Manuscript on paper of a common-place book. The main texts of the manuscript, which are primarily devotional in nature, were written in East Anglia by an unidentified scribe toward the end of the 15th century; a second individual, identified as Robert Melton of Stuston in Suffolk, added numerous accounts and notes at the end of the 15th and beginning of the 16th century
Description:
Robert Melton was the co-executor of the estate of John Cornwallis (d. 1506), Lord of the Manors of Brome, Stuston, Okley, and Thranston, whose family possessed Brome Hall from early in the 15th to the 19th century., In Middle English., Watermarks: similar to Briquet Armoiries 1038 for part of quire I and all of II; similar to Briquet Main 11399 for remainder of quire I, all of quires III and IV, part of V; similar to Briquet Navire 11971 on ff. 68, 79 only; similar to Briquet Lettre P 8586 on ff. 72, 75; similar to Briquet Main 11152 on ff. 73, 74; unidentified watermark on f. 81., Script: Written primarily by two persons: Scribe 1) ff. 1r-26v, 28r-44r, 68r-77r, 79v, 80v-81r. Written in small, well formed Anglicana script with first line of each text in formal bookhand. Scribe 2: ff. 27r-v, 45r-60r, 62v-67v, 77v-78v, 80r, 81v. Written in a large sprawling script; no ornamentation. A third person added art. 17 at a later time., Only scribe 1 included decoration. Initials in red, 4- to 2-line, with penwork flourishes in brown; initial strokes in red. Portions of text underlined in red; rhyming verses often bracketed, in red, at end of lines. On f. 14v, a fine half-page drawing in red and brown of the monogram IHS which incorporates both a heart pierced by a lance and vine patterns and tendrils. Art. 4 is illustrated with drawings of dice, in red, in outer margins., First leaves heavily stained; lower right corner waterstained ff. 1-43., and Binding: Between 1490 and 1500. Original sewing with long stitches through a thick rectangular piece of leather on the outside of a vellum wrapper. Contemporary scroll design added to upper cover with unidentified inscription, in red, mostly illegible.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Melton, Robert.
Subject (Topic):
Devotional literature, English (Middle)., English poetry, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (thick) of 1) Notes on the baronial Clare family of Gloucester, in chart format, from a manuscript contemporary with or slightly earlier than the main text (art. 3). Name of the appropriate King of England appears on the left in a red circle [concludes with King Edward IV, 1327-77], and a short history of certain members of the Clare family are added on the right. 2) Genealogical tree, added between 1450 and 1500, establishing the claims of King Edward IV (1461-83) to the kingdoms of England, France, Castile and Leon. 3) Brut Chronicle, up to 1419, but the final leaf of text has been torn out
Description:
In Middle English., Script: Written by a single scribe in neat Anglicana formata. Running titles and marginal notes added by later hands., Illuminated initial, 6-line, on f. 1r, pink on gold ground, with blue, green, and pink acanthus leaves, and white highlights; full bar-border with swirling acanthus leaves in same colors as for initial; black hair-spray in outer margins. Heading and chapter numbers in red. Small initials, 2-line, blue with red flourishes, for most chapters. Paragraph marks alternate red and blue., Parchment is well thumbed and worn, especially f. 1r; some loss of text., and Binding: 17th-18th centuries. Covered in brown calf, blind-tooled, with a brick-colored, gold-tooled label, probably a later addition.
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Name):
Clare family. and Edward IV, King of England, 1442-1483.
Subject (Topic):
English literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History
Prosper, of Aquitaine, Saint, approximately 390-approximately 463
Published / Created:
[between 1400 and 1425]
Call Number:
Beinecke MS 15
Image Count:
230
Resource Type:
unspecified
Abstract:
Manuscript on parchment of Prosper Aquitanus, Epigrammata ex sententiis Sancti Augustini. With Johannes Shepey, Sermones
Description:
In Latin., Script: Written in various styles of Anglicana, with some portions in gothic bookhand, by four scribes. Scribe 1) ff. 1r-10r; Scribe 2) ff. 10v-30r; Scribe 3) ff. 31r-107v; Scribe 4) f. 75r to the top of 76r (perhaps to supply text missing from the exemplar)., Blue initials with elaborate red, blue, and black penwork borders that almost totally encompass the written space on ff. 1r and 31r (trimmed along upper and outer edges); similar initials in blue with red penwork designs extending entire length of folio introduce each new section of text., and Binding: Nineteenth century. Brown sheepskin, blind- and gold-tooled. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustine, of Hippo, Saint, 354-430. and Prosper, of Aquitaine, Saint, approximately 390-approximately 463.
Subject (Topic):
Epigrams, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Scholia, Sermons, and Theology, Doctrinal
Manuscript on parchment roll, unevenly trimmed at top and bottom, composed of three membranes segments glued together, the third an addition of the late 15th century. Includes Prayers to be said for a pardon of 32,055 years; and Prayer based on the measurement of the length of the body of Christ. The texts are written on one side of a roll (dorse is blank).
Description:
In Latin and English., Script: Written in gothic liturgical script in brown and red ink., Membrane I: Two miniatures of the Emblems of the Passion, the one above the written space in a gothic architectural setting, with a Saint on either side and instruments of the Passion included around the full-figure of Christ standing with the cross. The miniature below with three exceptionally large nails and a heart enclosed by a crown of thorns and supported by two angels; surrounded by instruments of the Passion. The patron in clerical costume of white gown and blue robe [Austin friar?] in prayer with a scroll. A curling acanthus and floral border, containing birds holding snakes in their beaks; red, blue, pink and orange, framed in blue, with a gentle ogee arch at the top., Membrane II: A large empty cross (17 mm.) drawn in black ink and colored brown, in the center of the written space. One 6-line initial, pink and blue acanthus on a gold ground infilled with an aroid. Three 2-line initials, one blue filled with a pink flower on gold, one pink with white filigree on gold, one gold, filled with blue with white filigree on a pink ground. Floral border, including columbines, roses, in red, blue, pink and green, with insects, against a tan ground with brown dots, framed in red and blue., Membrane III: A miniature of the Christ Child as Salvator Mundi: seated on a red cushion beside the cross, holding the orb and blessing. This iconography, rare and perhaps unknown in English manuscript illustration, is probably of foreign origin. One 3-line initial, pink and blue with white highlights, filled with a blue and pink flower on a gold ground. Border with large blue, pink, green and orange flowers joined by an undulating green stem, with brown hair-spray and gold dots. Framed in blue and pink., and Holes and tears in the margins of the upper two segments; considerably rubbed, with some loss of text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Devotional literature, English (Middle), Illumination of books and manuscripts, Medieval, Indulgences, and Manuscripts, Medieval
In English and Latin., Script: Slovenly written mostly by one hand in Gothica Cursiva Currens (Secretary), with calligraphic extensions on the top line. The headings of the chapters are in Northern Gothica Textualis Libraria or more often in a somewhat more solemn form of Secretary., The majuscules are heightened in red. In the middle section of the manuscript the chapter headings are marked by a pointing hand; in the final section (ff. 20r-22v) horse-headed (?) dividers are used. Some initials in the headings are decorated with human heads. Numerous coarse pen-drawings in the margins, in black and red, more or less loosely illustrating the text., Badly damaged paper with leaves pasted onto stubs., and Binding: Nineteenth century. Blind-tooled brown calf over cardboard boards. Spine with gold-tooled title: "OLD ENGLISH VOCABULARY. MS. XV. CENT." Red marbled endpapers.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Dictionaries, Polyglot, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
In Middle English., Script: Written by a single scribe in a formal style of bastard Anglicana; delicately decorated ascenders and descenders along upper and lower edges of written space., On f. 5v a large coat of arms, Carent quartered with Toomer, in a green, orange, and gold frame, against a dark green ground, perhaps a slightly later addition; f. 6r, a small coat of arms, Carent, in the lower margin, against a gold ground, surrounded by a phylactery wrapped around the bar border. Arms supported by two seated dogs, in black pen, set in an oblong landscape, edged heavily in black., One 8-line (f. 6r), four 6-line (ff. 1r, 21r, 52r, 85v) and one 4-line (f. 106r) initials, blue and red with white highlights, filled with large four-lobed flowers and acanthus leaves, orange, green, pink, blue, and light blue, against irregular gold grounds, edged in black, with full (ff. 1r, 6r), 3/4 (ff. 52r, 85v) or single marginal (ff. 21r, 106r) borders. The full and 3/4 have gold, blue and red bands attached to initial, with curling and braided sections sprouting curling acanthus at corners; often against gold cusps, with spiraling black ink hair-spray vines with small green teardrop leaves, pink, brown, green, and blue flowers, and gold dots with small pink and blue leaves. 2-line gold initials on irregular blue and red grounds with white highlights, each with two sprigs of black hair-spray with green leaves and gold dots, as above. 1-line blue and gold initials, with red or pink penwork. Rubrics throughout., and Binding: Nineteenth century. Brown goatskin blind-tooled, with a gold-tooled title. Bound by Francis Bedford (London, 1800-84), who worked with C. Lewis and set up his own shop in 1841.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lydgate, John, 1370?-1451? and Mary, Blessed Virgin, Saint.
Subject (Topic):
Devotional literature, English (Middle), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper (unidentified watermark) of a List of English Knights with Blazons. The names of the knights are arranged by counties. The manuscript was originally part of a larger manuscript
Description:
In French., Script: Copied by one hand in Gothica Cursiva Libraria (Secretary)., Edges and folds of most leaves repaired., and Binding: Twentieth century. Half leather (dark brown sprinkled calf) over cardboard covered with blue-grey marbled paper. On the spine gold-tooled inscription "ENGLISH KNIGHTS. MS - ABOUT - 1480".
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Topic):
Heraldry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History
Manuscript on parchment of Edward, the second Duke of York, Master of Game
Description:
In English., Script: Written by a single scribe in a careful English secretary script., Gold initials, 3-line, on blue and dark pink grounds with white highlights mark text divisions. Headings and marginal chapter references, in red, throughout., and Binding: Eighteenth century. Brown skin, flesh side out, blind-tooled, over paper boards. Front cover detached.
Subject (Geographic):
Connecticut, New Haven., and York (England)
Subject (Name):
Edward, of Norwich, 1373?-1415.
Subject (Topic):
English literature, Hunting, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of The Mirrour of the Blessed Lyf of Jesu Crist, translated into English by Nicholas Love. With Memorandum stating that the original copy of the translation was given to Thomas Arundell, Abp. of Canterbury, for his approval, in 1410
Description:
In Middle English., Script: Written by one hand in bastard Anglicana., Initials at beginning of each day, 4-line, on ff. 22r, 34r, 53r, 106r, gold against pink and blue grounds, with white filigree, partial borders of acanthus leaves and daisy buds in purple, pink, orange and blue, black hair-spray with green leaves and gold dots. (Similar initials or more important decoration probably occurred on the folios missing at the beginning of Prohemium, Monday, Friday and Chapter 64.) 3- and 2-lines initials gold against pink and blue, with white filigree, short border of hair-spray with green leaves and gold dots. 1-line initials and paragraph marks gold with blue penwork or blue with red used in text and in running titles and notations in outer margin. Line-fillers in blue and gold; rubrics throughout., Outer margin of f. 37 cut off., and Binding: 19th-20th centuries. Olive green goatskin, blind-tooled, with gold-tooled label. Two clasp-and-catch fastenings. Bound by Zaehnsdorf (London, ca. 1842-1930). Original flyleaf (f. iv) is a bifolium, inserted sideways, from a manuscript written in England, 14th century, in Anglicana formata. On the recto and verso at top, portions of a prose text by Richard Rolle; on the recto and verso at bottom, Rolle's Commandment of Love.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Love, Nicholas, fl. 1410. and Rolle, Richard, of Hampole, 1290?-1349.
Subject (Topic):
Devotional literature, English (Middle), English literature, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval