"View of the grand front of the theatre; a lion and unicorn to left and right of the pedament at top, with a sculpture of armour and weapons in the centre, pillasters across middle of building and an iron balcony above ground floor; in foreground to right a carriage and a sedan chair, to the left street traders and other figures."--British Museum online catalogue
Alternative Title:
Nouvelle façade, vers Bridges Street, de la principale entrée du Theatre Royal Drury Lane
Description:
Titles engraved below image, in English and French., "Possibly an illustration from 'The Works in Architecture of Robert and James Adam', 1773-1822"--Curator's comments, British Museum online catlalogue, registration no.: 1880,1113.3116., and Tipped in at page 640 (leaf numbered '89' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
publisher not identified
Subject (Geographic):
London (England), England, London., and London,
Subject (Name):
Theatre Royal, Drury Lane (London, England), and Theatre Royal, Drury Lane (London, England)
Subject (Topic):
Buildings, structures, etc, Buildings, Theaters, Facades, Carriages & coaches, Sedan chairs, Street vendors, and Dogs
Leaf 12. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"On the Pont Neuf in Paris, various street-traders advertise their business, including a chocolate seller and a lemonade seller on the left, and a shoe-black and a barber on the right, houses and churches in the background; a reversed copy of the larger plate."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Initial letters of publisher's name in imprint form a monogram., Publisher's advertisement following imprint: Where may be had all the works of Mr. Bunbury &c., Plate numbered "I" in upper right corner., For later state with additional plate numbering, see no. 4918 in the the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: Signboards -- French lemonade merchants -- Lemonade tanks -- Paris skyline from the Pont Neuf -- French poodles -- Sentries -- Parasols -- French portresses -- French shoeblacks -- Trades: Seller of chocolate -- Basket containing cups -- Pot for 'milling' chocolate., and Watermark: Strasburg bend and lily with initials G.R. below.
Publisher:
Pubd. accordg. to act of Parlt. by MDarly, 39 Strand
Subject (Geographic):
Pont-Neuf (Paris, France)
Subject (Topic):
Bridges, Signs (Notices), Street vendors, Muffs, Dogs, Umbrellas, Whips, Coach drivers, Guards, Lawyers, Barbers, Wigs, and Bells
Leaf 12. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"On the Pont Neuf in Paris, various street-traders advertise their business, including a chocolate seller and a lemonade seller on the left, and a shoe-black and a barber on the right, houses and churches in the background; a reversed copy of the larger plate."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Initial letters of publisher's name in imprint form a monogram., Publisher's advertisement following imprint: Where may be had all the works of Mr. Bunbury &c., Plate numbered "I" in upper right corner., For later state with additional plate numbering, see no. 4918 in the the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: Signboards -- French lemonade merchants -- Lemonade tanks -- Paris skyline from the Pont Neuf -- French poodles -- Sentries -- Parasols -- French portresses -- French shoeblacks -- Trades: Seller of chocolate -- Basket containing cups -- Pot for 'milling' chocolate., On leaf 12., 1 print : etching on laid paper ; plate mark 25.4 x 35.8 cm, on sheet 27.5 x 44.4 cm., and Sheet trimmed to plate mark on bottom edge.
Publisher:
Pubd. accordg. to act of Parlt. by MDarly, 39 Strand
Subject (Geographic):
Pont-Neuf (Paris, France)
Subject (Topic):
Bridges, Signs (Notices), Street vendors, Muffs, Dogs, Umbrellas, Whips, Coach drivers, Guards, Lawyers, Barbers, Wigs, and Bells
A perspective view, or vues d'optique, of the Covent Garden Market, looking towards Inigo Jones's St. Paul's Church, which is situated slightly to the right of center; in the foreground are shown vendors, carriages, pedestrians and other street life. The image is reversed for viewing through the lens of a Zograscope and designed to give the illusion of a deeper perspective, enhanced by the deep vanishing point and bright colour of the print
Alternative Title:
Vue perspective du Covent Garden, Vue du Couvent Garden, and Vue du Convent Garden
Description:
Title etched below image; alternative title etched in reverse above image: Vue du Couvent Garden., Date of publication from dealer's description., and "No. 92"--Upper right, above image.
Publisher:
Chez J. Chereau, rue St. Jacques au desses de la Fontaine St. Severin aux a Colonnes no. 257
Title from caption below image., Numbered '273' in lower left of plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Trades: apple venders -- Wheelbarrows -- Architectural details: garden walls -- Young men -- Bludgeons.
Publisher:
Publish'd 26th Sept. 1791 by Robt. Sayer & Co., Fleet Street, London
"A young woman selling nosegays from a basket on her right arm, and with a book in the other hand."--British Museum online catalogue
Alternative Title:
Messieurs, achetter des bouquets pour rejouir votre odorat
Description:
Titles in English and French etched below image., Printmaker and publication information from first plate in series., Fourth plate from: Twelve London cries done from the life by P. Sandby. London, 1760., and Plate numbered "4" in lower right corner.
The fishwives stalls are in the foreground with the masts of ship vessels behind, and among them one tall smoking funnel. The market buildings are on the right. The foreground is more crowded than in other Billingsgate prints. The chief feature is an irate woman seated on an upturned tub beside her stall, berating a lady in a riding-habit who holds a huge fish's head. Beside the latter is another lady, disconcerted. Two liveried servants are among the crowd. Lady Caroline Lamb and a young marchioness, both 'in disguise', go to the market to hear the traditional language of the fishwives, this Lady Caroline provokes by disparaging a fish. On the left is a fashionably dressed young man, resembling Robert Cruikshank. On the left, a drunken woman sits with her glass raised. From British Museum catalogue
Alternative Title:
Visit to Billingsgate
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 14941 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Page 342, vol. 1. Watermark: Warranted not bleached.
Publisher:
Pubd. by Sherwood, Jones & Co.
Subject (Geographic):
Billingsgate Ward (London, England)
Subject (Name):
Cruikshank, Robert, 1789-1856 and Lamb, Caroline, Lady, 1785-1828
Subject (Topic):
Crowds, Fishmongers, Intoxication, Riding habits, Servants, Ships, and Street vendors
Plate 11. Queen Charlotte's collection of Hogarth works. Leaf 11. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The fourth plate in the series The rake's progress. In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell's sedan chair in St. James's Street; Tom is presumably on his way to White's gaming house which can be seen in the background. They are foiled in their attempt to arrest Tom for debt as Sarah Young, the young woman whom he had seduced and abandoned, offers the bailiffs her purse instead. Sarah is now a dealer in millinery as is suggested by the notions falling from her purse. In the right foreground a shoe-black apparently taking advantage of the situation to take hold of Tom's elegant walking stick. Above them a careless lamplighter spills some oil on Tom's head. To the left a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, accompanied by his manicured dog, simply watches the scene. In the distance is the gate of St James's Palace with a crowd of sedan-chairs approaching to celebrate the birthday of Queen Caroline
Alternative Title:
O vanity of youthfull blood, so by misuse to poison good ...
Description:
Title, state and imprint from Paulson., Added title from first two lines of the verse etched below image., After the painting now at Sir John Soane's Museum., "Plate 4."--Lower right corner., 1 print : etching and engraving with stippling on laid paper ; plate mark 35.7 x 40.8 cm, on sheet 46 x 59 cm., and Plate 11 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Bailiffs, Dogs, Children, Lamps, Lust, Seduction, Sedan chairs, Seamstresses, Street vendors, Young adults, Ethics, Rake's progress, and Traffic congestion
Plate 11. Queen Charlotte's collection of Hogarth works. Leaf 11. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The fourth plate in the series The rake's progress. In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell's sedan chair in St. James's Street; Tom is presumably on his way to White's gaming house which can be seen in the background. They are foiled in their attempt to arrest Tom for debt as Sarah Young, the young woman whom he had seduced and abandoned, offers the bailiffs her purse instead. Sarah is now a dealer in millinery as is suggested by the notions falling from her purse. In the right foreground a shoe-black apparently taking advantage of the situation to take hold of Tom's elegant walking stick. Above them a careless lamplighter spills some oil on Tom's head. To the left a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, accompanied by his manicured dog, simply watches the scene. In the distance is the gate of St James's Palace with a crowd of sedan-chairs approaching to celebrate the birthday of Queen Caroline
Alternative Title:
O vanity of youthfull blood, so by misuse to poison good ...
Description:
Title, state and imprint from Paulson., Added title from first two lines of the verse etched below image., After the painting now at Sir John Soane's Museum., "Plate 4."--Lower right corner., 1 print : etching and engraving with stippling on laid paper ; plate mark 35.7 x 40.8 cm, on sheet 46 x 59 cm., and Plate 11 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Bailiffs, Dogs, Children, Lamps, Lust, Seduction, Sedan chairs, Seamstresses, Street vendors, Young adults, Ethics, Rake's progress, and Traffic congestion
Plate 11. Queen Charlotte's collection of Hogarth works. Leaf 11. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The fourth plate in the series The rake's progress. In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell's sedan chair in St. James's Street; Tom is presumably on his way to White's gaming house which can be seen in the background. They are foiled in their attempt to arrest Tom for debt as Sarah Young, the young woman whom he had seduced and abandoned, offers the bailiffs her purse instead. Sarah is now a dealer in millinery as is suggested by the notions falling from her purse. In the right foreground a shoe-black apparently taking advantage of the situation to take hold of Tom's elegant walking stick. Above them a careless lamplighter spills some oil on Tom's head. To the left a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, accompanied by his manicured dog, simply watches the scene. In the distance is the gate of St James's Palace with a crowd of sedan-chairs approaching to celebrate the birthday of Queen Caroline
Alternative Title:
O vanity of youthfull blood, so by misuse to poison good ...
Description:
Title, state and imprint from Paulson., Added title from first two lines of the verse etched below image., After the painting now at Sir John Soane's Museum., "Plate 4."--Lower right corner., and On page 71 in volume 1.
Publisher:
Wm. Hogarth
Subject (Topic):
Bailiffs, Dogs, Children, Lamps, Lust, Seduction, Sedan chairs, Seamstresses, Street vendors, Young adults, Ethics, Rake's progress, and Traffic congestion