Manuscript on parchment of Gregorius Bock, Scribal Pattern Book. This model book for scribes is composed of two parts. The first illustrates alphabets in various scripts; the alphabet is often preceded by a text written in that style. The second part of the codex is composed of decorative initials arranged alphabetically
Description:
In Latin., Most passages of text in the first part begin with large decorative initials, primarily white floral designs on black grounds. Initial (green and red added) with full penwork border of swirling leaves on f. 1r; initial in colors and containing arms on f. 4r., Some leaves stained, rubbed and difficult to read., and Binding: Twentieth century. Rebound in 1984 in the Yale University Conservation Studio. Non-adhesive paper binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bock, Gregorius.
Subject (Topic):
Copybooks, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Scribes
Manuscript on parchment (hair side quite yellow) of Paulus de Sancta Maria (of Burgos; 1353-1435), Scrutinium Scripturarum. With Passages concerning the conversion of Jews to Christianity; (a) unidentified; (b) Letter of Pope Gregory I to Pascasius, bishop of Naples
Description:
In Latin., Script: Arts. 1 and 3 written below top line in fere-humanistic script by a single scribe who frequently erased and rewrote the text; art. 2 added in another hand. Some later marginalia., Crudely executed initial and full border on f. 9r: gold initial, 11-line, on blue rectangular ground, with white vine-stem ornamentation highlighted in green; border in gold, blue, pale pink, mauve and green, consisting of swirling acanthus leaves, flowers, birds, gold dots and leaves around bar border in upper and outer margin, and with putti supporting laurel wreath (arms effaced) in lower margin. One penwork initial of pathetic quality, 8-line, red and blue divided body accompanied by red and blue penwork designs, on f. 125v. Table of contents (art. 1) and headings throughout, in bright red. Remains of notes to rubricator., and Binding: 18th-19th centuries. Red goatskin, with green, gold-tooled labels. Yellow edges.
Subject (Geographic):
Connecticut, New Haven., and Naples (Italy)
Subject (Name):
Paulus de Sancta Maria.
Subject (Topic):
Conversion, Christianity, Illumination of books and manuscripts, Medieval, Judaism, and Manuscripts, Medieval
Manuscript on paper (with parchment of poor quality for inner and outer bifolios of each gathering) of a collection of sermons and materials for the construction of sermons
Description:
In Latin., Watermarks: unidentified crown in gutter., Script: Written by two scribes in Secretary script: Scribe 1 (pp. 1-141) uses a looped d; Scribe 2 (pp. 142-502) uses an unlooped d., Flourished initials, 3- to 2-line, red with blue designs and vice versa throughout manuscript. Brackets, initial strokes and underlining, in red, throughout. Opening words or line of each sermon in a careful text hand., and Binding: Nineteenth century. Half bound in brown calf, blind-tooled, with a gold-tooled title ("Sermones") on spine; dark blue cloth sides. Impression of oval label in upper register of spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Conrad, of Saxony.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Sermons, and Sermons, Latin
Manuscript on paper, with parchment for outer and inner conjugate leaves of each quire, composed of four "booklets" or units of similar format. Part I: 1) William of St. Thierry, Epistola ad fratres de monte Dei, formerly attributed to Guigo and Bernard of Clairvaux. Part II: 2) Bernard of Clairvaux, Sermo in festo annuntiationis B. V. Mariae. 3) Bernard of Cluny [?], Sermo de villico iniquitatis, formerly attributed to Bernard of Clairvaux. 4) Bernard of Cluny, Preface to art. 3. Part III: 5) Bernard of Clairvaux, De gradibus humilitatis et superbiae. 6) Jean, l'Homme de Dieu, Tractatus de ordine vitae et morum institutione, formerly attributed to Bernard of Clairvaux. Part IV: 7) Bernard of Clairvaux, Sermo I pro Dom. VI post Pentecosten. 8) Bernard of Clairvaux, Sermo II pro Dom. VI post Pentecosten. 9) Bernard of Clairvaux, Sermo II pro Dom. VI post Pentecosten. 10) Anonymous sermon on the Virgin Mary. 11) Nicholas of Clairvaux, Sermo in natali S. Benedicti de euangelio. 12) Bernard of Clairvaux, Sermo in obitu Domini Humberti
Description:
In Latin., Watermarks: Part I: unidentified P in gutter. Parts II-IV: similar in design to Briquet Lettre Y 9182-84., Script: Part I (ff. 1-34): Written by a single scribe in well formed upright gothic script exhibiting batarde influence in the long descenders. Part II (ff. 35-46): Written in a script similar to that of Part I, but with less batarde shading. Part III (ff. 47-82): Written possibly by the same scribe as Part II. Part IV (ff. 83-99): Written in small cramped gothic script similar to those in I-III., Part I: Carefully executed red and blue divided initial, 8-line, on f. 1r; infilled and surrounded by delicate foliage designs in red and purple ink, on a green ground, with flourishes extending down inner border. Similar initial, f. 1v, without green ground and with blue scroll design for crossbar. Headings, paragraph marks, initial strokes, underlining, and Nota marks in red. Part II: Fine initial, 8-line, on f. 35r, divided red and blue, infilled and surrounded by six foliage designs in red penwork on green ground, with a central flower of six petals touched with yellow. Plain blue initial, 3-line, on f. 39v, with some floral designs in body in natural color of paper; red initials, 2-line, ff. 40r and 45v. Headings, initial strokes, underlining and corrections, in red. Paragraph marks in red or blue. Guide-letters for rubricator. Part III: Divided initial I, red and blue, 10-line, on f. 47r, with red and purple foliage designs on green ground surrounding initial, and with flourishes extending down inner margin. Blue initial, 4-line, on f. 68v, infilled and surrounded by penwork designs in red. Plain initials, 2-line, headings, initial strokes, paragraph marks, corrections, and some marginal notes, in red. Guide-letters and instructions for rubricator. Part IV: Blue initial, 5-line, on f. 83v, with interior floral designs in natural color of parchment; body infilled and surrounded by red penwork designs extending down inner margin. Initials, 5- to 2-line, headings, paragraph marks, in red., and Binding: 16th-17th centuries (?). Original sewing on four tawed, slit straps, the spine rounded and the supports prominent and defined. Plain, wound endbands on vegetable fiber cores, the covering leather saddle-stitched around them. Covered in dark brown calf with round and lozenge-shaped tools in diamonds and triangles formed by intersecting fillets in a central panel in a double outer frame. One fastening, the catch on the upper board and the strap wanting. Turk's head knot placemarks on the fore edge. Rectangular label removed from upper edge of front cover; two modern brown labels, stamped in gold, on spine: "Bernardi Varia" and "M. S." Original front pastedown: lower portion of a parchment bifolium (Germany, 15th century) of the Doctrinale of Alexander of Villa Dei with lines 1056-79 visible on verso and 1520-44 on recto. Ca. 5 mm. between lines of text. Binding restored.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 1091-1153., Catholic Church, and Cistercians.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monasticism and religious orders, Sermons, and Theology
Manuscript on paper (sturdy). Pages 9-1315 contain Sermons and Lives of Saints for March 25 through August 29. The manuscript is composed of three parts; the second two serve to complete a text that was either unfinished or damaged
Description:
In Greek., Watermarks: anchor within a circle and surmounted by a six-pointed star, all three parts with assorted countermarks., Script: Part I (pp. 1-1315, skips 399): Executed by a single scribe in large bold minuscule. The scribe of Part II notes on p. 1315 that this portion was completed by Cyrillus in 1585 at the monastery of St. Simon Petras, with the subvention of Constantinus. Cyrillus' own signature occurs on p. 1323. Part II (pp. 1315-323): Written by a single scribe in a smaller, more calligraphic minuscule than Part I. Part III (pp. 1324-1334): Executed by a single scribe who signed and dated the section on p. 1334: Ioasaph, 15 January 1651., Part I: Intricate headpiece of vine-tendrils within rectangular blocks, outlined in black and filled with red, yellow, and pale gold (p. 9). Large initials, 10- to 8- line, of similar design and colors, appear for each new text together with narrow headpieces. Some instructions for the rubricator remain along upper and lower edges. Part II: Simple headpiece in black and red (p. 1316); one ornamental initial, 5-line, sprouting floral motifs on same page, in red. 2-line initials in gold. Part III: Headpiece of plaited design, in red and burnt orange (p. 1324); single decorative initial, 9-line, at beginning of text., and Binding: Nineteenth century. Half bound in purple calfskin with watered cloth sides. "Lectionary. Greek MS. Mt. Athos 1555" on spine.
Subject (Geographic):
Connecticut, New Haven., and Athos (Greece)
Subject (Name):
Orthodoxos Ekklēsia tēs Hellados.
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monasticism and religious orders, and Sermons
Manuscript on parchment in two volumes. Vol. 1: Gospels of Matthew and Mark. Begins in the middle of Matthew 5.17. Volume 2: Gospels of Luke and John. Both volumes exhibit the same physical format and were clearly bound together at an earlier date
Description:
In Greek., Script: Written by a single copyist in minuscule script, with headings and tables of chapters in uncials; writing runs through guide-lines rather than sitting on them., Full page portraits of Mark, Luke, and John; all are depicted on gold. Mark holds a codex in his left hand and touches his chin with the right. Luke (f. 3v, Vol. 2) writes in an open codex he is holding in his lap, while John (f. 87v, Vol. 2) holds a scroll bearing the opening phrases of his gospel. Illuminated headpieces and ornamental initials in gold with stylized foliage, before each book (except Mark); red initials at beginning of first, tenth, and twentieth lines of text., and Bindings: Volume 1, ca. 1904. Vellum case, gold-tooled. Volume 2, 1961. Orange goatskin gold-tooled, bound by Sidney Cockerell.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment in two volumes. Vol. 1: Gospels of Matthew and Mark. Begins in the middle of Matthew 5.17. Volume 2: Gospels of Luke and John. Both volumes exhibit the same physical format and were clearly bound together at an earlier date
Description:
In Greek., Script: Written by a single copyist in minuscule script, with headings and tables of chapters in uncials; writing runs through guide-lines rather than sitting on them., Full page portraits of Mark, Luke, and John; all are depicted on gold. Mark holds a codex in his left hand and touches his chin with the right. Luke (f. 3v, Vol. 2) writes in an open codex he is holding in his lap, while John (f. 87v, Vol. 2) holds a scroll bearing the opening phrases of his gospel. Illuminated headpieces and ornamental initials in gold with stylized foliage, before each book (except Mark); red initials at beginning of first, tenth, and twentieth lines of text., and Bindings: Volume 1, ca. 1904. Vellum case, gold-tooled. Volume 2, 1961. Orange goatskin gold-tooled, bound by Sidney Cockerell.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment of John Lydgate (1375?-1449?), Siege of Thebes
Description:
In Middle English., Script: Copied by one hand in Gothica Cursiva Antiquior Libraria/Formata (Anglicana). The scribe has been identified as being Stephen Doddesham, a Carthusian monk, first in Witham Priory, afterwards in the Charterhouse at Sheen, near London, d. 1481/1482., Red headings and running titles. The latter are preceded by alternately blue paragraph-marks with red penwork and golden paragraph-marks with blue penwork. 6-line foliate initials in pale blue and pink with left-margin floral borders extending into the upper and lower margins, at the beginning of Parts II and III (ff. 13v and 33v); the same type of initial with similar but four-margins border at the opening of the Prologue (f. 1r). There were only two 3-line dentelle initials with short marginal extensions, namely on f. 20v (now cut out, v. 1569, speech of Adrastus) and 25r (v. 1901, speech of Tideus)., and Binding: Nineteenth century. White parchment over pasteboard by Edward Parry. On the gold-tooled spine two bordeaux leather labels with gold-tooled inscriptions: "DESTRUCTION / OF / THEBES / BY/ LYDGATE" and "MANUSCRIPT".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lydgate, John, 1370?-1451? and Carthusians.
Subject (Topic):
English poetry |y Middle English, 1100-1500, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Narrative poetry, English (Middle)
Manuscript on parchment of Jacopo Ariani (?), 200 Sonnets addressed to a lady called Laura. With Alberto Maffei, Colophon in the form of a sonnet addressed to the readers
Description:
In Italian., Script: Written by Alberto Maffei in a small calligraphic Humanistica Semitextualis Formata., Each sonnet opens with a Capital in gold ink, the three subsequent stanzas with alternating red and blue Capitals. On the opening page (f. 2r), however, the opening Capitals are in gold on a square blue background dotted with gold, above each of the two sonnets floral ornaments have been painted in red and gold ink and in the lower margin there is a medallion within a gold wreath adorned with ribbons and containing the coat of arms of the Ariani family flanked by the initials "I.A.". ff. 1 and 52 are stained purple and the text of artt. 1 and 3 is written in gold ink, the headings being executed in silver ink. On both pages silver and gold floral ornaments in three margins. The ones in the lower margins end in Capital "A" (for "Albertus")., and Binding: Nineteenth century. Blue velvet over cardboard with blue watered-silk doublure. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ariani, Jacopo.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian poetry, and Manuscripts, Medieval