"A Lapp settlement fills one end of an oblong hall, lit from the roof. Ice or water is bordered by snow-covered mountains or ice-pinnacles painted on the walls. In front of the water are two tents or huts, partly hidden by spectators. In the foreground is a Lapp family, a child holds a cord attached to a high-stepping reindeer decked with ribbons which draws a sledge in which sits a little English boy, holding the reins and held up by a lady. On the left behind a railing are reindeer; spectators are crowded between them and the wall. A woman holds one by the antlers, and raises two fingers towards an elderly husband. Spectators stare, ogle, and flirt. On the walls are reindeer antlers, Lapp garments of fur, &c, low boots with up-turned toes."--British Museum online catalogue.
"A fat 'cit' on an ill-bred horse leans back in the saddle with legs thrust forward; the angle of his seat is shown by a dotted half-circle above his head on which 90 degrees are marked, above his point of contact with the horse. An absurd dog barks at the horse's heels. In the background two riders are being flung from their horses. Behind them is St. Paul's and adjacent houses. On the right is a windmill. Illustration to an account of a grotesque City subscription hunt, whose rule is never to go out of sight of St. Paul's."--British Museum catalogue.
Alternative Title:
Mathematical horsemanship ; plate 1
Description:
Date of publication from British Museum catalogue. and Title etched below image; series title etched above image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Illegible letter or monogram, possibly part of a former publisher's statement, precedes R. Ackermann's name in imprint., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Second digit, probably a "3," in day of publication in imprint is lightly printed and barely legible., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
"Above, Mrs. Clarke stands on a round dais, under a canopy, receiving her clients. These are headed by six military officers; the foremost makes a sweeping bow, cocked hat in hand. Next is a fat parson holding a money-bag inscribed 800; behind is an obese doctor, with three other elderly men. She says to them: Ye Captains and ye Colonels-ye parsons wanting place, Advice I'll give ye gratis and think upon your case, If there is possibility, for you I'll raise the dust, But then you must excuse me-if I serve myself the first. Below, Mrs. Clarke, much décolletée, looks from an open ground-floor window of a London house, to see a fashionably dressed man, Taylor, walking towards her holding a sealed packet. He looks over his shoulder at a yokel with a cudgel, who asks: I say Measter Shoe-maker where be you going in such a woundy hurry? Taylor answers: Dont speak to me fellow you should never pry into State affairs. Mrs. Clarke says: Open the door John here comes the Ambassador Now for the dear delightful Answer. Behind the yokel, evidently John Bull, is his dog. On the right is a house with a door-plate inscribed Mrs Weston."--British Museum online catalogue.
Alternative Title:
Mrs. Clarkes levee, The ambassador of Morocco on a special embassy., and The ambassador of Morrocco on a special embassy.
Description:
Printmaker from British Museum catalogue. and Title of top design from text above image; title of bottom design from text below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"Three-quarter length portrait, directed to the right, of a sour-looking and squinting woman, wearing a bonnet and a patterned dress. She holds a book, 'The Four Evangelists'. Beneath the title: 'Swearing at the Old Bailey to Mr J. Beck having Robbed her in Kensington Garden of which charge he was honorably acquitted - multitudes of Witnesses appearing to prove her having made similar Charges against them, in order to extort Money.' On the design: 'Caution to the Unwary! - This Pest of Society is rather of a Tall & Thin form . . . [&c, &c.]'."--British Museum online catalogue.
Description:
"Price 6 d.", Printmaker from British Museum catalogue., Sheet trimmed within plate mark on sides and bottom resulting in minor losses of text in and below the image., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
"Below the title: 'The Woman who shews General Guise collection of Pictures at Oxford'. She stands directed to the left., holding a pointer with which she slyly points to a picture of Suzanna and the Elders. She is old and grotesquely ugly, wearing a hat over a frilled cap, an apron, and bunched-up skirt. Her left hand is on her hip, a large key dangling from the fourth finger. A corner of the room is shown, the pictures fitted closely together; three rows are depicted, hung above a dado; a fourth is indicated. The pictures are very freely drawn, and one at least is burlesqued."--British Museum online catalogue, description of alternate state.
Description:
Attributed to Rowlandson by Grego., Initials burnished from plate: JN (John Nixon)., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Nixon, John, -1818, artist.
"A street scene at the corner of 'Petticoat Lane' (left) and 'Smock Alley' (right). An ugly and bedizened woman wearing pattens, holding an umbrella and kilting up her skirt, walks painfully over the cobbles, bending forward; her stockings heavily spattered with mud; her breast and arms are bare except for a scarf looped over her shoulders. Heavy slanting rain descends; it pours from the hat of an old woman (left), who stoops over a heavy basket she is carrying. Above her head a woman leans from a window, emptying a chamber-pot. Behind (right), two scavengers shovel mud into a cart. The houses are old and dilapidated, with casement windows. The lantern-sign of a penny-barber (cf. British Museum Satires No. 7605) hangs from a pent-house projection, inscribed 'Shave . . .' There is no pavement, but a solid post (left) protects a large grating let into the cobbles."--British museum online catalogue, description of an earlier state.
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 225., Date of publication based on publisher's active dates. See British Museum online catalogue., Printmaker from description of earlier state in the British Museum catalogue., Reissue, with altered title and imprint statement, of a print originally published 10 February 1812 by Hannah Humphrey. For the earlier state entitled "Wet under foot," see no. 11956 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Title etched below image.
Publisher:
Thomas MacLean, 26 Haymarket
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and McLean, T. (Thomas), publisher.
"A sailor (right) and a fat, ugly, disreputable woman (left) dance with tipsy joviality. They face each other, each holding the other's left hand. He holds up a small covered jug (holding the publican's dram). Her feet appear through tattered shoes and stockings; one eye is closed. He wears a round hat, pigtail, short jacket, petticoat, and long striped stockings."--British Museum online catalogue.
Alternative Title:
My Poll and my partner Joe
Description:
Illustration to a popular song by Charles Dibdin: The waterman., Thomas Adams is one of the pseudonyms used by Gillray., and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.