a horizontal Scotsman wrapped in a letter which is floating in the air under a signpost inscribed "To London." The letter bears a round stamp "Free" and is addressed "To the Majority, St. Stephen's Westmr. Free Duke or no Duke". A reference to allegations that the Duke of Portland bribed Scottish M.P.s with money for travel
Description:
Title etched below image., Printmaker from British Museum catalogue., Probably a later state, with added scribbles in the background and with the presence of significant plate wear that makes printmaker's initials in lower left corner illegible. Cf. British Museum online catalogue, registration no.: 1868,0808.5108., and Mounted to 35 x 42 cm.
Publisher:
Published as the act directs by Jas. Bretherton, New Bond Street
Subject (Geographic):
Great Britain.
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809.
Subject (Topic):
Legislators, National characteristics, Scottish, Corruption, and Signs (Notices)
Depicts a horizontal Scotsman wrapped in a letter which is floating in the air under a signpost inscribed "To London." The letter bears a round stamp "Free" and is addressed "To the Majority, St. Stephen's Westmr. Free Duke or no Duke". A reference to allegations that the Duke of Portland bribed Scottish M.P.s with money for travel
Description:
Title etched below image., Printmaker from British Museum catalogue., Probably a later state, with added scribbles in the background and with the presence of significant plate wear that makes printmaker's initials in lower left corner illegible. Cf. British Museum online catalogue, registration no.: 1868,0808.5108., and Mounted on page 34.
Publisher:
Published as the act directs by Jas. Bretherton, New Bond Street
Subject (Geographic):
Great Britain.
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809.
Subject (Topic):
Legislators, National characteristics, Scottish, Corruption, and Signs (Notices)
"Satire on the negotiations for the Peace of Paris. A lion and lioness (the King and Queen) look in alarm from the window of a coach (Great Britain) as it crashes against a large rock. Lord Bute, the driver, and Princess Augusta, who has been sitting beside him, fall headlong to the ground and the horses (bearing names connected with British actions in the Seven Years War: "Germany", "Guardeloup", "Pondechery", "America", "Martinico" and "Quebec") run off. Bute cries out, "De'el dam that Havanna Snuff its all most blinded me". The postilion, Henry Fox, lies on the ground having hit his head on a rock labelled "Newfound Land"; a speech balloon lettered "Snugg" emerges from his mouth. Behind him Pitt, holding a whip, grasps the leading horse's reins; the Marquis of Granby gallops up to assist him, together with William Beckford (who was shortly to become Lord Mayor of London) and the Duke of Newcastle. In the foreground is a conflict involving a number of journalists: Bute's supporters, Arthur Murphy and Tobias Smollett shoot their pistols at Pitt, and further to the right Charles Churchill, in clerical robes, fires a cannon labelled "North Briton" at them, causing another man to fall to the ground his arm resting on a copy of the Gazetteer (the fallen man must be either Charles Say, editor, or John Almon, contributor to the Gazetteer, an anti-Bute newspaper), with the headline, "A letter from Darlington" (a reference to Henry Vane, 2nd Earl of Darlington, a relation of Bute's by marriage). The British lion beside Churchill urinates on the Scottish thistle. Behind this group, the Duke of Cumberland runs forward anxiously mopping his bald head, having lost his wig. In the background are Lord Mansfield and the Earl of Loudon, the latter suggesting that they retreat (a reference to his failure to capture Louisbourg from the French in 1757). To the right a group of Scotsmen are driven off by two Englishmen with whips; another Scot sits on the ground scratching himself."--British Museum online catalogue
Alternative Title:
Fall of Mortimer, Coach overturned, and Coach overturn'd
Description:
Title etched above image., Publication date from British Museum catalogue., and Four columns of verse below image: With raptures Britannia take notice at last, proud Sawney turn'd over by driving too fast ...
Publisher:
publisher not identified
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Augusta, Princess of Wales, 1719-1772, George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, Earl of Chatham, 1708-1778, Murphy, Arthur, 1727-1805, Smollett, T. 1721-1771 (Tobias),, Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, Mansfield, William Murray, Earl of, 1705-1793, Granby, John Manners, Marquis of, 1721-1770, and Mortimer, Roger de, Earl of March, 1287?-1330.
Subject (Topic):
Seven Years' War, 1756-1763, Politics and government, Cannons, Carriages & coaches, Journalists, National emblems, British, Scottish, and Newspapers
"The King is on the throne (right), with five advisers seated at a round table at the base of the dais; all are thrown into confusion by the arrival of a top-booted messenger (left) who rushes into the room, hair on end, yelling, "The Queen's Arrived!!!" The terrified King screams: "The Devil!!!!" His wig stands on end and his crown falls off; a bottle of 'Curacoa' is upset. The Ministers are engaged on 'Plans for Divorce', a paper so inscribed is on the table; all register terror. The Archbishop of Canterbury says "The Lord have mercy on our vicked Souls," the pious Liverpool says "Amen." All are broadly burlesqued, with goggling eyes and large heads in the manner of Woodward's 'Long Heads' or 'Lilliputians' (cf. British Museum satires nos. 10604, 10889). See British Museum Satires No. 13730, &c."--British Museum online catalogue, description from probable copy of this print
Description:
Title etched below image., Attribution to Robert Cruikshank based on expertise of Andrew Edmunds., Sheet trimmed within plate mark., "Plate 2"--Upper left corner., For an Irish copy of nearly identical composition, see no. 13728 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 17 of: George Humphrey shop album.
Publisher:
Pubd. June 1820 by Benbow, corner of St. Clements Church Yd., Strand
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Manners-Sutton, Charles, 1755-1828
Subject (Topic):
Divorce, Politicians, Bishops, Messengers, Tables, Crowns, Wigs, Bottles, and Fear
Nine views, arranged in three rows, showing rural dwellings, castles, and sea coasts with fortifications in England, Scotland, Wales, and Ireland..
Alternative Title:
Nine views
Description:
Titles etched below images., Alternative title and publication date from Isaac., Plate numbered "42" in upper right corner., and Sheet trimmed within plate mark on top edge.
The central figure of this satire is Lord Bute who stands on a chest labeled "Treasure Box". He is surrounded by his supporters, including Hogarth, and other members of the administration, Smollett, Murphy, Bedford, Dashwood, Townshend, Talbot, Kirby, etc. A satire on Bute's administration and his handling of tax reform and peace with France
Alternative Title:
Set of blocks for Hogarth's wigs
Description:
Title engraved above image., Attribution to Paul Sandby from Gunn., First state, as described in British Museum catalogue: plate without additional text and before addition of gallows., Publication date from British Museum catalogue., Sheet trimmed to plate mark., Below image: An account of the blocks their origin ..., and "Price 6".
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Smollett, T. 1721-1771 (Tobias),, Murphy, Arthur, 1727-1805, Bedford, John Russell, Duke of, 1710-1771, Dashwood, Francis, Sir, 1708-1781, Townshend, Charles, 1725-1767, Talbot, William Talbot, Earl, 1710-1782, Hogarth, William, 1697-1764, and Kirby, Joshua, 1716-1774
Subject (Topic):
Taxation, Seven Years' War, 1756-1763, Anglo-French War, 1755-1763, Barbers, Engravers, Devil, and Wigs
Title from item., Attribution to Paul Sandby from Gunn., Third state, with an addition of a gallows on far right. See British Museum catalogue., Publication date inferred from earlier states., Sheet trimmed within plate mark., Below image: An account of the blocks their origin &c., with an escutcheon showing a jack boot in the center of text., "Price 6"., and Temporary local subject terms: Taxes: land tax, 1762 -- Barbers: wig blocks -- Newspapers: North Briton -- Newspapers: Auditor -- Coffee-houses: Cocoa Tree Coffee House -- Emblems: jack boot for Lord Bute -- Reference to William Pitt the Elder -- Pugilists: Nailer ('Nail'em') -- Trades: coachmen -- Coachmen: fighting coachman, Stephenson 'Flogg'em.'
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Smollett, T. 1721-1771 (Tobias),, Murphy, Arthur, 1727-1805, Bedford, John Russell, Duke of, 1710-1771, Dashwood, Francis, Sir, 1708-1781, Townshend, Charles, 1725-1767, Talbot, William Talbot, Earl, 1710-1782, Hogarth, William, 1697-1764, and Kirby, Joshua, 1716-1774
Subject (Topic):
Taxation, Seven Years' War, 1756-1763, Anglo-French War, 1755-1763, Barbers, Engravers, Devil, Wigs, and Gallows
Caption title., Publication information from a similar broadside with identical text but different edition with different border and imprint below border: Printed and sold by James Waston, Tenterdon. Imprint trimmed from this edition?, Includes a woodcut illustration at head of text depicting the conjoined twins, with text "Elisa and Mary Chulkhurst" above and "Biddenden" below; ornamental border., Acquired with an example of a Biddenden Maids biscuit, boxed and shelved separately in Object Room C:A., and For further information, consult library staff.
Publisher:
James Weston?
Subject (Geographic):
Great Britain. and Biddenden (England)
Subject (Topic):
Conjoined twins, Curiosities and wonders, Charities, and History
"Four men smoking long pipes sit stiffly in upright wooden chairs. One (left) in profile to the right, very obese, is an old military officer with a wooden leg; next is a lean man in back view, next a stout man sits full face, and on the right is a thin man in profile to the left seated beside a rectangular table on which is a glass and a large jug. All have expressions of solemn vacuity. They emit clouds of smoke from mouth or pipe which fill the upper part of the bare room. On the wall (right) is a print of Fox, whole length, declaiming with right arm raised."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Reissue, with different imprint statement, of a print originally published 1 May 1792 by W. Dickinson. Cf. No. 8205 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Imprint continues: ... where may be had all Mr. Bunbury & Rowlandsons works., Sheet trimmed within plate mark., Temporary local subject terms: Smoking clubs -- Military officer -- Wooden legs -- Male costume, 1792 -- Large jugs -- Pictures amplifying subject -- Reference to Charles James Fox, 1749-1806., and Publisher's stamp (partially trimmmed) in lower right corner of sheet: S.W.[F.].
Publisher:
Publishd. March 15th, 1794, by S.W. Fores, No. 3 Piccadilly ...
Volume 2, page 81. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Four men smoking long pipes sit stiffly in upright wooden chairs. One (left) in profile to the right, very obese, is an old military officer with a wooden leg; next is a lean man in back view, next a stout man sits full face, and on the right is a thin man in profile to the left seated beside a rectangular table on which is a glass and a large jug. All have expressions of solemn vacuity. They emit clouds of smoke from mouth or pipe which fill the upper part of the bare room. On the wall (right) is a print of Fox, whole length, declaiming with right arm raised."--British Museum online catalogue
Description:
Title from text below image., Sheet trimmed within plate mark., and Mounted on page 81 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd May 1st, 1792, by W. Dickinson, engraver, No. 24 Old Bond Street
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 1
Image Count:
1
Resource Type:
still image
Abstract:
Two policemen are shown arresting chimney sweeps, roughly pulling one by the arm and another pushing an adult chimney sweep away while carrying four little boys on his back or in his arm. Two chimney sweeps on the left and one on the right complain of the crackdown on their trade
Alternative Title:
Sweeping reform among the clergy
Description:
Title from item., Initials of printmaker Charles Jameson Grant in lower left corner of design., Date of publication from British Museum online catalogue., Wood engraving with letterpress text., and No. 55.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
Great Britain., England, and London
Subject (Topic):
Chimney sweeps, Legal status, laws, etc, and Social conditions
First published in 1800 under title: Letters to His Grace the Duke of Portland and the Earl of Liverpool, &c. on the present high price of provisions (44 p.). and Third ed. has title: Plenty, following scarcity.
Publisher:
Printed at the Stanhope Press, by James Smith and sold by the principal bookseller
Government steam hearse as it will be after the passing of the new interment bill
Description:
Title from text above image., Publication date from unverified data from local card catalog record., and Temporary local subject terms: Hearses -- Boats -- Stick figures -- Skeletons -- Musical instruments -- Gallows.
"Satire on George II's reluctance to accept an inter-party ("Broad-Bottom") government which included Tories suspected of Jacobite sympathies. The king, in the centre. leans across a table crying out, "Hounsfoot me no Stomach him!" as Thomas Pelham, Duke of Newcastle, and his brother Henry prepare to cram the Tory John Hinde Cotton into his mouth; Newcastle remarks, "His Bottom's dam'd Broad". Six other former opposition members hoping for office, including Lords Cobham (saying "I'll Protest no more") and Lyttelton ("You are right Cuz"),and William Pitt ("We drive a fine Trade"), lie on a shelf ready to be treated in the same way as Cotton, one of them saying, "Burn the Yellow List." The kings breeches are lowered and he is evacuating Lord Hobart. Others who have presumably emerged in the same manner leave the scene to left complaining that they have been turned out of office. They include Sir John Rushout saying, "Rusht-out with a Fizzle", and, kneeling in the foreground, Lord Winchelsea who has dropped his spectacles, complaining, "Bes[hi]t without a Job". In the foreground to right, stand two other gentlemen address the oppositiion members, one saying "Consider Your Oaths", and the other, holding a large key, "Remember The Healths"."--British Museum online catalogue
Description:
Title from caption above image., Printmaker George Bickham the Younger and publication date 1744 from British Museum catalogue., and Mounted to 34 x 49 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Buckinghamshire, John Hobart, Earl of, 1693-1756, Cobham, Richard Temple, Viscount, 1669?-1749, Cotton, John Hynde, Sir, 1686-1752, Lyttelton, George Lyttelton, Baron, 1709-1773, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Pelham, Henry, 1695?-1754, Pitt, William, Earl of Chatham, 1708-1778, Rushout, John, Sir, 1684-1775, and Winchilsea, Daniel Finch, Earl of, 1689-1769
Subject (Topic):
Broad-bottom, Politics and government, Defecation, and Politicians
Darly, Matthias, approximately 1720-approximately 1778, printmaker
Published / Created:
Augt. 1, 1778.
Call Number:
778.08.01.02+
Image Count:
1
Resource Type:
still image
Abstract:
A scene before an American fort and palisade, perhaps depicting the indifference of Congress to the sufferings of American soldiers and the pro-slavery attitude of the Americans. A black man lies wounded in the foreground, surrounded by cannon balls. An officer gestures towards him with his hat, turning to a man on the left (possibly meant to represent a Congressman) who is wearing a fur coat, large feathered hat, and is smoking a pipe. To the right of the officer an American soldier points and smiles towards three "Death or Liberty" men, all with grim features and ragged clothes
Description:
Title from item., Signed in lower left of image, MD, i.e. Matthias Darly., and Imperfect; later ink scribbles.
Publisher:
Pubd. by M Darly
Subject (Geographic):
Great Britain, America., United States, and Great Britain.
Subject (Topic):
Slavery, Colonies, History, Forts & fortifications, and Blacks
"A half-length portrait of Tattersall in his rostrum, leaning forward on a large open book, his head in profile to the right, his auctioneer's hammer in his (gloved) right hand. He is very bulky and wears a round hat with curved brim. The rostrum is the base of the design; it is pierced by an arched opening to give a view of a jockey on a galloping horse."--British Museum online catalogue
Description:
Title etched below image., Leaf 20 in an album with the spine title: Characatures by Dighton., Watermark, trimmed: [Ed]meads 1808., and Figure identified as "Tattersall" in pencil below plate mark.
An interior view of the House of Peers, looking towards the King's seat, where he sits in state with officials holding swords and maces around him, peers sitting in benches lining the walls, which are decorated with crests and ships, others in a block in the centre, one standing in the centre foreground with his back to the viewer, holding a scroll in his right hand, and several standing conversing to either side. The throne is shown with a backdrop of a tapestry
Description:
Title etched below image., In upper right corner above image: Gent. Mag. Jany. 1769., and Plate from: The gentleman's magazine, or, Monthly intelligencer / by Sylvanus Urban. London : Edw. Cave, 1769, v. 39.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Great Britain. Parliament. House of Lords and Westminster Palace (London, England)
"The interior of Dulwich College Chapel. A stout man, probably the Master, wearing a gown, stands in a pulpit or desk (left), a large book before him, his eyes and mouth twisted in a sly leer. Below him (right) the figure of Edward Alleyne has risen from a tombstone and stands (half length) holding up the horizontal stone. He is surrounded by clouds. He wears hat, ruff, and a gown which differs from that of the living man chiefly in being furred. The figure is copied (in reverse) from the whole length portrait of Alleyne at Dulwich College. On the stone, beneath a coat of arms, is the inscription, a strip along the left being cut off by the lower margin of the print: 'Sacred | the Memory of | Edward Alleyne | Founder of this | College | Life Nov 26 | 1626 Æ 63 | Likewise | Joan his Dear | Wife who F | race 28 June 1623.' Next the Master is a sour-looking profile, and, below, three choristers (full-face), are grinning broadly."--British Museum online catalogue
Description:
Title etched below image. and Place of publication based on location of printmaker John Nixon.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Alleyn, Edward, 1566-1626., Alleyn, Thomas, -1805., and Dulwich College
Three mad persons look out the small windows of their cells. The man on the left wears a makeshift crown and grins out at the horrified couple who looks in. Above his cell is written "You lie, you mad dog, I am as hones a woman as any Parson's wife in London!" And futher below, "You are a cuckold." The two men on the right look at the two scowling women in their cells in horror
Description:
Title etched below image., Publisher's advertisement following imprint: Admittance to his Caricature Exhibition [...?] sh., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Bethlehem Hospital., and 1 print : etching, hand-colored ; plate mark 347 x 247 mm.
Publisher:
Pubd. August 7, 1794, by Willm. Holland, No. 50 Oxford St.
Three mad persons look out the small windows of their cells. The man on the left wears a makeshift crown and grins out at the horrified couple who looks in. Above his cell is written "You lie, you mad dog, I am as hones a woman as any Parson's wife in London!" And futher below, "You are a cuckold." The two men on the right look at the two scowling women in their cells in horror
Description:
Title etched below image., Publisher's advertisement following imprint: Admittance to his Caricature Exhibition [...?] sh., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Bethlehem Hospital., Mounted to 43 x 33 cm., and Slight alteration to the design in ink.
Publisher:
Pubd. August 7, 1794, by Willm. Holland, No. 50 Oxford St.
Title from item., Date supplied by curator., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Hospitals, Interior; Patients, psychiatric., and Trimmed and mounted.
An ugly man in old-fashioned dress stands full-face, toes turned in, squinting, and looking downwards. An 'Address' is in his right hand, his left hand is in his breeches pocket; a document inscribed 'Observations' protrudes from his coat-pocket. His scanty audience of seven men, most of them sleeping, is behind him, on either side of a fireplace. A broken candle on the mantel drips wax into the mouth of one of the sleeping men (right), much to the amusement of his neighbour on his right. In the doorway on the far-left, one of the men uses a ear-trumpet; one holds a tea cup in his hand, and a third yawns. Over the chimney-piece is a large clock-face, the hands indicating 10:56; above it is a carved owl and the words 'About your business'.
Alternative Title:
Deputy Pendulum's motion for an address
Description:
Title from words written around the face of the clock., With Woodword's name in the lower left. William A. Gordon 2023 attributes this drawing to Isaac Cruickshank., and Date of creation based on publication date of print. Published by S.W. Fores in November 1795 as "Deputy Pendulum's motiton for an address"; engraved by Isaac Cruikshank with Woodward's name removed form lower left corner.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Topic):
Freedom of speech, Petition, Right of, Sedition, Politics and government, Clocks & watches, City council members, Hearing aids, Sleeping, Public speaking, and Yawning
Manuscript, in a single hand, which records the amounts of money, bonds, and interest earned each year, as well as debentures, bounties, certificates, and salaries paid on such items as duties on wine, peppers, candles, apples, and glass; beaver skins; hops; coal; wrought plate; East India wrought silks; rice; linens; and sugar. Following these accounts, possibly in another hand, is a entry in which the writer reflects on "the public welfare" and the contrasting views of youth and age. The manuscript also includes poems and stanzas, with numerous corrections, of poems praising the sun; a poem to "Dr. John"; and a poem titled Farewell Dr. Mai[?].
Description:
In English., Pasted onto flyleaf at end of volume: newspaper clipping regarding a "most remarkable case" which was heard in the Court of the King's Bench circa 1687: Mrs. Booty v. Captain Barnabty., Marbled endpapers., and Binding: full red morocco; gilt decoration, large metal clasps intact.
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Great Britain. Exchequer.
Subject (Topic):
Customs administration, Finance, Public, Accounting, and Revenue
"Portrait of Alexander Wedderburn, 1st Earl of Rosslyn, when Baron Loughborough; three-quarter length, seated directed to left, looking towards the viewer, his left elbow on the arm of his chair; mace on a table beside him at left; wearing chancellor's robes decorated with brocade, lace bands and long white wig."--British Museum online catalogue
Description:
Title etched below image., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., Window mounted to 51 x 36 cm., and Mounted opposite page 408 (leaf numbered '21' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published Dec. 7, 1812, by T. Cadell & W. Davies, Strand, London
Subject (Geographic):
Great Britain.
Subject (Name):
Rosslyn, Alexander Wedderburn, Earl of, 1733-1805,
"Portrait, three-quarters length seated directed to left, looking towards the viewer, left elbow on the arm of his chair, his hand on the edge of his robes, right hand on the chancerial burse, propped on his knee, with the mace on a table beside him, wearing robes decorated with gold brocade, lace bands and long white wig; a column and curtain behind to right."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., State from: Baudi di Vesme, A. Francesco Bartolozzi., Sheet trimmed within plate mark on three sides., For an earlier state with scratched production details only, see British Museum online catalogue, registration no.: 1868,0808.1768., and Bound in opposite page 371 (leaf numbered '187' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published 1st Feby. 1800 by John Jeffryes, Ludgate Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Rosslyn, Alexander Wedderburn, Earl of, 1733-1805,
King William IV dressed as a sailor dances in the centre of a semicircle of ministers who have black bodies and are partially draped. Among the ministers are Peel and Scarlett on the left, Lyndhurst and Wellington on the right both of whom wear nose-rings. Scarlett encircles Ellenborough, who, with Sugden, is behind the King. Their tribal dance celebration alludes to the relief that the ministers must have felt to be able to retain their positions with the new reign. William IV was a popular King and a stark contrast to George IV and was liable to wild bursts of passion as is suggested here. He and the Duke of Wellington (then prime minister) got on very well, hence the retainment of his ministers. He is dressed in sailor garb in reference to his years in the navy. The tribal dress of the ministers refers to the far-flung shores that William visited
Description:
Title etched below image. and Sheet trimmed to plate mark.
Publisher:
Pub. July 19, 1830, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain. and Great Britian.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Scarlett, James, Sir, 1769-1844, Ellenborough, Edward Law, Baron, 1750-1818, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, Wellington, Arthur Wellesley, Duke of, 1769-1852, Sugden, Edward Burtenshaw, 1781-1875, George IV, King of Great Britain, 1762-1830., William IV, King of Great Britain, 1765-1837., Wellington, Arthur Wellesley, Duke of, 1769-1852., Scarlett, James, Sir, 1769-1844., Peel, Robert, 1788-1850., Lyndhurst, John Singleton Copley, Baron, 1772-1863., and Ellenborough, Edward Law, Baron, 1750-1818.
Title from text within woodcut illustration; remainder of title from letterpress text beneath illustration., Woodcut illustration of a hot air ballloon with two flag-waving gentlemen seated in the basket. The flag to the left reads "No blanks"; the flag to the right, "All money.", Printed in red and blue ink., and Mounted to: 25 x 18 cm. With a sticker in upper left corner with blue crayon annotation "11-". For further information, consult library staff.
"George IV sits in an arm-chair, his gouty right leg in a bulky swathing rests on a cushion; the left leg is tightly bound between calf and ankle with a narrow bandage. He wears a loose fur-collared coat or gown over breeches and waistcoat. He leans back reflectively, an open book, Diversions of Purley [by Home Tooke, cf. British Museum Satires No. 9020], in his right hand. Phases of his past life are illustrated in a series of W.L. portraits on the wall behind him. [1] As a handsome young man he stands holding a long-bow, as if at an archery contest. [2] He stands, slightly obese, in his Light Horse uniform, see British Museum Satires No. 8800 (1796). [3] He stands in back view as in BM Satires 12803, facing a wall on which is a portrait of the Hottentot Venus [Saartjie Baartman], see British Museum Satires No. 11577, &c. [4] He stands in hussar uniform, with high curled wig and whiskers. [5] He stands directed to the right in Field Marshal's uniform (as 'especially in 1814). [6] He stands on the deck of a ship in yachting costume wearing loose jacket and trousers, his hands in his coat-pocket. The profile and paunch of Sir William Curtis are behind and on the extreme left. [7] The picture is partly concealed by a curtain, but the King sits near a chamber-pot. [8] He stands in coronation robes holding orb and sceptre (see British Museum Satires No. 14199). [9] He is in Highland costume (see British Museum Satires No. 14386). At the King's left hand is a small cheval-glass topped by a crown. His appearance has changed, he has no whiskers, and has a wig of lightly curled natural hair, parted in the middle, so that in place of the pear- or pineapple-shaped head resulting from a crest of curls and whiskers, as from c. 1811 [In caricature. An engraved H.L. portrait by Schiavonetti after T. Phillips, pub. Cadell & Davis, 11 Oct. 1809, has whiskers and crest of curls], his face seems rounder, and, in many prints, younger. His dress is less formal, and his appearance (confirmed by portraits from 1820) suggests a determination to depart completely from the appearance and costume of caricature."--British Museum online catalogue
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., and Temporary local Medical Library subject terms: Theater -- Hottentot Venus.
Publisher:
Pub. March 15, 1824, by S.W. Fores, 41 Picadilly, London
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Curtis, William, Sir, 1752-1829., Shakespeare, William, 1564-1616., Tooke, John Horne, 1736-1812., and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Fashion, Costume, History, Gout, Recluses, and Dandies
Drop-head title., An account of the foundation meeting of the Hull Armed Association, set up by the 'Merchants, Ship-Owners, and other Inhabitants' in February 1798 to 'assist the Magistrates in support of Civil Society, and for the Defence of the Town, in case the Military should be ordered away, to oppose the landing or resist the progess of the Enemy'., Not in English short title catalogue., and Dated "1798" in ink at head of title. For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain. and Hull (England)
Subject (Topic):
Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Civil defense, and Militia
"An election procession of thirteen patriots walking from right to left wearing the colours of Sir Watkin Lewes, elected M.P. for the City, 29 Sept. 1781, see British Museum satire no. 5849. Two flags are carried, one "Lewes & Freedom", the other, "No Ministerial Influence", in reference to Lewes' speech on his election on 29 Sept. Two of the men are playing flutes, a third blows a horn. The figures are probably portraits; two are butchers wearing aprons, their steels hanging from their waists; beside one of them walks a muzzled dog with a collar inscribed "Liberty"; this butcher is eating as he walks. One man drinks a glass of wine, holding a lump of food in his left hand. One with a swathed and gouty leg walks on crutches. All have election favours in their hats, these are inscribed respectively "Lewes for ever"; "Sr Watkin for ever"; "Freedom"; "Lewes"; "No Bribery"; "Lewes"; "No Corruption". In the hat of the butcher with the dog is "Freedom's my plan Sr Watkin is the Man". The background is formed by the lower part of the façade of two houses in a street, the front of two shops being indicated. On the pavement (left) four little chimney-sweeps are shouting and waving their hats and brushes."--British Museum online catalogue
Alternative Title:
Electioneering procession from the Mansion House to Guildhall
Description:
Title etched below image. The 'o' in 'electioneering' has been inserted above the line., Signed in the image "J.N." JN is the monogram of John Nixon., and Verses following title: These stanch friends to freedom you here do behold, Will be bribe'd with good eating tho' they spurn at yr gold. For offer them money it's such a disgrace, 'Tis a thousand to one they dont spit in your face. But give them pudding & beef with compliments civil, To serve you they'll go ay e'en to the devil."
Publisher:
Pubd. Octr. 25, 1781 by W. Wells No. 132 Fleet Street
Subject (Geographic):
England, London, and Great Britain.
Subject (Name):
Lewes, Watkin, Sir, 1740?-1821 and Great Britain. Parliament
Subject (Topic):
Political activity, Elections, Butchers, City & town life, Chimney sweeps, Clothing & dress, Corruption, Dogs, Muckraking, Musical instruments, Political parades & rallies, Slogans, and Staffs (Sticks)
The coffin of Queen Caroline on a cloth-covered platform over which pallbearers hold an elaborate black canopy is carried down the aisle of church, followed by a minister who lifts his right arm as if speaking from the text in his left hand. To the right stand young women who throw flowers from their baskets as the procession passes. On the right, with an organ behind, soldiers stand in attention holding torches
Description:
Title etched below image. and Framed to 30 x 40 cm.
Publisher:
Publish'd by W.B. Walker, 4 Fox & Knot Court, Cow Lane, London
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Subject (Topic):
Death and burial, Canopies, Funeral rites & ceremonies, Funeral processions, and Queens
Leaf 97. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a man walking fast in profile to the right. In his left hand and resting on his left shoulder is a long pair of scales: a small pair is in his right hand. An instrument resembling a pair of shears is attached to the right side of his coat. His hat is ornamented with the feather of a pen."--British Museum online catalogue and "'The Act' is evidently the Coin Act ... which had made scales necessary for all to whom payments were made in gold."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. VI: Characters, macaronies, & caricatures. [London] : Pub. by MDarly, 39 Strand, Novr. 1, 1773., and Plate numbered "v. 6" in upper left corner and "12" in upper right corner.
Publisher:
P[ub.] [as] the act directs, July 22d, 1773 by MDarly (39) Strand
Subject (Geographic):
Great Britain. and England
Subject (Topic):
Money, Clothing & dress, Dandies, British, and Scales
Leaf 97. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a man walking fast in profile to the right. In his left hand and resting on his left shoulder is a long pair of scales: a small pair is in his right hand. An instrument resembling a pair of shears is attached to the right side of his coat. His hat is ornamented with the feather of a pen."--British Museum online catalogue and "'The Act' is evidently the Coin Act ... which had made scales necessary for all to whom payments were made in gold."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. VI: Characters, macaronies, & caricatures. [London] : Pub. by MDarly, 39 Strand, Novr. 1, 1773., Plate numbered "v. 6" in upper left corner and "12" in upper right corner., Third of three plates on leaf 97., and 1 print : etching on laid paper ; plate mark 17.3 x 12.3 cm, on sheet 27.5 x 44.4 cm.
Publisher:
P[ub.] [as] the act directs, July 22d, 1773 by MDarly (39) Strand
Subject (Geographic):
Great Britain. and England
Subject (Topic):
Money, Clothing & dress, Dandies, British, and Scales
Manuscript, in a single hand, signed by the four appraisers: John Marsingale, Theo. Nesfield, Thomas Helm, and John Skelton. Below the eight-line inventory and thier signatures is a list of 13 other persons receiving either a guineas or half guinea, persumably gifts from her estate
Description:
In English., Title from first page., and For further information, consult library staff.
Manuscript in a single hand with a room-by-room inventory of the contents of Castle Hill Lodge which was owned by Edward Augustus, Duke of Kent. The inventory was taken presumably shortly after his marriage, and the contents listed reflect the high Regency taste of the owner. The Duke had purchased the Lodge in 1801 from his sister-in-law Mrs. FitzHerbert and had spent thousands of pounds for improvements commissioned from James (?) Wyatt. In addition to the detailed listing of the Duke's private rooms and the formal rooms, the inventory includes servants' quarters, outhouses, barracks, and concludes with an inventory "of sundry articles not comprised in the foregoing inventory."
Description:
Edward Augustus, Duke of Kent, was the fourth son of Great Britain's King George III and Queen Charlotte and father of Queen Victoria (1819-1901). He married Victoria of Saxe-Coburg-Saalfeld on 29 May 1818., The firm Tatham & Baily was founded in the 1780s and had premises at 14 Mount Street. The original parnership was between George Elward and William Marsh with Edward Baily joining the firm in 1793 and Thomas Tatham in 1798., In English., Title from item., Some blank pages and numbering irregularities., Binding: reversed calf., Paper watermarked: C. Ball 1816., Stationer's label on inside front cover: Robert Hoffman, Stationer to the Dukes of Kent and Gloucester., and For further information, consult library staff.
Subject (Geographic):
Great Britain. and Middlesex (England)
Subject (Name):
Edward Augustus, Duke of Kent, 1767-1820, Wyatt, James, 1746-1813., and Castle Hill Lodge (Middlesex, England)
"The interior of the House of Commons, the Speaker in his chair, the two clerks, Hatsell and Ley, writing at the table on which is the mace. The members are represented by dogs, some having human faces; in the foreground four ministerial hounds (left) and four opposition leaders (right) tear violently at a paper inscribed 'Commercial Treaty'. On the right benches opposition hounds are in hungry cry after their leaders, on the left the ministerialists are gnawing bones with eyes fixed on the contest. The four Government dogs, who have human faces, are Pitt, a lean greyhound, his collar inscribed 'Fawning-Billy'; next him Dundas, his collar 'Treasurer Navy'; next Pepper Arden, his collar 'At. Gen', and last, Archibald Macdonald, his collar 'Sol. G.' Opposite these are North, wearing his ribbon, gnawing greedily, and Fox tearing ferociously (these two have quasi-human heads), Burke, a dog wearing spectacles, and Sheridan, his collar inscribed 'Sc. for Scan[dal]'. Three yelping puppies fawn on Fox, one of whom is probably intended for Grey. Behind the Speaker's chair stand members of the House of Lords, scandalized at the uproar. Spectators look down from the galleries."--British Museum online catalogue
Alternative Title:
Approaching fate of the French Commerical Treaty
Description:
Title etched below image., Printmaker from British Museum catalogue and Wright., and Mounted to 31 x 49 cm.
Publisher:
Pubd. Jany. 16th 1787 by Mrs. Jackson, Mary-le-bone Street, Golden Square
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Hatsell, John, 1743-1820, Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, and Burke, Edmund, 1729-1797
Subject (Topic):
Politics and government, Dogs, Interiors, Politicians, and Spectators
"The interior of the House of Commons, the Speaker in his chair, the two clerks, Hatsell and Ley, writing at the table on which is the mace. The members are represented by dogs, some having human faces; in the foreground four ministerial hounds (left) and four opposition leaders (right) tear violently at a paper inscribed 'Commercial Treaty'. On the right benches opposition hounds are in hungry cry after their leaders, on the left the ministerialists are gnawing bones with eyes fixed on the contest. The four Government dogs, who have human faces, are Pitt, a lean greyhound, his collar inscribed 'Fawning-Billy'; next him Dundas, his collar 'Treasurer Navy'; next Pepper Arden, his collar 'At. Gen', and last, Archibald Macdonald, his collar 'Sol. G.' Opposite these are North, wearing his ribbon, gnawing greedily, and Fox tearing ferociously (these two have quasi-human heads), Burke, a dog wearing spectacles, and Sheridan, his collar inscribed 'Sc. for Scan[dal]'. Three yelping puppies fawn on Fox, one of whom is probably intended for Grey. Behind the Speaker's chair stand members of the House of Lords, scandalized at the uproar. Spectators look down from the galleries."--British Museum online catalogue
Alternative Title:
Approaching fate of the French Commerical Treaty
Description:
Title etched below image., Printmaker from British Museum catalogue., Date of publication based on imprint from earlier state that has been scored through but is still visible: Pubd. Jany. 16th 1787 by Mrs. Jackson, Mary-le-bone Street, Golden Square., and Sheet trimmed within plate mark.
Publisher:
Pub. by W. Holland, No. 50 Oxford Street
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Hatsell, John, 1743-1820, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, and Burke, Edmund, 1729-1797
Subject (Topic):
Politics and government, Dogs, Interiors, Politicians, and Spectators
"Satire on Thomas Hearne, the Oxford antiquarian, showing a tavern on the western edge of Oxford near Rewley with Abbey presented as an archaeological reconstruction. A large house with outbuildings in a garden where one man in academic robes approaches another who waits for him on a bench; various elements are lettered A - H. Above three separate views are presented as if drawings pinned to a wall: "The Plan of the Hall with the Tesellated Floor" representing a floor of sheep's bones mistaken by Hearne for an ancient mosaic; the gateway to the hall, labelled "Propylaeum"; three men arm in arm (Humphrey Wanley, Thomas Hearne and John Whiteside) outside the Sheldonian Theatre; in the centre, a shield with three large flagons; ribbons bearing a description of these "Antient Arms" and the title"--British Museum online catalogue
Alternative Title:
Antiquity Hall suburbanum Oxonienses and Antiqvity Hall suburbanum Oxon
Description:
Title from banner within image., Attribution to Vertue and publication place and date from British Museum catalogue., Bowditch's ms. annotations below plate mark., and Mounted to 36 x 44 cm.
Foundling Hospital: above, the achievement of arms; below, Captain Coram and several children, carrying implements of work, a church and ships in the distance. The lower scene shows Coram carrying the Royal Charter, granted in 1739, under his arm. Hogarth made the original drawing to head the subscription roll of the hospital
Description:
Title etched below image., Plate from: Nichols, J. The genuine works of William Hogarth. London : Printed for Longman, Hurst, Rees, and Orme, Paternoster Row, 1808-17, v. 2, page 152., Sheet trimmed to plate mark on right edge., and Two images on one plate. Top image is a copy of an engraving after Hogarth from ca. 1747; see: Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 230. Bottom image is a copy of an engraving after Hogarth from the 1740s; see: Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 225.
June [blank] 1757. As the Act of Parliament for an additional duty on news-papers will take place the 5th of next month ...
Description:
Title transcribed from item., Text at bottom: I am, [blank], your most obliged, humble servant, [blank]., and Form completed in ink on 25 June 1757, with a 10/- per quarter cost for the Evening Post and 5/- for the Weekly Journal noted in lower left; annotated "Rec'd for June 27 -1757" in upper left; signed "Jos. Baker" in lower right. For further information, consult library staff.
Caption title., Verso blank., Place of publication follows printer's name., Those present at meeting listed, together with a resolution concerning measures to be taken if invaded, including the provision of wagons, rockets, pikes and horses, escape routes, and a plan to flood the region; signed: John Lockwood, clerk of the general meetings., Date of imprint taken from date of meeting referred to in title., Printer M. Turner is probably Matthew Turner, bookseller, stationer, binder, printer, and circulatory library, Market Place, Beverley., and For further information, consult library staff.
Publisher:
M. Turner, printer
Subject (Geographic):
Great Britain., East Riding of Yorkshire (England), Hull (England), England, East Riding of Yorkshire., and Hull.
Subject (Topic):
Civil defense, Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Politics and government, and History
Coat-of-arms with a naked child, a lamb holding a sprig of thyme as the crest, figures of maternal nature and Britannia as supporters, and the motto "Help"; a landscape beyond, and a rococco frame; below, a ticket for a performance of "a sacred oratorio" composed by George Frederick Handel Esqr. to be performed at the Foundling Hospital. Blank spaces left for the date, month, year, and time of the performance
Alternative Title:
Arms of the Foundling Hospital
Description:
Title from first line of text, below image., Title from Paulson: Arms of the Foundling Hospital., and State and date from Paulson.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Foundling Hospital (London, England) and Handel, George Frideric, 1685-1759.
Subject (Topic):
Charities, Britannia (Symbolic character), and Coats of arms
"Portrait of Bambridge, full-length in profile to right, with his left hand resting on a chair back, wearing a long coat over waistcoat and a wig."--British Museum online catalogue
Description:
Title etched below image., Copy of a 1769 etching by Thomas Patch, which likely depicts a person other than the warden Bambridge; see no. 4343 in the Catalogue of prints and drawings in the British Museum, v. 4., Publication information from that of the volume in which the print was issued., Plate from: Caulfield, J. Portraits, memoirs, and characters, of remarkable persons. London : T.H. Whitely, 1820, v. 3, opposite page 28., and Bound in opposite page 47 in Lord Rosebery's extra-illustrated copy of: Burn, J.S. History of the Fleet marriages. London : Rivingtons [etc.], 1834.
Publisher:
T.H. Whitely
Subject (Geographic):
Great Britain.
Subject (Name):
Bambridge, Thomas, active 1729, and Fleet Prison (London, England)
"The Prince of Wales is seated in a magnificent dining-hall before a bare table. The Duke of Leinster (right) offers him across the table a dish of 'Potatoes from Leinster'; the Prince extends his arms to take them, but turns his head to look at the forbidding Thurlow, dressed as a doctor, who stands (left) on his right. Thurlow points authoritatively to the potatoes with the head of his cane, saying, "Take back the Irish Potatoes". The Prince says with a peevish expression: "If I must not have the roast Beef [the English Regency] let me have ye Potatoes Doctor I have paid for them". On the extreme right, behind Leinster, Sheridan, with a melancholy expression, tries to take a dish containing a sirloin from a beefeater, who says, "This belongs to my Master Sir." In the foreground (left) Weltje (cf. British Museum Satires No. 7509), dressed as a cook, stands looking at the Prince, his hands clasped in dismay, saying, "By Got now we sail not heb our Desert". Two colonnades of pillars recede in perspective behind the Prince; on the plinth of one is a relief of Tantalus vainly trying to drink from the vessel at his lips. In the foreground (centre) are two dogs coupled together, one is Burke, in spectacles, looking hungrily at the bare table, the other is Fox, turning his back on the table and straining away from Burke. The Prince's chair is surmounted by his coronet and feathers. On a chain round Leinster's neck hangs a crowned Irish harp attached to the order of St. Patrick with its significant motto, 'Quis separa[bit].'"--British Museum online catalogue
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., Sheet trimmed within plate mark on three sides., Temporary local subject terms: Ireland & the Irish -- Mythology: Tantalus -- Literature: allusion to Cervantes, Don Quixote -- Emblems: Prince of Wales's feathers., and Watermark: fleur-de-lis
Publisher:
Publd. 11th March 1789 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Leinster, William Robert FitzGerald, Duke of, 1749-1804, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Weltje, Louis, 1745-1810, Burke, Edmund, 1729-1797, and Fox, Charles James, 1749-1806
"The Prince of Wales is seated in a magnificent dining-hall before a bare table. The Duke of Leinster (right) offers him across the table a dish of 'Potatoes from Leinster'; the Prince extends his arms to take them, but turns his head to look at the forbidding Thurlow, dressed as a doctor, who stands (left) on his right. Thurlow points authoritatively to the potatoes with the head of his cane, saying, "Take back the Irish Potatoes". The Prince says with a peevish expression: "If I must not have the roast Beef [the English Regency] let me have ye Potatoes Doctor I have paid for them". On the extreme right, behind Leinster, Sheridan, with a melancholy expression, tries to take a dish containing a sirloin from a beefeater, who says, "This belongs to my Master Sir." In the foreground (left) Weltje (cf. British Museum Satires No. 7509), dressed as a cook, stands looking at the Prince, his hands clasped in dismay, saying, "By Got now we sail not heb our Desert". Two colonnades of pillars recede in perspective behind the Prince; on the plinth of one is a relief of Tantalus vainly trying to drink from the vessel at his lips. In the foreground (centre) are two dogs coupled together, one is Burke, in spectacles, looking hungrily at the bare table, the other is Fox, turning his back on the table and straining away from Burke. The Prince's chair is surmounted by his coronet and feathers. On a chain round Leinster's neck hangs a crowned Irish harp attached to the order of St. Patrick with its significant motto, 'Quis separa[bit].'"--British Museum online catalogue
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., Sheet trimmed within plate mark on three sides., Temporary local subject terms: Ireland & the Irish -- Mythology: Tantalus -- Literature: allusion to Cervantes, Don Quixote -- Emblems: Prince of Wales's feathers., 1 print : etching on laid paper ; plate mark 30.1 x 34 cm, on sheet 32 x 36.6 cm., and Mounted on leaf 51 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 11th March 1789 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Leinster, William Robert FitzGerald, Duke of, 1749-1804, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Weltje, Louis, 1745-1810, Burke, Edmund, 1729-1797, and Fox, Charles James, 1749-1806
"The Prince of Wales is seated in a magnificent dining-hall before a bare table. The Duke of Leinster (right) offers him across the table a dish of 'Potatoes from Leinster'; the Prince extends his arms to take them, but turns his head to look at the forbidding Thurlow, dressed as a doctor, who stands (left) on his right. Thurlow points authoritatively to the potatoes with the head of his cane, saying, "Take back the Irish Potatoes". The Prince says with a peevish expression: "If I must not have the roast Beef [the English Regency] let me have ye Potatoes Doctor I have paid for them". On the extreme right, behind Leinster, Sheridan, with a melancholy expression, tries to take a dish containing a sirloin from a beefeater, who says, "This belongs to my Master Sir." In the foreground (left) Weltje (cf. British Museum Satires No. 7509), dressed as a cook, stands looking at the Prince, his hands clasped in dismay, saying, "By Got now we sail not heb our Desert". Two colonnades of pillars recede in perspective behind the Prince; on the plinth of one is a relief of Tantalus vainly trying to drink from the vessel at his lips. In the foreground (centre) are two dogs coupled together, one is Burke, in spectacles, looking hungrily at the bare table, the other is Fox, turning his back on the table and straining away from Burke. The Prince's chair is surmounted by his coronet and feathers. On a chain round Leinster's neck hangs a crowned Irish harp attached to the order of St. Patrick with its significant motto, 'Quis separa[bit].'"--British Museum online catalogue
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., Sheet trimmed within plate mark on three sides., Temporary local subject terms: Ireland & the Irish -- Mythology: Tantalus -- Literature: allusion to Cervantes, Don Quixote -- Emblems: Prince of Wales's feathers., and Mounted on page 69.
Publisher:
Publd. 11th March 1789 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Leinster, William Robert FitzGerald, Duke of, 1749-1804, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Weltje, Louis, 1745-1810, Burke, Edmund, 1729-1797, and Fox, Charles James, 1749-1806
"Portrait of Ben Jonson, bust seen in profile to left but looking at the viewer, wearing a draped coat; in an ornamental oval decorated with roses and laurel; below a young satyr holding a sceptre with a fool's head; books and a theatrical mask in lower right; state with publisher's address."--British Museum online catalogue
Alternative Title:
Ben Jonson
Description:
Title from text in image., Plate from: Birch, T. The heads of illustrious persons of Great Britain. London : John and Paul Knapton, MDCCXLIII-MDCCLI [1743-1751]., "In the collection of Dr. Mead"--Below image. The note refers to the miniature by Oliver from which this engraving was made., Window mounted to 51 x 36 cm., and Mounted opposite page 28 (leaf numbered '86' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Impensis I. & P. Knapton Londini
Subject (Geographic):
Great Britain.
Subject (Name):
Jonson, Ben, 1573?-1637,, Jonson, Ben, 1573?-1637., and Mead, Richard, 1673-1754
Toms, W. H. (William Henry), approximately 1700-1765, printmaker
Published / Created:
[not after 1765]
Call Number:
Print00787
Image Count:
1
Resource Type:
still image
Description:
Title from item., Date derived from printmaker's date of death., Place of publication derived from printmaker's nationality., In margin upper right: Page 660., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Bethlem Royal Hospital (London, England).
Subject (Topic):
Psychiatric hospitals, Hospitals, Gardens, and Pedestrians
Manuscript, on parchment, of the books of the Bible from Proverbs through the Apocalypse
Description:
In Latin., With an Oxford pledge note for the Selton Loan Chest dated 1469 and the mark of the stationer John More. There is also a note by M. Paris, possibly Master Thomas Paris of Oriel College., Layout: double columns of 49 lines., Script: small gothic script., Decoration: red and blue penwork initials., and Binding: modern goatskin.
Subject (Geographic):
Connecticut, New Haven., and Great Britain.
Subject (Name):
Oriel College. and University of Oxford.
Subject (Topic):
Versions, Vulgate, Manuscripts, Medieval, and Universities and colleges
Manuscript on parchment (thick and furry) of Sir Gilbert Dethick, Book of Arms. Illustrations of coats of arms, in color, one per folio recto or verso; above each except the first, the name of the bearer, as given below. No mottoes given. Dedicated to Queen Elizabeth I of England (1558-1603).
Description:
In English., Script: Introduction and labels of illustrations in cursive with loops, by one scribe., Each shield enclosed in shaded pink border designed to look like worked metal, and surmounted by a jousting helm in profile, mantling gules doubled argent with gold tassels; wreath in colors from shield. Only shields (in up to 17 quarters) and crests vary. Slight variations from this scheme on f. 2r (royal arms) and f. 3r (mantling sable doubled argent). Fair quality of workmanship., Bookblock detached from the binding. Illustration badly smeared on f. 11r, slightly smeared f. 28r., and Binding: ca. 1873. Gold-stamped red goatskin case.
Subject (Geographic):
Great Britain., Connecticut, and New Haven.
Subject (Name):
Dethick, Gilbert, Sir. and Elizabeth I, Queen of England, 1533-1603.
Subject (Topic):
Devices (Heraldry), Heraldry, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
A collection of notes by Horace Walpole over the course of three years -- 1759, 1771, 1786 -- on a very wide range of topics. The volumes for 1759 and 1771 include: notes on books he is reading; observations about historical events and historical figures are interspersed with observations about current political topics and prominent social figures. His strong interest in art is reflected in the predominance of his observations on architecture, painters, paintings, prints, and printmakers; descriptions of fine houses, their contents and owners; clippings from newspapers: notices of forthcoming auctions and newly published books of or about art and artists; poems celebrating artists; death notices of artists and printmakers as well as poetry celebrating the lives of artists. The volume for 1786 also includes observations about books that Walpole is reading, generally on antiquarian topics, English history, etc.; anecdotes about his friends and prominent society figures; comments on historical events, including debates on the slave and trade and the events in France; thoughts on Samuel Johnson, Shakespeare, Joshua Reynolds, Fanny Burney, Lady Lyttleton, Lord North, Lord and Lady Salisbury, Mrs. Clive, and other prominent public figures of the period; fragments of epigrams and poems
Description:
Horace Walpole (1717-1797), fourth earl of Orford, author, politician, and patron of the arts, youngest son of Robert Walpole, first earl of Orford (1676-1745), Britain's longest-serving prime minister., In English., Available in pdf format, Two volumes (1759 and 1771) bound in green vellum, one volume (1786) in red morocco with clasps. With Walpole's bookplate 2, in early state, in the 2nd volume and his seal as Lord Orford, type, in the 3rd volume. Each volume signed and dated., Photostat of vol.1 available, Unverified and incomplete transcripts of v. 1 (1759) and v.2 (1771)., and Two volumes in green vellum; one in red morocco with clasps. Bookplate 2 early state, in the second volume (1771); and seal as Lord Orford, type 1, in the third volume. Each volume signed and dated.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Artists, Art, British, Art, Private collections, Historic buildings, Manors, Castles, Aristocracy (Social class), Homes and haunts, Politicians, Authors, English, Kings and rulers, History, and Social life and customs
A collection of notes by Horace Walpole over the course of three years -- 1759, 1771, 1786 -- on a very wide range of topics. The volumes for 1759 and 1771 include: notes on books he is reading; observations about historical events and historical figures are interspersed with observations about current political topics and prominent social figures. His strong interest in art is reflected in the predominance of his observations on architecture, painters, paintings, prints, and printmakers; descriptions of fine houses, their contents and owners; clippings from newspapers: notices of forthcoming auctions and newly published books of or about art and artists; poems celebrating artists; death notices of artists and printmakers as well as poetry celebrating the lives of artists. The volume for 1786 also includes observations about books that Walpole is reading, generally on antiquarian topics, English history, etc.; anecdotes about his friends and prominent society figures; comments on historical events, including debates on the slave and trade and the events in France; thoughts on Samuel Johnson, Shakespeare, Joshua Reynolds, Fanny Burney, Lady Lyttleton, Lord North, Lord and Lady Salisbury, Mrs. Clive, and other prominent public figures of the period; fragments of epigrams and poems
Description:
Horace Walpole (1717-1797), fourth earl of Orford, author, politician, and patron of the arts, youngest son of Robert Walpole, first earl of Orford (1676-1745), Britain's longest-serving prime minister., In English., Available in pdf format, Two volumes (1759 and 1771) bound in green vellum, one volume (1786) in red morocco with clasps. With Walpole's bookplate 2, in early state, in the 2nd volume and his seal as Lord Orford, type, in the 3rd volume. Each volume signed and dated., Photostat of vol.1 available, Unverified and incomplete transcripts of v. 1 (1759) and v.2 (1771)., and Two volumes in green vellum; one in red morocco with clasps. Bookplate 2 early state, in the second volume (1771); and seal as Lord Orford, type 1, in the third volume. Each volume signed and dated.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Artists, Art, British, Art, Private collections, Historic buildings, Manors, Castles, Aristocracy (Social class), Homes and haunts, Politicians, Authors, English, Kings and rulers, History, and Social life and customs
A collection of notes by Horace Walpole over the course of three years -- 1759, 1771, 1786 -- on a very wide range of topics. The volumes for 1759 and 1771 include: notes on books he is reading; observations about historical events and historical figures are interspersed with observations about current political topics and prominent social figures. His strong interest in art is reflected in the predominance of his observations on architecture, painters, paintings, prints, and printmakers; descriptions of fine houses, their contents and owners; clippings from newspapers: notices of forthcoming auctions and newly published books of or about art and artists; poems celebrating artists; death notices of artists and printmakers as well as poetry celebrating the lives of artists. The volume for 1786 also includes observations about books that Walpole is reading, generally on antiquarian topics, English history, etc.; anecdotes about his friends and prominent society figures; comments on historical events, including debates on the slave and trade and the events in France; thoughts on Samuel Johnson, Shakespeare, Joshua Reynolds, Fanny Burney, Lady Lyttleton, Lord North, Lord and Lady Salisbury, Mrs. Clive, and other prominent public figures of the period; fragments of epigrams and poems
Description:
Horace Walpole (1717-1797), fourth earl of Orford, author, politician, and patron of the arts, youngest son of Robert Walpole, first earl of Orford (1676-1745), Britain's longest-serving prime minister., In English., Available in pdf format, Two volumes (1759 and 1771) bound in green vellum, one volume (1786) in red morocco with clasps. With Walpole's bookplate 2, in early state, in the 2nd volume and his seal as Lord Orford, type, in the 3rd volume. Each volume signed and dated., Photostat of vol.1 available, Unverified and incomplete transcripts of v. 1 (1759) and v.2 (1771)., and Two volumes in green vellum; one in red morocco with clasps. Bookplate 2 early state, in the second volume (1771); and seal as Lord Orford, type 1, in the third volume. Each volume signed and dated.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Artists, Art, British, Art, Private collections, Historic buildings, Manors, Castles, Aristocracy (Social class), Homes and haunts, Politicians, Authors, English, Kings and rulers, History, and Social life and customs
Title etched in top part of image., Date of publication from that of the magazine in which the plate appeared., Numbered 'No. XII' in upper left corner., Two lines of verse below image: All courses the first heat with vigour run, but 'tis with whip & spur the race is won., Plate from: The Town and country magazine. London : A. Hamilton, Junr., v. 1(1769), p. 193., and Temporary local subject terms: Elections: Brentford elections, 1768 -- Emblems: cap of liberty and staff of maintenance of symbolic representation of John Wilkes -- Reference to John Wilkes's imprisonment -- Sergeant Whitaker -- David Roche -- Buildings: Mile End Assembly Room -- Medical: anti-venerial pills -- Reference to the House of Commons.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Carhampton, Henry Lawes Luttrell, Earl of, 1743-1821 and Wilkes, John, 1725-1797.
Sir Francis Burdett, holding copies of the Magna Carta and the Bill of Rights, is arrested by the Speaker of the House of Commons (who calls Britannia a 'blank eyed b-h'). Britannia stands, hands clasped in supplication, her lion by her side. Burdett argued in the House of Commons against the imprisonment of the radical John Gale Jones. Failing to have Jones released, Burdett issued a revised edition of his speech in the Weekly Register, an action which the House voted a breach of privilege. The Speaker issued a warrant for Burdett's arrest and he was taken by soldiers from the Commons to the Tower of London, where he remained until the next Parliamentary recess
Description:
Title from item., Possibly by Thomas Rowlandson?, and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pubd. April 11th, 1810, by T. Tegg, 111 Cheapside
Subject (Geographic):
Great Britain.
Subject (Name):
Burdett, Francis, 1770-1844 and Jones, John Gale, 1769-1838.
Social satire; officers in a tent around a table drink red wine, or punch from a bowl, smoke pipes and sing; one on the right has his arm in a sling, another waves his hat. Through the opening of the tent on the right, in the background are mounted soldiers and the British flag, and on the floor is a cannon and shot; below the image is the text of a song
Description:
Publication information from a copy in the British Museum online catalogue. See BM Registration number 2010,7081.860., Sheet trimmed within plate mark with loss of song verse and imprint., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published Novr. 20th, 1794, by Laurie & Whittle, No. 53, Fleet Street, London
Subject (Geographic):
Great Britain.
Subject (Topic):
Alcoholic beverages, Glassware, Interiors, Military camps, British, Military life, Soldiers, Tents, and Wine