Manuscript fragment on parchment of Vergil's Aeneid containing portions of Books 2 and 3, including a section of the Pseudo-Ovidian Prologue to Book 3.
Description:
In Latin., Script: written in late Caroline minuscule., and Decoration: a portion of the initial "P" of Book 3 is preserved, written in red; 1-line initials at the beginning of verses are in brown in a mixture of rustic capital and uncial forms; punctuated with the punctus.
Manuscript fragment on parchment of an antiphonary containing among other items: St. Agnes (21 January); St. Vincent (22 January); Conversion of St. Paul (25 January); St. Agatha (5 February); St. Scholastica (10 February); St. Valetine (14 February); and Chair of Peter (22 February).
Description:
In Latin., Script: written in early Gothic script (littera textualis)., and Decoration: initials of the first antiphon for lauds and for several other hymns are 1- to 2-line square capitals in red; other initials are 1-line brown rustic capitals highlighted with red; rubrics written in red minuscule; minor initials in black highlighted with red; punctuated with punctus; interlinear neumes in the St. Gall style have been added by several hands.
Manuscript fragment on parchment of an antiphonary containing among other items: First Sunday of Advent; Christmas; Christmas Eve; St. Stephen (26 December); St. Silvester (31 December); St. Agnes (21 January); Conversion of Saint Paul (25 January); and Purification of the Virgin (2 February).
Description:
In Latin., Script: written in late Caroline minuscule by several scribes., Decoration: 7-line responsory initial "D" is a red uncial with red and black penwork and a portrait of St. Agnes; 4-line responsory initial "A" in red with vine-stem decoration; 1-line initials of "O" antiphons are in red capitals; other 1-line initials are brown rustic capitals; rubrics in red minuscule., and It is possible that not all these leaves come from the same manuscript. They were written by several scribes, and the written space varies.
Manuscript fragment on parchment of an antiphonary containing among other items: Epiphany; first through fourth Sundays after Epiphany; and Psalm responsories for use between Epiphany and Septuagesima
Description:
In Latin., Script: written in Caroline minuscule., and Decoration: 1-line initials at the beginning of responses are in square capitals in thick brown ink dotted or filled with orange; 1-line initials at the beginning of antiphons and verses are brown rustic capitals highlighted with orange; rubrics are written in orange rustic capitals; punctuated with the punctus; interlinear neumes for chants with full texts are in the St. Gall style.
Manuscript fragment on parchment of an antiphonary containing: Sts. Sixtus, Felicissimus, and Agapitus (6 August); St. Laurence (10 August); Assumption of the Virgin (15 August).
Description:
In Latin., Script: written in late Caroline minuscule., and Decoration: 2-line initials at the beginning of responsorial liturgy are in red square capitals; 1-line initials are in brown rustic capital with uncial forms of "M" and round forms of "E" and sometimes "D"; rubrics are written in red minuscule; punctuated with the punctus and punctus elevatus (rare); interlinear neumes in the St. Gall style.
Manuscript fragment on parchment from a breviary or antiphonary, with musical notation above the texts without staves. The recto text is in late Caroline minuscule and the music is notated in Hufnagel neumes. The verso text is in transitional protogothic and music is in letter notation in the style of Saint Gall. Neither text has been identified
Description:
In Latin., Script: recto: late Caroline minuscule. Verso: transitional protogothic., and Decoration: recto: small capitals in red ink. Verso: Small capitals and letter musical notation in red ink.
Manuscript on parchment, composed of three parts, of Petrus Riga, Aurora, Biblia Versificata (a Latin verse translation of the Bible). Parts I and III in the same format and possibly from the same manuscript.
Description:
Binding: Nineteenth century, Belgium. Tan calf over wooden boards, blind-tooled with the Arenberg arms on the sides. Title on spine: "Sacrae Scripturae excerptae/ Circa 1225-50". Remains of old fore-edge tabs., Parts I and III: Red initials, plain or with modest designs throughout. Headings in red often added to right of text. First letter of each verse stroked in red or ochre, often by drawing a single line the length of the written space. Part II: Plain initials and headings in red throughout., Presented by Otto Rauschberg in 1956 to Thomas E. Marston., and Script: Parts I and III (ff. 1-72 and 113-136): Copied by multiple scribes in small gothic bookhand, with first letter of each verse usually aligned on the second vertical bounding line. Part II (ff. 73-112): Written by multiple scribes in a larger module and a neater gothic script than that in Parts I and III; each verse is justified by the placement of the final letter along outer vertical ruling. Script has often been retraced.
Subject (Name):
Peter Riga,--ca. 1140-1209
Subject (Topic):
Bible.--Latin--Versions, Latin poetry, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript fragment on parchment of the biblical book of 1 Kings
Description:
In Latin., Script: written in progothic minuscule., and Decoration: 2-line initials alternate in red and blue; 1-line initials are in brown and a mixture of uncials and rustic capitals; running titles are written in black; punctuated with the punctus; hyphenation, accents, and diacritical marks over double "i" and double "a" were added in lighter ink.