Manuscript fragment on parchment of Petrus Cantor (c. 1130-1197), Commentum in libros Proverbiorum, Ecclesiastes, Sapientiae et Ecclesiastici.
Description:
Binding: Unbound., Many leaves are badly soiled., Red underlining of biblical passages. 2-line flourished initials with extensions in the margin or in the intercolumnar space; they are in red and blue on ff. in quire I, in red only in quires II-III (two flourished initials on f. 1v are also executed only in red); two initials of that type are missing, ff. 11r and 16r. Larger initials at the beginning of the commentary of new Bible books: 4-line littera duplex "B(eatus)" on f. 4r, Prologue to Ecclesiastes; 3-line "Q(uecumque)" on f. 8v, Prologue to Wisdom; 11-line "S(ummi)" and 6-line "O(mnis)", both red on beige background, on f. 15r, Prologue and text of Ecclesiasticus., and Script: Copied by one hand in early Gothica Textualis. Running headlines in flourished majuscules alternately red and blue; they stop after f. 6.
Subject (Name):
Petrus,--Cantor,--ca. 1130-1197
Subject (Topic):
Bible.--O.T.--Apocrypha.--Ecclesiasticus, Bible.--O.T.--Ecclesiastes, Bible.--O.T.--Proverbs, Bible--Commentaries, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholasticism
Manuscript on paper of 1) Henricus de Langenstein (Henricus de Hassia the Elder, c. 1325-1397), Expositio super Orationem Dominicam. 2) Henricus de Langenstein, Expositio super Ave Maria. 3) Ps.-Augustinus Hipponensis, Sermo super Symbolum Apostolorum. 4) Ps.-Augustinus Hipponensis, De Oratione Dominica. 5) Expositio in Orationem Dominicam, based on excerpts from the following authors: Ambrosius, Anselmus Cantuariensis ("Anshelmus"), Augustinus, Bernardus Claraevallensis ("Berenhardus"), Cyprianus, Cyrillus Alexandrinus, Fulgentius Ruspensis, Gregorius Magnus, Hieronymus, Hilarius Pictaviensis, Iohannes Chrysostomus, Isidorus Hispalensis, Origenes, "Theophilus", Thomas de Aquino, "Titus".
Description:
Binding: Twentieth century. White parchment and marbled paper over cardboard., Headings, underlining and stroking of the majuscules in red. Red plain initials in artt. 1-5, normally 4 lines. On f. 16r, space for a 7-line initial was provided but not executed., Script: Copied by two hands writing Gothica Semihybrida Libraria; A copied ff. 1r-15v; B, writing a wider, more sloping and more rapid script, copied ff. 16r-20v. Both hands spell the diphthongs ae and oe in the classical manner., and Watermark: Ox head with eight-petalled flower on a rod and a cross below the mouth (Piccard, Ochsenkopfwasserzeichen, XIII.723 (1471-1474).
Subject (Name):
Heinrich,--von Langenstein,--ca. 1325-1397 and Pseudo-Augustinus
Subject (Topic):
Apostles' Creed, Ave Maria, Lord's prayer, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of 1) Epistles for the Sundays, from Easter to the 16th Sunday after Pentecost, with commentary. 2) Epistles for the Sundays, from Easter to Palm Sunday, with commentary. 3) Summa poenitentiariorum, a commentary on the poem Poeniteas cito. 4) Short instructions for confession, followed by an extensive list in tabular form of sins, the Ten Commandments, the Seven Sacraments, the Works of Bodily Charity, the Works of Spiritual Charity, the Beatitudes, the Cardinal Virtues, the Gifts of the Holy Spirit. 5) Lumen animae. Theological and moral treatise in alphabetical form based on hundreds of quotations, mostly from texts of a scientific nature (medicine, natural history, astrology, alchemy, philosophy, etc.). 6) Jean Gerson, Donatus spiritualis. 7) Note on sexual perversities.
Description:
Binding: Nineteenth century. Quarter binding, dark brown flat leather spine, the cardboard covers covered with dark brown paper paper., Collection of Bernard M. Rosenthal, Booksellers, Berkeley, CA (MS 111). Purchased from him in 1994 on the Edwin J. Beinecke Fund., Red underlining, stroking of majuscules and plain initials of various sizes. A littera duplex (black and red) on ff. 1r and 38r. The decoration is missing at the end of art. 1 (starting f. 32r)., and Script: Copied by several similar hands in Gothica Cursiva or Semihybrida Currens; Libraria in art. 5. The headings and the commented texts are in a large, bold and more careful form of the same script; we see Gothica Textualis Formata at the opening of art. 1, the first section of art. 2 and the opening of art. 3.
Subject (Name):
Gerson, Jean,--1363-1429
Subject (Topic):
Bible.--N.T.--Epistles, Bible--Commentaries, Confession--Catholic Church, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Repentance--Christianity, Science, Medieval, and Theology--History--Middle Ages, 600-1500
Manuscript on paper of Albertus Magnus, Commentary on Book 4 of the Sentences of Peter Lombard.
Description:
Binding: Fifteenth century. Original sewing on five slit, tawed straps laced into wooden boards. Endband cores laid in grooves. Covered with white, tawed skin, blind-tooled with a St. Andrew's cross within panel borders. The covering leather is sewn around the endbands, from spine to edges, with a back-stitch. Traces of round bosses, probably brass, and of two strap and pin fastenings, the pins on the upper board., Collection of Sir Thomas Phillipps (no. 573). Given to Yale in 1929 by Mrs. J. L. Leipziger., Plain initials in red and rubrics throughout., Script: Gothic cursive script of three hands. Scribe 1) ff. 1r-156v; Scribe 2) ff. 157r-274r; Scribe 3, Laurence of Mechlin, wrote ff. 274r-317r and dated the codex 1452., and Watermarks: similar to Briquet Ancre 381, Balance 2427, Tete de boeuf 15102.
Subject (Name):
Peter Lombard,--Bishop of Paris,--ca. 1100-1160
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Scholasticism, and Scholia
Manuscript on paper (polished) of Gasparino Barzizza, Commentary on Epistolae morales ad Lucilium, 65-124 only.
Description:
Binding: Fifteenth century, Italy. Parchment stays are adhered to inner and outer conjugate leaves of quires. Original wound sewing on three tawed skin, slit straps laid in channels on the outside of beech boards. The endbands, which are wanting, were sewn on tawed skin cores laid in grooves and nailed or held in place by the bosses; they were tied down through a tawed skin spine lining. Covered in sheepskin, originally brick red, with the surface now badly rubbed and shedding. Corner tongues. Blind-tooled with an X in concentric frames. Four leaf-shaped catches with three flowers on each on the lower board, one wanting; the upper board cut in for two kermes pink straps attached with star-headed nails. Five flower-shaped bosses on each board and the trace of a chain attachment at the tail of the lower one., Illuminated initial, f. 1r, 8-line, blue with white highlights and burnished gold on gold ground with stylized foliage in green and dark red with yellow highlights. Terminals ending in foliage serifs, red, green with yellow highlights, and gold balls with hairline extensions. Numerous pen and ink initials, 3-line, alternate red and bright blue with penwork designs of the other color extending along margin., Purchased from Enzo Ferrajoli through Nicolas Rauch of Geneva in 1958 by L. C. Witten, who sold it the same year to Thomas E. Marston., Script: Written in gothic cursive with humanistic features by a single scribe, above top line., and Watermarks: similar to Briquet Tour 15909 and Piccard Turm II.617.
Subject (Name):
Seneca, Lucius Annaeus,--ca. 4 B.C.-65 A.D
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholia
Manuscript on parchment (warped) of Victorinus, Commentarius in Ciceronis De inventione (Explanationes in Ciceronis Rhetoricam). With an Anonymous commentary on Cicero, De inventione I.24-28.
Description:
Binding: Nineteenth century, Italy. Brick red goatskin, blind-tooled. Bound in the same bindery for the Guarnieri-Balleani family (Iesi) as MS 450 and Marston MSS 72, 181, 182, and 212., Contemporary accounts on f. 49v refer to one Jordanus de Walchelina, and to Rotbertus, Liulfus and Leofric. Partially effaced inscription on f. 49v indicates that Stefano Guarnieri (d. 1495) bought the manuscript in Rome in 1465 (see U. Nicolini, "Stefano Guarnieri da Osimo cancielliere a Perugia dal 1466 al 1488," L'umanesimo umbro: atti del XI convegno di studi umbri-Gubiio 22-23 settembre 1974 [Perugia, 1977] pp. 307-23)., On parchment., Purchased from Lathrop Harper in 1953 by Thomas E. Marston., Script: Written by multiple scribes in cramped early gothic bookhand, above top line. Marginalia by several contemporary and later hands., Seven illuminated initials are later addition (Italy, 1450-1500): 4- to 3-line, gold on blue, red and green ground with white filigree. Black inkspray with gold leaves and balls extending into margins; f. 1r with blue and red flowers. Guide letters for decorator in margins., and Written by multiple scribes in cramped early gothic bookhand.
Subject (Name):
Victorinus, Marius and Victorinus, Marius. Explanationes in Ciceronis rhetoricam
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin essays, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholia
Manuscript on parchment of St. Bonaventure's Commentary on Book IV of the Sentences of Peter Lombard.
Description:
Binding: Eighteenth century, Germany. Cream colored pigskin, blind-tooled. Gilt edges. Green and cream endbands. Title on spine: "De septem/ Sacrament. Tract. Mst."., One historiated initial, f. 1r, 6-line, beige with foliage serif, red, against blue ground with white filigree, containing an apothecary (unguentarius) mixing ingredients in a mortar with two pestles. Numerous flourished initials, 3- to 2-line, alternate in red with blue, and vice versa, or often plain initials in red or blue. Running headlines in red and blue. Paragraph marks, alternating red and blue, appear sporadically (ff. 1r-36v)., and Script: Written by several scribes in small gothic bookhand.
Subject (Name):
Peter Lombard, Bishop of Paris, ca. 1100-1160
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Scholasticism, and Scholia
Manuscript on parchment of Origen, Commentarius in ad Romanos, translated into Latin by Rufinus. Probably written at the Cistercian abbey of Hautecombe.
Description:
Binding: Between 1800 and 1810, Italy. Half bound in brown sheepskin, gold-tooled, with two green, gold-tooled labels: "Hieronimi/ In Epistol/ ad Romanos/ Manuscrip" and "Saecul XII". Bright pink paper sides and edges spattered blue-green. The spine of the manuscript is back bevelled at head and tail. Rust stains from the nails of four corner bosses of early binding on first two leaves., Fine painted initials, ff. 1r and 29v, red with simple green penwork designs and pale yellow wash, 8-line; smaller red, green, or dark yellow-brown monochrome initials, 7- to 1-line. On f. 141r red initial, 7-line, with pale yellow wash. Headings in red., and Script: Written by multiple scribes in well formed early gothic bookhand.
Subject (Name):
Cistercians and Origen
Subject (Topic):
Bible.--N.T.--Romans, Bible--Commentaries, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of Nicolas Trevet, Commentarius in tragoedias Senecae.
Description:
Binding: Date? The backs of the quires are cut in, some in a W shape. Resewn on two tawed skin, slit straps. Endband sewn on a tawed skin core laid in grooves on the outside of the boards and nailed. The back oak board was previously covered with leather; front board is of unidentified wood. This seems to be a patched together binding using boards from different, possibly 15th-century, books. Presently quarter bound with brown sheepskin, blind-tooled, with radiant IHS in circles. Spine: supports defined with triple (?) fillets; an X with a central cross bar in the panels. Two fastenings, with the catches on the lower board. The upper board cut in for straps fastened with star-headed nails. Remains of title, in ink, on tail edge., Many leaves stained and crumbling along edges; no loss of text., Red and/or deep aquamarine blue initials, 10- to 5-line, with penwork flourished in same color(s), mark beginning of each play. On f. 1r head of bearded man peeps out from behind foliage in interior of letter; on other initials penwork designs extend into margins to form borders (e. g., 170r). Plain initials, 5- to 2-line, paragraph marks, headings, in red., Script: Written in semi-gothic cursive script by a single scribe, above top line; headings in gothic bookhand., and Watermarks: similar to Briquet Tete de boeuf 14330, 14338, Piccard Ochsenkopf I.701, Briquet Main 11092.
Subject (Name):
Seneca, Lucius Annaeus,--ca. 4 B.C.-65 A.D and Trivet, Nicholas,--1258?-1328
Subject (Topic):
Latin drama (Tragedy), Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholia