Manuscript on parchment (irregularly trimmed pieces) of Jean Gerson, De potestate ecclesiastica.
Description:
Binding: Fifteenth century, Spain (?). Sewn on three tawed skin support, two pink, the central one green, laced into a thick parchment wrapper. Contemporary title written in ink on back cover: "Tractatus de potestate eclesiastica***". Rodent damage at tail., Crude initial, red with an asymmetrical configuration of red and black penwork designs. Floral line-filler at conclusion of prologue. Plain red initials, 3- to 2-line, mark text divisions. Heading, f. 1r, in red. Majuscules stroked with yellow. Contemporary sketches of intertwining snakes on ff. i recto and ii verso., and Script: Written by a single scribe in fere-humanistic script, below top line.
Subject (Name):
Gerson, Jean,--1363-1429
Subject (Topic):
Ecclesiastical law, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of Sebastian Brant (1457-1521), De praestantia artis impressoriae elogium, a 52-verse poem in praise of the art of printing, addressed to the German priest, humanist, printer and publisher Johann Bergmann von Olpe (ca. 1460-1532).
Description:
Collection of Bernard M. Rosenthal, Booksellers, Berkeley CA (MS 205)., Script: Written in a small vertical Humanistica Cursiva., and Undecorated.
Subject (Topic):
Laudatory poetry, Latin (Medieval and modern), Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Printing
Manuscript on parchment (poor quality) of Leonardo Bruni, De primo bello punico, compiled largely from Polybius.
Description:
Binding: Nineteenth century, England (?). Quarter bound in red, hard-grained goatskin, gold-tooled, with printed marbled paper sides. Edges spattered yellow and black. Title on spine: "Leonardi Aretini, Commentarii. MS. in membranis"., One large illuminated initial, 4-line, gold on blue, light green and pink ground with white vine-stem ornament. Initial joined to partial border, white vine-stem ornament on blue, light green and pink ground with white dots and gold balls with penwork extensions in brown ink. Two smaller initials on ff. 23v and 38r, 4-line, gold, outlined in yellow on blue grounds with white highlights. Plain initial, f. 1v, and headings in pale red., Purchased from Maggs Bros., London, in 1955 by L. C. Witten, who sold it in the same year in 1954 by Thomas E. Marston., and Script: Text written by a single scribe in humanistic cursive script, above top line. Marginal notes (mostly proper names and events) added by at least two hands, 15th-16th centuries, with one set added throughout in red by a scribe who also placed Roman numerals for each book in upper margin.
Subject (Geographic):
Rome--History, Military--265-30 B.C
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (palimpsest) of 1) Francesco Barbaro, De re uxoria, with his dedicatory preface to Lorenzo di Giovanni de' Medici. 2) Leonardo Bruni, Oratio Heliogabali ad meretrices. 3) Plato, Crito, the first version of the Latin translation by Leonardo Bruni (1420s). 4) Xenophon, Apologia Socratis, translated into Latin by Leonardo Bruni. 5) The ps.-Virgilian Epistola Virgilii ad Maecenatem written by Pier Candido Decembrio as a young man in 1426; he had difficulty convincing his contemporaries that it was not genuine.
Description:
Binding: 19th-20th centuries, Germany (?). Case bound with leaves from a parchment manuscript (Breviary, France, 1250-1300). On the front pastedown: rubrics for the major feasts and their octaves occurring in late June (John the Baptist, 24 June) through mid-August (Assumption, 15 August), and the beginning of the lessons to be read within the octave of the feast of John the Baptist; on the back pastedown: end of the lessons for Hilarianus of Arezzo (7 August) and beginning of the second lesson for Cyriacus, Largus and Smaragdus (8 August)., Illuminated initial of poor quality, f. 1r, 7-line, gold (almost completely rubbed), with red penwork filigree and small stylized leaves, with some touches of gold. At the top of the page, beneath rubric, arms of the Rustichelli family (per pale, or, a lion rampant sable; or, 4 bars nebuly sable), surrounded by red penwork. Plain initials in red and blue. Headings in red. Some small initials touched with yellow. Off-set impression of eyeglasses on ff. 33v-34r., Purchased in 1957 from H. P. Kraus by L. C. Witten, who sold it in 1959 to Thomas E. Marston., and Script: Written in humanistic bookhand by a single scribe, above top line.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Giles, of Rome, Archbishop of Bourges, ca. 1243-1316
Published / Created:
[between 1300 and 1325]
Call Number:
Marston MS 139
Image Count:
380
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment (poor quality, pieced) of Aegidius Romanus, De regimine principum.
Description:
Binding: Nineteenth century, France. Black goatskin, blind-tooled, with gold-tooled doublures. Bound by L. Magnin, Lyon. Stains from fore-edge clasps of earlier binding on early parchment flyleaf., Divided intials, red and blue, 6- to 5-line, with pen flourishes in red and blue, mark major text divisions; initial on f. 1r has simple border extending down inner margin. Small initials, 3- to 2-line, alternate red and blue, with penwork flourishes in opposite color. Headings (some missing) and running headlines in red. Paragraph marks alternate red and blue. Notes to rubricator., Purchased from Emile Rossignol of Paris in 1958 by L. C. Witten, who sold it in 1959 to Thomas E. Marston., and Script: Written by multiple scribes in small gothic bookhand.
Subject (Name):
Augustinians
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of Colucii Salutati, De seculo et religione.
Description:
Belonged to S. Harrison Thomson (MS 6); note inside front cover states that he purchased the manuscript in Oxford in 1926. Acquired from Thomson in 1968 with the Edwin J. and Frederick W. Beinecke Rare Book Endowment Fund., Cataloged from microfilm by Albert Derolez., Cite as: Coluccio Salutati, De Seculo et Religione. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on paper of Colucii Salutati, De seculo et religione. Folios 49 and 50 (central conjugate leaves) were reversed in binding. Produced probably in Northwestern Italy (diocese of Ivrea) by the scribe Martinus de Laurentio de Padono, in 1485 (colophon, f. 81r). Written in neat gothic cursive that shows batarde influence; first word(s) of each section executed in bold textura. Spaces for decorative initials are unfilled; guide-letters in margins., and Seventeenth-century (?) binding: Sewn on three tawed, slit strap supports, the spine lined with vellum between them. Blue and cream colored endbands. Covered with tawed skin, originally white, over flush, made boards.
Manuscript on parchment of M. Tullius Cicero (106-43 B.C.), Cato Maior de senectute, with a List of the Seven Wise Men of Greece.
Description:
Binding: original Italian, repaired: brown leather over thin wooden boards, the covers blind-tooled and decorated with numerous small gold dots. Marks of two clasps; on the spine, now detached and kept separately, a gold-tooled reddish brown title label (17th century?) with the inscription “STR // DE // SEN”. Gilded edges., Pink headings. The names of the interlocutors and the colophon on f. 48r are written in pink Capitals. The first line of the various sections following the dentelle initial is written in alternately pink and black Capitals, except on f. 2r, where it is written in gold Capitals. The illuminated opening folio before f. 1 has been cut out. The smaller sections open with a pink Capital placed between the double bounding lines. 2-line Renaissance dentelle initials in gold on a divided and indented red and blue background, decorated with silvery penwork, at the beginning of the major subdivisions of the text., R.G. Babcock, T.N. Thomas, D.M. Kibbey, E.P. Archibald, A Book of Her Own. An Exhibition of Manuscripts and Printed Books in the Yale University Library that were Owned by Women before 1700 (New Haven, 2005), p. 66., Record created by Beinecke staff from catalog description by Albert Derolez., Script: copied by Giovanmarco Cinico from Parma in Humanistica Textualis Formata. This famous scribe was active in Naples from ca. 1458 to ca. 1498., and Written for the young Beatrice of Aragon (1457-1508), daughter of Ferrand of Aragon, King of Naples and future Queen of Hungary. Purchased 1994 from Bernard Quaritch (?) on the Edwin J. Beinecke Fund.
Subject (Name):
Cicero, Marcus Tullius
Subject (Topic):
Dialogues, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Old age
Herolt, Johann Nicolaus, von Dinkelsbühl, approximately 1360-1433
Published / Created:
1444
Call Number:
Marston MS 141
Image Count:
259
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper (thick) of 1) Five lines of verse on the proper formulaic conclusion to prayers addressed to members of the Trinity. 2) Nicolaus de Dinkelsbuehl, De septem peccatis capitalibus (Confessionale). 3) Latin and German names of the books of the Bible; Latin and German names of Aristotle's principal works; Latin names of the Minor Prophets; etc. 4) Johannes Herolt ("Discipulus"), Sermones dominicales. 5) Johannes Herolt, Sermo in festo Iohannis Baptiste.
Alternative Title:
Nicolaus de Dinkelsbuehl; Johannes Herolt, etc.
Description:
Binding stays from this and other parchment manuscripts, s. xiii-xiv, inserted throughout., Binding: Fifteenth century, Germany. The backs of the quires are cut in. Original sewing on three double supports is laced into almost flush wooden boards, and the tawed skin cores of braided endbands, sewn through the cover, are also laced. The spine is back cornered with lining extending between supports on the outside of the boards. Large vermilion and sepia roses are painted on each edge. Back pastedown (and perhaps the inner front pastedown, covered by paper) consists of a parchment bifolium (Germany, 1200-1250) containing the Sermones de tempore of Johannes Halgrinus de Abbatisvilla. Written in small neat early gothic bookhand, above top line. Binding stays from this and other parchment manuscripts, 13th-14th centuries. Covered in kermes pink skin blind-tooled with an X in a frame on the front board, tying-up marks on the spine, and a frame on the lower one. Five round, brass bosses on each board and one fastening, the catch inset on the upper board, the lower one cut in for the strap., Crude red initials, 3- to 2-line, throughout; ff. 33v-38r, 113v-114v and 166r-203r rubricated., Imperfect: leaves 123r-124r and 207r-v mutilated., Purchased in 1946 from H. Rosenthal by H. P. Kraus, who sold it in 1957 to Thomas E. Marston., Script: Written by multiple scribes in varying styles of gothic hybrida and bookhand scripts., and Watermarks, in gutter: similar to Briquet Monts 11786 and unidentified bull's head.
Subject (Name):
Dinkelsbuehl, Nicolaus de and John,--the Baptist, Saint
Subject (Topic):
Church year sermons, Confession--Catholic Church, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Sermons--Early works to 1800
Early ex-libris on f. 52v in light ink: "iste liber est de fontibus geradi [sic]. and Manuscript on parchment of Arnald, abbot of Bonneval, 1) Tractatus de septem verbis domini in cruce. 2) Libellus de laudibus de B. Mariae virginis.
Description:
Binding: 13th-14th centuries (?), France. Original sewing on four tawed skin, slit straps laced from out to inside the boards and wedged at an angle. Pastedowns sewn with book. The upper board is beech, the lower oak. The grooves on the inside of the boards have been burned as well as gouged out. A blue and natural color endband is sewn in a chevron pattern. The primary core is laced into grooves parallel to the edges of the boards but not fastened and the endband is sewn through the cover. Fragment of an unidentified text (France, 1125-ca. 1150) used for front pastedown; portion of a document dated 1225 (?) involving Theobaldus, abp. of Rouen (1221-29) and the Cistercian nunnery of Fontaine-Guerard (Fontes Guerardi) for rear pastedown. Covered in very thick tawed skin, neatly patched and pieced out. The turn-ins are nailed near the corners. There are two strap-and-pin fastenings, the pins on the lower board and the kermes pink, tawed skin strap ending in a catch with a twisted, tawed skin cord and tassel attached, later additions (?). Remains of later title, in ink, on spine., Red initial, 4-line, with red and green arabesque designs on f. 1r; red monochrome initials with simple decorative designs, ff. 2v, 9r, 14r; less elaborate red initials, ff. 18v, 23r, 29v, 47r. Heading in red for art. 1 only. Initials stroked with red., and Script: Written in a neat late caroline minuscule that is written above the text ruling, not on it.
Subject (Name):
Mary,--Blessed Virgin, Saint--Devotion to
Subject (Topic):
Devotional literature, Latin (Medieval and modern), Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Boethius, De topicis differentiis.
Description:
Binding: Date? Limp vellum case with title, in ink, on spine: "Topica boetij"., One historiated initial, f. 1v, blue with white filigree and highlights against a square reddish brown ground with white filigree, showing Boethius as a monk in a blue robe seated on a chair and holding a scroll inscribed with his name, and a disciple, dressed in a red robe and holding a book inscribed with the opening words of the text proper, both figures against a grey ground with white filigree. Three illuminated initials, ff. 7v, 16v, 23r, 6- to 4-line (without ascenders or descenders), blue with white filigree against reddish brown ground with white filigree or reddish brown against blue ground with white filigree. The initials are filled with scrolling vines blue or reddish brown with white highlights, with stylized leaves, ending in dragons' heads against reddish brown or blue grounds. Descender, f. 16v, in form of a dragon, reddish brown against blue ground. Flourished initials, 2-line, and paragraph marks alternate red and blue., and Script: Written in compact gothic bookhand by a single scribe, below top line.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library