"Lee Lewes stands on stage at Covent Garden, with busts arranged on a table behind him, he holds one up, turning to the crowd; the audience in the pit in the foreground, with four tiers of boxes behind; after Woodward."--British Museum online catalogue
Description:
Title engraved below image. and Frontispiece to: A lecture on heads / by Geo. Alex. Stevens ; with additions, as delivered by Mr. Charles Lee Lewes ; ... embellished with twenty-five humourous characteristic prints, from drawings by G.M. Woodward, Esq. London : Printed for Vernor, Hood, and Sharpe ..., 1808.
Publisher:
Pub. by T. Tegg, 111 Cheapside
Subject (Geographic):
Great Britain.
Subject (Name):
Stevens, George Alexander, 1710-1784., Lewes, Charles Lee, 1740-1803, and Covent Garden Theatre,
Subject (Topic):
Theaters, Actors, British, Interiors, Audiences, and Public speaking
"A corner of the opera house. A dancer is poised on her right toe, while she leans forward, both arms extended, her left leg extended horizontally towards the audience. Her head is turned full-face. Those in the pit are peering under her skirt, which, falling limply almost to her ankles, defines her figure. In the front row of the pit sit (left to right) the Duke of Queensberry peering through an opera-glass; Sheridan, biting his thumb apprehensively (probably fearing competition with Drury Lane); Fox, leaning back laughing, while Pitt stands behind him, holding his shoulders, and staring intently at the dancer. Among the heads behind are Burke on the extreme right, Bedford next him, then Loughborough and Erskine (?) in their legal wigs. In a box on the first tier sit two ladies and a man, looking down upon the dancer, except that one of the ladies stares at the man she sits next through a glass. A door giving on to the stage is open, through which two men are staring up at the dancer. Behind stands a prim-looking man wearing spectacles. A scene of trees and foliage forms a background to the stage."--British Museum online catalogue
Description:
Title from item., Sheet trimmed to plate mark., The dancer is possibly Madame Rose Parisot?, and Matted to 47 x 62 cm.; printmaker's name and a key identifying subjects printed on mat below image.
Publisher:
Pub. May 7, 1796 by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Queensberry, William Douglas, Duke of, 1725-1810, Sheridan, Richard Brinsley, 1751-1816, Burke, Edmund, 1729-1797, Bedford, Francis Russell, Duke of, 1765-1802, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Erskine, Thomas Erskine, Baron, 1750-1823
Subject (Topic):
Audiences, Dancers, French, Performances, Opera houses, and Theatrical productions
A dustman dances with a black woman as a black musician plays the fiddle and spectators look on. A picture on the back wall and a poster on the chimney shows people hanging from gallows
Alternative Title:
Scene in Tom & Jerry, Scene in Tom and Jerry, and Life in London
Description:
Title from caption below image., Ms. note following date in imprint: '1822', Sheet trimmed leaving thread margins., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Cansell 1818.
Publisher:
Pubd. April 24 by S.W. Fores, 41 Piccadilly
Subject (Topic):
Blacks, Audiences, Dance, Hangings (Executions), Musicians, and Garbage collecting
"View within the amphitheatre, near Westminster Bridge, on Surrey side; a central circular arena around which a man rides standing on the back of two horses, another man in ring directing horses, spectators seated around sides, and on balconies on three levels, a large stage with black curtain at the back, a chandelier hanging from the ceiling."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 4., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 23., and Watermark: 1807.
Publisher:
Pub. Jany. 1, 1808, at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Astley's Amphitheatre.
Subject (Topic):
Audiences, Events, Interiors, Amphitheaters, Horses, and Chandeliers
Two elderly women in hats sit, the one on the left is facing forward with arns across her chest; the woman on the right turns to the right and holds a sheet in her hands
Description:
Title below image., Trimmed within design; lines in pencil drawn on left and top., Date and place of publication based on John Nixons known years of activity and location., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Ms. annotation in lower left of image: John Nixon.
Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?). Each figure is numbered and listed below under the appropriate category -- performers or audience
Description:
Title etched above image., Sheet trimmed to plate mark on top edge., Key plate to the painting by Hogarth and the engraving after it by William Blake., Mounted on page 162 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching on wove paper ; sheet 14.6 x 22 cm., Sheet trimmed within plate mark., and Annotated by Horace Walpole in pencil in lower right corner: Some of the figures in the boxes are different from those in Mr. Walpole's picture.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Actors, British, Actresses, Audiences, and Theatrical productions
Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?). Each figure is numbered and listed below under the appropriate category -- performers or audience
Description:
Title etched above image., Sheet trimmed to plate mark on top edge., Key plate to the painting by Hogarth and the engraving after it by William Blake., and On page 235 in volume 3. Sheet trimmed to: plate mark 14.5 x 21.9 cm, on sheet 15.4 x 22.7 cm.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Actors, British, Actresses, Audiences, and Theatrical productions
Theatrical scene in a prison, after Hogarth's painting illustrating Gay's "The Beggar's Opera". Audience members are shown seated in boxes to the left and right; in the centre, the character of Macheath, a highwayman, stands in shackles; on either side of him, his wife and lover are kneeling before their respective fathers, pleading for intervention on Macheath's behalf; in the background, a group of male figures (Macheath's gang?). Each figure is numbered and listed below under the appropriate category -- performers or audience
Description:
Title etched above image., Sheet trimmed to plate mark on top edge., and Key plate to the painting by Hogarth and the engraving after it by William Blake.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery Pall Mall
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Actors, British, Actresses, Audiences, and Theatrical productions
Title from item., Date and place of publication supplied by curator., Pencil notation: Cambridge published by W. Mason., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Quacks and quackery, Phrenology, Public speaking, Skulls, and Audiences
"A phrenologist, ugly and dandified, standing behind a table, lectures to an informally grouped and stupid-looking audience; he holds his naturalistic brown wig, revealing a bald head covered with reddened protuberances. His Concluding Address is engraved in the lower margin: Ladies and Gentlemen Having thus concluded the hundred and thirty ninth article, under the Head or Section of Propensities: I shall take my leave until the next lecture, by clearly elucidating in my own person an instance of Due Proportion of Faculties: Talkativeness with Gulling, standing First: and further beg to testify, beyond all doubt, . . . that on the Craniums of this highly gifted and scientific Audience, the Organ of Implicit faith Under Evident Contradictions, Stands beautifully develop'd to a Surprising and Prominent degree Dear Ladies Worthy Gentlemen; adieu. Nearest the lecturer is a family party: anxious wife, amused husband, and small boy with a head abnormally protuberant at the back. Two bald men anxiously feel their bumps; an agitated woman presses her forehead. A man inspects a skull. On the lecturer's table, with one of Gall's plaster heads mapped out in numbered compartments, are writing materials and books, two with titles: Treatise on Elementary and Logic. Portrait busts, all bald, stand on the floor; busts illustrating different propensities decorate the room. Two are placed conspicuously on the floor in front of the table, Dr. [sic] Ville [see British Museum Satires No. 15157] and Gall. Others are of Spurzhim [sic], Scott, Shakespeare, W. Clive, and Tremaine. Two of a group of skulls are inscribed Thirtell [Thurtell, the murderer, executed 1824] and Pollard. The busts featuring character (with appropriate expressions) are Gazing Faculty, Slyness, Pride, Sleepiness, Consequence. The book-case behind the lecturer contains, besides books, a skull and a large jar of coloured liquid inscribed Gall, it stands on a large book, Opinions on Men and things; beside this are Lock on Understanding and Aristotle (propped by a skull). The other books with titles are Moore, Lavater [two volumes], Lectures on Nothing [? Outinian Lectures, see British Museum Satires No. 14773]; a rolled document, Doctrino Particularum, lies on two large books: Self Knowledge and Commentana Critica. Treatise on Magic, Harriette Wilson [see British Museum Satires No. 14828, &c], Duty of Man, Mackenzie ['Man of Feeling'], Treatise on Doubt, Philosophers Stone, Combe [two volumes], Treatise on Gold Making, Bells Brain [two volumes, 'New Idea of the Anatomy of the Brain', 1811]. On the wall are three pictures: Bumps, two little boys boxing with huge spherical gloves; Life's a Bumper, a fat 'cit' toping in an arm-chair; Tony Lumpkin, who cracks a whip, and shouts as in Goldsmith's play. Below these are pinned up a pictorial advertisement and three prints. The first is headed by a human eye and the inscription, Sold by Royal Patent Phrenological Hats Adapted to Every Protuberance of Faculty or Organ Yet Discovered, above a cluster of misshapen hats and a little man wearing such a hat; below: To be Had [in] Caster . . . Two prints illustrate bust portraits: Abstraction and Suspicion. The third, Prying, is a print of Paul Pry, see British Museum Satires No. 15138."--British Museum online catalogue
Alternative Title:
Phrenological lecture
Description:
Title from text above image., Atrributed to Henry Thomas Alken in the British Museum online catalogue, registration no.: 1895,0617.455., Text below image begins: Concluding address: Ladies and gentlemen, having thus concluded the hundred and thirty ninth article ..., Sheet trimmed within plate mark on top edge., Temporary local Medical Library subject terms: Lectures., and 1 print : soft-ground etching, hand-colored ; plate mark 24.9 x 32.6 cm, on sheet 30.3 x 39.6 cm.
Publisher:
Published Sepr. 1826 for the artist at St. Peters alley Corn Hill