Title from item., Date supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Published by W. Soffe, 380 Strand and Printed by W. Kohler 22 Denmark St.
Subject (Topic):
Gout, Obesity, Laziness, Black people, Sick persons, Physicians, Servants, and Ethnic stereotypes
Waterton (right) sits erect and composed astride a Cayman (South American alligator) holdings its forelegs twisted backwards as a bridle. He is barefooted, wearing white shirt and trousers, with a knife in his belt. Four Indians and three black enslaved men haul at the rope attached to the bait which the creature has swallowed. Behind is the river with a long canoe lying against the shore. On the opposite bank are dense trees, some with hammocks slung between them. See British Museum online catalogue
Description:
Title from caption below image., Below title: "Vide Wanderings in South America by Charles Waterton Esqr. Page 232"., and Watermark: J. Whatman 1831.
Publisher:
Pubd. Jany. 1827 by G. Humphrey 27 St. James's Street
Subject (Geographic):
South America,
Subject (Name):
Waterton, Charles, 1782-1865, and Waterton, Charles, 1782-1865.
Subject (Topic):
Indians, Enslaved persons, Black people, and Alligators
Leaf 83. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A black man, dressed as a macaroni except for his tightly curled natural wool, walks in profile to the right. His right hand holds a cane, his left is on the hilt of a short curved sword or sabre with an ornamental hilt affected by macaronis."--British Museum online catalogue and "Perhaps a caricature of Jeremiah Dyson, always called Mungo after the name had been given him in a debate by Col. Barré, 29 Jan. 1769. Mungo was a negro slave in the comic opera 'The Padlock' by Bickerstaffe, and the name implied that Dyson was kept at dirty jobs for the Government."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. III: Characters, macaronies, & caricatures. [London] : Pubd. by MDarly, 39 Strand, 1773., and Plate numbered "v. 4" in upper left corner and "14" in upper right corner.
Publisher:
Publish'd according to act by MDarly, 39 Strand
Subject (Geographic):
England and England.
Subject (Name):
Dyson, Jeremiah, 1722-1776
Subject (Topic):
Black people, Clothing & dress, Dandies, British, Politicians, Staffs (Sticks), and Daggers & swords
Leaf 83. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A black man, dressed as a macaroni except for his tightly curled natural wool, walks in profile to the right. His right hand holds a cane, his left is on the hilt of a short curved sword or sabre with an ornamental hilt affected by macaronis."--British Museum online catalogue and "Perhaps a caricature of Jeremiah Dyson, always called Mungo after the name had been given him in a debate by Col. Barré, 29 Jan. 1769. Mungo was a negro slave in the comic opera 'The Padlock' by Bickerstaffe, and the name implied that Dyson was kept at dirty jobs for the Government."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. III: Characters, macaronies, & caricatures. [London] : Pubd. by MDarly, 39 Strand, 1773., Plate numbered "v. 4" in upper left corner and "14" in upper right corner., Second of three plates on leaf 83., and 1 print : etching on laid paper ; plate mark 17.6 x 12.8 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Publish'd according to act by MDarly, 39 Strand
Subject (Geographic):
England and England.
Subject (Name):
Dyson, Jeremiah, 1722-1776
Subject (Topic):
Black people, Clothing & dress, Dandies, British, Politicians, Staffs (Sticks), and Daggers & swords
A scene of a busy market in the West Indies with enslaved, free Africans, and white mingling amongst the vendors: The Black vendors are seated on the ground with their wares displayed around them, including produce (mellons, pineapples, bananas, etc.), livestock (goats, pigs, poultry, etc.); one man (left) is holding a lizard (iguana?); a little boy holds a bird on his finger. One woman carries her chickens and a piglet in a basket balanced on her head. Customers, both Black and mixed-race, mingle with vendors. White women with umbrellas and white men wearing hats walk among the vendors; a horse and carriage and buildings are in the background
Description:
Title from text below image., Based on a 1806 etching with the title: Negroes Sunday Market at Antigua. Engraved by Cordon, Pub. by G. Tustolini, London, 1806. See National Maritime Museum, Greenwich, UK. Accession reference: National Maritime Museum, ZBA2594., Motte started publishing in 1818 in Paris, opened a branch in London in 1830, and moved to 70 St. Martin's Lane in 1831. See British Museum online catalogue., "From an original drawing taken in 1806."--Lower left, below design., After W.E. Beastall and the engraving by Cardon. Cf. Negroes Sunday market at Antigua / engraved by Cardon. Pub. by G. Tustolini, London, 1806. Accession reference: National Maritime Museum, ZBA2594., and Imprint partially burnished and illegible.
Publisher:
Printed by Motte, 70 St. Martins Lane
Subject (Geographic):
Antigua.
Subject (Topic):
Black people, Animals, Farm produce, Markets, Poultry, and Slave trade
Racist image showing a Black man delivering a lecture, standing in front of a large image, with a bust of a Black man with a label "Julius Caesar". With text using dialect
Description:
Title from text above image., Date of publication from unverified data in local card catalog record., Lithographic image with accompanying text in letterpress below, on a broadside., Letterpress text below image begins: Genelem ob colour, on gibbin' some account ob de Roman inwasion ..., and Text in upper right corner of sheet, following series statement: To be continued.
Publisher:
Published at Wm. Follit's Old Established Economic Carving and Gilding Establishment, 63, Fleet Street
"A grotesquely ugly old maid, wearing pattens, walks preceded by a small poodle, clipped in an exaggeration of the French manner, and followed by a black foot-boy in livery, who holds on a skewer a lump of 'Cat's Meat'. He carries an umbrella under his arm. Her dress is blown back against her skinny form; her hands are in a large muff, and she wears a fur tippet over a tight bodice defining shoulders, round to deformity. Her profile is hideously sub-human. She walks with a fixed stare, not looking at a half-naked beggar (right) with a patch over one eye and supported on a crutch who holds out his hat for alms. Behind is a blank wall, above which are a church spire and old-fashioned gabled houses."--British Museum online catalogue
Description:
Title below image., Description based on imperfect impression; sheet trimmed within plate mark with loss of imprint., For a later state see Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9, no. 11973., A 1811 edition described in: Grego, J. Rowlandson the caricaturist, v. ii, p. 237., and Mounted to 49 x 32 cm.
Publisher:
publisher not identified
Subject (Topic):
Black people, Beggars, Dogs, Servants, and Single women
A father and son of African descent, drawn full-length and holding hands are dressed identically: long blue coats, black hats with the brim pulled down just above the eyes, yellow gloves, and holding brown umbrellas
Description:
Title from caption inscribed in black ink below drawing., Drawing after (?) a character in series of prints issued by S.W. Fores: Hyde Park; The little unknown (Plate 2) and The honey-moon (Plate 3)., and For further information, consult library staff.
A copy in reverse of William Hogarth's Plate 2 of A harlot's progress: Mary Hackabout (left), now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2, In high keeping by a Jew, and Juif l'entretien somptueusement
Description:
Title in English and French engraved below image., Date of publication based on the series of Rake's progress by Henry Parker dated 25 March 1768 in which these same engraved border pieces are used, here visibly more worn, and reversed on the page., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.3 cm)., Copy of Hogarth's original plate, engraved in reverse as per the piracy published by Elisha Kirkall in 1732., Overprinted with left and right border pieces., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2047., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 122.
Publisher:
publisher not identified
Subject (Topic):
Black people, Jews, Boudoirs, Biblical events, Masks, Monkeys, Clegy, Horses, Lust, Rake's progress, Prostitutes, Relations between the sexes, Servants, and Young adults
A young man sleeps reclining on a chaise-longue, his wig removed and placed on a chair to the left. A richly dressed young woman standing behind the chair leans forward looking at him with a sceptical expression on her face. On the other side, another young woman leans close to him, upsetting in the process a table on which a black servant was about to place a tea tray. In the background on the right, a serving maid walks into the room, her arms raised in alarm
Description:
Title from item., Second line of title and publisher from an impression in the British Museum., Sheet trimmed within plate mark resulting in loss of the second line of title and imprint., and One of a series of engravings made from the paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743.
Publisher:
Printed for Robt. Sayer in the Golden Buck in Fleet Street
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered '22' in upper left and '12' in upper right corner., Another state, with two plate numbers and by a different publisher. Cf. No. 4781 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Watermark: countermark IV.
Publisher:
Pub. according to act June 26th 1772, by MDarly, (39) Strand
Subject (Topic):
Black people, Boudoirs, Cockatoos, Dandies, Hairdressing, Mirrors, Servants, and Vanity
Title etched below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 4th April 1795 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Black people, Punch and Judy, Falstaff, John, Turks, Devil, and Masquerades
A scene in an artist's studio lit from an attic window (left). Four connoisseurs are grouped round a large canvas on an easel: an Apollo with a sheaf of arrows, head turned in profile to the left. The model is a tall black man in the pose of the Apollo but with very different features, the left hand holding the stick of a broom which supports the pose. A fifth connoisseur reaches up to alter the position of the model's head. The artist stands beside his canvas facing the invaders, the left hand, holding palette and brushes, rests on the canvas; he sucks his mahl-stick with a gloomy scowl. On the extreme right a cat sits in a cradle, behind which an alarmed little boy hides. The artist's wife, with an infant in her arms, faces the fire with her back to the visitors whose unwelcome intrusion is apparent. Behind is a bed with drawn curtains. Three casts from the antique decorate the bare room. The model's coat and hat lie on the ground (right). On the far left in the foreground a dog urinates against two canvases leaning against the wall
Alternative Title:
Assemblée des connisseurs
Description:
Titles in English and French etched below image. and Imperfect; sheet trimmed within plate mark with loss of all text from bottom edge. Missing text supplied from impression in the British Museum.
Title from caption etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Creditors -- Debts: George IV's debts -- Hats: calash -- Courtesans -- Bawds -- Glasses: jelly-glass -- Gout -- Birch-rods -- Male dress, 1795: spencers -- Ballads -- Allusion to 'The Black Joke.', and Watermark: Strasburg bend.
Publisher:
Pub. April 3, 1795, by S.W. Fores, N. 3 Piccadilly
Title from caption etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Creditors -- Debts: George IV's debts -- Hats: calash -- Courtesans -- Bawds -- Glasses: jelly-glass -- Gout -- Birch-rods -- Male dress, 1795: spencers -- Ballads -- Allusion to 'The Black Joke.', Watermark: J Whatman., and 1 print on wove or laid paper : etching, hand-colored ; plate mark 27 x 42.7 cm., on sheet 30 x 48 cm., matted to 47 x 63 cm.
Publisher:
Pub. April 3, 1795, by S.W. Fores, N. 3 Piccadilly
"Below the title: '"Why who the Devil have we got here!! - It is only me Massa.' A man starts up in bed clutching the bed-curtain, staring round in horror at a black woman beside him, who grins at him, her right. hand on his right. shoulder. Her appearance, with white eyeballs and gleaming teeth, is sinister, and the man's hair rises through his night-cap."--British Museum online catalogue
Description:
Title from item., Caption below title: Why "who the devil have we got here." It is only me Massa., and Watermark: C. Ansell 1824.
"Turkish soldiers, scattered over a wide parade-ground, are being instructed in squads, groups, and as individuals, by French officers. In the foreground a Turkish potentate, the Sultan or perhaps the Grand Vizier, leans against the stump of a tree, turning his head in profile to the left to watch the soldiers. At his feet (left) kneels a Black enslaved person who is filling a long pipe; beside him a fire burns on a tiny tripod. On the right a Frenchman pulls the long moustache of a Turk, striking him with his cane. Next, three awkward Turks are being taught musket drill. On the left a Turk threatens an officer, drawing his sabre. In the middle distance a Frenchman puts his hand on the projecting stomach of an obese Turk, to make his attitude more soldierly. In the background are a marching squad (left) and a firing squad (right) and, beyond, an officer is attacked by three Turks with sabres raised to strike. Behind (left) is a Turkish fort. The officers are not caricatured nor is their dress exaggerated. The Turks wear baggy trousers with either a fez or a turban; all have long moustaches."--British Museum online catague
Description:
Title engraved below image, in two lines., Sheet trimmed within plate mark., Richard Bull (1725-1806) attritbutes the print to Isaac Landmann of Woolwich on his undated copy in an album held in the British Museum. See Museum number: 1931,0413.185., This image was first published in Vienna by Hieronymus Löschenkohl and then engraved once again by Johann Martin Will Augsburg in 1783., Watermark: fleur-de-lis on crowned shield with monogram CP at the bottom and countermark Patoh., and Ms. annotation in contemporary hand, numbered '64'.
Publisher:
Published April 3rd, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Selim III, Sultan of the Turks, 1761-1808
Subject (Topic):
Austro-Turkish War, 1788-1790, Russo-Turkish War, 1787-1792, Black people, Clothing & dress, Turkish, Daggers & swords, Hats, Forts & fortifications, Military inspections, Military officers, French, Military training, Military uniforms, Pipes (Smoking), Tableware, Rifles, Soldiers, and Enslaved people
Search for truth and Inquiry for the origin of the African nation
Description:
BEIN Slavery Pamphlets 61: No. 7 of 16 titles bound together., Cover title., and "Published for, and by the request of, Christopher Rush, a descendant of Africa"--Cover.
Publisher:
Printed for the Proprietor
Subject (Topic):
Black people, History, African Americans, Race identity, and Social conditions
Title from note in pencil at lower left: 38 Accident Ward., Date derived from Whitney Museum collection catalog., Artist's name in plate lower left., Place of publication derived from other works in series., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Head Wounds: Hospitals, Interior., and Artist's signature in pencil lower right.
Publisher:
publisher not identified
Subject (Topic):
Hospitals, Head, Wounds and injuries, Emergency medicine, Black people, Physicians, Police, Sick persons, Emergency rooms, Wounds & injuries, Physical restraints, Medical equipment & supplies, and Ethnic stereotypes
"A design in six compartments arranged in two rows, each with a title. [1] 'Johnnys reception by "merry Tonkanoo at Negro Ball'. The ball is in an open shed with a negro fiddler seated high on a hogshead; most of the guests watch Johnny, the only white, and 'Tonkanoo' bowing to each other. The latter is a tall negro with huge false moustache and long wig, feathered hat, and wide-cuffed coat in imitation of English dress c. 1740, with breeches and bare legs. A negro behind Johnny disperses flies with a branch. A negro couple is dancing; the ladies are fully dressed, some with tall cylindrical hats. Behind are distant mountains. [2] 'Johnny dancing with Rosa--the Planters beautiful daughter'. At the same ball all the negroes form a background of admiring spectators while Johnny, still wearing his enormous hat, dances with a pretty English girl in conventional evening dress, holding both her hands. Tonkanoo stands with his arms extended towards them. In the foreground (left) is a little naked negro Cupid with bow, quiver, and arrows, pointing to the couple. [3] 'Johnnys Courtship and professions of Love to Rosa'. Rosa reclines on a sofa under a piece of drapery looped from a tree; Johnny (left), hat in hand, kneels at her feet while the Cupid aims his bow at him. A pet monkey sits beside Rosa, and behind her (right) stands a negro girl brushing away flies with a branch. Johnny's servant is behind (left) holding an umbrella. Two cockatoos bill on a branch. [4] 'Johnny and the fair Rosa tripping to the Altar of Hymen'. The pair run hand in hand along a path which winds to a church resembling an English village church. Negro servants run after them, one holding up a large umbrella. Before them run two little negroes; one is Cupid playing a fiddle, the other, Hymen, holds up a lighted torch. In the distance, nearing the church, are the parson and his clerk. [5] 'Nuptial ceremony of Johnny and the charming Rosa'. In a Gothic church the parson with his book stands behind a cylindrical altar on which are two hearts transfixed by an arrow. Johnny puts the ring on Rosa's finger. The congregation are delighted negroes and negresses. Against the altar sit Cupid and Hymen; Cupid wears Johnny's huge hat and plays the fiddle; Hymen blows at his torch. [6] 'Johnny and his fair Bride reveling in Jollity and festive mirth'. Johnny, tipsily jovial, his father-in-law, and Rosa, sit at table, drinking, the men smoking, many bottles of 'Sangaree' on the floor. A man fiddles, and in the background a dance is in progress. Johnny wears his planter's hat, &c., as in British Museum Satires No. 11983, and has always a swarm of flies round his head. Rosa throughout wears her ball-dress, with feathers in her hair."--British Museum online catalogue, description of an earlier state
Description:
Title etched above image., State before imprint mostly burnished from plate., Plate numbered "180" in upper right corner. Also numbered in upper left: Pl. 2., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., and "Price one shilling coloured."
Publisher:
Pubd. by Ts. Tegg
Subject (Topic):
Black people, Celebrations, Courtship, Dance, Intoxication, Marriage, and Musicians
"Spectators watch military manoeuvres in the air. The sky is covered with camps, marching men, and galloping cavalry, some are in military formation, others are single figures. There are tents and marquees with wings; a man beats a drum, three orientals wearing turbans race through the air beating cymbals. In the foreground (left) spectators on horseback look up in amazement, one horse throws its rider; geese, goslings, and pigs are under the horses' feet. On the right the King and Queen sit together on a bank; the King gazing through a small telescope, the Queen looking at him with delighted astonishment. In front of them is a gate over which two officers mounted on winged cannon are gracefully leaping, a third soars into the air."--British Museum online catalogue
Alternative Title:
Amusment for John Bul, Amusement for John Bull, and Flying camp
Description:
Title etched below image. and Watermark: Strasburg lily with initials GR below ; countermark IV.
Publisher:
Pubd. by J. Aickin [sic], No. 13 Castle Street, Leicester Fields
Subject (Geographic):
Bagshot (Surrey, England)
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, and Richmond, Charles Lennox, 3d Duke of, 1735-1806
Subject (Topic):
John Bull (Symbolic character), Black people, Cannons, Military camps, Military parades & ceremonies, Musical instruments, Musicians, Spectators, and Telescopes
Two men restrain a well-dressed Black man with a carictured face as a group of men and one woman look on, the men mostly smiling but the woman with a look of horror on her face
Description:
Title from caption below image. and Publication date from local card catalog record.
In seven scenes in a design of two tiers, citizens dispute the oppressive fees imposed by a zealous tax collector who taxes bugs, pets, a bulbous nose and a runny nose, corns on a foot, and a man's skin. In the scene on the upper right, the tax collector penalizes a man whom he accuses of evading tax as he defecates in a bush
Alternative Title:
Taxes as they will be!!
Description:
Title etched below image., Attributed to Isaac Cruikshank by Krumbhaar., Publisher's advertisement following imprint: ... folios of caracatures [sic] lent out for the evening., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. June 1st, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street ...
Subject (Geographic):
Great Britain
Subject (Topic):
Taxation, Black people, Birds, Birdcages, Cats, Defecation, Dogs, Servants, Single women, and Tax payers
Volume 2, page 73. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of a man wearing large-brimmed and feathered hat and carrying a rifle over his shoulder, his catch attached to his belt, which two of the six dogs grouped around him look at with interest at left; after a drawing by Henry William Bunbury."--British Museum online catalogue
Description:
Title etched below image., "First state with etched letters, before re-publication"--British Museum online catalogue, registration no.: 1873,0712.442., Sheet trimmed to plate mark., and Mounted on page 73 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd January 5th, 1791, by Thos. Macklin, Poets Gallery, Fleet Street
A scene with a group of mourners in a landscape, a palm tree to the left with a monkey watching and pointing to the drama. A man standing to the right reads from a book; three other figures, another man and a woman with a child on her back weep as they watch two men lower the deceased into the grave. The man on the right says, "How precious pale he look in de face." The other man holding the other end of the stretcher says, "Aye-Aye, him be no Moor."
Description:
Title etched below image., Later state of a plate first published by Gabriel Shire Tregear in 1834, the year in which the Slavery Abolition Act came into force. The original print was one of twenty caricatures with the series title 'Tregear's Black Jokes'. The prints developed the theme of the earlier 'Life in Philadelphia' caricatures (of which Tregear published copies), lampooning the social aspirations of Philadelphia's black population. After Tregear's death, the plates for 'Tregear's Black Jokes' passed to his former shopman Thomas Crump Lewis (1808-81), whose publication line is on this later state. The three mentions of Tregear's name on the plate have either been changed to Lewis's or simply effaced., Dated 1860 by the Library of Congress, but Hickman suggests that the prints were issued before that date., "Catalogue of prints"--Etched in lower right corner., and Sheet trimmed to plate mark.
Publisher:
T.C. Lewis & Co., 96 Cheapside, London
Subject (Topic):
Black people, Death, Funeral rites & ceremonies, Graves, Shovels, Grief, Crying, and Monkeys
A satire on the "macaroni' hairstyles for women: a man seated on a bench (left) in a park stares at two women with fashionable macaroni hair pieces as they walk past him, left to right. The two women are accompanied by a lap-dog and a black page boy
Alternative Title:
Female fashionable follies
Description:
Title etched below image., First published with the title: The fashionable dresses for the year 1776., Date erased from this impression. Date from British Museum catalogue., and In the lower left corner of the print: No. 345.
Publisher:
Printed for Carington Bowles, at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
England
Subject (Topic):
Black people, Benches, Boys, Clothing & dress, Dandies, British, Hairstyles, and Servants
"A woman in an advanced stage of pregnancy stands with folded hands, laughing, close to an elderly parson (right) of Dr. Syntax type who recoils in angry horror. Behind them is a high garden wall, with a notice: 'Man Traps laid in these Grounds'. Behind the woman (left) is a hole in the wall, through which looks the grinning head of a black servant. 'Broad Grins' is a collection of coarse comic songs by Colman, 1802, cf. British Museum Satires No. 11941."--British Museum online catalogue
Alternative Title:
Black joke
Description:
Title etched below image.
Publisher:
Publd. June 4th, 1812, by Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Black people, Pregnancy, Laughing, Clergy, Garden walls, Signs (Notices), Servants, and Smiling
Roberts, Piercy, active 1791-1805, printmaker, publisher
Published / Created:
[September 1801]
Call Number:
801.09.00.01+
Image Count:
1
Resource Type:
still image
Abstract:
A view of the shop of P. Roberts, publisher, from the street with a crowd on the sidewalk and street looking at the display of prints in the window. An elegant figure Roberts (?) stands in the doorway with a tool of his trade (a burin?) in hand; a customer is seated inside near the window. In the crowd are men, women and children, including a Black man and a man with no legs
Description:
Title from caption etched below image., Printmaker surmised from subject matter., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mss. note at top of sheet: No. 7.
Publisher:
Pub'd. Sepr. 1801 by P. Roberts, Middle Row, Holborn
Subject (Geographic):
England and London
Subject (Name):
Roberts, Piercy, active 1791-1805,
Subject (Topic):
Black people, City & town life, Crowds, Dogs, Merchandise displays, Prints, Stores & shops, Window displays, Printing industry, and People with disabilities
Plate 42. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene in a country town with two newly-elected members of parliament (one a representation of George Bubb Doddington, the other visible only as a shadow on a distant wall) carried shoulder-high along the street, led by a blind and ragged fiddler and surrounded by a chaotic and disreputable crowd; two chimney boys sit on the church wall, a dancing-bear interferes with a donkey's load and is about to be clubbed by the driver, the one-legged bear-leader (dressed in sailor's clothes) is engaged in a fight with a man swinging a flail, a rifle slung over a monkey's shoulder discharges to the horror of a black serving woman, a sow and her piglets up-end a woman as they charge across the street, a soldier stripped to the waist for a boxing bout is taking tobacco from a wrapper; to right, dishes of food are being carried into an elegant house where victory is being celebrated."--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., State with the word "NDINTUR" added to the paper hanging from the upper window on the right. with other design enhancements. See Paulson., Fourth and final print in a series: Four prints of an election., Dedication etched below image: To the Honble. George Hay, one of the Lords Commissioners of the Admiralty, &c,&c. This plate is most humbly inscrib'd by his most obedient, humble servant, Willm. Hogarth., 1 print : etching and engraving on laid paper ; plate mark 43.6 x 55.8 cm, on sheet 46 x 59 cm., and Leaf 42 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Bears, Black people, Chimney sweeps, Donkeys, Fighting, Monkeys, Peg legs, Political elections, Riots, Servants, Street musicians, and Swine
Plate 42. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene in a country town with two newly-elected members of parliament (one a representation of George Bubb Doddington, the other visible only as a shadow on a distant wall) carried shoulder-high along the street, led by a blind and ragged fiddler and surrounded by a chaotic and disreputable crowd; two chimney boys sit on the church wall, a dancing-bear interferes with a donkey's load and is about to be clubbed by the driver, the one-legged bear-leader (dressed in sailor's clothes) is engaged in a fight with a man swinging a flail, a rifle slung over a monkey's shoulder discharges to the horror of a black serving woman, a sow and her piglets up-end a woman as they charge across the street, a soldier stripped to the waist for a boxing bout is taking tobacco from a wrapper; to right, dishes of food are being carried into an elegant house where victory is being celebrated."--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., State with the word "NDINTUR" added to the paper hanging from the upper window on the right. with other design enhancements. See Paulson., Fourth and final print in a series: Four prints of an election., and Dedication etched below image: To the Honble. George Hay, one of the Lords Commissioners of the Admiralty, &c,&c. This plate is most humbly inscrib'd by his most obedient, humble servant, Willm. Hogarth.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Bears, Black people, Chimney sweeps, Donkeys, Fighting, Monkeys, Peg legs, Political elections, Riots, Servants, Street musicians, and Swine
Plate 42. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene in a country town with two newly-elected members of parliament (one a representation of George Bubb Doddington, the other visible only as a shadow on a distant wall) carried shoulder-high along the street, led by a blind and ragged fiddler and surrounded by a chaotic and disreputable crowd; two chimney boys sit on the church wall, a dancing-bear interferes with a donkey's load and is about to be clubbed by the driver, the one-legged bear-leader (dressed in sailor's clothes) is engaged in a fight with a man swinging a flail, a rifle slung over a monkey's shoulder discharges to the horror of a black serving woman, a sow and her piglets up-end a woman as they charge across the street, a soldier stripped to the waist for a boxing bout is taking tobacco from a wrapper; to right, dishes of food are being carried into an elegant house where victory is being celebrated."--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., State with the word "NDINTUR" added to the paper hanging from the upper window on the right. with other design enhancements. See Paulson., Fourth and final print in a series: Four prints of an election., Dedication etched below image: To the Honble. George Hay, one of the Lords Commissioners of the Admiralty, &c,&c. This plate is most humbly inscrib'd by his most obedient, humble servant, Willm. Hogarth., Ms. note in pencil in Steevens's hand above print: 2nd impression., and On page 177 in volume 2. Sheet trimmed to: 43.4 x 55.5 cm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Bears, Black people, Chimney sweeps, Donkeys, Fighting, Monkeys, Peg legs, Political elections, Riots, Servants, Street musicians, and Swine
Plate 42. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene in a country town with two newly-elected members of parliament (one a representation of George Bubb Doddington, the other visible only as a shadow on a distant wall) carried shoulder-high along the street, led by a blind and ragged fiddler and surrounded by a chaotic and disreputable crowd; two chimney boys sit on the church wall, a dancing-bear interferes with a donkey's load and is about to be clubbed by the driver, the one-legged bear-leader (dressed in sailor's clothes) is engaged in a fight with a man swinging a flail, a rifle slung over a monkey's shoulder discharges to the horror of a black serving woman, a sow and her piglets up-end a woman as they charge across the street, a soldier stripped to the waist for a boxing bout is taking tobacco from a wrapper; to right, dishes of food are being carried into an elegant house where victory is being celebrated."--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., State with the word "NDINTUR" added to the paper hanging from the upper window on the right. with other design enhancements. See Paulson., Fourth and final print in a series: Four prints of an election., Dedication etched below image: To the Honble. George Hay, one of the Lords Commissioners of the Admiralty, &c,&c. This plate is most humbly inscrib'd by his most obedient, humble servant, Willm. Hogarth., and Sheet trimmed to plate mark: 431 x 555 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Bears, Black people, Chimney sweeps, Donkeys, Fighting, Monkeys, Peg legs, Political elections, Riots, Servants, Street musicians, and Swine
Plate 42. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene in a country town with two newly-elected members of parliament (one a representation of George Bubb Doddington, the other visible only as a shadow on a distant wall) carried shoulder-high along the street, led by a blind and ragged fiddler and surrounded by a chaotic and disreputable crowd; two chimney boys sit on the church wall, a dancing-bear interferes with a donkey's load and is about to be clubbed by the driver, the one-legged bear-leader (dressed in sailor's clothes) is engaged in a fight with a man swinging a flail, a rifle slung over a monkey's shoulder discharges to the horror of a black serving woman, a sow and her piglets up-end a woman as they charge across the street, a soldier stripped to the waist for a boxing bout is taking tobacco from a wrapper; to right, dishes of food are being carried into an elegant house where victory is being celebrated."--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., State with the word "NDINTUR" added to the paper hanging from the upper window on the right. with other design enhancements. See Paulson., Fourth and final print in a series: Four prints of an election., and Dedication etched below image: To the Honble. George Hay, one of the Lords Commissioners of the Admiralty, &c,&c. This plate is most humbly inscrib'd by his most obedient, humble servant, Willm. Hogarth.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Bears, Black people, Chimney sweeps, Donkeys, Fighting, Monkeys, Peg legs, Political elections, Riots, Servants, Street musicians, and Swine
Title from caption below image., Publication date from local card catalog record., Caption continues: ... I wish he could see us now -eh., and Temporary local subject terms: Ethnic stereotypes -- Black servants -- Racist images -- Drinking -- Card playing -- Room screens -- Portrait paintings -- Pictures amplify subject.
A couple dance together under a lush tree with large fruit hanging from its branches. They are accompanied by two men playing instruments, a drum and tambourine as one woman claps along to the music. Others, including a small girl, stand and converse
Alternative Title:
Negroes dance in the Island of St. Dominica
Description:
Titles engraved below image, in French and English., Approximate date of publication from dealer's description. A slightly later date in the 1780s is suggested by the active dates and street address information listed for the publisher Depeuille in the British Museum online catalogue., Sheet trimmed within plate mark., and Dedication engraved beneath titles: ... is humbly dedicated to the Honble. Charles O'Hara, Brigadier General of His Majesty's Army in America ... by his most obedt. & dutiful servt., A. Brunias.
Publisher:
Chez Depeuille, rue St. Denis, la boutique attenant St. Jacques l'Hopital, et au Palais Royal au Pavillon près le bassin
Subject (Geographic):
Haiti.
Subject (Topic):
Black people, Dance, Indigenous peoples, and Musical instruments
A German copy of Hogarth's "The Discovery" (1743?): a scene in a bedoom where four gentlemen stand beside a curtained bed in which a black woman reclines; she reaches out to touch the chin of one of the men who has evidently just pulled back the curtain. The scene is thought to record a practical joke carried out on the lothario John Highmore by his friends: having arranged an assignation with an attractive young woman, they replaced her with a black prostitute. When he discovered the swap, on climbing into bed, they appeared from hiding. See Paulson
Description:
Title from text below image., Printmaker's name below image, right, most erased from this impression, After Hogarth. Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 155., Date based on publication date of the Samuel Ireland copy of this Hogarth image., Sheet trimmed within plate mark., Eight lines of text below title: Ein Personalcaricatur! Ein gewisser Highmore, der im Spiel und mit Mädchen sein Vermögen durchgebracht hatte ..., Plate numbered "30" in upper right margin., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal, v. 3, no. 2600., and Sheet laid on board.
Publisher:
publisher not identified
Subject (Name):
Highmore, John, 1694-1759,
Subject (Topic):
Black people, Actors, British, Bedrooms, Canopy beds, Practical jokes, Prostitutes, and Women
"Two designs placed side by side, the title so arranged that 'The Contrast' applies to both, the first four and last two words to the two designs respectively. [1] A scene outside Jaffa where the French flag flies from a fort on a rock at whose base are hospital tents (left), in which the sick can be seen. In the foreground Napoleon (a poor portrait) points with an imperious gesture to a bottle of 'Opium' in the hand of a distressed doctor in civilian dress. He says: "Don't talk to me of Humanity & the feelings of a generous heart, I say Poison those Sick dogs they are a burthen to me, & can no longer fight my Battles!!! I say destroy them - As for those Turks, them up in the Garrison, turn all the Guns upon them, Men, Women, & Children & blow them to atoms, they are too bold & resolute for me to suffer them to live, they are in my Way." In the middle distance (left) is a body of Turks, their arms tied behind them, guarded by a French soldier who points at Napoleon. Behind Napoleon two French officers exchange glances, acutely dismayed at the orders." ... [2] Two black soldiers, in neat regimentals, prepare to kill three haggard French officers. One raises an axe to smite a bound prisoner. Two British officers (left) interpose with outstretched arms; one says: "We know they are our Enemies, & yours, & the Enemies of all Mankind, nevertheless Humanity is so strongly planted in the Breast of an Englisman [sic], that he can become an humble beggar, for the lives, even of his enemies, when they are subdued." The other adds: "A mercy unexpected, undeserved surprises more."--British Museum online catalogue
Alternative Title:
Contrast to English humanity
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement in lower right: Folios of caracatures [sic] lent out for the evening., and Mounted on a 19th-century blue album sheet. On the verso are newspaper clippings on a variety of topics: Sir Lionel Darell and the benevolence of the King to grant him land for his greenhouses in Richmond Park; "Observations on the rot of sheep"; Poem entitled "Leamington Spa"; "Balloon Ascension" an extract from a letter from Bristol, dated Sept 26.; an report of the death of Simon Southward, a miller who was a prisoner for 43 years for debt and the delusion of being the Earl of Derby.
Publisher:
Pubd. Jany. 13, 1804, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Black people, Flags, French, Forts & fortifications, Tents, Military medicine, Sick persons, Soldiers, Physicians, Opium, Military officers, Prisoners of war, Turkish, British, Physical restraints, and Axes
Loutherbourg, Philippe-Jacques de, 1740-1812, printmaker
Published / Created:
May 1st, 1790]
Call Number:
790.05.01.07
Image Count:
1
Resource Type:
still image
Abstract:
Whole length portrait of a black woman in high heels, viewed from the side with her hands on her hips. Her eyes are hidden by her very large hat. Identified in the British Museum catalogue as "a certain well-known lady abbess".
Description:
Title etched below image., Sheet trimmed within plate mark., Originally issued in 1776. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.5 and v.7, nos. 5361 and 9684., and Mounted to 27 x 21 cm.
"General Theobald Dillon (three-quarter length) is being murdered by French soldiers, ruffianly fellows, most of whom wear cocked hats with a tricolour cockade. He is pierced with many bayonets, and his throat is cut; his head is dragged backwards by a man who grasps his hair in hands and teeth. He puts up an arm crying, "oh le Pauvre Dillon". A man with sabre raised to slash again, says, "Encore Encore." Two of the men say "Ca-ira". One who is using his bayonet says, "oh by Gar dis will be de brave news for de new association in England."--British Museum online catalogue
Alternative Title:
National troops' attachment to their general after their defeat at Tournay
Description:
Title from item., Printmaker from British Museum catalogue., and Watermark: Strassbourg lily on crowned armorial shield with initials G R below.
Publisher:
Pub. May 12, 1792, by S.W. Fores, 3 Piccadilly
Subject (Name):
Dillon, Theobald, 1745-1792. and Society of the Friends of the People (Great Britain)
Subject (Topic):
Assassinations, Tournai, Belgium, Battle of, 1745, Black people, Soldiers, French, and War casualties
Title from caption below image., Imprint statement erased from sheet. Publication information from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Imprint statement erased from sheet., and Print numbered in pencil in upper right hand corner: 5.
In avenue of trees, an old farmer's wife (right), dressed in black silk hat and mantle and muslin apron, starts back in astonishment at seeing her daughter (left) dressed in the extreme fashion of 1765-1775, with high hair and hat perching on top; to the left a black page boy holds the girl's lap-dog. In the distance on the left is a house with two gable windows
Description:
Title from caption below image., Sheet trimmed to plate mark., "From an original drawing by Grimm." See Stephens., Companion print of: Welladay! is this my son Tom!, Cf. "Be not amaz'd dear mother. It is indeed your daughter Anne" no. 4537 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires / F.G. Stephens, v. 4. Published by Carington Bowles in 1770., No. 6 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Topic):
Black people, Clothing & dress, Dandies, British, Daughters, Dogs, Hairstyles, Servants, and Mothers
BEIN JWJ -V3 C674 In1: Stamp: Masonic Temple, Chicago., For medium voice and piano., "Sung with great success by Bob Cole ... in 'A trip to Coontown.'", First line of text: In South Africa, there a colony lies, called Dahomey., Title p. illustration includes photographic port. of Bob Cole., and Advertisements on p. [2] (1st count) and p. [1-3] at end.
Publisher:
Howley, Haviland & Co.
Subject (Geographic):
Benin
Subject (Topic):
Songs (Medium voice) with piano, Popular music, and Black people
Several designs, many with captions including a black coach driver; a fashionably dressed young black woman; a mother and child; a child with a doll; a scene in which whites hoe the ground under the watch of a black overseer, etc. In the center, the largest design shows three women playing cards with an Indian man who is smoking a hookah
Description:
Title from caption below central image., Probably from Cruikshank's self-published series: My sketch book., Plate numbered in upper right corner: Pl. 4 No. 5., and Sheet trimmed within plate mark.
Publisher:
George Cruikshank
Subject (Topic):
Black people, Card games, Cats, Coach drivers, Infants, Mothers, and Water pipes (Smoking)
Title from item., Sheet trimmed within plate mark., Printseller's advertisement following imprint: Folios of caracatures [sic] lent out., Temporary local subject terms: Debts: Prince of Wales's debts -- Jews -- Miniatures: miniature portraits as jewelry -- Ink-pots., and Collector's stamp on verso: half-length raised figure of fox with initials MW below.
Publisher:
Pub. August 20, 1795, by S.W. Fores, No. 50 Piccadilly
Design consists of twenty-one individually-captioned panels arranged in three horizonal rows illustrating Johnny's arrival in Jamaica, his contracting Yellow Fever, his illness and temporary recovery, his brief participation in Jamaican society, his relapse and eventual death from the fever
Alternative Title:
Johnny Newcome in the island of Jamaica
Description:
Title from caption below image., Date altered on this impression from 1800 to 1803., Companion print to: Martial law in Jamaica., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: J. Whatman Turkey Mill., and Date in imprint altered in ms. from "1800" to "1803."
Publisher:
Pubbished [sic] by Willm. Holland, No. 50, Oxford Street
Subject (Geographic):
Jamaica
Subject (Topic):
Social conditions, Black people, Bedrooms, Cemeteries, Clergy, Coffins, Couples, Death, Interiors, Physicians, Vomiting, Yellow fever, and Hunting
Six designs on one plate arranged in two rows, with borders in which the inscriptions are engraved. Johnny is a smartly dressed young man. There is a landscape background in Nos. 1 and 3 (in which Johnny wears a top-hat and top-boots). In Nos. 2, 4, 5 a boarded floor indicates an interior. [1] With folded arms and bowed head he approaches from behind a hideous and grinning negress who holds a tobacco-pipe. Above: Smitten with the charms of Mimbo Wampo a sable Venus, daughter of Wampo Wampo, King of the Silver Sand Hills in Congo. [2] Bare-legged he sits in a chair, his bare foot held by the negress who sits on the ground at his feet. Above: Delicately declaring his Love to the aimable Mimbo Wampo, while she is picking his Cheqoes. "You lub me Massa" eh! eh!? [3] Johnny and an old negro wearing only breeches face each other. Beside the latter is a large jar inscribed Feathers, Grave Dirt, Egg Shells, &c. Above: Consulting Old Mumbo Jumbo the Oby Man, how to get possession of the charming Mimbo Wampo. "Lets me alone for dat Massa." [4] He kneels at the feet of the negress taking her hand; she sits on a stool smoking a pipe. Four comparatively handsome women stand in a row watching, two are black, two are white but negroid. Above: Mr Newcome happy, Mimbo made Queen of the Harem. [5] He embraces Mimbo; two other negresses stand behind her, one holding two pale-skinned black-haired infants, the other with a third infant held on her head in a tray. Two other children stand by their mother. Above: Mr Newcome taking leave of his Ladies & Pickaneenees, previous to his departure from Frying Pan Island to graze a little in his Native land. [6] Portrait heads of the children, numbered I to 9, arranged in three rows. Above: A few of the Hopeful young Newcomes. Below the whole design: J. Lucretia Diana Newcome, a delicate Girl very much like her Mother; only that she has a great antipathy to a pipe, and cannot bear the smell of Rum. 2 Penelope Mimbo Newcome. 3 Quaco Dash Newcome prodigiously like his father. 4 Cuffy Cato Newcome. 5. Caesar Cudjoe Newcome. 6 Helena Quashebah Newcome. 7 Aristides Juba Newcome. 8 Hector Sammy Newcome, a child of great spirit, can already Damnme Liberty and Equality and promises fair to be the Toussaint [see No. 10090] of his country. 9 Hannibal Pompey Wampo Newcome
Description:
Title engraved above image., Companion print: West India luxury!!, and Watermark: J Whatman Turkey Mill. Countermark: 1825.
Publisher:
Published April 1808 by William Holland, Cockspur Street, London
"A lady, stout and plain, her knees awkwardly apart, sits behind a small round tea-table filling a cup from a large urn. Seven other ladies sit on her right and left, in a semicircle, on upright chairs, in silent boredom. A child sits by its ugly middle-aged mother on the extreme right. A black servant in livery hands a tray on which are cups, cream-jug, and small (?) rolls. The room is bare except for table, chairs, and a narrow curtained window."--British Museum online catalogue
Description:
Title etched below image., Print attributed to Alphonse Roehn in the British Museum catalogue., Date from British Museum online catalogue., and Sheet trimmed to plate mark on lower edge.
Publisher:
Chez Martinet, Libraire, Rue de Coq St. Honoré
Subject (Topic):
Black people, Children, Eating & drinking, Servants, Tea services, Tea tables (Tables), and Women
