Three candidates for Westminster election are shown under the portico of St. Paul's, from left, Admiral Rodney, accompanied by the figure of Neptune, sword in his right hand, announcement of victory over the Spanish fleet at Gibraltar in his left; Charles James Fox, holding in his left hand an open book inscribed "Magna Charta" and accompanied by the figure of Britannia petting a fox seated in her lap; Lord Lincoln, who lost the election, with a devil hovering above him. He is holding a scroll inscribed with the number of purchased votes and acknowledgement of bringing the news of the capture of Charleston. Below the portico the poll-clerks sit behind a long table, their books on top. Fox's supporters are gathered to the right and can be distinguished by fox's tails in their hats. A band of butchers plays in the foreground. More tails are offered for sale at the stand to the far right. A man carries a stuffed fox on a pole, placarded "4878 Reynard for ever." Next to him is a barrel of beer
Description:
Title from item. and Variant of no. 5699 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
Publish'd as the Act directs Sept. 25, 1780, by P. Mitchell, North Audly Stt. Grosr. Sqr. & J. Harris, Sweething Alley, Cornhill
Subject (Geographic):
England and Westminster
Subject (Name):
Fox, Charles James, 1749-1806, Rodney, George Brydges Rodney, Baron, 1719-1792, Newcastle, Thomas Pelham-Clinton, Duke of, 1752-1795, and Neptune (Roman deity)
Subject (Topic):
Britannia (Symbolic character), Demons, Political elections, Crowds, Foxes, and Butchers
Political heat run in Covent Garden between old veteran a famous horse ...
Description:
Title etched below image., Reissue for: The history of the Westminster election, with folds in the plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Signs: Sign-posts -- Allusion to George III.
Publisher:
Pub. 19 May, 1784, by WH, No. 227 Strand
Subject (Geographic):
England and London.
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, Hood, Samuel Hood, Viscount, 1724-1816, Wray, Cecil, Sir, 1734-1805, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Donkeys, Horses, and Political elections
Political heat run in Covent Garden between old veteran a famous horse ...
Description:
Title from item., Temporary local subject terms: Elections: Westminster, 1784 -- Horse-racing -- Signs: Sign-posts -- Horses -- Asses -- Allusion to George III -- Allusion to the Duchess of Devonshire., and Mounted to 28 x 41 cm.
Publisher:
Pub. 19 May, 1784, by WH, No. 227 Strand
Subject (Name):
Fox, Charles James, 1749-1806, Hood, Samuel Hood, Viscount, 1724-1816, and Wray, Cecil, Sir, 1734-1805
"Fox as Dr. Busby birches Pitt and his supporters in a lofty hall with stone walls. Fox (left) sits under a statue of Justice which is in an alcove above his head, a birch-rod in her right hand, in the left, her scales evenly balanced. Pitt lies across Fox's knee, his posteriors scarred; he says, "O pardon me & I'll promise you on my honor that I will Honestly & boldly endeavour a reform!" Fox, his birch-rod raised to smite, says, "That's all Twaddle! - so here's for your India Task! there! there! there! & there's for blocking up the old Womens Windows & making them drink Tea in the dark! - there! there! & there's for------O I've a a a hundred accounts to settle - there! there! there! there! there! there." Those who have been already chastised are borne off (right), a sea of heads, on the backs of the Foxite party ..."--British Museum online catalogue
Alternative Title:
Dr. Busby settling accounts with Master Billy and his playmates
Description:
Title etched below image., Printmaker from British Museum catalogue., Two lines of quoted verse below title: "Illustrious burns, might merit more regard ...", Sheet trimmed to plate mark., Mounted to 41 x 29 cm., and Watermark in center of sheet.
Publisher:
Pubd. Feby. 4th, 1785, by J. Ridgeway, Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Robinson, John, 1727-1802, Hill, Richard, Sir, 1733-1808, Sheridan, Richard Brinsley, 1751-1816, North, Frederick, Lord, 1732-1792, and Pitt, William, 1759-1806
Subject (Topic):
Sculpture, Justice, Scales, Buttocks, Chamber pots, and Spanking
"A satire on the peace negotiations and on Windham's Training Act. The scene is outside the 'Treasury', the lower part of its façade forming the background. Ministers and their supporters as 'Corporal and Conscripts' obey the orders of their 'Drill-Serjeant' Napoleon, who stands on the extreme left., his jack-boots firmly planted on cannon-balls him height. He extends his sword with an arrogant gesture, and fiercely orders: "Ground - Arms!" Next him, and in back view, but looking up at him, is Fox seated in an invalid's wheeled chair on the back of which are the coronet and feathers of the Prince of Wales. He is 'Grand Double Drums' and is vigorously beating a pair of kettle-drums, one inscribed 'GR' and crown, the other 'N' and crown. He wears a dressing-gown and bonnet rouge, and his enormously distended legs are straddled outside his drums. On Fox's r. is the 'Flugel Man', Grenville, going through the movement as a pattern to the other privates. He kneels on the left knee and grounds his musket, putting up his hand to shield his eyes; his bayonet is broken, as is its sheath. The 'Corporal & Conscripts' drawn up (r.) facing Napoleon attempt the movement with extreme awkwardness and obsequious haste, not excepting Windham the corporal, the end man (r.) of the front rank. Next him is Lord Holland, on both knees, with an amiable smile. Then Sheridan, very bulky and awkward, but unlike the others directing his musket towards Napoleon. Petty, on both knees, flings down his musket with an obsequious gesture. Next him Lord Temple grovels displaying spherical posteriors. Next, at the end of the line, and close to the gate of the Treasury, kneels Erskine, in wig and gown, raising his hat. In the second rank, behind Windham, is Howick, First Lord, deferentially raising a naval cocked hat; Sidmouth staggers back, throwing up his arms and dropping his musket which lands on his face. Next are Spencer, clumsily lifting his musket, and Ellenborough in wig and gown, with a blunderbuss which he seems about to dash violently on the ground. Behind him is Moira, stiff and tall, in uniform with cocked hat, holding up a musket exploding at lock and barrel. Behind and in shadow are (l. to r.) St. Vincent, Hanger, and the Duke of Clarence, all holding up the muskets which the next rank prevents them from grounding. Most of the 'conscripts' wear civilian dress with crossed bandoleers, and are in most unsoldierly confusion. By the Treasury gate and facing Erskine stands the 'Constable of the Corps', Talleyrand, holding a long constable's staff, crowned, his left. arm extended in a gesture of command; one twisted leg is supported by a stilt under the shoe. As ex-Bishop of Autun (see BMSat 8088) he wears a hat whose crown is a mitre, a long gown and bands over his coat, and a rosary. In his mouth is a pen. Above his head a bird with webbed wings and the head of Lauderdale flies towards Fox, clutching a paper: 'Terms of Peace'. In his mouth is a completely are olive branch. He wears a bonnet rouge, and his body is covered with tartan."--British Museum online catalogue
Description:
Title etched at top of image., Series of mocking military are etched below image and correspond with figures in the design: Drill-Serjeant [Napolean], Constable of the Corps [Talleyrand-Périgord], Grand Double-Drums [Fox], Flugel Man [Grenville], Corporal & Conscripts [remaining figures]., Figures identified by ms. annotations in modern hand throughout outer margin of print., and Mounted to 35 x 46 cm.
Publisher:
Pubd. Septr. 1st, 1806, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Fox, Charles James, 1749-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Windham, William, 1750-1810, Holland, Henry Richard Vassall, Baron, 1773-1840, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Erskine, Thomas Erskine, Baron, 1750-1823, Grey, Charles Grey, Earl, 1764-1845, Sidmouth, Henry Addington, Viscount, 1757-1844, Spencer, George John Spencer, Earl, 1758-1834, Ellenborough, Edward Law, Baron, 1750-1818, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, St. Vincent, John Jervis, Viscount, 1735-1823, Hanger, George, 1751?-1824, William IV, King of Great Britain, 1765-1837, Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838, and Lauderdale, James Maitland, Earl of, 1759-1839
Title from item. and Sheet trimmed within plate mark.
Publisher:
Pubd accg to act. Feby. 17, 1780 by D. Long
Subject (Name):
George III, King of Great Britain, 1738-1820, North, Frederick, Lord, 1732-1792, Bute, John Stuart, Earl of, 1713-1792, and Fox, Charles James, 1749-1806
Title from item., Printmaker from British Museum catalogue., Publisher's advertisement following the imprint: ... where may be seen the completest collection of caricatures in Europe, also a correct model of the guillotine 6 feet high, admitt. 1 shilling., Temporary local subject terms: Weapons: daggers -- Gallows -- Poison -- Allusion to George IV -- Reference to sansculottes., and Mounted to 31 x 45 cm.
Publisher:
Pub. March 25, 1793, by S.W. Fores, No. 3 Piccadilly
"The interior of a large church or cathedral. Burke, dressed as a Jesuit (cf. BMSat 6026), standing within a low, semicircular wall at the foot of a crucifix, marries the Prince of Wales and Mrs. Fitzherbert. The Prince is about to put the ring on her finger. Fox gives her away, holding her left wrist. Beside him (right) stands Weltje in back view but looking to the left at the ceremony. A napkin is under his left arm, bottles project from his coat-pockets, and the tags on his shoulder denote the liveried manservant. To the left of Fox appears the profile of George Hanger. On the left North sits, leaning against the altar wall, sound asleep, his legs outstretched. He wears his ribbon but is dressed as a coachman, his hat and whip beside him. All the men wear top-boots to suggest a runaway match. Behind the Prince in a choir seat is a row of kneeling monks who are chanting the marriage service. The crucifix is partly covered by a curtain, but the legs and feet are painfully distorted as in BMSat 6026. On the wall and pillars of the church are four framed pictures: 'David watching Bathsheba bathing', 'St. Anthony tempted by monsters', 'Eve tempting Adam with the apple', and 'Judas kissing Christ', the last being over the head of Fox."--British Museum online catalogue, description of an earlier state of the same composition
Alternative Title:
Trip to the Continent and Wife and no wife
Description:
Title etched below image., Printmaker from British Museum catalogue., Reissue, with altered imprint statement, of a print originally issued with the publication line: Publish'd by Willm. Holland, No. 66 Drury Lane, London, March 27, 1786. Cf. No. 6932 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires v. 6., Companion print to: "The morning after marriage, or, A scene on the Continent.", Sheet trimmed within plate mark., Temporary local subject terms: Morganatic marriage of Prince of Wales and Mrs. Fitzherbert -- Allusion to Bible stories: Adam and Eve -- Allusion to Bible stories: David and Bathsheba -- Allusion to Bible stories: St. Anthony tempted by monsters -- Allusion to Bible stories: Judas kissing Christ., and Formerly matted with a counterproof of: The morning after marriage, or, A scene on the Continent. (See LWL 788.04.05.01++ Impression 2).
Publisher:
Publish'd by Willm. Holland, No. 50 Oxford Strt., London
Subject (Name):
North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Burke, Edmund, 1729-1797, and Weltje, Louis, 1745-1810
"The interior of a large church or cathedral. Burke, dressed as a Jesuit, standing within a low, semicircular wall at the foot of a crucifix, marries the Prince of Wales and Mrs. Fitzherbert. The Prince is about to put the ring on her finger. Fox gives her away, holding her left wrist. Beside him (right) stands Weltje in back view but looking to the left at the ceremony. A napkin is under his left arm, bottles project from his coat-pockets, and the tags on his shoulder denote the liveried manservant. To the left of Fox appears the profile of George Hanger. On the left North sits, leaning against the altar wall, sound asleep, his legs outstretched. He wears his ribbon but is dressed as a coachman, his hat and whip beside him. All the men wear top-boots to suggest a runaway match. Behind the Prince in a choir seat is a row of kneeling monks who are chanting the marriage service. The crucifix is partly covered by a curtain, but the legs and feet are painfully distorted ... On the wall and pillars of the church are four framed pictures: 'David watching Bathsheba bathing', 'St. Anthony tempted by monsters', 'Eve tempting Adam with the apple', and 'Judas kissing Christ', the last being over the head of Fox."--British Museum online catalogue
Alternative Title:
Trip to the Continent and Wife and no wife
Description:
Title etched below image., Printmaker from British Museum catalogue., Companion print to: The morning after marriage, or, A scene on the Continent., and Watermark: Strasburg bend & lily / W and J Whatman.
Publisher:
Publish'd by Willm. Holland, No. 66 Drury Lane, London
Subject (Name):
North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Burke, Edmund, 1729-1797, and Weltje, Louis, 1745-1810
Subject (Topic):
Marriage, Churches, Clergy, Monks, Royal weddings, and Sleeping
"Pitt sits astride a huge pile of bundles strapped to the back of a bull (John Bull); he is about to enter a high archway inscribed 'Trea[sury]'. His pose and expression combine jauntiness with dignity. His head is in profile to the right, his right hand on his hip, he wears a large bag to his wig, and while pressing his hat under his left arm holds the (slack) reins of the bull; his long thin leg hangs considerably above the bull's back, owing to the height of the bundles. The sturdy bull, though with downcast head and closed eyes, is not weighed down with his burden. Dundas (right), in Highland dress, marches grinning in front of the bull, playing the bagpipes which are inscribed 'Union Pipes' and have a transparent bag filled with coins. The bull's burden consists of ten superimposed bundles, inscribed with figures relating to the Loyalty Loan. Some of these are '50 000!, 30 000!, East India Company 2 000 000!!!, Duke of Queensbury 100-000!, 100 000!, Pit[t] D. dass 10000 [partly obscured by Pitt's foot], 50000, Duke of Bridgewater 100 000!, Corporation of London 100 000!' Behind the bull and on the extreme left are crowded together four British Jacobins, much caricatured, wearing bonnets-rouges and looking up at Pitt with anger and dismay. Their heads rise vertically one behind the other; the foremost and lowest is Fox, clenching his fist, next Sheridan in profile; then Stanhope, the fourth a mere scrawl."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Watermark: Strasburg bend with date 1798?, and Mounted to 42 x 29 cm.
Publisher:
Pubd. by W. Holland, Oxford St.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Stanhope, Charles Stanhope, Earl, 1753-1816, Bridgewater, Francis Egerton, Duke of, 1736-1803., and East India Company.
Subject (Topic):
Finance, Public, Economic conditions, John Bull (Symbolic character), Debts, Public, Loyalty Loan, and Musical instruments
"A canvassing scene in a poor and disreputable district of Westminster, indicated by 'Peter Street' on the corner of the house. The Duchess of Devonshire canvasses a cobbler; she sits supported on Fox's knee, putting one foot on a cobbler's stall that he may do some imaginary repairs, for which she lavishly pays the man's wife, who leans forward, both hands held together to receive coins. The cobbler and his wife are behind a stall protected by a pent-house roof. On this is a notice, 'Shoes made and mended by Bob. Stichitt Cobler to her Grace the Tramping Dutchess NB Dogs Wormd Cats Gelded'. From an open casement window above it a man leans out waving a fox's brush; he holds a tankard and a long clay pipe in his left hand. Beside him a woman holds her head to vomit from the window, her elbows supported on the sill. A dog lies under the cobbler's stall. Fox, his right knee on his hat on the ground, the other supporting the duchess, turns round to give his right hand to a ragged man to whose mouth Sam House holds a tankard, his other hand pressed on the elector's head, who is shown by his long shovel to be a scavenger. Behind, a chimneysweeper with his brushes and his boy with brush and shovel are amused spectators. These figures fill the space to the left of Fox and the duchess. Behind are the irregular gabled roofs and casement windows of old Westminster."--British Museum online catalogue
Alternative Title:
Cobling voters and abject canvassers
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Plate reissued for The history of the Westminster election. See British Museum catalogue., Sheet trimmed mostly within plate mark., and Temporary local subject terms: London: Peter Street -- Old Westminster -- Gabled roofs -- Casement windows -- Coblers' stalls -- Dishes: Tankards -- Clay pipes -- Shovels.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, House, Samuel, -1785, and Great Britain. Parliament
Five pairs of implacable enemies are shown in the act of reconciliation. Britannia and America clasp hands on the left; behind them the Duke of Richmond takes the hand of Parson Bate ; in the center foreground Fox (with a fox's head) brings together Shelburne and Lord Denbigh, the latter having the body of a dog; behind them are Sir Hugh Palliser and Admiral Keppel, and on the far right John Wilkes and George III shake hands
Alternative Title:
Wonders wonders wonders and wonders
Description:
Title from item. and See no. 6162 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5 for another print with the same title, on a similar theme.
Publisher:
Publish'd as the act directs Novr. 9, 1782 by I. Langham print coulerer No. 84 Dorset Street Salisbury Court Fleet Street
Subject (Geographic):
England
Subject (Name):
George III, King of Great Britain, 1738-1820, Wilkes, John, 1725-1797, Lansdowne, William Petty, Marquis of, 1737-1805, Fox, Charles James, 1749-1806, Denbigh, Basil Fielding, Earl of, 1719-1800, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Dudley, H. Bate Sir, 1745-1824 (Henry Bate),, Keppel, Augustus Keppel, Viscount, 1725-1786, and Palliser, Hugh, Sir, 1723-1796
Subject (Topic):
Britannia (Symbolic character), Shaking hands, and Clothing & dress
Title, imprint, and printmaker from British Museum catalogue., Temporary local subject terms: Furniture -- Pictures amplify subject -- Poland and Hungary -- Wall map., and Below the image, the three figures are indentified in contemporary hand as: Lord Loughborough, Mr. Wedgwood, Earl of Portland.
Publisher:
publisher not identified
Subject (Name):
Fox, Charles James, 1749-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Wedgwood, Josiah, 1730-1795, and Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809
"Fox and Burke (half length) seen through the barred window of a brick building in which they are imprisoned. They are Hudibras and his squire as in British Museum Satires No. 6361, but in a prison instead of in the stocks. Above the barred aperture is inscribed 'Bailiffs for Middlesex' showing that it is a sponging-house for debtors (cf. British Museum Satires No. 6483, &c). Outside stands the Duchess of Devonshire looking at them over her right shoulder. She wears a hat with a 'Fox' favour, trimmed with feathers and fox's tails as in the canvassing caricatures, but wears a plain riding-dress of masculine cut [Cf. 'Her Grace sometimes rides about in a black riding habit, which is very convenient in case she should be obliged to enter into contact with a Chimneysweeper'. A newspaper paragraph quoted in 'Westminster Election', p. 246.] instead of the usual voluminous petticoats. Her left hand rests on a tasselled cane. She is Hudibras's Lady who visited the pair in prison and released them; her words are etched beneath the design: 'O heavens! quoth she, can this be true? I do begin to fear 'tis you: Not by your individual whiskers, But by your dialect and discourse. That never spoke to man or beast In notions vulgarly exprest: But what malignant star alas! Has brought you both to this sad pass? Hudibras, canto I mo.' [i.e. Part II, canto 1]. On the brick wall of the prison bills are posted: 'Several Pouting lips to be hired by the day by Deven'; [ One of the advertisements for Hood and Wray ran: 'To be hired for the day, several pair of ruby pouting lips, of the first quality, [etc. etc.].' 'Westminster Election', p. 99.] Hood Ray Fox; 'Hood and Wray for ever; Leakes justly famous pills for curing the veneral . . . [cf. British Museum Satires No. 6530]; No Coalition No Bribery'."--British Museum online catalogue
Description:
Title from British Museum catalogue., Temporary local subject terms: Allusion to Sir Cecil Wray, 1734-1805 -- Allusion to Samuel Hood, 1724-1816 -- Allusion to Walter Leake, fl. 1772- -- Literature: Butler, Samuel, 1612-1680, Hudibras, part II, canto 1 -- Medicine: Leake's pills for curing venereal disease -- Signs: 'Bailiffs for Middlesex' above prison window -- Placards on prison walls -- Coalitions: Allusion to Fox-North coalition, 1783 -- Female costume -- Election favors -- Debtors' prisons -- Sponging houses -- Walking staves -- Quackery: Leake, Walter, fl. 1772-., and Partial watermark in lower right corner.
Publisher:
Publish'd by I. Notice, Oxford Road
Subject (Geographic):
England) and London.
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Political elections, Prisons, and Riding habits
On the top of a hill, Lord Shelburne (William Petty) stands leaning against a gallows, his hands crossed at the wrists and eyes downcast. In front of him are Charles Fox and Lord North, their left hands joined. North's right hand reposes reassuringly on Fox's left shoulder. Fox points to Shelburne behind him with his right thumb. All three have beards characterizing them as Jews. The text below the design reads, "And Herod and Pilate were made Friends together that same Day; for before they were Enemies one to another. Luke. Cap 23, Ver 12."
Alternative Title:
And Herod and Pilate were made friends together that same day
Description:
Title and printmaker from British Museum catalogue. and Sheet trimmed within plate mark.
Publisher:
Pubd. March 20th, 1783, by H. Humphrey, No. 51 New Bond Street
Subject (Geographic):
England and Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, and North, Frederick, Lord, 1732-1792
Subject (Topic):
Gallows, Clothing & dress, and Politics and government
Title from item., Sheet trimmed within plate mark., Temporary local subject terms: Colliers -- Fullers -- Coal pits -- Shovels -- Literature: Aesop's fables, no. 88., Watermark: J Whatman., and Mounted to 28 x 36 cm.
Publisher:
Sold at No. 34 King Street, St. Ann's, Soho
Subject (Name):
Fox, Charles James, 1749-1806 and Pitt, William, 1759-1806
"Thurlow as Balaam, riding (right to left) on an ass with the head of Pitt, is confronted by Fox (left) holding a sword with a serpentine blade and the shield of Britannia. The ass says, "Am not I thy Pitt=ifull Ass; upon which thou hast ridden ever since I was thine". Thurlow, on a larger scale than Fox and the ass, which is much overweighted, wears his Chancellor's wig and gown and holds his mace against his right shoulder; he looks fixedly at Fox. A low and irregular stone wall forms a background. Beneath the design is etched: 'And they came unto Balaam and said unto him, thus saith Balak the Templeite, let nothing, I pray thee, hinder thee from coming unto me, for I will promote thee unto very great honour, and I will do whatsoever thou sayest unto me: come therefore I pray thee, curse me this People. Balaam rose up in the Morning and saddled his Ass, and went with the Lords of the Bed-Chamber, now the Man of the People stood in the way for an adversary against him, and when the Ass saw the Man of the People, he fell down under Balaam and Balaam's anger was kindled; and he smote the Ass with the Mace.'"--British Museum online catalogue
Description:
Title from British Museum catalogue., Sheet trimmed within plate mark., Watermark in center of sheet: fleur-de-lis with initials G R., and Mounted to 28 x 39 cm.
Publisher:
publisher not identified
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
"Folding plate to 'Hints [ut supra] ... on his modelling a bust of Lord G ****** le' (a verse satire). Nollekens (three-quarter length) stands in back view placing a bust of Grenville on a shelf at the level of his head, between the busts of Pitt (left) and Fox (right). Grenville's eyes are slits; round his neck is a rosary with a cross. Pitt's head, turned to the right, looks over his shoulder at Grenville with a puckered brow ('dignified disgust'). Fox gazes to the left. Two other busts (right and left) on brackets look down with displeasure at Grenville. On an upper shelf is a group of antique busts, their expressions registering surprise or cynical amusement. With them is an oval medallion of a monk kneeling before a cross. Below, flanking Nollekens, are two marbles from his collection of antiques: a seated satyr (left) and a much-damaged torso inscribed 'ΑπΟΛΛωΝΙΟS ΝΕSΤOROS'."--British Museum online catalogue
Alternative Title:
And now the point of dress adjusted, methinks I see his Lordship busted ...
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Six lines of quoted verse below image: "And now the point of dress adjusted, methinks I see his Lordship busted, and with the Cross of Peter graced, between his quondam colleagues placed, propose with theirs to join his pate, and form a Bust Triumvirate"., Temporary local subject terms: Busts., and Mounted on page 106.
Publisher:
Published by R. Spencer
Subject (Name):
Nollekens, Joseph, 1737-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Pitt, William, 1759-1806, and Fox, Charles James, 1749-1806
Subject (Topic):
Satyrs (Greek mythology), Sculpture, Monks, and Crosses
"Folding plate to 'Hints [ut supra] ... on his modelling a bust of Lord G ****** le' (a verse satire). Nollekens (three-quarter length) stands in back view placing a bust of Grenville on a shelf at the level of his head, between the busts of Pitt (left) and Fox (right). Grenville's eyes are slits; round his neck is a rosary with a cross. Pitt's head, turned to the right, looks over his shoulder at Grenville with a puckered brow ('dignified disgust'). Fox gazes to the left. Two other busts (right and left) on brackets look down with displeasure at Grenville. On an upper shelf is a group of antique busts, their expressions registering surprise or cynical amusement. With them is an oval medallion of a monk kneeling before a cross. Below, flanking Nollekens, are two marbles from his collection of antiques: a seated satyr (left) and a much-damaged torso inscribed 'ΑπΟΛΛωΝΙΟS ΝΕSΤOROS'."--British Museum online catalogue
Alternative Title:
And now the point of dress adjusted, methinks I see his Lordship busted ...
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., Six lines of quoted verse below image: "And now the point of dress adjusted, methinks I see his Lordship busted, and with the Cross of Peter graced, between his quondam colleagues placed, propose with theirs to join his pate, and form a Bust Triumvirate"., Temporary local subject terms: Busts., and Mounted to 43 x 31 cm.
Publisher:
Published by R. Spencer
Subject (Name):
Nollekens, Joseph, 1737-1823, Grenville, William Wyndham Grenville, Baron, 1759-1834, Pitt, William, 1759-1806, and Fox, Charles James, 1749-1806
Subject (Topic):
Satyrs (Greek mythology), Sculpture, Monks, and Crosses
