Inscription along upper edge of f. iii verso indicates that Louis Malet de Graville, admiral de France (1441/50-1516) bequeathed the volume to his daughter Anne Malet de Graville. and Manuscript on paper of Leonardo Bruni, De bello punico, translated into French by Jean Lebegue; made, and presented in 1445, for Charles VII of France (1422-1461).
Alternative Title:
De bello punico
Description:
Belonged to Lucius Wilmerding; purchased at the sale of his estate by H. P. Kraus, who sold it in 1960 to Thomas E. Marston., Binding: Sixteenth century, France. Olive green goatskin, roughly gold-tooled with the arms of Claude d'Urfe in the center and a monogram of his initial (C) with that of his wife, Jeanne de Balzac (I) in the corners, together with cornucopiae, caducei, laurel and flaming altars. Gilt edges. Corners repaired., Red and blue divided initials, 5-line, on ff. 1r, 2v, 4v, and for major text divisions thereafter. 3- to 2-line plain red or blue initials throughout. Initials alternate red and blue for tables on ff. 1r-2v. Multi-line headings in red sharply indented toward right. Guideletters for illuminator., Script: Written by a single scribe in an elegant batarde script that sits above the line, rather than on it., and Watermarks: closest to Briquet Armoiries-Trois fleurs de lis 1686.
Subject (Topic):
Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Punic wars
Manuscript on parchment and paper, written in two parts. Part I (parchment, written ca. 1490): 1) John of Rupescissa, De consideratione quinte essentie. 2) Descriptions of various herbs. Part II (paper, added ca. 1800): 3) Alchemy. 4) Recipes for making Prussian Blue, in Italian.
Description:
Binding: Late eighteenth century, probably French. Speckled calf, the sides undecorated, the repaired back in compartments with gilt tooling, the original title-stamping defective, speckled edges; restored by Carolyn Horton, November 1955., Part I: Headings in red throughout, that on f. 1r overwritten in an intense red ink covering earlier writing in pale red ink, the intense ink then used for the remainder of the headings in this portion of the codex, and the overwriting probably by the original scribe. Plain, small, roman capitals at beginnings of sections of the text in blue or green; a large initial "D" and a full border no f. 1r, as well as a smaller initial "L" at the beginning of the second book of text, foot of f. 25r, all finely illuminated in gold and colors in the "white-vine" style, the lower part of the border on f. 1r with a coat of arms consisting of a shield azure, a bear rampant or. Part II: Undecorated., and Script: Part I (ff. 1-40): Written by one hand in a neat, minute humanistic cursive. Part II (ff. 41-52): In an Italian hand.
Subject (Topic):
Alchemy--Early works to 1800, Formulas, recipes, etc, Herbs--Early works to 1800, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Prussian blue
Manuscript on parchment of Caesar, Bellum Gallicum, translated into Italian by Pier Candido Decembrio in 1438. With Dedication of the translation to Filippo Maria Visconti, Duke of Milan.
Description:
Binding: Date? Italy. Vellum case with title in ink on spine: "Cesare Comment". Gilt, gauffered edges and gold and cream silk endbands. Fragments of a printed service book with musical notation partially visible under pastedowns., Elegant illuminated title page (f. 2v) with the title, written in blue over an erasure, in a circular wreath, green with gold flowers, and framed by narrow gold bands with fillets and inkspray issuing from the top and bottom with blue and deep red flowers, green leaves and gold balls. Full border, f. 1r, white vine-stem ornament on blue, green, deep red and gold ground between thin gold frames. In lower border, medallion, blank, framed by wreath, green with yellow highlights and narrow deep red frame. Partial border, f. 3r, white vine-stem ornament on blue, green and deep red ground between narrow gold frames, enlarged to elongated dots at terminals; white vine-stem ornament extends into upper (trimmed) and lower margins, with single gold balls with hair-line strokes. 8 large initials, 11- to 3-line, gold on blue, green, gold and deep red ground with white vine-stem ornament shaded with pale pink. First few words of each book in gold; incipits, explicits and marginalia in red., and Script: Written below top line in a bold round humanistic hand by a single scribe who added extra rulings in outer margins for headings, annotations, etc., in red. Additional annotations in humanistic cursive, in a brighter shade of red.
Subject (Geographic):
Rome--History, Military--265-30 B.C
Subject (Name):
Caesar, Julius
Subject (Topic):
Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (thick, but good quality) of a Collection of Texts on St. Barbara. With a miscellany of texts including patristic works, moralistic poems, and prophecies.
Alternative Title:
Liber gloriose uirginis et martyris christi barbare
Description:
Binding: ca. 1500, Belgium. Covered in brown calf with corner tongues over wooden boards, a central panel diapered with blind-tooled triple fillets. Center and corner fittings and title written in a careful gothic bookhand under a brass-framed window on the upper board: "liber gloriose uirginis et martyris christi barbare". Lower board cut in for the straps which are attached with metal plates. Hasps of a chain on the lower board. Rebacked. and Script: Written in a regular heavy hybrida formata script with features of bastarda by a single scribe who placed small circular flourishes above the letter u.
Subject (Name):
Barbara, Saint
Subject (Topic):
Christian martyrs, Christian poetry, Latin (Medieval and modern), Fathers of the church, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval --Connecticut --New Haven, and Prophecies --Early works to 1800
Manuscript on paper of Colucii Salutati, De seculo et religione.
Description:
Belonged to S. Harrison Thomson (MS 6); note inside front cover states that he purchased the manuscript in Oxford in 1926. Acquired from Thomson in 1968 with the Edwin J. and Frederick W. Beinecke Rare Book Endowment Fund., Cataloged from microfilm by Albert Derolez., Cite as: Coluccio Salutati, De Seculo et Religione. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on paper of Colucii Salutati, De seculo et religione. Folios 49 and 50 (central conjugate leaves) were reversed in binding. Produced probably in Northwestern Italy (diocese of Ivrea) by the scribe Martinus de Laurentio de Padono, in 1485 (colophon, f. 81r). Written in neat gothic cursive that shows batarde influence; first word(s) of each section executed in bold textura. Spaces for decorative initials are unfilled; guide-letters in margins., and Seventeenth-century (?) binding: Sewn on three tawed, slit strap supports, the spine lined with vellum between them. Blue and cream colored endbands. Covered with tawed skin, originally white, over flush, made boards.
Manuscript on paper (sturdy) of Cicero, Epistolae ad familiares. Marginal and interlinear notes accompany the text of each letter (except for that to P. Vatinius appearing on ff. 26v-27v which was copied twice, apparently in error). Written probably for use as a school text (vocabulary lists on ff. 4 and 9).
Description:
Binding: 19th-20th centuries. Vellum case; spine fragile and splitting., Script: Written by a single scribe in gothic cursive, with a smaller script for glosses., Simple initials in red at the beginning of each letter; titles preceded by paragraph marks, and underlined, in red., and Watermarks: unidentified letter P in gutter.
Subject (Topic):
Latin letters, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholia
Manuscript on paper of Jerome, Epistolae, etc., translated into Italian by Ser Nicolaus Berti Martini de Gentiluzis de Sanctogeminiano, a notary in Florence (ca. 1388-1468). With Ps.-Augustine, Epistula ad Cyrillum, concerning the death of St. Jerome.
Description:
Binding: ca. 1500, Florence. Sewn on three tawed skin, slit straps attached to oak boards, with brown and natural color endbands (later additions?) sewn on tawed skin cores laid in grooves on the outside of the boards. Covered in orange/brown sheepskin neatly blind-tooled with rope interlace in concentric frames. Spine: double fillets at head and tail and outlining the supports on the spine; fine diapering with double fillets in the panels. Four flower-shaped catches on the lower board, two wanting. Remains of vellum label (worm eaten) on the spine and pieces of string used as place marks. Off-set impressions of medieval liturgical manuscript on front and back pastedowns. Orange edges. Sticky from excessive oiling., One illuminated initial, f. 4r, 6-line, gold, filled with red and blue penwork in geometric patterns. The penwork extends the whole length of the text column to form a partial border, terminating in the upper and lower margins in a scroll of blue penwork with small flowers, heart-shaped leaves and red dots. Numerous penwork initials of good quality, 5- to 2-line, alternate in red and blue with purple and red penwork respectively, often extending into the margins. Headings in red. Majuscules and display script touched with yellow., Script: Written by a single scribe in a small upright gothic script with both notarial and humanistic influence, above top line., and Watermarks: similar to Piccard Schere III.710, Briquet Chapeau 3387; unidentified eagle.
Subject (Name):
Jerome,--Saint,--d. 419 or 20
Subject (Topic):
Christian legends, Illumination of books and manuscripts, Medieval, Latin letters, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
f. 221r-221v: Apostles' Creed and the Confiteor; the latter incomplete, ending with "consensu tactu uisu". The phrase "ego infelix peccatrix" in the Confiteor indicates that the book was written for use by a woman. and Manuscript on parchment (trimmed) of a Book of Hours, with Calendar and prayers in Flemish.
Description:
Binding: Nineteenth century. Brown, originally black, sheepskin; stamped in gold on the spine: "Psaterium." Red edges., Script: Written in liturgical gothic bookhand by one scribe., and Three full-page miniatures of mediocre quality. Each miniature set in a narrow frame of gold, black, pink, and white; full border of blue and gold acanthus leaves, red, pink, and blue flowers and strawberries, and black pen flecks. One 7-line historiated initial on f. 216r (Flemish Prayers): Pieta, pink with white highlights on gold; full border as above; text separated from border by a narrow band attached to initial of gold and pink, edged in black. Illuminated 5-line initials with full borders (eg. ff. 13r, 18r, 28r), pink or blue with white highlights on gold, filled with blue or pink trilobe leaves. 2-line initials, gold on pink and blue with white highlights, one on f. 92r (Advent Office) with a band attached, as above, and small sections of border, as above; one 3-line initial on f. 179r (Obsecro te) in similar manner. 1-line initials, blue with red penwork and gold with black penwork; initials within text washed in yellow. KL monograms as 2-line initials; Latin names of months and important feasts in red. Line fillers: oblique lines with dots attached, stylized plant motifs, dots, etc., in blue or gold. Rubrics in faded red.
Subject (Name):
Catholic Church--Prayers and devotions
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
128r: Signature of Jannette Brongnart, Binding: Modern limp vellum with two pairs of white leather ties. The preceding 19th-century binding is preserved: dark brown leather over cardboard, both covers framed with blind-tooled fillets; spine with four raised bands and gold-tooled title: HEURES DE SENLIS; gilt edges., Cataloged from microfilm by Albert Derolez., Cite as: Hours, Undetermined Use, with French Calendar. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on parchment. Written by a single scribe in Gothica Cursiva Formata (Bastarda) in two sizes. The ascenders on the top line often have calligraphic extensions., Red headings. Heightening of the majuscules in yellow. All initials (1- or 2-lines) are on a rectangular background and are executed in paint and liquid gold. At the opening of the various Hours there are 4-line initials of the same type, always accompanied by full acanthus borders and an arch-topped miniature. The borders are framed in gold and may also contain leaves, flowers, fruit, birds., and Senlis use according to the inscription on the binding, but this use is not documented. The saints in the Calendar and in the Litany point to Northern France and Hainault.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval -- Connecticut -- New Haven