Manuscript on parchment (bad quality) and paper containing 1) Guillelmus Peraldus (Guillaume Peyraud, s. XIII), De professione monachorum. 2) Requirements for the priest who is proceeding to the consecration of the Eucharist. 3) Iohannes Gerson (1363-1429), Opus tripartitum de praeceptis Decalogi, de confessione et de arte moriendi. 4) Anonymous treatise on the seven sacraments. 5) A short treatise on the Canonical Hours, being an annex to art. 5. 6) Henricus de Coesvelt OCarth. (d. 1410), De sacramento eucharistiae. 7) Anonymous treatise on the preparation to mass. 8) Alphonsus Bonihominis OP (d. c. 1353), Historia Ioseph. 9) Thomas de Cantimprato (Thomas of Cantimpré, d. before 1266?), Vita sanctae Christinae Mirabilis (d. c. 1224). 10) Guido Vicentinus OP (d. 1332), Margarita Bibliae (Biblia metrica), without the prologues. 11) Table of contents.
Description:
Binding: ca. 1900. Tan morocco binding over heavy bevelled wooden boards; the covers decorated with a blind-tooled roll, and gold-tooled frames. Five decorated brass bosses with cornerpieces, of an undetermined age (16th century?), on each cover, and two brass clasps, equally much older than the binding, attached to the rear cover. Spine with four raised bands. Six leather tabs., Modern (paper) binder's blanks not digitized., Script: Copied by various scribes in Gothica Semihybrida or Hybrida Libraria; the last section only (art. 11) is copied in a more rapid Gothica Cursiva Libraria/Currens, by Henricus de Benthem., and The decoration differs from section to section. Red heightening of majuscules, red paragraph marks and red underlining. Headings in red or black, sometimes in Textualis. 2-line (rarely 3- or 4-line) plain initials in red. 4-, 5- or 6-line flourished initials in red with black penwork on ff. 2r (art. 2), 50v (littera duplex, art. 4), 72r (littera duplex, art. 5), 146r (littera duplex, art. 8), 178r (art. 9).
Manuscript on paper of Petrus Blesensis (Peter of Blois, c. 1135-c. 1204), 1) De amicitia Christiana. 2) De caritate Dei et proximi. 3) Devotional texts apparently by the same hand. (a) On the value of attending Mass, quoting Bernard of Clairvaux, Jerome, Ambrose, Augustine ("Agustinus"), St. Paul, Luke, Matthew ("Mactheus"), Bede, Gregory the Great, etc. (b) 9 selected Psalm verses. (c) On the value of Confession. (d) On Christian hope.
Description:
Binding: Original quarter binding: undecorated white leather fixed with a strip of leather and engraved iron nails onto square-edged heavy oak boards; sewing on two split leather thongs. F. 60 used as pastedown. Remnants of a leather strap attached to the rear board, with a hole of the pin in the front board., Headings and stroking of the majuscules in red (but some headings are missing). Spaces left blank for inset initials (2-5 lines); guide letters are sometimes visible. A few pointing hands., Script: Copied by one hand writing a peculiar Gothica Semitextualis Libraria under Humanistic influence., The top of the leaves badly water-stained, and the edges of the front flyleaves and quire I very defective, with loss of text., and Watermark: Horn, var. Briquet 7965?.
Manuscript on paper of 1) Epistles for the Sundays, from Easter to the 16th Sunday after Pentecost, with commentary. 2) Epistles for the Sundays, from Easter to Palm Sunday, with commentary. 3) Summa poenitentiariorum, a commentary on the poem Poeniteas cito. 4) Short instructions for confession, followed by an extensive list in tabular form of sins, the Ten Commandments, the Seven Sacraments, the Works of Bodily Charity, the Works of Spiritual Charity, the Beatitudes, the Cardinal Virtues, the Gifts of the Holy Spirit. 5) Lumen animae. Theological and moral treatise in alphabetical form based on hundreds of quotations, mostly from texts of a scientific nature (medicine, natural history, astrology, alchemy, philosophy, etc.). 6) Jean Gerson, Donatus spiritualis. 7) Note on sexual perversities.
Description:
Binding: Nineteenth century. Quarter binding, dark brown flat leather spine, the cardboard covers covered with dark brown paper paper., Collection of Bernard M. Rosenthal, Booksellers, Berkeley, CA (MS 111). Purchased from him in 1994 on the Edwin J. Beinecke Fund., Red underlining, stroking of majuscules and plain initials of various sizes. A littera duplex (black and red) on ff. 1r and 38r. The decoration is missing at the end of art. 1 (starting f. 32r)., and Script: Copied by several similar hands in Gothica Cursiva or Semihybrida Currens; Libraria in art. 5. The headings and the commented texts are in a large, bold and more careful form of the same script; we see Gothica Textualis Formata at the opening of art. 1, the first section of art. 2 and the opening of art. 3.
Discordantiae sanctorum doctorum Hieronymi et Augustini : [and other tracts]
Image Count:
11
Description:
Bound with: Martinis, O. de De vita ... S. Bonaventurae. Rome, 1482. Barberiis, Ph. de. Carmen in laudem Sexti IV papae. Rome. 1481. and Modern foliation employed.
Subject (Name):
Augustine, Saint, Bishop of Hippo and Jerome, Saint, d. 419 or 20
Subject (Topic):
Theology -- Early works to 1800
Collection Created:
[Rome : Joannes Philippus de Lignamine, 1st December 1481]
Manuscript on parchment of Gregorius Magnus (Gregory the Great, pope 590-604), Regula pastoralis.
Description:
Binding: Nineteenth century, England. De luxe, gold-tooled green morocco over cardboard; each cover framed by rich gold-tooling imitating the decorated initial on f. 1v; turn-ins gold-tooled. Gold-tooled spine with repeated motif in the same style and title: “GREGORII / PASTORALIS / M.S.”. Gilt edges., Collection of Sir Thomas Phillipps (MS 14872)., Headings in red, missing from f. 12v onwards. 1-3-line plain initials in red of various shades. On f. 1v very large (c. 25 lines) decorated Romanesque initial “P” in red., Holes and defective corners, many repaired; the lower margins of ff. 63 and 91-92 are repaired by means of a strip of parchment; the lower margin of f. 93 is cut off. The manuscript is heavily trimmed at the top. First and last pages very soiled., and Script: Copied by various scribes writing Praegothica, difficult to distinguish from each other because of the uneven level of execution of their hands.
Manuscript on paper of 1) Ps.-Cyprianus Carthaginensis (Pseudo-Cyprian of Carthage or Pseudo-Augustine), De singularitate clericorum. 2) Ps.-Augustinus Hipponensis (Pseudo-Augustine), De incarnatione Verbi ad Ianuarium. 3) Pseudo-Augustine, De essentia divinitatis. 4) Letter from the bishops assembled at the council of Carthage, A.D. 416, to pope Innocentius I. 5) Letter of pope Innocentius I to the bishops at the council of Carthage A.D. 416. 6) Letter from the bishops assembled at the council of Mileve A.D. 416 to pope Innocent I. 7) Innocentius I, letter to the bishops assembled at the council of Mileve A.D. 416. 8) Prayer to be said before the image of Corpus Christi. 9) Prayer to Jesus Christ. 10) Prayer to Jesus Christ ascribed to Thomas Aquinas.
Description:
Binding: Original Italian reddish brown leather over pasteboard with a flap at the rear cover closing over the front cover with leather ties. Covers and flap are blind-tooled with frames and lozenges of quadruple fillets, decorated with small circular tools either single or in clusters, and a full border consisting of a scroll motif. At the top of the front cover, in black ink, Capitalis ca. 1500: “Aur. (?) Augustini opus”. Parchment flyleaves. On the front flyleaf verso a Table of Content written in red by hand A, recording artt. 1-7 only, under the title “Que in hoc libello inserte sunt”., Headings in purplish red. Spaces for 1- or 2-line initials have been reserved throughout the codex (in artt. 1-3 with guide letters), but these have not been executed, except in artt. 8-10, where they have been clumsily written in black ink in the left margin. At the opening of art. 1, 3-line half inset Humanistic dentelle initial on a square background in green and blue decorated with silver and gold penwork. It has floral extensions with gold balls in the upper and inner margin. In the lower margin of the same f. 1r, between three similar floral decorations, a circular medallion containing the coat of arms of the Ugolini family of Florence (parti per bend, or on azure, with two lions passant counter changed, surmounting)., and Script: Two hands, both writing a very small Humanistica hesitating between Semitextualis Currens and Cursiva Currens. A, the main scribe, copied ff. 1r-60v; B, an inexperienced hand, marked by the use of d with ascender curving to the right, i longa and round s in all positions, added the prayers on ff. 61r-63r.
Manuscript on paper composed in three parts. Part I: Nicolas of Amiens, De articulis fidei catholicae. Part II: Johannes de Rupescissa, Prophecy. Part III: Various unidentified religious texts
Description:
In Latin., Watermarks: Parts I and II: unidentified crossed arrows, in gutter. Part III: unidentified balance, in gutter., Script: Part I (ff. 1-24): Written by one scribe in large gothic cursive. Part II (ff. 25-27): Gothic cursive script by one person. Part III (ff. 28-75): Gothic cursive by two hands: Scribe 1) ff. 28r-64r, and Scribe 2) ff. 64v-72r., Part I: 2-line initials, paragraph marks and underlining in red. Part III: Headings, strokes on 1-line capitals, underlining and chapter numbers in margin all in red. On f. 30r, a crude 3-line initial in red with brown penwork, including a bear's head (?) above and a man's head at side; on ff. 33v, 44v, 46v a grotesque in profile., Stains on ff. 1r and 24, ff. 25r and 27v, and ff. 28r and 75v suggest that each part was once a separate booklet., and Binding: 19th-20th centuries. Black cloth spine with olive green decorated paper sides.