Manuscript on paper (unidentified watermark) of a List of English Knights with Blazons. The names of the knights are arranged by counties. The manuscript was originally part of a larger manuscript
Description:
In French., Script: Copied by one hand in Gothica Cursiva Libraria (Secretary)., Edges and folds of most leaves repaired., and Binding: Twentieth century. Half leather (dark brown sprinkled calf) over cardboard covered with blue-grey marbled paper. On the spine gold-tooled inscription "ENGLISH KNIGHTS. MS - ABOUT - 1480".
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Topic):
Heraldry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History
Three miniatures, on vellum, from the copy of the Livre du Lancelot du Lac illustrated by the Dunois Master. They depict: 1) the Duke of Clarence and esquire, meeting a knight cutting off a woman's hair; 2) King Baudemagnus leading the battle against the Romans; 3) Lancelot's arrival at the city of Gorre
Description:
In Middle French. and Binding: individually mounted.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lancelot (Legendary character)
Subject (Topic):
Manuscripts, Medieval and Arthurian romances in art
Manuscript on paper of 1) Les livres du roy Modus et de la royne Ratio. 2) Le bon chien Soullart (in verse).
Description:
In French., Watermarks: similar to Briquet Tete de cerf 15548, Tete de boeuf 14247, and unidentified unicorn., Script: Written by a single scribe in a running script, with a more formal style of writing for headings., Penwork drawing (with red added) of the hound, Soullart, on f. 59r; drawing of a lion (?) in same style on f. 60r. Simple decorative initials and headings in red, blue and/or black; some with calligraphic penwork designs and grotesques extending into margins. Paragraph marks, underlining, and highlights, in red., and Binding: Nineteenth century. Quarter purple leather with textured cloth sides.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Dogs, French literature, French poetry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Mathematics, Medieval
Manuscript, on paper, in several cursive hands, containing a variety of alchemical, medical, and other "scientific" texts in Latin, Middle English, and Anglo-Norman French. Contents include two Middle English poems, one on the four temperments, and the other the alchemical Secrets of the philosophers, attributed to George Ripley. Other contents include a dialogue between Dives and Lazarus; a copy of the Computus manualis; verious medical and alchemical recipes and formulae; and a treatise on snakeskin
Description:
In Latin, Middle English, and Anglo-Norman French. and Binding: contemporary limp vellum.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Alchemy, English literature, English poetry, English prose literature, Manuscripts, Medieval, Medicine, and Science
Manuscript, in two unidentified hands, written on paper (leaves 1-92) and parchment (leaves 93-102). Contains medical recipes and lists of herbs in Middle English (incipit: Here begynne goode medecynes; ff. 5-71), French provers in verse (incipit: Ce sont les proverbes des philosophes), Macer's De virtutibus herbarum (ff. 76-92), Honorius Augustodunensis' Imago mundi (f. 93-100).
Alternative Title:
Medical recipes [in English] ; Imago mundi de Asia, Africa et Europa: Asia a regiam [in Latin] and Imago mundi de Asia
Description:
In Middle English, Middle French, and Latin., Title assigned by cataloger., Script: gothic cursiva., Decoration: some two-line initials in red ink. Rubrication., Layout: single column of 48-56 lines., Binding: contemporary wooden boards portion of back cover missing., and Watermark is a variant of Briquet 5353 (Bologna 1432) and Briquet 5351 (Sienna 1410).
Subject (Topic):
Cosmology, Medicine, Manuscripts, and Medicine, Medieval
Manuscript bifolium, in a single hand, containing text from chapters 34, 35, and 39 of this prose romance
Description:
In Middle French., Layout: double columns of 52 lines., Script: gothic script., and Decoration: Rubricated. Three-line initials in gold against blue and rose grounds.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Arthurian romances, French prose literature, and Manuscripts, Medieval
Manuscript on parchment (thin, fine quality) of a collection of chansons. Written probably at the Aragonese court in Naples in the 1470's, perhaps as a wedding gift for Beatrice of Aragon, who married Matthias Corvinus, King of Hungary, in 1476
Description:
In French., Script: Written by one scribe in batarde, usually one line below each staff, but sometimes text written on every other line of the staves., The style of the Chansonnier's initials points to one of the ateliers active in the service of Ferrante I of Naples, in particular to the shop of Matteo Felice. One 2-line initial (f. 1r) tan, shaded purple and green, with curling floral serifs, blue and puce, filled with curling leaves against burnished gold and blue, with white filigree, against gold ground, framed in blue with white filigree; short, 3-stemmed flowers, gold, with brown hair-spray stems project from upper serif and midpoint; 3 gold dots with hair-spray symmetrically disposed around letter; floral border in outer margin, hair-spray stems with gold and green leaves and flowers, blue, purple, and gold at midpoint and terminals. One-line initials throughout, gold, infilled blue or purple, with white filigree, against irregular grounds, purple or blue, edged in black, with white filigree and two short flowering tendrils, as in border on f. 1v; often with a gold dot with hair-spray adjacent in outer margin., and Binding: 19th-20th centuries. Brown goatskin, blind-stamped, by Henri Marius-Michel of Paris (1846-1925), whose name is stamped inside the front cover. Not in his usual style. Included in the center front and back panels are monograms of Baron Joseph Vitta.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Frye, Walter, d. 1474 or 5.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Music, and Songs, French
Manuscript on paper of eight miracle plays celebrating the life and miracles of St. Nicholas in French verse, with headings and stage directions in Latin
Description:
In French and Latin., Watermark: Crescent, var. Briquet 5175 (1393-1520; the papers recorded by Briquet were used in Geneva, Fribourg and Grandson)., Script: Copied by two scribes writing Gothica Cursiva Currens: A copied ff. 1r-17v; B, writing a larger and more coarse script, copied ff. 18r-25v., There is no decoration., and Binding: Undecorated original limp parchment binding. At the top of the rear cover the handwritten contemporary title: “Papirus ludi sancti Nycholay Peialbi?? (Petri Albi = Aubepierre-sur-Aube?)”. On the inner side of the cover is a Latin notarial document on parchment, dated 24 November 1371.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Nicholas, Saint, Bp. of Myra.
Subject (Topic):
French poetry, Manuscripts, Medieval, and Mysteries and miracle-plays
Manuscript on parchment. Formerly known as the "Fouquet Missal", based on the mistaken attribution of the illumination to Fouquet
Description:
In French., Script: Written by a single scribe in formal gothic bookhand., A richly decorated manuscript with an unusual and elaborate program of miniatures by at least four artists: the Master of the Vienna Mamerot, Jean Colombe, a hand close to the Masters of Morgan 96 and 366, and a fourth artist whose hand has not yet been identified in other manuscripts. Each large miniature (107 total) has a full border incorporating four marginal scenes (428 in all) with subjects which either amplify or follow closely from the action of the miniature, disposed with two rectangular scenes in the outer border and two roundels in the lower border. The subsidiary miniatures, framed in red, are surrounded by blue and gold acanthus, flowering vines in green, blue and red, ivy in black pen with gold dots, large, naturalistic flowers, and black hair-spray with gold dots. The borders are framed on the outer edges with a red bounding line, on the inner edges with a red or gold bounding line., 4- and 2-line initials throughout, shaded pink or blue with gold foliate decoration against blue or pink grounds with pink or blue curling leaves, heightened in gold. 1-line initials, gold, against pink or blue grounds with gold filigree. On ff. 6r-13v the 4- and 2-line initials, as well as line-fillers in the same manner, are painted over blue or red initials with red or blue penwork and line fillers in red, blue and gold. The overpainting of this archaizing decoration reflects a change in decorative scheme rather than an interval of three-quarters of a century between the writing and the illumination of the manuscript. Rubrics and some underlining in red throughout., and Binding: Nineteenth century. Quarter bound in brown goatskin. Blue/green cloth sides with silver fastenings and fittings. On fastenings small roundels with portraits of the evangelists; on clasp a roundel with Annunciation. Numerous Turk's head place-marks on fore edge. Earlier covers, 17th century, mounted inside boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
