The manuscript contains a book of hours, use of Sarum (ff. 1-138v), and a Missal (ff. 139r-236v). It was produced in England, in liturgical Gothic bookhand on vellum, in two phases. The first section, consisting of quires 1 and 3-18 (ff. 1-6, 17-83, and 86-137), was produced around 1390, perhaps in London. Around 1420 the manuscript was augmented with a second section, consisting of quires 2 and 19-31 (ff. 7-16, 84-85, and 138-236).
Alternative Title:
Book of Hours
Description:
Binding: early nineteenth-century English calf over carved wooden boards, blind-stamped and gilt, rebacked with spine laid on; gilt edges with traces of painted landscape., Decoration includes thirty-two historiated initials and three half-page miniatures (f.11v, the martyrdom of St. Elmo (St. Erasmus); 109v, Christ at the Tomb, surrounded by the instruments of His passion; f. 118r, the Crucifixion, with the Virgin and St. John)., Modern paper binder's blanks (2 l.) at end not digitized., Peyton coat of arms gilt on covers., and Seventeenth-century coat of arms on flyleaf and on f. 139r (quarterly, 1 and 4, azure a castle or, 2 and 3, gules 2 foxes or).
Subject (Name):
Catholic Church--Liturgy and ritual--Hours, Catholic Church--Liturgy and ritual--Missal, and Peyton family--Coat of arms
Illuminated manuscript on vellum, in a Gothic liturgical hand, of a Psalter, prefaced by a liturgical calendar and followed by the Office of the Dead.
Description:
Binding: modern full blue velvet., Ex libris John Ruskin. Ex libris Laurence Hilliard. Ex libris Bibliotheca Philosophica Hermetica (J. R. Ritman Library). Purchased from Sam Fogg on the James Marshall and Marie-Louise Osborn Fund, 2007., Presentation inscription on front flyleaf: Laurence Hilliard with John Ruskin's love, Brantwood, 25th January 1881., Tipped in at front of manuscript: parchment leaf containing copy of a letter from Joseph Mallord William Turner to John Ruskin, Midsummer Day [June 24] 1848, in the hand of John Ruskin., and Tipped in to front of manuscript: parchment leaf containing a description of the illuminations in the hand of John Ruskin.
Subject (Name):
Catholic Church, Hilliard, Laurence--Ownership, Ruskin, John--1819-1900.--Autograph, and Turner, Joseph Mallord William--1775-1851.--Association
Binding: Original, yellowish pigskin over bevelled wooden boards; both covers blind-tooled with frames of fillets and rolls. Spine blind-tooled with three raised bands. Remnants of two clasps attached to the rear board, with engraved brass catches (one partly preserved) on the front board. Yellow spine., Red rubrics and red stroking of majuscules. Red initials: 1-line versals, 2-line plain initials; art. 1 opens with a 4-line initial and features several 3-line initials, all of the same type as the other ones in the manuscript., Script: Copied by two hands, both writing Gothica Textualis Formata. Hand A copied ff. 1r-8v (art. 1) in bold script with little angulariy and long ascenders and descenders; hand B copied all the other pages in Textus Semiquadratus in two sizes, with conspicable forking at the top of the ascenders, spurs, hairlines, a very short d and Southern German or Central European features such as the shape of the -orum and -arum abbreviations, the use of y for ii, etc. The texts on the inserted leaflets in art. 2 and some corrections are in Gothica Hybrida (Fractura)., and Slips of parchment with additional texts have been inserted between ff. 18-19, 33-34, 35-36.