Manuscript on parchment of Roman de la Rose. With Poem on Paris of Troy, added in a later hand (15th/16th century); and Poem including the name of the man for whom the volume was copied, Pierre Louvel
Description:
In French., Script: Written in well-formed batarde by one scribe; art. 1 and some marginal notations in a slightly later hand., Inscriptions in almost every miniature to identify the figures. Sixty-six miniatures, 16- to 12-line, framed in gold, on f. 1r with a cusped arch and a full border of blue and gold acanthus at the corners and midpoints, red and blue flowers, and hair-spray with gold leaves, bounded in red and with a gold bar in inner margin. Other miniatures with 3/4 borders in the same style, some with birds. On f. 1r a 4-line initial, blue with white highlights, filled with red and blue ivy against a gold ground. 3- or 2-line initials, gold, with pink and blue grounds with white filigree. Capital at beginning of each verse stroked in yellow., Borders and miniature on f. 1r rubbed. Black ink hair-spray on many borders smeared., and Binding: Nineteenth century. Rigid vellum case heavily gold-tooled, with a red label. Gilt, gauffered edges. Motto on upper cover: "Nobilis ira." Bound by Bevan.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Guillaume, de Lorris, active 1230. and Jean, de Meun, approximately 1240-approximately 1305.
Subject (Topic):
French literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Romances
Manuscript on parchment of Roman de la Rose. Seventeen leaves containing lines 8242-10751 are now missing between ff. 39 and 40; in addition, the text has been abridged to 16272 lines
Description:
In French., Script: Written by a single scribe in neat gothic textura., Plain initials, 2-line, alternating red and blue, throughout the text; headings in red. First letter of most verses stroked with yellow., Slits in parchment on ff. 42-44, some affecting text., and Binding: Nineteenth century. before 1881. A very fine Grolieresque binding in brick red goatskin, gold-tooled, by Riviere.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Guillaume, de Lorris, active 1230.
Subject (Topic):
French literature, French poetry, and Manuscripts, Medieval
Manuscript on parchment (uneven quality, severely trimmed) of a Florilegium comprised of a series of meditations and prayers. The text, apparently a unicum, is a cento of biblical, liturgical, and patristic citations, with some additional material spuriously attributed to St. Bernard. The most important sources are the Song of Songs, the other Wisdom books, the Prophets, and, in the Trinitarian section, Augustine's De Trinitate
Description:
In Latin., Script: Written by three scribes. Art. 19 (ff. 189r-190r) written by Scribe 3 in an informal gothic bookhand, no later than ca. 1300. Scribes 1 and 2 collaborated on the rest of the manuscript: arts. 1, 3-5, 6 (ff. 124r-125r), 9-18 written by Scribe 1 in a neat, but somewhat irregular gothic bookhand, arts. 2, 6 (ff. 125v-132r), 7-8 written by Scribe 2 in an undisciplined gothic bookhand., The manuscript is outstanding for the quality and complexity of its program of illustration. In its original state it included at least fifty full-page miniatures, of which forty-six survive, one-hundred-and-sixty smaller miniatures, and forty-one historiated initials. Twenty-three tinted drawings were added on blank and added folios at a later date (between 1300 and 1350). The decoration is the work of at least three artists. The miniatures, initials, and marginal decoration are the work of two hands, one of whom contributed only two full-page miniatures (ff. 61r and 64r) that depend on the style usually associated with the name of Master Honore. The other, predominant hand works in a flatter, more linear style associated with Northeastern France. Full-page miniatures, in art. 1 only, some divided into two or three registers, in blue or orange frames, surrounded by a narrow gold band, with orange lozenges at the corners, each with an ivy spray, in black ink with five gold leaves; predominantly blue or vermilion tesselated or tooled gold grounds; two (ff. 25r and 55r) with fleurs-de-lis in lozenges. On each text page in art. 1 there is a smaller miniature, 9- to 5-line, with a witness who gesticulates towards the full-page miniature on the facing page; each miniature in a blue and/or pink frame with gold squares in the corners. Almost every folio in arts. 2-18 with at least one small miniature 10- to 5-line, framed as above. Arts. 11 and 14 illustrated almost exclusively with historiated initials, 6- to 4-line, blue, pink and/or orange against grounds of the same colors, with short ivy branches extending from the serifs, many with grotesque terminals., Illuminated initials, 2- to 1- line, in art. 1 only, gold against irregular blue or pink grounds, with white filigree, edged in black, some of the 2-line initials with ivy borders, as above. The borders, especially in arts. 2-18, are populated with grotesques and other marginal illustrations, the majority apparently non-narrative and without reference to the adjacent texts and miniatures, in the same style as the miniatures by the predominant hand. Names of Hebrew letters in art. 12 in red., Lower outer corners cut from ff. 167-192. Marginal decoration on many folios severely trimmed. Gold has flaked off considerably from the full-page miniatures on ff. 13r, 15r, 19r; some flaking of gold on ff. 6v, 18v, 25r, 34r, 44r, 51r., and Binding: ca. 1966. Bound in two volumes (I: ff. 1-96; II: ff. 97-192) in native tanned vermilion Nigerian goatskin, by J. Greenfield, without any adhesive touching the bookblock itself. Previously bound in brown leather in a single volume.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Devotional literature, Latin (Medieval and modern)., Exempla, Fathers of the church, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (trimmed) of Bible in irregular order; 3 Ezra and Baruch completely omitted as well as many prologues. The text includes chapter divisions introduced in the revision of Stephen Langton, either within text or in margins. With Index of Hebrew names generally attributed to Stephen Langton
Description:
In Latin., Script: Written in a small gothic textura, ff. 1-210v above top line, ff. 210r-420v below top line, by several scribes., Fine historiated and ornamental initials. Historiated initials for most books and some prologues, 12- to 4-line (without ascenders or descenders), blue, brown, orange, green, pink and gold with leafy and geometric designs, many with long bar and/or dragon ascenders and descenders; foliate vine serifs, some inhabited with animals or grotesques, against gold grounds; framed in thin bands of green and gold., All other books and prologues with ornamental vine-scroll initials; 32- (f. 182v) to 4-line, some incorporating men, animals and grotesques. Initials for chapters, 6- to 2-line, red or blue or divided red and blue with blue and/or red penwork flourishes, some with feather-like designs. Chapter numbers, running titles alternating red and blue letters or numbers. Helical line fillers, in red. Remains of instructions to rubricator., Lower margin of f. 1 cut away; red ink has bled in certain sections of text. Trimmed, with some loss of marginalia., and Binding: Nineteenth century. Gilt edges. Brown, hard-grained goatskin, blind-tooled with a gold-tooled title. Bound by H. Stamper.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Langton, Stephen, d. 1228.
Subject (Topic):
Versions, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper (lightweight and brittle) of Lutheran Church, Sacramentarium et Collectae
Description:
In German., Watermarks buried in gutter and obscured by text., Script: Written in gothic textura and cursive by many scribes. Scribe 1 (ff. 1r-17v) writes in a large gothic textura. Scribe 2 (ff. 18r-27r) writes in an even cursive script. Other cursive hands make notes and additions on ff. 1r-27r, and are intermingled in the text of ff. 27v-42v., Elaborate capitals on ff. 1r-17v, all by the first scribe, in brown ink. On ff. 18r-26v, headings in gothic textura, square capitals, or humanistic script, above the cursive text. Musical notation on a 5-line staff on ff. 15r-16v (the Lord's Prayer)., Most of the folios are now detached from the binding; some attempt was made to repair this, using paper strips. Margin of f. 1 repaired; does not affect the text., and Binding: Nineteenth century. Vellum case, blind-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Liturgies, Lutheran Church, Manuscripts, Medieval, and Sacramentaries
Manuscript fragment on parchment of a sacramentary containing: Canon of the Mass; Christmas Eve (24 December); and Christmas (25 December).
Description:
In Latin., Script: written in early gothic script (littera textualis)., and Decoration: 6-line Romanesque initial "D" in brown with intertwining brown vines ending in leaves; the letter and vines are decorated with bands filled with circles one of which has a 5-pointed asterisk in the center compartment; 2-line initials are in red square capitals; 1-line initials in red square capitals; rubrics written in red in the same script as the text; the first line of the mass for Christmas Eve is written in red capitals; punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, and Sacramentaries
Manuscript fragment on parchment of a sacramentary containing among other items: Mass for a saint whose relics are held in the church; Mass for a priest; Mass requesting the grace of the Holy Spirit; Mass on the temptation of the flesh; Mass for the Bishop; Mass for the living; and Mass for the living and the dead
Description:
In Latin., Script: written in late Caroline minuscule., and Decoration: 2-line initials at the beginning of each Mass are in red square capitals; 1-line initials are in red square capitals; rubrics written in red rustic capitals; punctuated with the punctus.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, and Sacramentaries
Manuscript fragment on parchment of a sacramentary containing: Mass for an unidentified saint and companions; St. Emmeram (22 September); Sts. Cosmas and Damian (27 September); Archangel Michael (29 September); St. Jerome (30 September); Sts. Simon and Jude (28 October); Vigil of All Saints (31 October); All Saints (1 November); and St. Caesarius (1 November).
Description:
In Latin., Script: written in early gothic script (littera textualis)., and Decoration: 2-line initials at the beginning of each Mass and 1-line initials for other prayers are in red; rubrics are written in in red in the same script as the text, with occasional use of uncial or rustic capital forms; punctuated with the punctus; hyphenation is in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, and Sacramentaries