Manuscript on parchment (thick), composed of two distinct parts, of 1) Calendar-obituary giving the names of nuns, lay sisters, and benefactors of the Benedictine abbey of Notre-Dame de Saintes in Charente Inferieure in Southwestern France. The main body of this section dates from the fourteenth century, but was still being supplemented in the sixteenth century. 2) A version of the Usuard Martyrology; the body of the text written in the 12th century. 3) Rule of St. Benedict, feminine version.
Description:
Binding: Fifteenth century (?), France. An early resewing on three double, twisted, tawed skin supports laced into wide grooves in oak boards and pegged with rectangular or square pegs. Covered in brown sheepskin with corner tongues, blind-tooled with diagonals in an outer frame. Spine leather wanting. Leather on boards much worn., ff. 3, 46 excised., First part of the manuscript has been extensively patched and repaired., Part I: Initials, dates and headings in red. Part II: Two decorated initials, ff. 47r and 129r, 6-line, in red, green and blue. Decorative headings in brown ink touched with red and green, or red touched with blue. Small initials, 4- to 1-line in red, some with foliage scrolls in red or contrasting color. Headings in red., and Script: Part I (ff. 1-46): Written in a variety of scripts ranging from gothic bookhand to batarde. Part II (ff. 47-168): Written in elegant late caroline/early gothic bookhand.
Subject (Name):
Benedictines
Subject (Topic):
Benedictine nuns, Christian martyrs, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Monasticism and religious orders
Manuscript on parchment (scraps, endpieces) of the Canticum canticorum, with glossa ordinaria.
Description:
Text written in large round late caroline minuscule; commentary in a similar, but smaller script with many abbreviations.
Subject (Name):
Bible. O.T. Song of Solomon and Glossa ordinaria
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of a Cartulary of the abbey of Sant Cugat del Vallés. The manuscript also contains documents pertaining to a lawsuit between the monastery and the town of Sant Cugat.
Description:
Binding: no covers., Copy of the charter of Lothaire, King of the Franks (954-986), for the abbey of Sant Cugat, dated Compiègne, 986 January-February. The copy was made by Bernard of Caderita, notary at Barcelona, 1044 January 17. The manuscript contains confirmations of this charter by James I, King of Aragon (1213-1276), dated 1233 January 23, and Pedro IV, King of Aragon (1336-1387), dated 1338 April 20. The manuscript also contains documents about a lawsuit before the court of the bishop of Barcelona between the monastery of Sant Cugat del Vallés and the town of Sant Cugat at the occasion of a fight between two inhabitants of the town and the wounds they received, 1273-1380. The Latin language of these documents is very ungrammatical., Script: probably copied by a single hand writing Gothica Cursiva Libraria/Currens with Spanish features. Paragraph marks and headings in pale red ink. Red initials with reserved interior shapes, of various heights., and Wanting f. 30.
Subject (Topic):
Cartularies, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment containing 1) Ceremonial for the vestment of a nun. 2) Ceremonial for the communion of a sick nun. 3) Ceremonial for administering the extreme unction. 4) Ceremonial at the death of a nun. 5) Commendations for the dead nun. 6) Ceremonial for the burial of a nun. 7) Seven Penitential Psalms. 8) Antiphons, Responses and Hymns for the aspersions with holy water and the processions, with musical notation and rubrics in Latin, for the feast of Purification of the Virgin (2 Febr., f. 52v), Palm Sunday (ff. 54r and 59r), Maundy Thursday (f. 61r), Easter, Ascension, Pentecost (ff. 66r and 68r), the Rogation Days (f. 69r), the Vigil of Pentecost, Corpus Christi (f. 73r), the Assumption of the Virgin (15 August, f. 74v), the Dedication of the Church (f. 76r), Trinity Sunday (f. 78r) and again Purification (f. 79v). These are followed by the various melodies, with Dutch rubrics, for three liturgical formulas. 9) Text of Versicles for various periods and feasts of the ecclesiastical year. 10) Versicles for the Common of the Saints. 11) Dutch prayers for a dying nun. 12) Ceremonial for the consecration of candles at Purification, the consecration of ashes on Ash Wednesday, the consecration of palms on Palm Sunday, the washing of the altar on Maundy Thursday, partly with musical notation. 13) Fragment of the Antiphons for Pentecost, with musical notation. and Manuscript on parchment.
Alternative Title:
Ceremonial and processional and Liturgy and ritual
Description:
Binding: ca. 1500. Blind-tooled brown calf over wooden boards, both covers decorated with twice a panel containing two rows of four animals in tendrils in a frame of 16 dragons in tendrils (the so-called 24 Animals panel), separated by a frieze with the Peasants' Dance. Spine with three raised bands. Remnants of two clasps.The pastedowns are two parts of a document in Dutch on parchment (a large section between the two is missing) datable 25 August 1443. It is a chirograph in documentary cursive script, stating that before the court of Geraardsbergen ("Gheerondsberghe", Fr. Grammont, East Flanders) parties have promised to pay a debt of £ 200 in eight instalments over the next four years, 1443-1446. Among the persons mentioned are Heinrik den Haec (?), the lady de Tiennes, the aldermen of Edingen (Enghien, Hainaut?), Collaert van den Foreeste, alderman of Geraardsbergen and Coppenole, counciller of the same city. The design and letters appearing at the top and at the bottom of the document prove that it was made in three copies., Rubrics, underlining and paragraph marks in red; red stroking of majuscules. 1-line versals and 2-line plain initials in red. 2-line flourished initials alternately red and blue ; cadels with red heightening on the pages with musical notation; 3- or 4-line litterae duplices with penwork extensions in red, blue and green on ff. 1r (art. 1), 18r (art. 5), 40r (art. 6), 46v (art. 7) and 86r (art. 11)., and Script: The main scribe (A) wrote Gothica Textualis Formata on ff. 1r-46v, l. 4 (with the exception of f. 39, where another hand wrote a smaller Gothica Textualis Formata). Hand B wrote Gothica Hybrida Formata (Bastarda) on ff. 46v, l. 6 - 87v, l. 4 (artt. 7-11). Hand C copied ff. 88r-94v (art. 12) in Gothica Textualis Formata. F. 95 is 16th century addition copied in a clumsy Gothica Semitextualis. The musical notation is a variant of the Hoefnagel type. There are several later additions of music and text.
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Processionals (Liturgical books)
Manuscript on parchment containing 1) Benedictus XII papa (1334-1342), Constitutio pro reformatione Ordinis Cisterciensis (1335), c. 1, first part. 2) Benedictus XII papa, Constitutio pro reformatione Ordinis Cisterciensis (1335), cc. 1 (second part) - 42. 3) Statutes of the General Chapter of Cîteaux of 1335. 4) Benedictus XII papa, Bulla "Regularem vitam professis", 4 July 1335. 5) Benedictus XII papa, Bulla "Pastor bonus diligens", 17 June 1335. 6) Statute of the General Chapter of 1422, c. 24. 7) Part of the statute of the General Chapter of 1422, c. 23. 8) Carta caritatis, a later version of the original constitution of the Cistercian Order. 9) Statutes of the General Chapter of 1317, incomplete at the end: cc. 1-13.
Description:
Binding: Blind-tooled white parchment over wooden boards, decorated with fillets in a frame and lozenges pattern. Spine with two raised bands., Foliation s. XVII in ink 2-109, but ff. 37-39 are missing., Script: The original text (artt. 2-5, 8, 9) is probably copied by a single hand (A) writing a small Gothica Textualis/Semitextualis Libraria. The additional texts are copied in 16th century hands: artt. 1 and 6 in Gothica Hybrida Libraria by hand B, who wrote also the majority of the marginal notes and additions; art. 7 by hand C, who used a bold Humanistica Cursiva., and The additional texts are not decorated. The original parts have red headings, red paragraph marks, and red 2- or 3-line plain initials. Art. 2 opens f. 2r with a 7-line littera duplex with extensive penwork and extension in the inner margin in red and blue; art. 8 opens f. 42v with a 3-line flourished initial (Prologue) and a 4-line littera duplex with penwork, as in art. 2 (text). All initials are half inset and have guide letters in the margin.
Subject (Name):
Cistercians
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Monasticism and religious orders
Manuscript on paper containing 1) Claudius Claudianus (ca. 400), De raptu Proserpinae. 2) Plinius Maior (23-79), Naturalis Historia, C. Mayhoff, ed. (Teubner, 1906 ff.), 10.3-5: note on the phenix, as an introduction to art. 3. 3) Claudius Claudianus, Phoenix (Carmina minora 27). 4) Fictitious epitaph of Claudius Claudianus. 5) Publius Ovidius Naso (43 BC-AD 17), Metamorphoses, 11.592-615: description of the dwelling of the god Sleep. 6) Titus Vespasianus Strozza (Tito Vespasiano Strozzi, 1424-1505), Laus Bacchi (poem in praise of wine). 7) Note on the question whether Claudianus was a Christian. A quotation from Paulus Orosius (d. after 418), Historiae adversus paganos, 7.35.2, followed by verses 1-5 of the poem De Salvatore, by or attributed to Claudianus (Carmina minora, 32). 8) Three verses from Claudius Claudianus, Panegyricus de tertio consulatu Honorii Augusti, 96-98. 9) Final three verses of Claudius Claudianus, Deprecatio ad Hadrianum (Carmina minora, 22), 56-58. Followed by a conclusion about Claudianus's nationality.
Description:
Binding: Nineteenth century. Brownish mottled paper over cardboard. The preceding binding had wooden boards as appears from the worm holes in the first and final leaves., Headings and explicit formulas in pale red; the heading of art. 5 in Capitalis. Space for 3- or 2-line initials reserved in art. 1. The first words of artt. 2 and 5 are written in pale red capitals., and Script: Copied by one hand in Humanistica Cursiva Formata; artt. 7-9 in a more sloping and more rapid script.
Subject (Name):
Claudianus, Claudius
Subject (Topic):
Latin fiction, Laudatory poetry, Latin, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
An alphabetically arranged collection of extracts on the virtues and vices and on moral subjects drawn from Vincent of Beauvais. and Manuscript on parchment (greatly trimmed) of An alphabetically arranged collection of extracts on the virtues and vices and on moral subjects drawn from Vincent of Beauvais.
Description:
Binding: Nineteenth century, Italy. Half bound in brown mottled calf with a gold-tooled spine and cream, blue-green, and red paste-paper sides. Red and olive green paste-paper pastedowns in a chevron pattern. Red edges. and Script: Written in a small neat got
Subject (Name):
Vincent,--of Beauvais,--d. 1264
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Vice, and Virtue
Manuscript on parchment (thick, but good quality) of a Collection of Texts on St. Barbara. With a miscellany of texts including patristic works, moralistic poems, and prophecies.
Alternative Title:
Liber gloriose uirginis et martyris christi barbare
Description:
Binding: ca. 1500, Belgium. Covered in brown calf with corner tongues over wooden boards, a central panel diapered with blind-tooled triple fillets. Center and corner fittings and title written in a careful gothic bookhand under a brass-framed window on the upper board: "liber gloriose uirginis et martyris christi barbare". Lower board cut in for the straps which are attached with metal plates. Hasps of a chain on the lower board. Rebacked. and Script: Written in a regular heavy hybrida formata script with features of bastarda by a single scribe who placed small circular flourishes above the letter u.
Subject (Name):
Barbara, Saint
Subject (Topic):
Christian martyrs, Christian poetry, Latin (Medieval and modern), Fathers of the church, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval --Connecticut --New Haven, and Prophecies --Early works to 1800