"Three men on the deck of a small sailing-vessel. Boswell, his knees flexed, stands in profile to the left holding the end of a rope and looking at Col, in Highland dress, who holds up his finger admonishingly. His Scots cap flies from his head, his coat-tails blow in the wind, his ink-pot dangles from his neck, his 'Journal' is under his left arm. A sailor (right) stands in back view leaning against the side of the vessel."--British Museum online catalogue
Description:
Title etched below image., One in a series of twenty plates by Rowlandson after S. Collings. See British Museum catalogue, v. 6, page 345., Plate from: Picturesque beauties of Boswell, Part the Second. [London] : [E. Jackson], [1786], Four lines of verse below title: "As I saw them all busy doing something, I asked Col. with much earnestness what I could do. He with a happy readiness put into my hand a rope which was fixed to the top of one of the masts ..." Vide Journal p. 349., Sheet trimmed within plate mark., Temporary local subject terms: Ink pot., and In mss. in lower left corner: E-159.
Publisher:
Publish'd May 15th, 1786, by E Jackson, No. 14 Mary-le-bone Street, Golden Square
Subject (Name):
Boswell, James, 1740-1795 and Boswell, James, 1740-1795.
Subject (Topic):
Inkstands, Dancing, Scottish, Costumes, Sailing ships, and Sailors
Title from item., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., Temporary local subject headings: Allusion to Marie Antoinette, Queen of France, 1755-1793 -- Allusion to Marquise de Vasse, fl. 1789 -- Allusion to the Marquise de Vasse, fl. 1789 -- Allusion to the French Revolution -- Flight of French immigrants -- Scatology -- French officers -- Signs: signpost -- Boulogne -- Dover -- Allusion to spa -- French revolutionary flag -- Boats: row-boat -- French National Guards -- Naval uniforms: sailors -- Coast of France -- Allusion to Spain?, and Watermark.
Publisher:
Pubd. July 29 by S. Fores, No. 3 Piccaddily [sic]
Subject (Name):
Calonne, Charles Alexandre de, 1734-1802, Broglie, Victor François, Duc de, 1718-1804, Breteuil, Louis Auguste Le Tonnelier, baron de, 1730-1807, Montmorency Luxembourg, Anne-Charles-Sigismond, duc de, 1737-1803, Montmorency Luxembourg, Madeleine-Suzanne-Adèlaide de Voyer d'Argenson de Palmy, duchesse de, 1752-1813, Massereene, Clotworthy Skeffington, Earl of, 1743-1805, Polignac, Yolande-Martine-Gabrielle de Polastron, duchesse de, 1749?-1793, Polignac, Diane, comtesse de, Lamotte, Jeanne de Luz de Saint-Remy de Valois, comtesse de, 1756-1791, and Lamotte, Marc-Antoine-Nicolas, comte de
"Mrs. Clarke (left), more of a siren than in authentic portraits, sits indecorously on a sofa, while the Duke, with eyes tipsily closed, reclines against her, seated on the floor. She holds scissors and the Duke's long pigtail, which she has cut off and displays to two men who approach from the r., a military officer, probably Wardle, who puts his finger slyly to his nose, and a good-looking young civilian (? Folkestone). She says: "Gentlemen you may now take him with safety, his strength is gone, I have cut off his regulation tail, and there is no danger"."--British Museum online catalogue
Description:
Title from caption below item., Printmaker identified in the British Museum catalogue., Sheet trimmed within plate mark on one side., Variant state missing series number of no. 11262 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Mounted to 29 x 42 cm.
Publisher:
Pubd. March 19 1809 by Thos. Tegg No. 111 Cheapside
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Radnor, William Pleydell-Bouverie, Earl of, 1779-1869, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and Wardle, Gwyllym Lloyd, 1762?-1833
The Bow Street magistrate and campaigner against gambling, Sampson Wright, is shown seated at a table being assailed by a man who has entered the door on the right. On the left another man (probably meant to be John Bond, Wright's clerk) expresses alarm, and on the right a dismayed youth wipes away a tear
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 44 x 29 cm.
Publisher:
Publish'd by Bonde at the Thieftakers Office, Bow Street
Subject (Geographic):
England and London
Subject (Name):
Wright, Sampson, Sir, -1793 and Bond, John, active 1782
Subject (Topic):
Threats, Judges, Gambling, Interiors, and Clothing & dress
Title from item., Two columns of verse below image: Hitherto .... I have perform'd. Not without wonder ... Samson Agonistes., Plate from: The Political register and London museum. London : Printed for J. Almon, v. 1 (1767), p. 201., Temporary local subject terms: Buildings: Westminster Hall -- Britannia (Symbolic character) -- Personifications: Liberty -- Emblems: cap of liberty -- Emblems: anchor -- Reference to Magna Charta -- Reference to the Glorious Revolution -- Reference to the accession of the House of Brunswick -- Musical instruments: lyre -- Emblems: thunderbolts -- Bible: Samson destroying a temple -- Literature: quotation from Samson Agonistes by John Milton, 1608-1674, lines 1640-1659., and Mounted to 37 x 24 cm.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Camden, Charles Pratt, Earl, 1714-1794, Charlotte, consort of George III, King of Great Britain, 1744-1818, George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Granby, John Manners, Marquis of, 1721-1770, Hawke, Edward Hawke, Baron, 1705-1781, Pitt, William, Earl of Chatham, 1708-1778, and Secker, Thomas, 1693-1768
"Under a canopy (left), sits the 'Noble Grand' or chairman on a raised platform, on each side of him on a lower level sits a 'Vice Grand'. All three wear hats and (like the other members) medallions hung on broad ribbons. In front of the dais is a draped table with emblems of the society, a beehive, a Holy Bible, with a punch-bowl, wine-bottle, and a writing-desk, beside which sits the secretary, holding a pen. On the extreme right is the doorkeeper, a small man wearing a lion's skin round his shoulders and holding up a large club, at the head of which is ficed the jaw-bone of an ass. A member, whom the text shows to be Sir Watkin Lewes, is introducing a small man as a candidate for membership, his thumbs being tied together. The other members are smoking and drinking. In the foreground (left) sits a man whose wooden leg, and a paper inscribed Pension 500 which issues from his pocket, show that he is Brook Watson. Others are seated in the background (right) behind a table with punch-bowl, glassses, and pipes. On the wall is a half-length picture of Samson, raising the ass's jawbone. There are also six framed coats of arms of those who have served the office of Noble Grand. The room is lit by a chandelier composed of two (Argand?) lamps with glass chimneys, hanging from the ceiling."--British Museum catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: Attic miscellany, v. i, page 161. An illustration to an account of the 'Samsonic Society, held every week at the Pied House, Chiswell Street.", and Mounted to 26 x 32 cm.
Publisher:
Publish'd as the act directs, by Bently & Co.
Subject (Name):
Lewes, Watkin, Sir, 1740?-1821 and Watson, Brook, 1735 -1807
Subject (Topic):
Chandeliers, Clubs, Dogs, Organizations, Peg legs, and Pipes (Smoking)
"A buxom girl pushes (left to right) her barrow of carrots along the pavement of Bond Street, looking over her right shoulder at Lord Sandwich ('Jemmy Twitcher'), who overtakes her and twitches her apron. He is in profile to the right, leering at her. Her elegant shoes and clocked stockings are inconsistent with her occupation. The background is a bookseller's shop at the corner of 'Little Maddox Street' (left) and 'New-Bond Street' (right), displaying the royal arms. Over the door, in Bond Street, is 'Faulder' and above the two windows, 'Bookseller & Book Binder'. Pamphlets or open books fill the panes of the windows: 'Rules of the Order of Sr Francis' [an allusion to Sir Francis Dashwood and the profligate order of Medmenham Abbey]; 'List of Servant Maids'; 'A Chip of the old Block'; 'Doe Hunting an Ode by an old Buck Hound'; 'The Beauties of Bond Street' (cf. BMSat 8377); 'A Journey through Life - from Maddox Street unto Conduit Street & back again'. The side of a third shop-window in Maddox Street appears on the extreme left. Cf. BMSat 7080."--British Museum online catalogue
Description:
Title etched below image. and Temporary local subject terms: Young women -- Wheelbarrows -- Carrots -- Booksellers' shops: Robert Faulder's shop, 42 New Bond Street -- Allusion to Sir Francis Dashwood and Order of Medmenham Abbey.
Publisher:
Pubd. Decr. 3d, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Sandwich, John Montagu, Earl of, 1718-1792 and Faulder, Robert, 1747 or 1748-1815.
At the center of the sheet stands John Bull, hands clasped in prayer, as Sheridan and Fox force the bread of liberty into his wide open mouth as they pick his pocket. On either side of the three stands a gallows and the Temple Bar. In each of the four corners in similar scenes, labelled clockwise from upper left, Holland, Savoy, German & Prussia, red-capped French sansculottes try to force the bread of liberty down recognizable national stereotypes from these four nations as they loot the terrfied citizens
Alternative Title:
Sansculottes feeding Europe with the bread of liberty
Description:
Title from text in image., Printmaker from British Museum catalogue., and Sheet trimmed to plate mark on bottom edge.
Publisher:
Pubd. Jany. 12st [sic], 1793, by H. Humphrey, N. 18 Old Bond Street
Subject (Geographic):
France
Subject (Name):
Fox, Charles James, 1749-1806 and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
John Bull (Symbolic character), Girondists, Sansculottes, Liberty, Liberty cap, Popes, History, and Foreign relations
"Lord Lonsdale as Satan is seated in triumph, his right foot resting on a sack of 'Coals from the Infernal Pitt.' (Pitt gave Lowther his peerage, see BMSat 6579.) Peter Pindar (Wolcot) (left) kneels on one knee at his feet, with clasped hands, beseeching mercy. A lawyer (right) whose legs are twisted serpents crouches at his left hand writing 'Peter Pindar' in a book inscribed 'Black List'; he is the coachman of BMSat 8155. Lonsdale is a magnificently arrogant figure with horns, wings, and muscular legs which are bare from the knee, his toes being talons; he resembles the Satan of BMSat 6027. He wears an earl's coronet inscribed 'Evil be thou my Good', and a military coat with epaulettes. From his mouth issues two streams of flame ... In his left hand, which rests on his knee, is a flaming torch inscribed 'Epistle to Lord Lonsd[ale] by Peter Pindar'. Behind his head is a large halo from which radiate tongues of flame that reach to the margins of the design, each with an inscription. ... The last inscription points at the lawyer as the first does at Pindar. Pindar's clothes are ragged, toes protrude through a tattered shoe. ... From his pocket project two books: 'Odes upon Cowardice' and 'Odes of Importance alias Conciliatory Odes'. The latter, published in 1792, contained an 'Ode to Lord Lonsdale', in which Lonsdale is urged to imitate the King's forbearance towards 'the poet's harmless wit'; it is by no means abject, and threatens him with an independent jury and Erskine's irony. ... Lonsdale's attorney holds 'Briefs' and 'Writs' under his left arm, on which a brief-bag is hung. The coals issuing from Lonsdale's sack are inscribed: 'Covetousness', 'Dissimulation', 'Rapine', 'Treachery', 'Malice', 'Cruelty', 'Envy', 'Pride', 'Ingratitude', 'Deceit', 'Swindling', 'Rapine', 'Meanness'. ..."--British Museum online catalogue
Alternative Title:
Peter Pindar crouching to the devil
Description:
Title etched below image., Printmaker from British Museum catalogue., Text following title: Sketch'd from the peep-hole at Scalegill., Dedication etched below title: To the worthy inhabitants of Cumberland, this impartial representation of the virtues of his Infernal Majesty, is respectfully dedicated., Sheet trimmed within plate mark., Temporary local subject terms: Bag of coals -- Allusion to William Pitt, 1759-1806 -- Lawyers' brief bags -- Black lists -- Quills -- Emblems: earl's coronet -- Uniforms: military officer's uniform -- Torches -- Prayers -- Crimes: libel -- Haloes -- Literature: Pindar's Ode to Lord Lonsdale in Odes of importance, alias conciliatory odes -- Literature: Pindar's Commiserating epistle., and Mounted to 47 x 36 cm.
Publisher:
Pubd. May 8th, 1792 (for the proprietor) by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Lonsdale, James Lowther, Earl of, 1736-1802 and Pindar, Peter, 1738-1819
"Five ladies play musical instruments; all stand, except a performer on the triangle who is seated (right) in profile to the left. Next her a vast lady, perhaps Lady Buckinghamshire, raises a massive fist to thump a tambourine. The centre figure, who plays the cymbals with graceful energy, her head turned to the left to show a classic profile, may be Lady Charlotte Campbell .... A fat performer on the French horn inflates her cheeks grotesquely. On the extreme left a thin woman, of gipsy-like appearance, plays the true hurdy-gurdy or vielle."--British Museum online catalogue
Alternative Title:
Musical mania of 1799
Description:
Title etched below image., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., and Watermark: Edmeads & Pine.
Publisher:
Pubd. April 24th, 1799, by S.W. Fores, 50 Piccadilly
Subject (Geographic):
France
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816 and Bury, Charlotte Campbell, Lady, 1775-1861
Subject (Topic):
Savoyards, Bracelets, Clothing & dress, Chairs, Cymbals, French horns, Musical instruments, Organ grinders, Tambourines, and Women