The interior of a poor wooden house, a parson's family of four gather around a table covered in a tablecloth worn with holes. They are eating beans, while he sits on the right, gnawing a bone; his wife (left) nurses the youngest child. Behind her on the wall are two shelves of books above which hangs a bird in a birdcage. To her left, the curtains around the canopy bed are also torn. A small cat (foreground) looks up at the parson. On the floor beside the parson's chair lies a sheaf of papers with the title "Charity sermon".
Description:
Title from caption below image., Numbered "481" in lower left corner., No. 24 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Topic):
Canopy beds, Birdcages, Breast feeding, Cats, Clergy, Eating & drinking, Families, Interiors, and Poverty
A fashionable family looks at a roll of wallpaper that the shop clerk is displaying to them. The shop owner jestures to the elaborately decorated pattern on the roll. Another clerk behind the counter looks on as he rolls another bolt
"A wealthy middle class family gathered in a room, the father standing in the centre, leaning on the back of a chair which his youngest child stands upon, embracing him, a son standing beside pointing to an open book and the mother sitting at left, gazing to right while another daughter beside plays with a kitten, a bird in a cage on table beside; at right an older son looks out anxiously at the ships on river beyond, his coat over his arm.."--British Museum online catalogue and The paintings on the back wall of the room and the statue above the doorway amplify the moral subject of the print
Description:
Title from text in lower margin, centered., Sheet trimmed within plate mark., and Dedication engraved below image, on either side of title: To Their Most Excellent Majesties King George III, & Queen Charlotte, this print is most humbly dedicated by their most dutiful and loyal subject, Jno. Boydell.
Publisher:
Pub. Sept. 29, 1799, by J. & J. Boydell, No. 90 Cheapside, and at the Shakspeare Gallery, Pall Mall, London
"A domestic interior. A fat and ugly citizen, wearing old-fashioned dress with a small unpowdered wig, stands on the hearth-rug (right), his back to the fire; he is meditatively reading the 'Gazette', headed: 'New Taxes', and 'Bankru[pts]', his left hand plunged in his breeches pocket. Behind him on the chimney-piece is a pair of scales for weighing guineas (see BMSat 5128). His wife, bald-headed, ugly, and stout, leans back in an arm-chair, her hands raised in protest at an unpowdered wig which a grotesquely thin and ragged French hairdresser (left) proffers obsequiously. A fashionably dressed young man with cropped hair looks with imbecile surprise at his reflection in an oval mirror over the chimney-piece. His mouth is half-covered by his swathed neckcloth, he wears a short spencer (see BMSat 8192) over a sparrow-tail coat, and half-boots. A young woman with over-dressed but unpowdered (red) hair looks with dismay at her reflection in a mirror which she has snatched from the wall. On the wall is an oval bust portrait of 'Charles 2d', his tiny head framed in an immense powdered wig."--British Museum online catalogue
Alternative Title:
Frugal family saving the guinea
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Scales -- Pictures amplifying subject: portrait of Charles II in a powdered wig -- Newspapers: 'Gazette' -- Male dress: spencers -- Sparrow-tailed coats.
Publisher:
Pubd. March 10th, 1795, by H. Humphrey, No. 37 New Bond Street
"A domestic interior. A fat and ugly citizen, wearing old-fashioned dress with a small unpowdered wig, stands on the hearth-rug (right), his back to the fire; he is meditatively reading the 'Gazette', headed: 'New Taxes', and 'Bankru[pts]', his left hand plunged in his breeches pocket. Behind him on the chimney-piece is a pair of scales for weighing guineas (see BMSat 5128). His wife, bald-headed, ugly, and stout, leans back in an arm-chair, her hands raised in protest at an unpowdered wig which a grotesquely thin and ragged French hairdresser (left) proffers obsequiously. A fashionably dressed young man with cropped hair looks with imbecile surprise at his reflection in an oval mirror over the chimney-piece. His mouth is half-covered by his swathed neckcloth, he wears a short spencer (see BMSat 8192) over a sparrow-tail coat, and half-boots. A young woman with over-dressed but unpowdered (red) hair looks with dismay at her reflection in a mirror which she has snatched from the wall. On the wall is an oval bust portrait of 'Charles 2d', his tiny head framed in an immense powdered wig."--British Museum online catalogue
Alternative Title:
Frugal family saving the guinea
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Scales -- Pictures amplifying subject: portrait of Charles II in a powdered wig -- Newspapers: 'Gazette' -- Male dress: spencers -- Sparrow-tailed coats., 1 print : etching on wove paper, hand-colored ; plate mark 25.1 x 35.3 cm, on sheet 27.7 x 38.3 cm., and Mounted on leaf 63 of volume 8 of 12.
Publisher:
Pubd. March 10th, 1795, by H. Humphrey, No. 37 New Bond Street
"'The Marriage Settlement' (after the painting by Hogarth in National Gallery); a grand interior where Earl Squander and a city merchant arrange the marriage of their son and daughter; the extravagantly dressed young man looks at his reflection in a glass while his future bride listens to the lawyer's soft words; through the window is a view of a palatial house under construction."--British Museum online catalogue
Alternative Title:
Marriage settlement
Description:
Title from British Museum online catalogue., Title engraved below image., "Size of picture ft. 3 by 2 ft. in. 4.", Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2692., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 158., and Copy of: Paulson, R. Hogarth's graphic works (1st ed.), no. 228.
Publisher:
Pubd. June 4, 1795 by J. & J. Boydell, No. 90, Cheapside, & at the Shakspeare Gallery, Pall-Mall, London
Plate 16. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction, presumably for the new couple as the plans are labelled "A Plan of the New Building of the Rt. Honble..." The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title engraved below image., State from Paulson., and After the painting "The Marriage Settlement" in the National Gallery, London.
Plate 16. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction, presumably for the new couple as the plans are labelled "A Plan of the New Building of the Rt. Honble..." The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title engraved below image., State from Paulson., After the painting "The Marriage Settlement" in the National Gallery, London., and On page 111 in volume 2. Sheet trimmed to: 37.9 x 46.5 cm.
Plate 16. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction, presumably for the new couple as the plans are labelled "A Plan of the New Building of the Rt. Honble..." The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title engraved below image., State from Paulson., After the painting "The Marriage Settlement" in the National Gallery, London., 1 print : etching on laid paper ; plate mark 38.2 x 46.8 cm, on sheet 46 x 59 cm., and Plate 16 in the album: Queen Charlotte's collection of Hogarth works.
Plate 16. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction, presumably for the new couple as the plans are labelled "A Plan of the New Building of the Rt. Honble..." The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title engraved below image., State from Paulson., After the painting "The Marriage Settlement" in the National Gallery, London., 1 print : etching on laid paper ; plate mark 38.2 x 46.8 cm, on sheet 46 x 59 cm., and Plate 16 in the album: Queen Charlotte's collection of Hogarth works.
