Manuscript on paper (highly polished) of Xenophon, De venatione, translated into Latin by Leonicenus Omnibonus and preceded by a dedicatory epistle to John Tiptoft
Description:
In Latin., Watermarks: similar in design to Briquet Oiseau 12127., Script: Written in a well formed italic by a single scribe., Spaces left for rubrics and initials., and Binding: Nineteenth century. Paper case with paste paper sides. Rebound in Yale Conservation Studio in 1982.
Manuscript on paper (sturdy) of Martial, Epigrams. Apparently written in some haste. Lines were frequently omitted (then added in the margins) and poor planning resulted in a big blank space on f. 186r-v; some rubrication bled from one folio to the next
Description:
In Latin., Watermarks: several unidentified in gutter, including the letter R., Script: Written in informal humanistic scripts by multiple scribes. Each made notes in the margins for the rubricator (at least two distinct hands that alternate through the manuscript; some rubrics are illegible)., Plain initials in red; rubrics stop on f. 220r., and Binding: Nineteenth century. Bound by Zaehnsdorf (established ca. 1842) in half green goatskin with green cloth sides.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Martial.
Subject (Topic):
Epigrams, Latin, Manuscripts, Medieval, and Verse satire, Latin
Manuscript on parchment of Martial, Epigrams. The codex was misbound; the epigrams are out of order. Excerpts from the critical commentary of Domizio Calderini (Professor of Rhetoric at Rome in 1470) surround the text on ff. 1r-24v and 165r-193r. With an unidentified prose text outlining the development of civilization
Description:
In Latin., Script: Written by one scribe in a neat italic for the text and a less formal hand for the commentary and for the unidentified text on ff. 193r-194v., Gold initials, 5-line, on blue, dark red and green grounds, with white and gold highlights, mark the beginning of each book. Small, plain initials, alternating red and blue, for each epigram. Commentary and titles, in various shades of red., Final folios creased and rubbed; some loss of marginal text due to trimming and wear., and Binding: 18th-19th centuries. Vellum case, blind-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Martial.
Subject (Topic):
Epigrams, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Scholia, and Verse satire, Latin
In Latin., Watermarks: (1) Scissors, Briquet?; Piccard, Werkzeug und Waffen IX, 1103-1199, 1328-1332?; (2) Anvil, Briquet?; Piccard?; (3) Hunting Horn, Briquet?; Piccard?., Script: Written by a single scribe in a small rapid Humanistica Cursiva under strong Gothic influence; the latter is especially visible in the forms of d and final s. Headings in Humanistica Textualis. The margins contain contemporary annotations in Humanistica Cursiva., The decoration is wanting. Space for 3-line initials was provided at the opening of Books II-XLIV and for larger initials at the beginning of the Prologue and of Book I. Guide letters for the initials are visible in the left margin. On f. 100v a coarse human head in profile has been drawn in pen and ink (15th century)., and Binding: Original half leather (red goatskin), heavy wooden boards, one clasp attached to the front cover. Spine (damaged) with three raised bands.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Iustinus. and Trogus, Pompeius.
Subject (Topic):
Classical literature, History, Ancient, and Manuscripts, Medieval
Manuscript on parchment of Justinus, Epitome in libros Pompeii Trogi. Portions of the text in the first gathering are lacking; some leaves are misbound
Description:
In Latin., Script: Written in neat italic by a single scribe who also added frequent marginal notes., One fine 6-line initial (f. 1r), gold, with white-vine ornament, on blue, pink, and green ground decorated with white, gold, and blue dots extending into side and upper margins, the vines inhabited by birds, insects, and putto; gold dots and brown hairsprays. A coat of arms in lower margin (effaced and blotted out) supported by a winged putto, set in ornament similar to above. Large blue capitals, 5- to 4-line, in blue, throughout. Headings and Roman numerals for books (in upper margin of recto), in red, for ff. 1r-35r., and Binding: Nineteenth century. Citron goatskin, gold-tooled, by C. Lewis; his note regarding binding, in Latin, on f. ii recto.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Justinus, Marcus Junianus. and Trogus, Pompeius.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on paper (sturdy) of classical Orations, Lives, and Exempla, followed by Excerpts from Valerius Maximus, Excerpts from Xenophon (translated into Latin by Francesco Filelfo), Seneca's Tragedies, Comedies by Terence and Plautus, and other miscellaneous works
Description:
In Latin., Unidentified watermarks buried in gutter include hat, ladder, crossed arrows, cross bow., Script: Written by two scribes: Scribe 1 (ff. 1r-152v) wrote in a careful humanistic script for text and modified capitals for headings; Scribe 2 (ff. 153r-167v) retained the overall format but used a less elegant style of writing., and Binding: Eighteenth century. Plain sheepskin case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Biography, Classical literature, Latin drama (Comedy), Exempla, Manuscripts, Medieval, Speeches, addresses, etc, and Latin drama (Tragedy)
In Latin and Greek., Script: Written by several scribes using various scripts, ranging from humanist minuscule to gothic bastarda and bookhand., Some initials and headings in red. Initial and marginal ornamentation on f. 15r in pink, yellow, and olive green. Marginal design on f. 16v in violet and yellow. Ornate pen initials on f. 158r, 207r, and 229r. Smaller initials and rubrics in violet and red throughout., and Binding: Eighteenth century. Half leather over boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on paper (unidentified watermark) of Valerius Maximus, Facta et dicta memorabilia, with interlinear and marginal glosses
Description:
In Latin., Script: Copied by one hand in Humanistica Cursiva Libraria, marked by a curious form of r resembling c., Undecorated. The spaces for headings and initials are blank, except in the first quires, where a 16th-century hand has added some rubrics and plain initials; red capitals and a few contemporary red headings are added on ff. 77v-91r., Top edges severely trimmed. The top corners of ff. 189-249 repaired. Outer edges of ff. 156-166 damaged by mice (?)., and Binding: Early, brown undecorated leather over pasteboard. Spine with four raised bands. Blue sprinkled edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Valerius Maximus.
Subject (Topic):
Didactic literature, Latin and Manuscripts, Medieval
Manuscript on parchment of 1) Dedication to Ferdinand of Aragon and to his son Alphonse, Duke of Calabria. 2) Dialogue between Lazarelli and his Muse. 3) Books 1-3 on methods of counting time, moveable feasts, the ages of the world, the Jewish patriarchs, popes (the latest, Paul II, 1464-71), etc. 4) Calendar of moveable feasts in 1476 and November-June of 1477. 5) Books 4-16, March through February, and final book entitled Iudicium. 6) Calendar, March through February, with two series per month, the first with Christian feasts, the second with agricultural, zodiacal and historical (Roman and Jewish) information. 7) Thirteen poems by others in honor of Lazarelli. Eleven poets are represented; most of those identified are associated with the Accademia Pomponiana in Rome in the 1480's.
Description:
In Latin., Script: Written in well formed humanistic script below the top line., Eighteen miniatures, the final six sketched in but unfinished, by an accomplished artist whose identity remains uncertain. The miniatures are usually framed in a pink or mauve egg-and-dart molding and a thin gold band. Dedicatory inscription in gold Roman letters on a marble-patterned panel appears on f. 7r. One historiated initial, below inscription, 10-line, of the author at work: gold, edged in black, against a purple and pink quartered ground with pink and purple filigree; all framed in green. In lower margin, supported by putti, is the coat-of-arms of Ferdinand of Aragon, King of Naples., Four initials all'antica, ff. 1r, 70r, 102r, 222v, 14- to 7-line, gold, black, purple, pink, orange and green with flowers and acanthus. Ten white-vine initials, ff. 45r, 58r, 88v, 115r, 137v, 155v, 170v, 182r, 200r and 213v, 10- to 8-line, colors as above. Numerous 4- to 2-line initials, gold, darkly edged in black, on orange-, pink-, and blue-flecked grounds, with guide-letters; some with faces drawn in interior. 2- and 1-line initials, gold, red, and blue with acanthus serifs. 1-line paragraph marks red or blue. Running titles in yellow, red, and blue. Rubrics in margins in red, blue, and purple. KL monograms, 3-line, yellow, red, and blue., and Binding: Nineteenth century. Worn red velvet case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lazarelli, Ludovico.
Subject (Topic):
Calendars, Chronology, Church calendar, Christian literature, Latin (Medieval and modern), Fasts and feasts, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval