The central figure of this satire is Lord Bute who stands on a chest labeled "Treasure Box". He is surrounded by his supporters, including Hogarth, and other members of the administration, Smollett, Murphy, Bedford, Dashwood, Townshend, Talbot, Kirby, etc. A satire on Bute's administration and his handling of tax reform and peace with France
Alternative Title:
Set of blocks for Hogarth's wigs
Description:
Title engraved above image., Attribution to Paul Sandby from Gunn., First state, as described in British Museum catalogue: plate without additional text and before addition of gallows., Publication date from British Museum catalogue., Sheet trimmed to plate mark., Below image: An account of the blocks their origin ..., and "Price 6".
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Smollett, T. 1721-1771 (Tobias),, Murphy, Arthur, 1727-1805, Bedford, John Russell, Duke of, 1710-1771, Dashwood, Francis, Sir, 1708-1781, Townshend, Charles, 1725-1767, Talbot, William Talbot, Earl, 1710-1782, Hogarth, William, 1697-1764, and Kirby, Joshua, 1716-1774
Subject (Topic):
Taxation, Seven Years' War, 1756-1763, Anglo-French War, 1755-1763, Barbers, Engravers, Devil, and Wigs
Lord Leinster, personified as a rough Irish farmer, leads Queen Caroline by a rope around her neck. Leinster expounds: 'Dam me! no one but the D... shall stop her.' Another figure in the background, probably Bartolomeo Pergami, replies: 'Stop Nosey, let me feel that Heifer.'
Alternative Title:
Show heifer going to Leinster Stable Yard
Description:
Title etched below image., Date of publication from dealer's description., Text below title: Dedicated to the Farming Society of Ireland., Sheet trimmed to plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. by McCleary, 21 Nassau Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Leinster, Augustus Frederick Fitzgerald, Duke of, 1791-1874, and Bergami, Bartolomeo Bergami, Baron
"George IV drives Lady Conyngham in a four-wheeled pony-chaise. He is chubbily obese, in loose trousers and braided jacket, wearing a cap poised on his naturalistic curls (cf. British Museum Satires no. 14637). He turns to the enormously corpulent lady. Both overweight the little chaise, and the very small ponies strain desperately. Behind and on the extreme left is the head of the horse ridden by an attendant. They have just passed a gate with a small octagonal lodge. The drive is bordered by a paling; in the background are stags."--British Museum online catalogue
Alternative Title:
Ponies posed
Description:
Title etched below image., Printmaker from the British Museum catalogue., and Watermark: J. Whatman 1824.
Publisher:
Pub. March 28, 1824, by S.W. Fores, 41 Picadilly [sic], London
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
"Fox (right), wearing a hat, stands in profile to the left, discharging a blunderbuss at the Commercial Treaty (left), a long scroll whose lower portion rests on the floor. The muzzle of his weapon is the head in profile of Lord George Cavendish, from whose mouth missiles emerge. On bands round the muzzle are etched the Cavendish motto, 'Cavendo tutus'. From Fox's pocket protrudes a paper inscribed 'Methuen Treaty'. Behind Fox three seated members are indicated but not characterized; Burke leans forward from behind them holding out his hat in agitated approval. After the title is etched, 'a hasty Sketch of Yesterdays Business'."--British Museum online catalogue and "On 5 Feb. Pitt moved for a committee of the whole House (on 12 Feb.) on the Treaty of Commerce and Navigation with France. Cavendish moved an amendment to delay the debate. Fox then spoke, attacking the treaty as (inter alia) a sacrifice of the Methuen Treaty with Portugal, and alleging that Pitt was 'opposed by the whole body of the people', and 'wrong in every article of his scheme'. 'Parl. Hist.' xxvi. 346 ff."--Curator's comments, British Museum online catalogue
Alternative Title:
Shot at the Minister for a call of the House
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 52 with one other print.
Publisher:
Publd. 6th Febry. 1787 by Thos. Cornell, Bruton Strt
Subject (Geographic):
Great Britain and France.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and France.
Subject (Topic):
Politics and government, Foreign economic relations, and Firearms
"Fox (right), wearing a hat, stands in profile to the left, discharging a blunderbuss at the Commercial Treaty (left), a long scroll whose lower portion rests on the floor. The muzzle of his weapon is the head in profile of Lord George Cavendish, from whose mouth missiles emerge. On bands round the muzzle are etched the Cavendish motto, 'Cavendo tutus'. From Fox's pocket protrudes a paper inscribed 'Methuen Treaty'. Behind Fox three seated members are indicated but not characterized; Burke leans forward from behind them holding out his hat in agitated approval. After the title is etched, 'a hasty Sketch of Yesterdays Business'."--British Museum online catalogue and "On 5 Feb. Pitt moved for a committee of the whole House (on 12 Feb.) on the Treaty of Commerce and Navigation with France. Cavendish moved an amendment to delay the debate. Fox then spoke, attacking the treaty as (inter alia) a sacrifice of the Methuen Treaty with Portugal, and alleging that Pitt was 'opposed by the whole body of the people', and 'wrong in every article of his scheme'. 'Parl. Hist.' xxvi. 346 ff."--Curator's comments, British Museum online catalogue
Alternative Title:
Shot at the Minister for a call of the House
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching with stipple on laid paper ; plate mark 17.7 x 25.1 cm, on sheet 19.6 x 26.9 cm., and Mounted with one other print on verso of leaf 35 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 6th Febry. 1787 by Thos. Cornell, Bruton Strt
Subject (Geographic):
Great Britain and France.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and France.
Subject (Topic):
Politics and government, Foreign economic relations, and Firearms
"Fox (right), wearing a hat, stands in profile to the left, discharging a blunderbuss at the Commercial Treaty (left), a long scroll whose lower portion rests on the floor. The muzzle of his weapon is the head in profile of Lord George Cavendish, from whose mouth missiles emerge. On bands round the muzzle are etched the Cavendish motto, 'Cavendo tutus'. From Fox's pocket protrudes a paper inscribed 'Methuen Treaty'. Behind Fox three seated members are indicated but not characterized; Burke leans forward from behind them holding out his hat in agitated approval. After the title is etched, 'a hasty Sketch of Yesterdays Business'."--British Museum online catalogue and "On 5 Feb. Pitt moved for a committee of the whole House (on 12 Feb.) on the Treaty of Commerce and Navigation with France. Cavendish moved an amendment to delay the debate. Fox then spoke, attacking the treaty as (inter alia) a sacrifice of the Methuen Treaty with Portugal, and alleging that Pitt was 'opposed by the whole body of the people', and 'wrong in every article of his scheme'. 'Parl. Hist.' xxvi. 346 ff."--Curator's comments, British Museum online catalogue
Alternative Title:
Shot at the Minister for a call of the House
Description:
Title etched below image., Signed with the monogram of James Sayers., and Figure with gun identified in contemporary hand as Charles Fox.
Publisher:
Publd. 6th Febry. 1787 by Thos. Cornell, Bruton Strt
Subject (Geographic):
Great Britain and France.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and France.
Subject (Topic):
Politics and government, Foreign economic relations, and Firearms
Title from item., Publisher identified from address., Publisher's statement following imprint: whar [sic] is 100 differert [sic] sortmont [sic]., Eight lines of verse in four columns below image: Unto a neighb'ring castle by, to rest his body, and apply ..., and Temporary local subject terms: Litchfield -- Races: Litchfield races -- Elections: Westminster elections, 1747 -- Jacobites -- Elections: bribery -- Design: copied from Hogarth's Taste in high life -- Hunting -- Whittington Heath -- Horse whips -- Tents -- Mottoes: Pretender's motto -- Dancing masters: Mr. Toll -- Nicknames: Two Shilling Butcher for Sir Thomas Clarges -- Nicknames: Staffordshire Jacobite for Lord Gower -- Heston Humphrey.
Publisher:
Sold in May's Buildings, Covent Garden
Subject (Name):
James, Prince of Wales, 1688-1766, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bedford, John Russell, Duke of, 1710-1771, Gower, John Leveson Gower, Earl of, 1694-1754, Stafford, Granville Leveson-Gower, Marquess of, 1721-1803, Clarges, Thomas, Sir, 1688-1759, and Warren, Peter, Sir, 1703-1752
"Portrait of John Farquhar, whole length, standing, face in profile to the left, wearing tailcoat and trousers with patches."--British Museum online catalogue
Description:
Title etched below image. and Matted to 41 x 33 cm.
Publisher:
Pubd. Octr. 1826 by G. Humphreys, 24 St. James St.
"A pugilistic encounter between two old market-women who are Eldon (left) and Wellington (right). Eldon is much the stouter and more purposeful, facing his enemy grimly and aggressively. He has a basket of oranges (emblem of the Orange Lodges) beside him, and wears a flat wide-brimmed hat. Wellington wears a soldier's coat over his skirt and apron (as beggar-women or basket-women often did, cf. (e.g.) BM Satires No. 15763). His profile is apprehensive, his hands loosely closed and on the defensive. Each has a bottle-holder; that of Eldon is John Bull, a stout yokel who puts his hand on his principal's bulging posterior, saying, 'Welldone--old Mother Baggs--you have got the best bottom after all. see what it is to have a good Constitution--give it her--she has'ent got the Mounshears to deal with now.' Wellington's supporter is a bare-legged Irish ragamuffin with a pipe thrust in his little hat. He capers excitedly, putting a hand on Wellington's back to push him forward, saying, 'Murder ye ould cat kape your fists Tight--or you'I let the Ould Orange-Woman bate ye clane.' In the background is a freely sketched crowd of spectators, women of St. Giles or Billingsgate. Two only are characterized: a fat woman with parson's wig and bands, with a basket of 'Oxford Sauce' on her head, looks over her shoulder at a handsome young virago (Peel), who is shouting at her, to say: 'Come give us none of your Jaw--Mother peel'."--British Museum online catalogue
Alternative Title:
Sketch of the row in Parliament Street
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political & other caricatuers are dail [sic] publishing., Approximate date of publication from British Museum catalogue., Sheet trimmed within plate mark on three edges., Temporary local subject terms: Market-women -- Fruit -- Emblems -- Orange Lodges -- Male costume: Soldier's coat -- Peasants -- Irish ragamuffin -- Pipes -- Markets., and Numbered in ms. at top of sheet: 185.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Peel, Robert, 1788-1850