"Napoleon, pushing an officer before him through a pillared doorway, looks back to speak to a monk and a sansculotte, shackled together, who drag a car in which is an imperial crown. They hold a large scroll inscribed: 'Most religious Sovereign - the benefactor of the church - the patron of liberty - the scourge of tyrants, and the defender of our most holy religion; may you long fill the Imperial Chair, and diffuse over a free and happy people all the blessings of your auspicious government.' Demons fly round a tricolour flag which floats from the car. Napoleon holds out a scroll headed: 'Address, &c. &c. &c. The Legions of France congratu - ', saying, "This token of your gratitude, my dear subjects will ever stimulate me to protect your liberties - to promote your happiness - and to preserve my empire from the ravages of war, tyranny and oppression." The officer, with a cynical smile, says: "Patron of Liberty - Defender of our most holy Religion - free and happy People - Ha! ha! ha! - What may we not expect? - Has he not got them under excellent subjection?" On the left is Napoleon's 'Secret Chamber': a table is covered with maps and plans; a large map, partly unrolled, shows Europe from '[En]gland to [Tur]key', including the 'Black Sea'; another map shows 'Suez' and the 'Red Sea'. A demon under the table holds up a large pile of papers: 'Plans against England'; on the floor are similar piles: 'Religion' and 'Treaties'. There are also 'Plans against Germany and Turkey', and a paper: 'Mem. the chance of the conquest of England is worth the sacrifice of one third of the people of France. Item. As Charlemaine not only conquered Italy, but the whole of Germany, and left the Imperial dignity hereditary in the Sovereigns of France, it is indispensably necessary to obtain possession of Germany, in order to support the dignity of the Gallic empire.' On the wall are three pictures: 'Sacking of Rome', 'Dissolution of the National Assembly' [see British Museum Satires No. 9426, &c], and 'View of Cairo' [see British Museum Satires No. 9358, &c.]. Below the design: 'Explanation. The two figures bringing the Imperial crown . . . represent . . . the bitter Enemies of Aristocracy, and the staunch Supporters of the late Monarchial Government, tackled to the National Machine, and reduced to the most abject State of Slavery by the Influence of the Military, whose congratulatory Address Bonaparte has received at the Hand of an Officer, and is introducing him into his Secret Chamber to receive Instructions. The Demons hovering over the Imperial Crown denote Five Years of Destruction; during which Period Bonaparte will overrun and ravage the greater Part of the Continent of Europe, be the Means of nearly depopulating Turkey, and finally be slain with the Sword, be cast out as an abominable Branch, and be left as Dung to rot on the Face of the Earth."--British Museum online catalogue
Description:
Title printed in letterpress above image., Text above imprint statement: For particulars respecting the ingress, progress and regress of the Gallic Empire, as represented in prophecy, see the publications entitled "The Prophetic Mirror," and "The Emperor of the Gauls," by L. Mayer; to be had at Parson's Library, Ludgate-Hill; and T. Williams, Stationers'-Court., Print was apparently sold separately, but also used as a folding plate in: Mayer, L. The prophetic mirror, or, A hint to England. London : Printed by C. Stower and sold by T. Williams, 1804., and "Price 1s. coloured."--Following imprint.
Publisher:
Published by L. Mayer, as the act directs and Bryer, printer, Bridge Street, Blackfriars
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Military officers, French, Monks, Flags, Ethnic stereotypes, Shackles, Crowns, Columns, Demons, and Maps
Volume 2, page 11. Etchings by Henry William Bunbury, Esq. and after his designs. Page 125. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A girl dressed in male clothing, starting with a startled expression and thrusting her right arm forward as she stands between two monks, others seen from behind exiting through a door with inscription in tablet above at right, another ringing a bell through an arch at [left], the choir beyond; after Henry William Bunbury."--British Museum online catalogue
Description:
Title engraved below image., Prinkmaker identified as Dickinson in the British Museum online catalogue., "Final third state, the aquatint considerably lighter than in the second and the inscription above the doorway in even engraved letters"--British Museum online catalogue, registration no.: 1893,0731.62., Sheet trimmed to plate mark., Four lines of verse below image, following title: Thoughts of past joys before the altar rise, stain all my soul and wanton in my eyes! I wake the matin lamp in sighs for thee, thy image steals between my God and me. Eloisa., Mounted on page 125 of: Bunbury album., 1 print : aquatint, stipple engraving, and etching with rocker in reddish-brown ink on laid paper ; sheet 38.8 x 50.0 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd Octr. 20th, 1782, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
Subject (Name):
Tencin, Claudine Alexandrine Guérin de, 1682-1749.
Subject (Topic):
Interiors, Abbeys, Monks, Doors & doorways, and Bells
Volume 1, page 13. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Alternative Title:
Friar Bacon
Description:
Title written in block letters at top of image., Date supplied by cataloger., Laid down on an ink line mount., and Mounted on page 13 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
"A Dutch broadside satirising the arrival of William III in England and the overthrow of James II and his Roman Catholic policies; with an engraving showing in the foreground on the right William (7) in armour mounted on the Dutch lion (1), attacking the many-headed Babylonian dragon (2) with his lance. Above William flies the angel of Providence (3). To left, priests and Catholic officials (4) flee, some riding on goats, wolves and asses. The dragon carries the infant Prince of Wales holding a windmill (5) held by Father Petre (6). The lion rides over fallen monks and Jesuits (8) and two decapitated heads of the dragon. In the centre background William is received by English notables (9). To left, James (10) departs in a small boat from a shore with a ruined church; to right; he is received by Louis XIV (11), together with Mary of Modena and the infant Prince of Wales. With engraved title, false publication line "Gisling Geneve exc.", and numbering 1-10, and with letterpress verses, including legend, in two columns."--British Museum online catalogue
Description:
Title engraved below image, with two columns of verse below in letterpress. and Publisher, place of publication, and date of publication from the British Museum online catalogue, registration no.: 1864,0813.274.
Publisher:
Gisling Geneve exc. [that is, Romeyn de Hooghe?]
Subject (Geographic):
England.
Subject (Name):
William III, King of England, 1650-1702,, James II, King of England, 1633-1701,, James, Prince of Wales, 1688-1766,, Petre, Edward, 1631-1699,, Mary, of Modena, Queen, consort of James II, King of England, 1658-1718,, and Louis XIV, King of France, 1638-1715,
Subject (Topic):
Kings, National emblems, Babylonian, Dutch, Goats, Dragons, Armor, Pikes (Weapons), Shields, Monks, Priests, Boats, Churches, and Windmills
Moses bar Kēphā, 813?-903 ܡܘܫܐ ܒܪ ܟܐܦܐ، 813?-903
Published / Created:
1225.
Call Number:
Syriac MSS 10
Image Count:
242
Resource Type:
text
Abstract:
Miscellaneos theological works by Múšē bar Kípā (Moses bar Kēphā, 813?-903), a Syrian Orthodox prelate and scholar, born in Balad (modern Eski Mosul, Iraq), as follows: 1. "On Paradise" (folios 1a-124a; pages 1-249). 2. "On the resurrection of the body", 34 chapters (folios 124b-186b; pages 250-373). 3. "Commentary on the words of Paul demonstrating the resurrection of bodies and the manner of resurrection (folios 186b-205b; pages 373-411). 4. "Words of comfort concerning children (folios 205b-208b; pages 411-417, ten chapters). 5. "On the Antichrist" (folios 209a-214a; pages 418-428, twelve chapters). 6. "Admonitions for the sons of the Holy Orthodox Church" (folios 214a-218b; pages 428-447, ten chapters). 7. "Mysteries of the tonsure of monks" (folios 218b-221a; pages 447-452, ten chapters). 8. "On the origin of the Syriac word 'dayrā' (monastery)" (folio 221b; page 453). 9. "Homily on the tonsure of monks" (folios 221b-224b; pages 453-459). 10. "Biographical note on Bar Kēphā" (folio 224b-225a; pages 459-460). 11. "On the end of time" attributed to Pseudo Methodius (225a-241b; pages 460-482). The text of "On Paradise" was copied by Joseph, a student of the Monastery of Mār Ḥanānyā (Dayr al-Zaʻfarān), on Thursday, 3 Nīsān, 1536 of the Greeks (1225) at the "little monastery" (dayrúnítā) of Mār Barṣawmā in Kfartútā (between the villages of Bagdāšiyā and Ḥašrē) in the region of Merdo (Mardin).
Description:
In Syriac., Title supplied by cataloger., Romanization supplied by cataloger., The codex starts with: "ʻAl sabrā ú-túklānā d-Alāhā bārúyā ú-ʻābúdā d-kul d-metḥzē ú-lā metḥzē kad leh nasbínan l-ʼīyālan mšarénan d-nektúb d-Pardaysā d-amír l-Māry Múšē d-Bet Rāman haw d-etknī Bar Kípā ...", 18 x 26 cm; written surface varies; lines per page vary., Binding: In wood, covered in green cloth with decorative designs., In clear West Syriac script, in black ink on cream color paper, headings in red., Pages numbered in Arabic numerals (1-[481])., On the right margin of folio 1a (in Garshūnī and Syriac): "Ṣāḥib Kitāb Ṭimtāwus Aps Palús ʼÚrhāyā.", and On page [481] (in pencil): "Ktābā d-Pardaysā l-Māry Múšēʼ bar Kípā layt leh síqúmā" (Book of Paradise of Mar Moses bar Kēphā does not have date).
Subject (Name):
Moses bar Kēphā, 813?-903., Pseudo-Methodius., and Syrian Orthodox Church
Subject (Topic):
Doctrines, Admonition, Biblical teaching, Antichrist, End of the world, Monks, Rites and ceremonies, Paradise, Resurrection, Syriac language, Theology, Doctrinal, Tonsure, and Syrian Orthodox Church
Manuscript on paper of a mock sermon on the misadventure of a lascivious monk.
Description:
No decoration., Script: One hand, writing Gothica Cursiva Currens (Bastarda) difficult to decipher., The outer margins are frayed, causing the loss of a few words., Unbound., and Watermark: toothed wheel, Briquet 13311? or Briquet 758?.
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Monks, and Story sermons
Syriac-Armenian lexicon (pages 4-199), with the Armenian written in Syriac script, consists mainly of an alphabetical list of verbs in various forms. The lexicon is preceded by poems of Barhebraeus (pages 1-3), and followed by: 1. Poem on the "Life of Saint John", son of Euphemianus, of the city of Rome (pages 200-216). 2. "On the transit of the Mother of God Mary from the world" (folios 216-231). 3. "Syriac-Armenian glossary" of verbs in the imperative forms, conjugations of verbs, pronouns, etc. (pages 231-241). 4. Prayer of the solitary monks (yíḥídāyē) to each other (page 241). 5. Poems by Saint Ephrem: Commandments and admonitions for Christians (pages 242-286). 6. Prayers and miscellaneous statements in a different hand (285-286). The lexicon seems to have been written for the benefit of Syriac speakers within Armenian communities. Name of copyist and place and date of copying not mentioned probably from the 17th century
Description:
In Syriac and Armenian in Syriac script., Title supplied by cataloger., Romanization supplied by cataloger., The dictionary starts with: "Eštbíw. Talnúsān ...", The poems of Barhebraeus start with: "Qúm tāʼ aḥún kašrútā lak hā mṭāyibʼnā ...", 1. Poem on the "Life of Saint John", son of Euphemianus starts with: "Kātbínan tašʻítā d-Māry Yúḥanān bar ʼÚpímyanús d-men Rúmí Mdíntā b-níšā d-Māry Aprém Súryāyā ...", 2. On the transit of the Mother of God Mary from the world starts with: "Túb seprā da-štā ʻal šúnāyeh d-Yaldat Alāhā Maryam d-men ʻalmā hānā ṣlútah ʻaman. Āmín ...", 4. Prayer of the solitary monks (yíḥídāyē) to each other start with: "Ṣlútā d-nemrún yíḥíyāyē la-ḥdādē: Alāhā d-barek la-Šlíḥāwhy qadíšē mbarek lak ...", 5. Poems by Saint Ephrem start with: "Ḥúr b-Alāhā ḥabíbay d-madnaḥ šmšeh ʻal bíšē ...", Prayers and miscellaneous statements in a different hand start with: "Ematy d-qāymat b-ṣaprā men šentā pšúṭ ʼīdayk la-šmāyā ú-sím tlātā búrkē l-apay madnḥā ú-ʼemar ..., 10.5 x 15.5 cm; written surface varies ; lines per page vary., Binding: In wooden cover., In clear West Syriac script, in black ink on cream color paper, markings in red., Inside the front cover: An erased note (four lines)., On page 285: An erased note (one lines): "Šlem ktābā ..." (The book is completed ...)., and Many of the pages in the latter half of the manuscript include marginal glosses giving the Armenian renderings of words occuring in the Syriac text.
Subject (Name):
Ephraem, Syrus, Saint, 303-373. and Mary, Blessed Virgin, Saint
Subject (Topic):
Assumption, Syriac language, Armenian, Armenian language, Syriac, Monks, Prayers and devotions, and Syriac poetry
Gazaeus, Aeneas Rufinus, of Aquileia, 345-410 Traversari, Ambrogio, 1386-1439
Published / Created:
[ca. 1450]
Call Number:
Marston MS 1
Image Count:
127
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper of 1) Aeneas Gazaeus, Theophrastus, translated into Latin by Ambrogio Traversari. 2) Life of St. Helenus, monk in Egypt. Text is an extract (incomplete) taken from the Latin translation by Rufinus of the Historia monachorum, ch. 11.
Description:
Acquired from C. A. Stonehill in 1949 by Thomas E. Marston., Binding: Fifteenth century, Italy. Vellum stays are adhered in and outside the paper gatherings. Original sewing on three tawed skin, kermes pink, slit straps which go through tunnels in the edges of wooden boards to channels on the outside where they are pegged. The primary endband, sewn on a tawed skin core, is gilt with traces of a red secondary endband. A design is scratched on the gilt edges. Covered in brown sheepskin with corner tongues and blind-tooled with progressively taller concentric frames alternately decorated with five small tools. Five flower-shaped bosses on each board, some wanting, and four fastenings, leaf-shaped catches on the lower board, the upper board cut in for the clasp straps which are attached with star-headed nails. Rebacked., ff. 2r-9v blank (first gathering; foliation begins on preceding flyleaf), One large illuminated initial, 5-line, of modest quality, in gold with black accents on a multicolored ground of red, blue and green with white vine-stem ornament and white dots. One smaller initial (unfinished), parchment color on blue ground with white vine-stem ornament. On f. 1r, in lower border an unidentified coat of arms: vert a chief sable (?), overall a lion (?) rampant gules (or purpre?) on the main field and or in chief and with bend (tincture undetermined) overall; the whole shield overpainted in black. Headings in red., Script: Written in humanistic script by a single scribe, above top line., and Watermarks: Briquet Fleur 6306, and unidentified shrub, ff. i-viii, in gutter; Briquet Tete humaine 15617.
Subject (Name):
Gazaeus, Aeneas
Subject (Topic):
Biography--To 500, Desert Fathers, Dialogues, Greek, Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Monks
A coffin is carried down the stairs of a gothic church by a procession of monks, lit by the light of the full moon and the flames of the torches that some of the monks carry. They walk toward an open crypt in the foreground. The light from the crypt illuminates the monument on the wall opposite (a knight in armor) as well as two monks kneeling at the opening of the crypt and a third monk holding a thurible. A man with a red cloak stands in the shadows on the left, looking down at the scene at the crypt. The image is intended to be backlit. The light sources in the image -- the moon, the glow shining out of the gothic crypt, and the torch-bearing friars -- are enhanced when the image is held up to a light
Description:
Title and approximate date of production from dealer's description., Unsigned; artist unidentified., Drawn in the style of the painter and etcher Franz Joseph Manskirch (1768-1840), who worked in London between 1793 and 1819., and On paper watermarked "J. Whatman Turkey Mill".
Subject (Topic):
Churches, Funeral processions, Incense, Monks, Moonlight, Pointed arches, and Torches