Manuscript fragment on parchment of prayers for the dead, possibly from a rituale
Description:
In Latin., Script: written in large gothic script (littera textualis formata)., and Decoration: 2- and 3-line initials are in black with black penwork, some filled with red; punctuated with the punctus, punctus elevatus, and punctus flexus; hyphenation in the same ink as the text; line fillers in black; line divider on fol. 2r is in the shape of a square with four compartments like a coat of arms; one of the compartments contains the picture of a face.
Manuscript on paper (watermarks trimmed; unidentified) of various prayers
Description:
In German and Latin., Script: Text written in formal gothic by one scribe. Prayers added on the flyleaves, front and back, by several later hands in italic of the 17th century and later. 2- and 1-line initials in blue-grey or orange-tinted red. 1-line initials within the text, with red stroke. Extensive rubrication in orange-tinted red., and Binding: 16th-17th centuries. Sewn on three single, round, vegetable fiber cords laced into wooden boards. "Made" endbands glued on and extending onto the outer face of the boards. Red edges and numerous place marks of vellum or tawed skin on the fore-edge. The spine rounded and lined. Covered in dark brown calf with two brass catches on the upper board and brass clasps hinged to the lower. The lower board is detached and one clasp and some leather at head and tail of the spine are wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustinians. and Catholic Church
Subject (Topic):
Manuscripts, Medieval, Monasticism and religious orders, and Prayers
Manuscript on parchment. Written as a gift for Barbara Pfintzing, who entered a nunnery in 1441 at the age of 16. The text indicates that the manuscript was produced for use in a Dominican house of nuns; liturgical directions are written in German (the feminine forms in the antiphons and prayers often bear suprascript masculine endings, in red).
Description:
In Latin and German., Script: Written by a single scribe in well formed gothic textura. Articles 1 and 6 have 4-line staves, in red, and black square notes., Uninspired blue initial, 2-stave, on f. 1r, infilled and surrounded by red penwork flourishes with blue accents. Similar plain initials, 2-line, alternate in blue, red, and black with red throughout. Running titles and headings in red., and Binding: Sixteenth century. Resewn, using original sewing holes, on three double vegetable fiber cords laced into back-cornered and indented oak boards. Endbands embroidered on a strip of vellum and adhered, the vellum extending onto the outside of the boards. The spine is square and lined all along with manuscript fragments extending to the inside of the boards. Covered in vellum blind-tooled with concentric borders containing heads in oval frames among foliage in the outer, and busts of saints in the inner. Two brass fastenings, the catch on the upper board, straps attached to the lower with a metal plate. Straps wanting and a slight crack in one joint.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Dominicans
Subject (Topic):
Liturgy, Manuscripts, Dominican sisters, Manuscripts, Medieval, Monasticism and religious orders, and Processionals (Liturgical books)
Manuscript fragment on parchment of a Gallican Psalter containing readings from Psalms 42, 50, and 58.
Description:
In Latin., Script: written in late Caroline minuscule., and Decoration: 3-line initials at the beginning of Psalms are in red, which in places has oxidized to a silver color; 1-line initials at the beginning of verses are in red square capitals; rubrics written in red rustic capitals; the first line of each Psalm is written in brown rustic capitals; punctuated with the punctus.
Manuscript fragment on parchment of a psalter containing portions of Psalms 93-100
Description:
In Latin., Script: written in late Caroline minuscule., and Decoration: 2- to 4-line initials at the beginning of the Psalms are in red uncials and capitals; 1-line initials at the beginning of verses are in red; the first word of each Psalm is written in rustic capitals; puncutated with the punctus; Psalms not written in verse.
Manuscript fragment on parchment of a psalter containing portions of Psalms 77 and 83.
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: 2- and 3-line initials at the beginning of Psalms alternate red and blue; 3-line initials of the versicles are in black highlighted with red and are not set apart from the text; 1-line initials at the beginning of verses alternate red and blue; punctuated with the punctus and punctus elevatus; hyphenation added by a later hand; the versicles at the end of each Psalm have musical notation in black on a 4-line staff in red.
Manuscript fragment on parchment of a rituale containing the Order of visiting the sick
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: 2-line initials in red are surrounded by and filled with brown circles and flourishes; 1-line initials are in brown; rubrics are written in red in the same script as the text; punctuated with the punctus; hyphenation is in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, and Rituals (Liturgical books)
Manuscript fragment on parchment of a sacramentary containing: Mass for an unidentified saint and companions; St. Emmeram (22 September); Sts. Cosmas and Damian (27 September); Archangel Michael (29 September); St. Jerome (30 September); Sts. Simon and Jude (28 October); Vigil of All Saints (31 October); All Saints (1 November); and St. Caesarius (1 November).
Description:
In Latin., Script: written in early gothic script (littera textualis)., and Decoration: 2-line initials at the beginning of each Mass and 1-line initials for other prayers are in red; rubrics are written in in red in the same script as the text, with occasional use of uncial or rustic capital forms; punctuated with the punctus; hyphenation is in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, and Sacramentaries
Manuscript fragment on parchment of a sacramentary containing among other texts: St. Thomas (21 December); Christmas Eve (24 December); Christmas morning (25 December); St. Anastasia (25 December); Christmas (25 December); Assumption (15 August); All Saints' Day (1 November); St. Martin (11 November); and St. Cecilia (22 November).
Description:
In Latin., Script: written in early gothic script (littera textualis)., and Decoration: 2- to 3-line Mass initials and UD are in red with red penwork; initials of prayers are 1-line red uncial or square capitals; other 1-line initials are in brown highlighted with red; rubrics written in red in the same script as the text; instructions to the rubricator in the outer margins; the first word of each Mass written in a mixture of rustic capitals and minuscule in brown highlighted with red; punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, and Sacramentaries
Manuscript on paper (heavy, rough) composed of four parts. Part I: Excerpts (divided into three parts) from the Malogranatum of Gallus, abbot of the Cistercian abbey of Koenigssaal, Bohemia. Part II: 3) Thomas a Kempis, Tractatus de imitatione Christi et contemptu omnium vanitatum mundi, Book I only. 4) Unidentified Fasiculus florum or Fasiculus morum. 5) Brief excerpts from Augustine and Jerome. 6) Unidentified excerpts dealing primarily with defects in the performance of the mass. Part III: 7) Unidentified extracts on virtues and vices. 8) Series of exempla of virtues and vices perhaps intended as illustrations for the selections quoted in art. 7. 9) Exemplum of Udo, Abp. of Magdeburg. Part IV (parchment): Unidentified text
Description:
In Latin., Watermarks: Part I: unidentified monogram buried in gutter. Parts II and III: similar in design to Piccard Buchstabe P XVI.301-29., Script: Part I (ff. 1-154): Copied by one person in a poorly formed, abbreviated gothic cursive. Part II (ff. 155-202): Written by two scribes: 1) ff. 155r-196r in hybrida; 2) ff. 196v-199v in hybrida. Part III (ff. 203-248): Written in neat gothic cursive by a single scribe. Part IV (ff. 249-256): f. 249r-252r (first column) written in small neat gothic textura; ff. 252r (col. b) - 255r written in gothic cursive., Part I: Small knobby initials, 3- to 2-line, in red. Underlining, paragraph marks, initial strokes, and circles enclosing marginal annotations by the scribe, in red, throughout. Part II: Scribe 1) Incipits, knobby initials (3-line), strokes on initials, in red; 2) Crudely drawn initials (2-line), paragraph marks, strokes on initials, and underlining for headings, in red. Part III: Many plain initials, 2- to 1-line, headings, initial strokes, and lines drawn through the names of authors cited, in red. Notes to rubricator, many perpendicular to text along outer edge of leaf. Part IV: Small plain initial (f. 249r) in red., The patterns of water damage and stains indicate that the codex originally consisted of several booklets., and Binding: Fifteenth century. Bound in the Charterhouse of St. Barbara in Cologne. Vellum stays in the center of the gatherings and their backs cut in about 3 mm. at each sewing station. Sewn on four, double, vegetable fiber supports laced into oak boards and pegged as are the plain, wound endbands. Covered in light brown calf with very narrow corner tongues and defined supports. Blind-tooled with intersecting diagonal fillets with roses, two-headed eagles, crowned swans and fleurs-de-lis in the compartments, inside an outer frame. Trace of a catch on the upper board; edge of the lower one cut in for a strap. Rebacked and clasp wanting. Front and back flyleaves, formerly pastedowns, from a liturgical manuscript (Germany, 12th-13th centuries) containing Office of the Dead. Responses to the first five lessons are Qui lazarum, Heu michi, Ne recorderis, Domine quando, Peccantem me cottidie.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Cistercians.
Subject (Topic):
Liturgy, Christian literature, Latin (Medieval and modern), Didactic literature, Latin, Exempla, and Manuscripts, Medieval