Manuscript on 2 vellum scrolls of Tyrtaeus, Elegies, with figure-poems of Dosiadas, Simmias, Besantinus, and Theocritus (attrubuted author), and hymns of Mesomedes and Arion. Said to be third century, but actually 19th-century forgery
Description:
In Greek., Script: Written in Greek capital script in boustrophedon, that is from right to left and from left to right alternatively, a method of writing that was no longer practiced in the third century when these scrolls were purported to have been written., and Preserved in a small wooden cylinder.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Tyrtaeus.
Subject (Topic):
Greek poetry, Literary forgeries and mystifications, and Manuscripts, Medieval
This manuscript, a unique specimen of dramatic composition by Queen Elizabeth, represents the only surviving piece of stage property from the Elizabethan theater. It was passed from player to player during the great Theobalds Entertainment of 1591, and it is the only surviving original manuscript of any part of that Entertainment., Elizabeth was entertained by her Lord High Treasurer, Lord Burghley, at his Hertfordshire house, Theobalds, between 10 and 20 May 1591. In a contemporary manuscript text of the entertainments at Theobalds (British Library, Egerton MS. 2623), there is preserved a fanciful speech by a "Hermit," delivered to the Queen on Burghley's behalf, in which, pleading for royal permission to retire from public life, he requests her to restore to him his "cell," namely, Theobalds. The present document was prepared as an answer to Burghley's request and grants the "Hermit," her "woorthely belooved Coounceloour," the right to retire to his "cave," his "own houus," with "full & pacifik possession of all & every part thearof," and to be henceforth free from public duties if he so wishes., The text of the "charter" was printed in John Strype's Annals of the Reformation (1709), where it is described as having been "drawn up by the queen herself in a facetious style, to cheer the said treasurer." A highly characteristic example of Elizabethan wit, it has the form of a formal charter, certified and signed by Lord Chancellor Hatton, who is known to have taken part in a number of court entertainments. It bears the Great Seal and was no doubt read out and presented to Burghley, or to an actor representing him as a hermit. Instead of giving a simple answer to Burghley's request to retire from public life, Elizabeth evidently chose to enter into the spirit of the Hermit's request and frame her reply accordingly having this charter drawn up by one of her chancery scribes and passed by Hatton under the Great Seal, as part of a prearranged performance for the amusement of the court on the first day of her visit to Theobalds., The entertainment at Theobalds are described by E.K. Chambers in The Elizabethan Stage (II:247-248), Sir Walter Greg in the Review of English Studies (I[1924]:452-454), John Payne Collier in his History of English Dramatic Poetry (I:276), Alexander Dyce in The Works of George Peele (III:161-169), and John Nichols in his account of The Progress and Public Processions of Queen Elizabeth (III:74)., and Purchased 1985.
Manuscript on parchment of 1) St. Augustine (Aurelius Augustinus), Enarrationes in Psalmos 134-150. 2) First half of Ps.-Iohannes Chrysostomus, Sermo de martyribus. 3) Antiphons for the feast of the Conception of the Virgin (8 Dec.), with neumatic notation
Description:
In Latin., Script: Copied in Praegothica by three hands., Headings in red. Art. 1 has plain initials (Capitalis, ca. 4 lines) in red, followed by a word in Capitalis/Uncialis. The book opens with an 8-line Romanesque decorated initial in red and black. Art. 2 opens with a black capital followed by two words in Capitalis. Art. 3 is decorated with 1-line initials in black with heightening in red and opens with a 4-line red plain initial., Holes, original repairs and sometimes irregular lower edges., and Binding: Early (probably original) binding in pigskin over heavy unbevelled wooden boards. The covers are blind-tooled with fillets. On the front cover the fillets make a St. Andrews cross, at a later time decorated with trees in Lederschnitt, countless small circular stamps and a few stars (?); the rear cover, with fillets in lozenge pattern, has only the circular stamps and the stars. Spine with three raised bands. On each cover marks of five brass and iron bosses. Two clasps attached to the rear cover. At the top of the front cover an original paper library label with the title (partly rewritten) "Expositio beati Augustini super Psalmo CXXXIIII et deinceps usque ad finem". The binding is strengthened by means of parchment strips placed around the first quire and taken from a 13th-century Latin manuscript.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustine, of Hippo, Saint, 354-430.
Subject (Topic):
Antiphons (Music), Manuscripts, Medieval, and Sermons
Manuscript on paper (watermarks: partial, unidentified) of Jacobus Manas, Encomium of Joannes Constantinus Bassarabas. With Jacobus Manas, Epigram on Joannes Constantinus Bassarabas
Description:
Jacobus Manas and the Bassarabas family are mentioned by S. Runciman, The Great Church in Captivity (Cambridge, 1968) pp. 360-84., In Greek., Script: Written by two copyists who date their work: 1720, 1721, 1729. Scribe 1 (also Scribe 1 in Beinecke MSS 294, 297, and 300, etc.) wrote ff. iv-4v and gives his name as Constantine Raphael Byzantinus; he dates his work on f. 2v (1721) and on f. 4v (1729). Scribe 2 (ff. 5r-42r) dates his section on f. 5r (1720)., and Binding: Eighteenth century. Brown goatskin gold-stamped with portrait heads in a foliage border and flowers in central panel. Title on spine reads Demetrius Moschopo[li]tes (author of the life of Jacobus Manas). A green tie.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jacobus Manas.
Subject (Topic):
Greek poetry, Modern, Laudatory poetry, and Manuscripts, Medieval
Manuscript on paper containing 1) Anthony Jenkinson (1529-1610/11), Relation of a travel to Russia and Persia. 2) Anonymous sonnet in praise of Queen Elizabeth I. Probably an autograph. 3) Anonymous treatise in four parts attacking the apology which Cardinal William Allen (1532-1594) published in 1587 for Sir William Stanley's action in the Netherlands in the preceding year. 4) Accounts regarding tenements; one is headed "Lambeth". 5) Account of a journey through the Middle East, made in 1578 and attributed by another hand to an unrecorded Sir Anthony Standen. 6) Definition of terms related to the Turkish empire encountered in art. 5. 7) Description of the Grand Duchy of Tuscany under Francesco Maria de' Medici (1541-1587). 8) Ferdinand Alvarez de Toledo, Duke of Alva (1508-1582), Proposal addressed to King Philip II of Spain regarding the conquest of Portugal, made 25 May 1579, in English translation. 9) Description of the Benedictine convent of Camaldoli near Arezzo. 10) Short description of England and Scotland. 11) Accounts signed William Garnett; the last one is dated from the 33d year of Queen Elizabeth (1591/1592). The upper outer corner of the page is missing, with loss of text. 12) Collection of state letters. 13) Estate accounts partly dating from 1586/1587 and addressed to unknown person
Description:
In English., Script: Part I (between 1550 and 1600): Art. 1, 3 and the group 5-10 are each written by a different scribe, all writing Gothica Cursiva Libraria (Secretary). The quotations and headings in art. 3 are in Humanistica Cursiva. Art. 2 is also written in Humanistica Cursiva. Art. 4 is in Gothica Cursiva Currens (Secretary)., Script: Part II (between 1600 and 1625): Written by one hand in Gothica Cursiva Currens (Secretary), some quotations and headings in Humanistica Cursiva., Script: Part III (between 1575 and 1600): Written by one hand in Gothica Cursiva Formata (Secretary)., and Binding: Seventeenth century (?). Brown (?) sheepskin over pasteboard, rebacked. On the spine the gold-tooled titles (s. XIX-XX) "JENKINSON RELATION 1561" and "STATE PAPERS?? MS.".
Subject (Geographic):
Connecticut, New Haven., England, Middle East, Russia, and Great Britain
Subject (Name):
Allen, William, 1532-1594., Jenkinson, Anthony., and Standen, Anthony, Sir.
Subject (Topic):
English poetry, English prose literature, Manuscripts, Medieval, Description and travel, History, and Politics and government
Prosper, of Aquitaine, Saint, approximately 390-approximately 463
Published / Created:
[between 1400 and 1425]
Call Number:
Beinecke MS 15
Image Count:
230
Resource Type:
unspecified
Abstract:
Manuscript on parchment of Prosper Aquitanus, Epigrammata ex sententiis Sancti Augustini. With Johannes Shepey, Sermones
Description:
In Latin., Script: Written in various styles of Anglicana, with some portions in gothic bookhand, by four scribes. Scribe 1) ff. 1r-10r; Scribe 2) ff. 10v-30r; Scribe 3) ff. 31r-107v; Scribe 4) f. 75r to the top of 76r (perhaps to supply text missing from the exemplar)., Blue initials with elaborate red, blue, and black penwork borders that almost totally encompass the written space on ff. 1r and 31r (trimmed along upper and outer edges); similar initials in blue with red penwork designs extending entire length of folio introduce each new section of text., and Binding: Nineteenth century. Brown sheepskin, blind- and gold-tooled. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustine, of Hippo, Saint, 354-430. and Prosper, of Aquitaine, Saint, approximately 390-approximately 463.
Subject (Topic):
Epigrams, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Scholia, Sermons, and Theology, Doctrinal
Manuscript on paper (sturdy) of Martial, Epigrams. Apparently written in some haste. Lines were frequently omitted (then added in the margins) and poor planning resulted in a big blank space on f. 186r-v; some rubrication bled from one folio to the next
Description:
In Latin., Watermarks: several unidentified in gutter, including the letter R., Script: Written in informal humanistic scripts by multiple scribes. Each made notes in the margins for the rubricator (at least two distinct hands that alternate through the manuscript; some rubrics are illegible)., Plain initials in red; rubrics stop on f. 220r., and Binding: Nineteenth century. Bound by Zaehnsdorf (established ca. 1842) in half green goatskin with green cloth sides.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Martial.
Subject (Topic):
Epigrams, Latin, Manuscripts, Medieval, and Verse satire, Latin
Manuscript on parchment of Martial, Epigrams. The codex was misbound; the epigrams are out of order. Excerpts from the critical commentary of Domizio Calderini (Professor of Rhetoric at Rome in 1470) surround the text on ff. 1r-24v and 165r-193r. With an unidentified prose text outlining the development of civilization
Description:
In Latin., Script: Written by one scribe in a neat italic for the text and a less formal hand for the commentary and for the unidentified text on ff. 193r-194v., Gold initials, 5-line, on blue, dark red and green grounds, with white and gold highlights, mark the beginning of each book. Small, plain initials, alternating red and blue, for each epigram. Commentary and titles, in various shades of red., Final folios creased and rubbed; some loss of marginal text due to trimming and wear., and Binding: 18th-19th centuries. Vellum case, blind-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Martial.
Subject (Topic):
Epigrams, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Scholia, and Verse satire, Latin
Manuscript fragment on one leaf of parchment (soft, furry; trimmed) of 1) Apoc. 21.4-5: Epistle for last Sunday after Pentecost (?). 2) Beginning of Proper of the Saints, with Epistle for St. Andrew (30 Nov.); Rom. 10.10-15.
Description:
In Latin., Script: Written in bold, well spaced, and slightly rounded gothic bookhand., and Red hufnagel neumes scattered over the text for the subdeacon who reads the Epistle at Mass. On recto, space of 12 lines (140 mm.) left blank between arts. 1 and 2, perhaps for a miniature. 5-line initial in red, ending in pen and ink flourishes. On verso, illuminated initial C, 11-line, of poor quality, on brownish-red ground within rectangular frame of bright orange, green, and blue. Initial in white with bands of gold and silver; two gold-bordered medallions with white-blue centers, resembling jewels or mirrors. Initial encloses full-length figure of St. Andrew holding cross of his martyrdom. Text initials touched with red.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Epistolaries, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval