Title etched below image. and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Pubd. by W. Holland N 50 Oxford St
Subject (Geographic):
India
Subject (Topic):
Smoking, Alcoholism, British, Social life and customs, Water pipes (Smoking)., Sick persons, and Wine
"Three men sit, singing a catch, with a round table between them. A British officer (perhaps Cotton), wearing a cocked hat, sits in profile to the right, facing Dalrymple who sits (right) with tightly closed mouth, his hands on his knees. Between them, but with his chair from Dalrymple, sits a man in Spanish (here Portuguese) dress, wearing a feathered hat. The British officer sings: T'was You Sir-Hew - Twas Hew. that let the French Escape, That makes you look so blue Sir-Hew Sir Hew! He and the Portuguese (perhaps Freire) point minatory hands at Dalrymple, whose face is painted lead colour. On the wall are two pictures: (above the Portuguese) 'A correct representation of the French Plunderers stopt in their progress by the Spanish Patriots.' [at Baylen] and (above Dalrymple): 'A Correct representation of the French Plunderers quitting Portugal for France - under a British Escort.' In one a long train of wagons is stopped by armed men, in the other are ships in full sail. On the table are glasses and decanters of 'Port and Calcavella'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Watermark: E& P.
Publisher:
Pubd. Octr. 1808 by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Spain. and Portugal.
Subject (Name):
Cotton, Charles, Sir, 1753-1812 and Dalrymple, Hew Whiteford, Sir, 1750-1830
Subject (Topic):
Napoleonic Wars, 1800-1815, Campaigns, Generals, British, Military officers, Singing, Wine, Drinking vessels, and Pictures
Title etched below images, centered at bottom of plate., Two images on one plate., Four lines of text in two columns on either side of title: One that witholdeth not his mite ..., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Parsons -- Furniture: slipcovered chairs -- Writing desk -- Tea table -- Beverages -- Wines: Burgundy., and Watermark: E & P.
Publisher:
Pub. Janry 26, 1796 by S.W. Fores, N. 50 Piccadilly
Subject (Topic):
Clergy, Lawyers, Pipes (Smoking), Wine, and Chairs
A group of gentlemen seated at an oval table, with glasses full of wine, laugh uproariously at a joke as they look down at the dog at the foot of the table
Description:
Title from text at bottom of image., Companion print to: No effect., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Satire on the the criminal conversation between the Duke of Cumberland and Lady Grosvenor with Cumberland wearing a fool's cap; a servant spills a glass of wine on the Duke. The scene takes place in a bedchamber with a curtain around the bed, with a table set with a meal including wine bottles, wine glasses, and roasted fowl. On the wall hangs a large mirror
Description:
Title etched below image., Date of publication from that of the periodical for which the plate was engraved., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 5 (1770), p. 75., Text above image: For the Oxford mag., and Mounted to 33 x 46 cm.
Publisher:
publisher not identified
Subject (Name):
Henry Frederick, Prince, Duke of Cumberland and Strathearn, 1745-1790 and Grosvenor, Henrietta Grosvenor, Countess, -1828
"A companion print to British Museum Satires No. 6912; a similar group of men in a similar room stand or sit at a rectangular table singing from a large music-book held open on the table. Punch-bowl, wine-bottle, glasses, pipes, a tumbler are on the table which is covered by a heavy cloth. Their expressions are more serious than those of the catch-singers. Two men in the background are smoking, one of whom is lighting his pipe. A dog sits in the foreground looking up at the singers. The words of the glee are engraved beneath the print, beginning: 'Which is the properest Day to drink, Saturday, Sunday, Monday,'; republished state."--British Museum online catalogue
Alternative Title:
Allegresse
Description:
Title from item., Artist from description in Sotheby's catalog., Publication date assigned by the repository based on the series number., Twelve lines of verse below image., Numbered '567' in series., and Temporary local subject terms: Glee Club -- Punch bowls -- Wine bottles -- Glass: wine glasses -- Tablecloths -- Interiors: Robert Smith's house in St. Paul's Church Yard -- Carpets.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Topic):
Singing, Smoking, Pipes (Smoking), Wine, Drinking vessels, and Dogs
Plate 28. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Six line poem engraved on either side of title: "Think not to find one meant Resemblance there ...", 1 print : etching and engraving on laid paper ; plate mark 34.4 x 47 cm, on sheet 46 x 59 cm., and Plate 28 in the album: Queen Charlotte's collection of Hogarth works.
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed to plate mark., 1 print : etching and engraving on laid paper ; plate mark 34.2 x 46.9 cm, on sheet 45 x 56 cm., and Leaf 28 in: Album of William Hogarth prints.
Plate 28. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., and Six line poem engraved on either side of title: "Think not to find one meant Resemblance there ..."
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed to plate mark., and 1 print : etching and engraving on laid paper ; sheet 351 x 472 mm.
Plate 28. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Six line poem engraved on either side of title: "Think not to find one meant Resemblance there ...", and 1 print : etching with engraving, on laid paper ; plate mark 347 x 472 mm, on sheet 472 x 611 cm.
Plate 28. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Six line poem engraved on either side of title: "Think not to find one meant Resemblance there ...", 1 print : etching and engraving on laid paper ; plate mark 34.4 x 47 cm, on sheet 46 x 59 cm., and Plate 28 in the album: Queen Charlotte's collection of Hogarth works.
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed to plate mark., and Printed in sepia ink; sheet trimmed to plate mark on three sides: 350 x 471 mm.
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed to plate mark., and On page 64 in volume 1. Plate trimmed to: 33.9 x 46.4 cm. Some damage and losses to corners.
Plate 28. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Six line poem engraved on either side of title: "Think not to find one meant Resemblance there ...", and On page 65 in volume 1. Plate trimmed to: 34.3 x 47 cm.
"God above that made all things,". - In three columns with the title and two woodcuts above the first two; the columns are separated by ornamental rules., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., In three columns with the title and two woodcuts above the first two; imprint at the foot of the third, below a single rule; the columns are separated by columns of type ornaments., Mounted on leaf 46. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
Printed and sold in Aldermary Church-yard, Bow Lane, London
Subject (Topic):
Drinking of alchoholic beverages, Tobacco pipes, Drinking vessels, Wine, Bottles, and Smoking
Title from caption below image., Printmaker from unverified data from local card catalog record., Sheet trimmed to plate mark on one side., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate numbered "98" in upper left corner., Temporary local subject terms: Wine cooler., and Mounted to 28 x 42 cm.
Publisher:
Pubd. July 18th 1809 by Thos. Tegg No. 111 Cheapside
Charles Fox, lying on the ground with his head next to a cask of wine, drinks the wine pouring from the hole in it. He looks up at the naked figure of Lord North covered only with garlands of grapes and grape leaves and sitting astride the cask. North holds a bunch of grapes in one hand and in the other an open bottle of wine that he pours over Fox
Alternative Title:
Friendly drop
Description:
Title from item., Printmaker from British Museum catalogue., and Mounted to 26 x 33 cm.
Publisher:
Publish'd by E. Hedges, N 92 Cornhill
Subject (Geographic):
England
Subject (Name):
Fox, Charles James, 1749-1806., North, Frederick, Lord, 1732-1792., and Dionysus (Greek deity)
Subject (Topic):
Great Britain, Politics and government, Barrels, Wine, Eating & drinking, and Clothing & dress
A stout man reclines on a chaise-longue, a bolster pillow supporting his knees as a small cup meets his lips. Above this, a small tube descends from a bowl labeled 'Barcelonie'. On the wall are two wheels and the mechanism that pours and decants the wine and cracks the nuts
Alternative Title:
Body fanner, nut-cracker and wine helper, for the heats of summer
Description:
Title from text below image., Series title etched above image., Later edition attributes these plates to Robert Seymour: Living made easy : dedicated to the Utilitarian Society : twelve humorous subjects / designed by R. Seymour. New-York : Published by E.S. Mesier, 28 Wall Street, 1832., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman Turkey Mill 1829.
Publisher:
Pubd. by T. McLean, 26 Haymarket and Printed by J. Netherclift
Subject (Topic):
Automation, Couches, Eating & drinking, Machinery, Nuts, and Wine
"A drunken orgy in a room with mirrors on the wall. Britannia, dressed as a courtesan (right), leans back in a chair, dead drunk, in her right. hand is a wine-bottle. One foot rests on her shield. A man standing behind pours over her the contents of a wine-bottle, in his right. hand he holds out a wine-glass. In the centre is a staggering figure wearing the ribbon and order of the Bath. His pocket is being picked by a plainly dressed man, while another holds his shoulder. Two men aimlessly flourish drawn swords. Another aims a blow with a long pole at a mirror. A courtesan has broken a mirror with a wine-bottle which she is waving in the air. In the background a woman, seated on a man's knee, is picking his pocket. On the floor in the foreground are broken wine-glasses, and a broken punch-bowl inscribed "the Constitution". The explanatory text asks "Who are the greatest drunkards? - Those at the helm - Who set the most glaring examples of adultery, fornication, &c -.."."--British Museum online catalogue
Alternative Title:
Great ones in a bagnio
Description:
Title etched below image., Publication place and date inferred from that of the magazine for which this plate was engraved., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 8, p. 185., and Temporary local subject terms: Drunkenness -- Prostitutes -- Dishes -- Allusion to the Constitution.
Publisher:
publisher not identified
Subject (Topic):
Britannia (Symbolic character), Intoxication, Courtesans, Drinking vessels, Wine, Bowls (Tableware), and Pickpockets
Social satire; officers in a tent around a table drink red wine, or punch from a bowl, smoke pipes and sing; one on the right has his arm in a sling, another waves his hat. Through the opening of the tent on the right, in the background are mounted soldiers and the British flag, and on the floor is a cannon and shot; below the image is the text of a song
Description:
Publication information from a copy in the British Museum online catalogue. See BM Registration number 2010,7081.860., Sheet trimmed within plate mark with loss of song verse and imprint., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published Novr. 20th, 1794, by Laurie & Whittle, No. 53, Fleet Street, London
Subject (Geographic):
Great Britain.
Subject (Topic):
Alcoholic beverages, Glassware, Interiors, Military camps, British, Military life, Soldiers, Tents, and Wine
Leaf 41. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
In a well furnished room, a stout man in a queue wig starts up from his chair to fire from a blunderbuss at the portrait of a French Field Marshall on the left. His companion seeks cover under the table, his legs tangled in the chair he has overthrown. In the foreground lie a sheathed sword and a map. A drum stands next to the shooter
Alternative Title:
Captain Bounce and Colonel Fearful
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed within plate mark on top edge., Plate numbered "V. 2" in upper left corner and "15" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject headings: Furniture: Chippendale-style chair -- Military: Drums -- Paintings amplifying subject: A man on a rearing horse -- Weapons -- Guns: Blunderbusses -- Glass: Wine bottle and glass., First of two plates on leaf 41., and 1 print : etching on laid paper ; plate mark 17.4 x 24.6 cm, on sheet 44.4 x 27.5 cm.
Publisher:
Pubd. as the act directs, Sepr. 9, 1773, by MDarly, 39 Strand
Leaf 41. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
In a well furnished room, a stout man in a queue wig starts up from his chair to fire from a blunderbuss at the portrait of a French Field Marshall on the left. His companion seeks cover under the table, his legs tangled in the chair he has overthrown. In the foreground lie a sheathed sword and a map. A drum stands next to the shooter
Alternative Title:
Captain Bounce and Colonel Fearful
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed within plate mark on top edge., Plate numbered "V. 2" in upper left corner and "15" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject headings: Furniture: Chippendale-style chair -- Military: Drums -- Paintings amplifying subject: A man on a rearing horse -- Weapons -- Guns: Blunderbusses -- Glass: Wine bottle and glass., and Watermark: countermark I V.
Publisher:
Pubd. as the act directs, Sepr. 9, 1773, by MDarly, 39 Strand
"A fat man (left) seated in an arm-chair, his swathed left leg supported on a stool, his crutches and an open 'Treatise on Gout' beside him. A meretricious-looking young woman bends over him, putting her right hand on his right shoulder and holding his left hand. A young woman of disreputable appearance pours out wine for him. A footman in livery (right) is about to put a large tureen on a dinner-table (right). A fat man is seen through an open door. A dog and cat lie together in the foreground. Behind the man's chair are the curtains of a bed. Probably one of the establishments in King's Place, cf. British Museum Satires No. 6764, &c."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local Medical Library subject terms: Prostitution.
Publisher:
Publish'd Novr. 30th - 1785 - by J.R. Smith, No. 83 - Oxford Street
Subject (Topic):
Gout, Prostitutes, Servants, Wine, Crutches, Dogs, and Cats
"A hand-coloured plate divided into four compartments. Waiting for Dinner: an impatient diner shows his servant the time as the servant uncorks a bottle; At Dinner: a man heartily eats as the servant pours wine; After Dinner: A man leans back in his chair as a maid clears the table; Preparing for Supper: A maid puts a napkin on a diner who is guided into his chair by a servant."--Royal Collection Trust online catalogue
Description:
Title from collective title etched at bottom of plate., Artist signature below lower left design; printmaker signature below lower right design., Four designs on one plate, each individually titled within an etched and aquatinted border., Description based on impression in the Royal Collection, RCIN 810354., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching and aquatint on wove paper, hand-colored ; sheet 21 x 26.2 cm., Imperfect; only upper left design entitled "Waiting for dinner" present. The three other designs on plate, the collective title, and the imprint statement have been trimmed from sheet., and Mounted on leaf 9 of volume 4 of 14 volumes.
Publisher:
Pubd. Octr. 22, 1789, by S. Alken, No. 2 Francis Street East, Bedford Square
Subject (Topic):
Bottles, Bowls (Tableware), Dining rooms, Fireplaces, Glassware, Interiors, Obesity, Pipes (Smoking), Stairways, Tableware, Tobacco, Wine, and Women domestics
"A hand-coloured plate divided into four compartments. Waiting for Dinner: an impatient diner shows his servant the time as the servant uncorks a bottle; At Dinner: a man heartily eats as the servant pours wine; After Dinner: A man leans back in his chair as a maid clears the table; Preparing for Supper: A maid puts a napkin on a diner who is guided into his chair by a servant."--Royal Collection Trust online catalogue
Description:
Title from collective title etched at bottom of plate., Artist signature below lower left design; printmaker signature below lower right design., Four designs on one plate, each individually titled within an etched and aquatinted border., Description based on impression in the Royal Collection, RCIN 810354., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : aquatint and etching on laid paper, hand-colored ; sheet 23 x 27.5 cm., Imperfect; only lower right design entitled "Preparing for supper" present. The three other designs on plate, part of the collective title, and part of the imprint statement have been trimmed from sheet., and Mounted on leaf 11 of volume 4 of 14 volumes.
Publisher:
Pubd. Octr. 22, 1789, by S. Alken, No. 2 Francis Street East, Bedford Square
Subject (Topic):
Bottles, Bowls (Tableware), Dining rooms, Fireplaces, Glassware, Interiors, Obesity, Pipes (Smoking), Stairways, Tableware, Tobacco, Wine, and Women domestics
"A hand-coloured plate divided into four compartments. Waiting for Dinner: an impatient diner shows his servant the time as the servant uncorks a bottle; At Dinner: a man heartily eats as the servant pours wine; After Dinner: A man leans back in his chair as a maid clears the table; Preparing for Supper: A maid puts a napkin on a diner who is guided into his chair by a servant."--Royal Collection Trust online catalogue
Description:
Title from collective title etched at bottom of plate., Artist signature below lower left design; printmaker signature below lower right design., Four designs on one plate, each individually titled within an etched and aquatinted border., Description based on impression in the Royal Collection, RCIN 810354., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : aquatint and etching on laid paper, hand-colored, sheet 21.7 x 26.4 cm., Imperfect; only upper right design entitled "At dinner" present. The three other designs on plate, the collective title, and the imprint statement have been trimmed from sheet., and Mounted on verso of leaf 9 of volume 4 of 14 volumes.
Publisher:
Pubd. Octr. 22, 1789, by S. Alken, No. 2 Francis Street East, Bedford Square
Subject (Topic):
Bottles, Bowls (Tableware), Dining rooms, Fireplaces, Glassware, Interiors, Obesity, Pipes (Smoking), Stairways, Tableware, Tobacco, Wine, and Women domestics
"A hand-coloured plate divided into four compartments. Waiting for Dinner: an impatient diner shows his servant the time as the servant uncorks a bottle; At Dinner: a man heartily eats as the servant pours wine; After Dinner: A man leans back in his chair as a maid clears the table; Preparing for Supper: A maid puts a napkin on a diner who is guided into his chair by a servant."--Royal Collection Trust online catalogue
Description:
Title from collective title etched at bottom of plate., Artist signature below lower left design; printmaker signature below lower right design., Four designs on one plate, each individually titled within an etched and aquatinted border., Description based on impression in the Royal Collection, RCIN 810354., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : aquatint and etching on laid paper, hand-colored ; sheet 22 x 26.8 cm., Imperfect; only upper left design entitled "Waiting for dinner" present. The three other designs on plate, the collective title, and the imprint statement have been trimmed from sheet., and Mounted on verso of leaf 8 of volume 4 of 14 volumes.
Publisher:
Pubd. Octr. 22, 1789, by S. Alken, No. 2 Francis Street East, Bedford Square
Subject (Topic):
Bottles, Bowls (Tableware), Dining rooms, Fireplaces, Glassware, Interiors, Obesity, Pipes (Smoking), Stairways, Tableware, Tobacco, Wine, and Women domestics
"A hand-coloured plate divided into four compartments. Waiting for Dinner: an impatient diner shows his servant the time as the servant uncorks a bottle; At Dinner: a man heartily eats as the servant pours wine; After Dinner: A man leans back in his chair as a maid clears the table; Preparing for Supper: A maid puts a napkin on a diner who is guided into his chair by a servant."--Royal Collection Trust online catalogue
Description:
Title from collective title etched at bottom of plate., Artist signature below lower left design; printmaker signature below lower right design., Four designs on one plate, each individually titled within an etched and aquatinted border., Description based on impression in the Royal Collection, RCIN 810354., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching and aquatint on wove paper ; sheet 19 x 23 cm., Imperfect; only upper right design entitled "At dinner" present. The three other designs on plate, the collective title, and the imprint statement have been trimmed from sheet., and Mounted on leaf 10 of volume 4 of 14 volumes.
Publisher:
Pubd. Octr. 22, 1789, by S. Alken, No. 2 Francis Street East, Bedford Square
Subject (Topic):
Bottles, Bowls (Tableware), Dining rooms, Fireplaces, Glassware, Interiors, Obesity, Pipes (Smoking), Stairways, Tableware, Tobacco, Wine, and Women domestics
"A hand-coloured plate divided into four compartments. Waiting for Dinner: an impatient diner shows his servant the time as the servant uncorks a bottle; At Dinner: a man heartily eats as the servant pours wine; After Dinner: A man leans back in his chair as a maid clears the table; Preparing for Supper: A maid puts a napkin on a diner who is guided into his chair by a servant."--Royal Collection Trust online catalogue
Description:
Title from collective title etched at bottom of plate., Artist signature below lower left design; printmaker signature below lower right design., Four designs on one plate, each individually titled within an etched and aquatinted border., Description based on impression in the Royal Collection, RCIN 810354., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : aquatin and etching on laid paper, hand-colored ; sheet 22 x 26.7 cm., Imperfect; only lower right design entitled "Preparing for supper" present. The three other designs on plate, the collective title, and the imprint statement have been trimmed from sheet., and Mounted on verso of leaf 10 of volume 4 of 14 volumes.
Publisher:
Pubd. Octr. 22, 1789, by S. Alken, No. 2 Francis Street East, Bedford Square
Subject (Topic):
Bottles, Bowls (Tableware), Dining rooms, Fireplaces, Glassware, Interiors, Obesity, Pipes (Smoking), Stairways, Tableware, Tobacco, Wine, and Women domestics
"A hand-coloured plate divided into four compartments. Waiting for Dinner: an impatient diner shows his servant the time as the servant uncorks a bottle; At Dinner: a man heartily eats as the servant pours wine; After Dinner: A man leans back in his chair as a maid clears the table; Preparing for Supper: A maid puts a napkin on a diner who is guided into his chair by a servant."--Royal Collection Trust online catalogue
Description:
Title from collective title etched at bottom of plate., Artist signature below lower left design; printmaker signature below lower right design., Four designs on one plate, each individually titled within an etched and aquatinted border., Description based on impression in the Royal Collection, RCIN 810354., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : aquatint and etching on laid paper, hand-colored ; sheet 21.8 x 26.3 cm., Imperfect; only lower left design entitled "After dinner" present. The three other designs on plate, the collective title, and the imprint statement have been trimmed from sheet., and Mounted on verso of leaf 9 of volume 4 of 14 volumes.
Publisher:
Pubd. Octr. 22, 1789, by S. Alken, No. 2 Francis Street East, Bedford Square
Subject (Topic):
Bottles, Bowls (Tableware), Dining rooms, Fireplaces, Glassware, Interiors, Obesity, Pipes (Smoking), Stairways, Tableware, Tobacco, Wine, and Women domestics
"A hand-coloured plate divided into four compartments. Waiting for Dinner: an impatient diner shows his servant the time as the servant uncorks a bottle; At Dinner: a man heartily eats as the servant pours wine; After Dinner: A man leans back in his chair as a maid clears the table; Preparing for Supper: A maid puts a napkin on a diner who is guided into his chair by a servant."--Royal Collection Trust online catalogue
Description:
Title from collective title etched at bottom of plate., Artist signature below lower left design; printmaker signature below lower right design., Four designs on one plate, each individually titled within an etched and aquatinted border., Description based on impression in the Royal Collection, RCIN 810354., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : aquatint and etching on wove paper ; sheet 19.2 x 23 cm., Imperfect; only lower left design entitled "After dinner" present. The three other designs on plate, the collective title, and the imprint statement have been trimmed from sheet., and Mounted on leaf 10 of volume 4 of 14 volumes.
Publisher:
Pubd. Octr. 22, 1789, by S. Alken, No. 2 Francis Street East, Bedford Square
Subject (Topic):
Bottles, Bowls (Tableware), Dining rooms, Fireplaces, Glassware, Interiors, Obesity, Pipes (Smoking), Stairways, Tableware, Tobacco, Wine, and Women domestics
"A hand-coloured plate divided into four compartments. Waiting for Dinner: an impatient diner shows his servant the time as the servant uncorks a bottle; At Dinner: a man heartily eats as the servant pours wine; After Dinner: A man leans back in his chair as a maid clears the table; Preparing for Supper: A maid puts a napkin on a diner who is guided into his chair by a servant."--Royal Collection Trust online catalogue
Description:
Title from collective title etched at bottom of plate., Artist signature below lower left design; printmaker signature below lower right design., Four designs on one plate, each individually titled within an etched and aquatinted border., Description based on impression in the Royal Collection, RCIN 810354., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : aquatint and etching on laid paper, hand-colored; sheet 21 x 26 cm., and Imperfect; only lower left design entitled "After dinner" present. The three other designs on plate, the collective title, and the imprint statement have been trimmed from sheet.
Publisher:
Pubd. Octr. 22, 1789, by S. Alken, No. 2 Francis Street East, Bedford Square
Subject (Topic):
Bottles, Bowls (Tableware), Dining rooms, Fireplaces, Glassware, Interiors, Obesity, Pipes (Smoking), Stairways, Tableware, Tobacco, Wine, and Women domestics
Title engraved above image., Printmaker identified from the original drawing in the Huntington Library., Plate numbered '230' in lower right corner., Three lines of text below title: Frenchman: begar my country be ver de ver in de invention of de modes and de fashions ..., From Laurie and Whittle series of drolls., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Frenchmen -- Englishmen -- Male dress: French, 1799.
Publisher:
Published April 8th 1799, by Laurie & Whittle, No. 53 Fleet Street, London
"Heading to a printed broadside: ... 'New Version', verses printed in two columns below the (printed) title. The Duke of York, with a gauntleted fist, strikes in the face the startled King, who staggers, decanter in hand, saying, "Theres no dependance on the Army." The Duke answers: "Not for you." A supper-table, with decanters, &c., overturns on the right, the King's chair on the left; the chair is decorated with an irradiated wine-glass flanked by bowing Chinese, and, like the table, is fringed by bells. Behind the King are two bottle-holders, the bottles in the shape of a 'Green Bag' [see British Museum Satires No. 13735], and so inscribed; they are Castlereagh and Liverpool, who are backed by Sidmouth and Canning. They say: "Never fear--we are here," and "Never fear." Behind the Duke is the Queen between two ladies; she says: "Fair play's a Jewell Face to Face Truith [sic] will come out." Four of her supporters watch from the left: Wood in his alderman's gown, and holding a 'City Address', says: "A blow has been Struck who feels it?" Burdett, next Hobhouse, and holding a 'West' [minster Address], says: "When Britons strike they strike home." The fourth is a barrister (one of the Queen's legal advisers, not resembling Brougham). The sixth and seventh of ten verses: Said Ca . . tl . . gh I know the Cause, Y . . k's for your 'R .... l Rib', Sire, Your M .... y shall have New Laws, You know we never gib, Sire. Said W . . b . . rce, with face demure, Divorce!...... we'll soon obtain it; Another Consort we'll ensure, His end......Y . . k ne'er shall gain it."--British Museum online catalogue, description of a later edition
Description:
Title from letterpress text below image., Tentative attribution to Robert Cruikshank from the British Museum catalogue., First edition?, An approximate date of August 1820 is given in the British Museum catalogue for a later edition; the same print is dated March 1820 in the British Museum online catalogue, registration no.: 1948,0214.831., Imperfect; sheet has been cut in half, with bottom portion (16.1 x 20.7 cm) containing the letterpress text mounted separately beside upper portion containing the engraved plate., For the third edition with slight changes to the verses, see no. 13830 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 38 of: George Humphrey shop album.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Wood, Matthew, Sir, 1768-1843, Broughton, John Cam Hobhouse, Baron, 1786-1869, and Burdett, Francis, 1770-1844
Subject (Topic):
Politicians, Fights, Bottles, Wine, Tables, Chairs, and Bells
"Heading to a printed broadside: '(Third Edition.)' and 'New Version', verses printed in two columns below the (printed) title. The Duke of York, with a gauntleted fist, strikes in the face the startled King, who staggers, decanter in hand, saying, "Theres no dependance on the Army." The Duke answers: "Not for you." A supper-table, with decanters, &c., overturns on the right, the King's chair on the left; the chair is decorated with an irradiated wine-glass flanked by bowing Chinese, and, like the table, is fringed by bells. Behind the King are two bottle-holders, the bottles in the shape of a 'Green Bag' [see British Museum Satires No. 13735], and so inscribed; they are Castlereagh and Liverpool, who are backed by Sidmouth and Canning. They say: "Never fear--we are here," and "Never fear." Behind the Duke is the Queen between two ladies; she says: "Fair play's a Jewell Face to Face Truith [sic] will come out." Four of her supporters watch from the left: Wood in his alderman's gown, and holding a 'City Address', says: "A blow has been Struck who feels it?" Burdett, next Hobhouse, and holding a 'West' [minster Address], says: "When Britons strike they strike home." The fourth is a barrister (one of the Queen's legal advisers, not resembling Brougham). The sixth and seventh of ten verses: Said Ca . . tl . . gh I know the Cause, Y . . k's for your 'R .... l Rib', Sire, Your M .... y shall have New Laws, You know we never gib, Sire. Said W . . b . . rce, with face demure, Divorce!...... we'll soon obtain it; Another Consort we'll ensure, His end......Y . . k ne'er shall gain it."--British Museum online catalogue
Description:
Title from letterpress text below image., Tentative attribution to Robert Cruikshank from the British Museum catalogue., Publisher and approximate publication date of August 1820 from the British Museum catalogue. The same print is dated March 1820 in the British Museum online catalogue, registration no.: 1948,0214.831., Sheet trimmed within plate mark with probable loss of imprint statement from bottom edge., Ten stanzas of verse in two columns below title, printed in letterpress: Cried G......e, who dare my will resist, My word shall ne'er be shaken ..., Watermark: Cater., Window mounted to 34.7 x 25.8 cm, the whole then mounted to 58 x 39 cm., Mounted on leaf 54 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Sidmouth," "Canning," "Londondery [sic]," "Liverpool," "Geo. IV," "D. York," "Caroline," and "Wood" identified in ink below image. Various blank spaces in the printed verses have been filled in using purple ink, to complete the censored names and the words "Royal" and "King." Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
C.E. Pritchard
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Wood, Matthew, Sir, 1768-1843, Broughton, John Cam Hobhouse, Baron, 1786-1869, and Burdett, Francis, 1770-1844
Subject (Topic):
Politicians, Fights, Bottles, Wine, Tables, Chairs, and Bells
"Pitt and Dundas are tipsily carousing at a rectangular table from which the cloth has been removed. Pitt, wearing spurred top-boots, sits on the corner of the table in profile to the left, his chair behind him at the head of the table. Dundas (left), wearing a plaid across his shoulders, sits full-face, turning his head in profile to the right, and waving a tobacco-pipe towards Pitt. They touch glasses, each holding his glass in the left hand; Pitt tries to fill them, but with the bottle reversed, spilling its contents. On the table is a decanter of 'Brandy', a bottle on its side, a clutter of empty bottles, glasses, Pitt's broken pipe, and a plate of food. In the foreground are bottles in a wine-cooler, and under the table is a chamber-pot on which is a figure of Britannia. Above the heads of the topers: '"Send us Victorious, "Happy and Glorious, "Long to Reign. - go it my Boy! "Billy my Boy, all my Joy, - God save the King!'"--British Museum online catalogue
Alternative Title:
Evening scene three times a week at Wimbleton
Description:
Title etched at bottom of image., Sheet trimmed within plate mark on the sides., 1 print : etching on wove paper, hand-colored ; sheet 28.6 x 38.6 cm., Sheet trimmed within plate mark on top edge., and Mounted on leaf 54 of volume 3 of 12.
Publisher:
Pubd. May 27th, 1795, by H. Humphrey, No. 37 New Bond Str
Subject (Name):
Pitt, William, 1759-1806 and Melville, Henry Dundas, Viscount, 1742-1811
Subject (Topic):
Britannia (Symbolic character), Bottles, Chamber pots, Glassware, Intoxication, Pipes (Smoking), and Wine
"Pitt and Dundas are tipsily carousing at a rectangular table from which the cloth has been removed. Pitt, wearing spurred top-boots, sits on the corner of the table in profile to the left, his chair behind him at the head of the table. Dundas (left), wearing a plaid across his shoulders, sits full-face, turning his head in profile to the right, and waving a tobacco-pipe towards Pitt. They touch glasses, each holding his glass in the left hand; Pitt tries to fill them, but with the bottle reversed, spilling its contents. On the table is a decanter of 'Brandy', a bottle on its side, a clutter of empty bottles, glasses, Pitt's broken pipe, and a plate of food. In the foreground are bottles in a wine-cooler, and under the table is a chamber-pot on which is a figure of Britannia. Above the heads of the topers: '"Send us Victorious, "Happy and Glorious, "Long to Reign. - go it my Boy! "Billy my Boy, all my Joy, - God save the King!'"--British Museum online catalogue
Alternative Title:
Evening scene three times a week at Wimbleton
Description:
Title etched at bottom of image., Sheet trimmed within plate mark on the sides., and Mounted to 27 x 37 cm.
Publisher:
Pubd. May 27th, 1795, by H. Humphrey, No. 37 New Bond Str
Subject (Name):
Pitt, William, 1759-1806 and Melville, Henry Dundas, Viscount, 1742-1811
Subject (Topic):
Britannia (Symbolic character), Bottles, Chamber pots, Glassware, Intoxication, Pipes (Smoking), and Wine
Title from item., Date derived from printmaker's date of death., Place of publication derived from publisher's street address., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Publié par Giraldon-Bovinet et Compie, Mds d'estampes, Commissionnaires, rue Pavée St. André des Arts, No. 5 and Lithog. de F:Noel
Subject (Topic):
Drinking of alcoholic beverages, Bottles, Wine, and Corkscrews
"Two elderly and bearded Jews (one wearing spectacles), shown three-quarter length, are seated facing each other across the table, greedily expectant, while a third (right) stands to carve a sucking-pig. Beside the table (right) is a wine-cooler holding six bottles."--British Museum online catalogue
Alternative Title:
Peep into Dukes Place and Peep into Duke's Place
Description:
Title etched below image., Printmaker and date from Grego., No. 5 in an album of 10 prints., and Bound in half calf with marbled paper boards and spine title "Colored caricatures" in gold lettering.
Publisher:
publisher not identified
Subject (Topic):
Jews, depicted, Eyeglasses, Eating & drinking, Tableware, and Wine
"Two elderly and bearded Jews (one wearing spectacles), shown three-quarter length, are seated facing each other across the table, greedily expectant, while a third (right) stands to carve a sucking-pig. Beside the table (right) is a wine-cooler holding six bottles."--British Museum online catalogue
Alternative Title:
Peep into Dukes Place and Peep into Duke's Place
Description:
Title etched below image., Printmaker and date from Grego., 1 print : etching on wove paper, hand-colored ; sheet 20.6 x 26 cm., Sheet trimmed within plate mark., and Mounted on leaf 60 of volume 4 of 14 volumes.
Publisher:
publisher not identified
Subject (Topic):
Jews, depicted, Eyeglasses, Eating & drinking, Tableware, and Wine
"Two elderly and bearded Jews (one wearing spectacles), shown three-quarter length, are seated facing each other across the table, greedily expectant, while a third (right) stands to carve a sucking-pig. Beside the table (right) is a wine-cooler holding six bottles."--British Museum online catalogue
Alternative Title:
Peep into Dukes Place and Peep into Duke's Place
Description:
Title etched below image. and Printmaker and date from Grego.
Publisher:
publisher not identified
Subject (Topic):
Jews, depicted, Eyeglasses, Eating & drinking, Tableware, and Wine
Title from item., Date of publication derived from date of original work., Copy after Boilly's print by the same name originally published by Delpech, Paris, 22 March 1823., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Drunkenness; Alcoholic beverages.
Publisher:
publisher not identified
Subject (Topic):
Alcoholism, Men, Eating & drinking, Wine, and Intoxication
Caption title. Without imprint., Place of publication supplied by curator., First line: Three rosy fac'd Topers as ever was known, On a Frolick one night ..., Additional two lines of music "For the German flute.", This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Staff notation., and In ink upper right: 31.
Publisher:
publisher not identified
Subject (Topic):
Drinking songs, Sheet music, Drinking of alcoholic beverages, Wine, Law, Clergy, and Songs
Title from item., Place of publication derived from street address., In image: h.D. 514., Date supplied by curator., Above image: Le Chapitre des Interprétations. 2., Published in Le Charivari, 9 September 1843., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Chez Pannier, R. du Croissant 16 and Imp. d'Aubert & Cie
Title above image., Date supplied by curator., Place of publication from item., In margin lower left: Propriété de l'éditeur. (Déposé.), This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Giantism.
Publisher:
Fabrique de Pellerin, Imprimeur Libraire, à Épinal
Title from item., In margin top right: Imagerie d'Épinal, No. 926., Date supplied by curator., and Temporary local Medical Library subject terms: Devils & demons; Panaceas.
Publisher:
Imagerie Pellerin
Subject (Topic):
Quacks and quackery, Devil, Miracle workers, Miracles, Wine, Alcoholic beverages, Medicine shows, Patent medicines, Barrels, Spectators, Contests, Eating & drinking, and Death
A young man lounges against a young woman, as they sit on a sofa; she holds his right hand in hers. With the left hand he pours wine into her glass which she holds with her left as they exchange amorous looks. They are both partially disrobed. On the table in front of them is a bunch of grapes and an apple, an upturned glass, and playing cards
Alternative Title:
Love and wine
Description:
Numbered '112' in lower right corner of plate., Below the title, four lines of verse in two columns: Heighten'd by Bacchus see the amourous flair ..., Cf. British Museum Catalogue, v. 4, no. 4524 by Spooner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published June 12th, 1787 by Robert Sayer, No. 53 Fleet Street
Subject (Geographic):
England.
Subject (Name):
Dionysus (Greek deity)
Subject (Topic):
Card games, Couples, Playing cards, Seduction, Wine, and Eating & drinking
"Queen Caroline as Lucifera sits in a coach made up of objects which figured in the evidence against her. The driver is Bergami, whip in hand (thus representing Satan) on a high box seat; he turns to hand a bottle of wine to the Queen who holds a sack inscribed '50,000' [see British Museum Satires No. 14145]. The beam or chassis is a cannon (see British Museum Satires No. 13850), on this rests the body of the open coach, the front part being the prow of a boat (the polacca, see British Museum Satires No. 13818), the centre part a tub, representing the bath, see British Museum Satires No. 13819, the back part, half of the body of a travelling-coach, is surmounted by half a conical tent (see British Museum Satires No. 13818), the whole making a canopy over the Queen. On the tub-section a coat-of-arms is represented by a diamond-shape blank (hatchment-wise) with two supporters, Bergami and the Devil. Motto: 'Ama et Aude'. The six animals harnessed single file and their riders are adapted from the 'Faerie Queene', relevant quotations being etched below, in eight compartments. The procession advances from the right, down a slope towards a slough, on the verge of which the leading animal, an ass, has fallen, throwing its rider, Alderman Wood in his livery gown, who has dropped two large stacks of papers: 'Addresses ready made' [cf. British Museum Satires No. 14119] and 'Plate Subscription' [see British Museum Satires No. 14196]. Below: 'Ignorance Might seem the Wain was very Evil led, When such an One had guiding of the way, That knew not whether right he went or else astray.--' [I, iv. 19.] [He replaces the 'Idlenesse' of the original.] The next four carry banners, each topped by a bonnet rouge; the leader is Dr. Parr on a large pig, as 'Gluttony the second of the crew'. He smokes his accustomed pipe, holds an open book; on his banner is 'Un-Sunned Snow' [see British Museum Satires No. 13975]. Below: 'And next to him rode loathsome Gluttony, deformed Creature, on a filthy Swine' [ibid. 21]. Next, on a goat, is Lord Grey, holding a banner inscribed 'Purity' and a staff topped by a burning heart. He wears a garland of white roses over his shoulder. Below: '--Sir G Rat-- In a Green Gown he cloathed was full fair, And in his hand a burning heart he bare' [ibid. 25]. (He is the 'lustfull Lechery' of the original.) He is followed by Brougham riding a wolf (fifth in the original), in wig and gown, holding a broom and a banner inscribed 'Innocence'. Below: 'And next to him malicious Envy rode upon a ravenous Wolf .....He doth backbite and spitefull poison spews' [ibid. 30, 32]. Next (last in the original), riding a fierce lion, is Burdett wearing makeshift and partial armour, a small red cap, and a tricolour sash; he holds up a firebrand and a red flag inscribed 'Victory or Death' [cf. Hunt's motto in 1819, see British Museum Satires No. 13279]. Below: 'And him beside ride fierce revenging Wrath, Upon a Lion loath for to be led, And in his hand a burning brand he hath, The which he brandisheth about his head' [ibid. 33]. Last (fourth in the original) a stout man mounted on a camel holds before him a copy of 'The Times', from a stack of the papers on his knee. He wears an apron with rolled-up shirt-sleeves (like a pressman) and top-boots, and is clearly Barnes (a fair portrait). Large saddle-bags are inscribed 'Hush Money, Pub[lic] Money', and '£500 Weekly'. Below: 'And greedy Avarice next him did ride, Upon a Camel, loaded all with Gold For of his wicked Pelf his God he made, And unto Hell himself for money Sold' [ibid. 27]. The last two inscriptions (right) describe Bergami and the Queen: 'And after all upon the waggon beam Rode Satan with a smarting Whip in hand, With which he forward lashed the lazy Team, As oft as Ignorance ['Slowth' in original] in the Mire did stand [ibid. 36]. So forth She comes and to her coach does climb [ibid. 17] The which was drawn by six unequal Beasts, On which her six sage Counsellors did ride' [ibid. 18]. Queen Caroline is compared to Lucifera: That made her selfe Queene, and crowned to be, Yet rightfull kingdome she had none at all, . . . [ibid. 12]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 46 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Parr, Samuel, 1747-1825, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, and Spenser, Edmund, 1552?-1599.
