Title etched below image., Date of publication from Grego., Plate also published in: Caricatures. [London], [1836?], page 41., Sheet trimmed within plate mark., A reduced copy of no. 6882 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 36 cm, on sheet 28 x 39 cm., Imperfect; artist's signature erased from lower right corner of sheet., and Watermark.
Publisher:
publisher not identified
Subject (Topic):
Hairdressing, Hairstyles, Shaving, and Shaving equipment
Title from item., Originally published in 1784?, Possibly a companion print of Rowlandson's "Comfort in the gout"., Watermark: Russel & Edmeads 1799., and Printseller's identification stamp located in lower right corner of sheet: S·W·F.
A man lies on his back in bed, his face set in grim resignation, as his wife leans over him lecturing him, "Yes you base man --you dont you eat drink and sleep comfortably at home and still you must be jaunting abroad every nigth. I'll find out your intrigues-- you may depend upon it." A small dog sits at the foot of the bed yelping at the couple while a larger dog sleeps on the floor, his eyes squeezed shut
Description:
Title etched below image., Series title and number etched above image., Earlier state, with date in publication line. Cf. No. 9627 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Earlier state of print described in: Grego, J. Rowlandson the caricaturist, v. 2, page 16.
Publisher:
Pubd. October 1st, 1799, by R. Akerman, 101 Strand
"A portrait-painter painting a family group of a man and wife and their little boy. The group (right) is raised on a low semicircular platform, the couple sit on a high-backed settee without arms, the little boy on a stool in front of his mother. The child, though in his ordinary clothes, is holding a cupid's bow and a sheaf of arrows (reminiscent of the family portrait in the 'Vicar of Wakefield'); a large quiver holding arrows is slung across his shoulders, a wreath is on his head; he yawns violently. The man, in profile to the left, is obese and wears a short bushy wig, a dove sits on his left wrist; only the toes of his shoes reach the ground. His wife sits on his right holding a dove on her right hand; she turns towards her husband, looking straight forward with a fixed and painful smile; she wears ringlets and a cap of lace and ribbons on her high-dressed hair. The artist (left) stands at his easel which supports a large canvas and is placed close to his sitters. He wears spectacles, a bag-wig, and ruffled shirt, and holds a palette in his left hand. He looks towards his sitters with an insinuating smile, which, together with his attitude and the figure of the man sketched on the canvas, shows that he is intent on flattery. High up on the wall behind him are two oval bust portraits, one (left) of a clergyman, the other of a lady. Behind the sitters is a tall screen of several leaves."--British Museum online catalogue
Description:
Title from caption below image., Printmaker and date of publication from Grego., Plate also published in: Caricatures / drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London?] : [publisher not identified], [1836?], p. 40., A later copy of no. 5921 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5, no. 10 of a series., Watermark: 1809., and Imperfect; artist's signature mostly erased from lower right corner of sheet.
Publisher:
publisher not identified
Subject (Topic):
Artists, Artists' materials, Doves, Easels, Families, Group portraits, Obesity, Wigs, and Yawning
A satire on the new fashion of Jean Debry coats: A tailor holds a mirror to a customer who looks at his image with horror. The customer complains that he has put a hump upon each shoulder. The tailor replies that the coat has been made to his wife's specifications
Description:
Title etched below image., Series title and number etched above print., Earlier state, with imprint. Cf. No. 9625 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Earlier state described by Joseph Grego in Rowlandson the caricaturist, v. 2, page 15.
Publisher:
Pubd. Oct. 1st, 1799, by R. Akerman, No. 101 Strand
Title from caption below image., Printmaker and questionable date of publication from unverified data in local card catalog record., Date of printing based on watermark., Plate also published in: Caricatures. [London?], 1836?, page 60., A reduced copy in reverse of no. 6145 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Watermark: J. Whatman 1828., and Imperfect; artist's signature erased from lower right corner of sheet, with the area of erasure shaded over in pencil.
"A wild affray round a circular gaming-table seen at close range, only the heads and shoulders of those on the nearer side of the table being visible. An angry military officer wearing a cocked hat, with an empty wallet on the table before him, leans forward aiming his pistol at a lean and elderly man whose 'chapeau bras' and long pigtail indicate that he is French. The latter covers a pile of guineas with his hand and aims a pistol at his assailant. Some of the players are falling over in their eagerness to escape. Between the combatants, and on the further side of the table, one man holds a chair above his head, about to smite the officer; a fellow-officer raises a bottle and a candle-stick to strike the Frenchman. All the persons (sixteen) are in violent action, with which their expressions correspond. Some are in flight, others about to intervene. On the table are a triple candle-stick, a dice-box and dice, a sword, a hat containing coins, and a purse."--British Museum online catalogue
Description:
Title from caption below image., Printmaker's signature from impression in British Museum., Description based on imperfect impression; sheet trimmed within plate mark and printmaker's signature has been mostly erased., and Watermark: J. Whatman.
Publisher:
Publish'd March 1790 by Wm. Holland, Oxford Street
Subject (Topic):
Candlesticks, Fighting, Gambling, Handguns, Men, French, Military uniforms, and British
"An elderly man in old-fashioned dress stands at his desk, his right hand on an open ledger, looking down with a calculating grimace. He wears a night-cap and slippers; a pen is behind his ear. His high stool is behind him. In the background another elderly man writes seated at a desk. Papers spiked on files hang from the wall, and lie on the floor, with folio volumes. An 'Invoice' is pasted on the wall. Above a high shelf is the date '1800' etched over '1787', with 'R. 1788'."--British museum online catalogue
Description:
Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Printmaker from British Museum catalogue., Printseller's stamp located in lower right corner of sheet: S·W·F., Temporary local subject terms: Furniture -- Desks -- Male costume -- Night-cap -- Slippers -- Money scrivners -- Scrivner's shops., and Watermark.
Publisher:
Pub. Jany. 1st, 1801 by S.W. Fores, No. 50, Piccadilly
"A slim man, standing, 'chapeau-bras', in profile to the right. He is fashionably dressed in a high-collared coat cut back to form tails, and shirt frill; his shoes have very large buckles. His hair is in a queue resembling that worn by the Macaronies c. 1772 but smaller and attached to the back of his head instead of falling on his shoulders. Beneath the title is etched, 'These Species of Insects, of late are become exceeding numerous, (like the Green Louse, when first brought to Amsterdam, from a single one, has proceeded such Swarms as to be of alarming Consequence) their Colours' are various, '& cast their Coats like the Camelion, sometimes to ten different Shades of a day, it is difficult to distinguish the Male of these Reptiles from the Female, as the Voice & Manner approaches nearer to the Feminine than Masculine. Liquor they are peculiarly fond of, and when in a State of Inebriation are so troublesome, that it requires a stout Cane to keep them from stinging you. They are in being all the Year round, are chiefly to be found in the Boxes of the Theatres, Publick Gardens, Concerts, &c. You may hear them long before they come to View, by a shrill squeak of Bern me, Gad Zounds, Blood & Thunder, D------m'd Boar & such Phrases. The celebrated Linneus attributes their Generation to the Putrified Essence of Lavender, Bergamot, Marchalle Powder, Violets, Pomatums, Snuff, Grease &c. &c. Although their first Appearance has a terrible Aspect, they are as harmless and inoffensive, when sober, as New Born Babes. A Buckling of this Species, differs from a Buck, much in the same manner as a Hornet to a Wasp'."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Questionable attribution to Rowlandson from the British Museum catalogue and Grego., Probably an early state; price statement, which seems to be partially or completely burnished away in later states, is present here. For a probable later state lacking price, see no. 6718 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., "Price 6d, col[ore]d 1s."--Following imprint., Temporary local subject terms: Fashionable men -- Fashion -- Allusion to Charles Furtado., and Mounted to 45 x 29 cm.
Publisher:
Pub. as the act directs, 12th May, 1784, by a Lover of Natural History