Binding: Original blind-tooled brown leather over unbevelled oak boards, bound on four double cords. The two covers are decorated by means of triple fillets with different patterns: on the front cover a double rectangular frame divided into small lozenges decorated with lozenge-shaped hand-tools: griffon, unicorn (?), undetermined, ad two small flowerets; on the rear cover a double rectangular frame divided into six triangles decorated with only a few lozzenge-shaped hand-tools. Both covers protected by four engraved brass corner-pieces (three lost). Remnants of two clasps attached to the rear cover. Spine reinforcement consisting of four fragments from a missal (see below). Spine (damaged) with four raised bands and plaited headbands. Brown leather spine label with gold-tooled title and shelf-mark: VEN. BEDAE / SCINTILLA ETC. / I. XXII. B. V. (now detached). Five red leather tabs or traces of tabs, one at the beginning of each part. Front paste-down of blank parchment., Cite as: Mariological, Mystical and Ascetical Treatises. General Collection, Beinecke Rare Book and Manuscript Libra, Consecutive rear fly-leaf and paste-down cut from the same missal as the binding reinforcements, Germany, 14th century. Final part of the Ordinary of the Mass, containing corrections and changes. The Pater noster has neumatic notation on 4-line staves in black, red and yellow. Parchment. Copied by one hand in Gothica Textualis Formata, the corrections in smaller Textualis Libraria (ca. 1400). Red stroking of majuscules, red rubrics and plain initials., f. 142 loose. Originally tipped in and tab bound., In Latin., Manuscript on paper in five parts, each with its own very partial foliation (ca. 1800); they seem to have had the same history. The handwriting, by various scribes sometimes difficult to discern, is generally very uneven. The paper at places damaged by the acidity of the ink. Part I (ff. 1-84, art. 1): Copied by four Gothic hands: A (ff. 1r-29v): Hybrida Formata; B (ff. 30r-39va): Semihybrida Currens; C (ff. 39vb-56r): Hybrida Libraria; D (ff. 56v-77r): small Hybrida Libraria. Part II (ff. 85-215, art. 2): Copied by various scribes, writing Hybrida Formata, Hybrida Libraria, Cursiva Libraria (ff. 153v-157v) and Semihybrida Currens (f. 210r-v, 212v). The headings are in diverse types of script, often slovenly written. Part III (ff. 216-273, art. 3): Copied by three hands. A (ff. 216r-230v): large, bold Hybrida Formata; B (ff. 231r-272ra): Hybrida Libraria; C = friar Rudolphus Deyrdynck (f. 272rb-v): Hybrida Libraria. Part IV (ff. 274-343, artt. 4-19): Copied by one hand writing Hybrida or Semihybrida Libraria/Currens. Part V (ff. 344-388, art. 20): Copied by three hands. A (ff. 344r-352ra, 14): bold Hybrida Formata/Libraria; B (ff. 352ra, 14-354va): bold Semihybrida Libraria; C (ff. 354vb-388r): linear Hybrida Libraria/Currens sloping to the left., Note in the lower margin of f. 1r suggests that the manuscript was produced in the Benedictine abbey of Huysburg, north of Halberstadt. The scribe Rudolf Deyerdynck may have been a member of this community. Gift of the Library Associates of Yale University Library., Part I: Headings in red. The majuscules are stroked in red. Plain initials of various sizes in red, generally with the simplest form of penwork; they are all executed by the same hand., Part II: Plain initials in red of various styles and sizes, often with some flourishing; they are missing on ff. 206r-207v., Part III: Headings in red. The majuscules are stroked in red. 2-3 line plain initials in red., Part IV: Headings in red. Red stroking of majuscules and red paragraph-marks. Plain initials in red of mediocre execution; on ff. 279r-284r cadels with fancy forms; a face in the initial on f. 312r; some initials (ff. 324r-341v) apparently by the same hand as those in Part I., and Part V: Headings in red. Stroking of initials in red. 2-3-line plain initials in red at the opening of the chapters. A human face in the initials on ff. 351r, 352r, 375v. The names of the authorities quoted are in red.
Subject (Name):
Abbot of St. Mihiel, Smaragdus, fl. 809-819, Bishop of Brandenburg, Stephan Bodeker, 1383-1459, and Blessed Virgin, Saint, Mary
Subject (Topic):
Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval -- Connecticut -- New Haven, and Sermons
Manuscript on parchment (much worn, pieced) of 1) Ovid, Tristia 1.7.35-40. 2) Ovid, Metamorphoses. With Lactantian tituli added in margins.
Description:
Belonged to Sir Thomas Phillipps (no. 9033). Sold by W. H. Robinson to H. P. Kraus, from whom it was purchased in 1955 by Thomas E. Marston., Binding: Nineteenth century. Sewing, possibly original, on four kermes pink slit straps. Plain, wound endbands on tawed skin cores. Tan blind-tooled goatskin over wooden boards, also possibly original as they are cut in for the straps. Title gold-tooled on spine: "Ovidii Metam./ Saec. XV. M. S. in memb"., Script: Written by at least three scribes in scripts ranging from late caroline minuscule to early gothic bookhand, all above top line. Interlinear and marginal annotations and running headlines by several hands, 13th-15th centuries., and Two illuminated initials, f. 1r, severely damaged: 21-line initial I for first verse of art. 2 incorporates an elongated grotesque, originally purple, red, blue, and green on gold ground; 4-line initial at beginning of art. 1, gold on red ground with center totally effaced. 8-line initial for Bk. 2, f. 8v, gold on blue (?) ground, now rubbed: inhabited by winged grotesque biting its back with intertwining foliage in blue, green, orange and mauve on gold and red ground. Books 3-15 have attractive penwork initials divided red and medium blue with designs in both colors, ascenders and descenders often sweeping far into margins. Headings and paragraph marks in red. First letter of each verse (either set apart from text block between the first and second or placed directly on the second vertical bounding line) stroked with yellow.
Subject (Name):
Lactantius,--ca. 240-ca. 320 and Ovid,--43 B.C.-17 or 18 A.D
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin fiction, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Aulus Gellius, Noctes Atticae (abridged).
Description:
Binding: Fifteenth century, Italy. Sewn on three tawed skin, kermes pink slit straps nailed in channels on the outside of the wooden boards. Yellow edges. The plain wound endbands may have been resewn. The spine is lined with cloth. Covered in brown, originally tan, sheepskin with corner tongues. Blind-tooled with two rope interlace stars in a central panel bordered with concentric frames. Spine: bands outlined with double fillets; panels diapered with triple fillets. Two truncated diamond fastenings, the catches on the lower board (one wanting), the upper board cut in for straps attached with star-headed nails., Folio 1r with partial border in inner and lower margin (rubbed). Inner margin has scrolling vine, yellow, on parchment ground with red dots, with stylized foliage, flowers and fruit in green, red, purple and dove grey. Illuminated initial, 3-line, purple on dark green ground, is incorporated into border. In lower margin, wreathed medallion (unidentified mutilated arms: per pale, or and sable?) on pink ground, supported by two heraldic dragons, parchment colored (unfinished) against red ground. All of this decoration appears to be a later addition. Plain initials and headings in red., and Script: Written in fere-humanistic script by a single scribe, below top line.
Subject (Name):
Gellius, Aulus
Subject (Topic):
Commonplace-books, Illumination of books and manuscripts, Medieval, Latin literature, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (fine; leaves repaired before pricking and ruling) of the Collected Works of Hugh of St. Victor.
Description:
8-line illuminated initial, blue with white highlights on square ground, magenta with blue and white highlights; interior of initial inhabited by scrolling vines, rabbit and two animal heads on gold and blue ground; tail of letter extends down inner margin. 11- to 7-line red and blue initials divided by a zig-zag line in parchment and with interior red and blue flourishes resembling the design on a peacock's tail feathers, mostly in red with small blue circles. This style of initial accompanied by long penwork extensions in red and blue I designs and with small spirals, circles, flourishes. Small 3-line initials alternate red and blue with penwork flourishes in the opposite color. 1-line plain initials alternate red and blue for chapter lists. Remains of guide letters for decorator. Headings, running titles (often incorrect), deletions (single horiztonal red line) and initial strokes in red., Binding: France [?], ca. 19th c. Brown calf, elaborately blind-stamped with figure of Christ giving a blessing with his right hand, while his left hand holds a book with alpha and omega displayed on the open pages. Original endbands (and therefore sewing?) and yellow edges., Binding: Nineteenth century, France (?). Brown calf, elaborately blind-stamped with figure of Christ giving a blessing with his right hand, while his left hand holds a book with alpha and omega displayed on the open pages. Original endbands (and therefore sewing?) and yellow edges., Purchased from L. C. Witten in 1960 by Thomas E. Marston., Script: Written in uniform gothic bookhand throughout; contemporary marginal notes in several less formal hands., and Written in uniform gothic bookhand throughout; contemporary marginal notes in several less formal hands.
Subject (Name):
Hugh,--of Saint-Victor,--1096?-1141
Subject (Topic):
Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Naldo Naldi, Oratio ad Andream Vendraminium (doge of Venice 1476-78).
Description:
Binding: 15th-16th centuries, Italy. Sewn on three tawed skin, slit straps laced through tunnels in the edge of beech boards to channels on the outside and nailed. Gilt edges. Fragment of head endband. The spine is lined with tawed skin between supports. Covered in red silk with traces of four fastenings on each board., One illuminated initial of average quality, 3-line, gold against blue ground with gold filigree. Filled with half-length portrait of the doge dressed in red robes and a red hat against green ground. Dedication, 5 lines, in alternating lines of gold and blue majuscules followed by the first three lines of text in red majuscules., Script: Written in a round humanistic hand, below top line, by the poet Tommaso Baldinotti of Pistoia (1451-1511)., and The margins of f. 1 have been trimmed away from the written space, which was then mounted on another piece of parchment conjugate to the front pastedown; hence, any marginal decoration, which may have included a coat of arms, is now lost.
Subject (Geographic):
Venice (Italy)
Subject (Name):
Naldi, Naldo,--1439-ca. 1520 and Vendramin, Andrea,--1392-1478
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Speeches, addresses, etc., Latin (Medieval and modern)
Manuscript on parchment of Pauline Epistles (Epistola ad Romanos 2.27 through Epistola ad Hebreos 11.34), with commentary of Gilbert de la Porree. With Argumenta, later additions, all attributed to Hugo de Sancto Caro or Peter Lombard.
Description:
Binding: Twentieth century, United States (?). Half bound in dark red goatskin with gold-tooled lettering on the spine ("St. Paul/ Epistulae cum commento/ MS. 12th Cent."), marbled paper sides, and yellow edges., Script: Written in fine early gothic bookhand in two sizes of script, above top line., and Three illuminated initials at beginning of first three Epistles of excellent quality, ff. 34v, 69v, 86v, 8- to 5-line, with descenders extending into margins, red, blue, green and beige against gold ground. Bodies of initials filled with stylized scrolling foliage, bright blue, red, green, orange, silver and yellow with white highlights against gold ground. Descenders serve as a trellis for similar scrolls, some ending in biting animal's heads or fantastic birds. Scrolling foliage, f. 86v, inhabited by beasts of a canine variety, white with red shading. The decoration of manuscript is unfinished; f. 99r pen and ink underdrawing for an initial as above, with only touches of red added; blank spaces left for initals for remaining Epistles. Small initials, 3-line, gold with red penwork, for beginning of commentary for each Epistle. Headings in red or alternating red and blue majuscules. Plain initials touched with red. Running titles, later addition, in red.
Subject (Name):
Gilbert, de La Porrée, Bishop, ca. 1075-1154, Hugh, of Saint-Cher, Cardinal, ca. 1200-1263, Paul, the Apostle, Saint, and Peter Lombard, Bishop of Paris, ca. 1100-1160
Subject (Topic):
Bible.--N.T.--Epistles of Paul, Bible--Commentaries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of 1) Plato, Phaedo, translated into Latin by Leonardo Bruni and preceded by his prefatory letter to Pope Innocent VII. 2) Xenophon, Hiero (Tyrannus), translated into Latin by Leonardo Bruni and preceded by his prefatory letter to Niccolo Niccoli.
Description:
Binding: Between 1800 and 1810, Italy. Rigid vellum case with the title gold-tooled on a label on the spine: "Leon. Aret. Opus". Gilt edges and faint lettering on the head edge., Decorated in the early style of Gioacchino de' Gigantibus. On f. 1r a partial border in upper, lower and inner margins, white vine-stem ornament on blue, green and dark pink with grey dots on blue grounds, blue dots on pink grounds, and gold balls. In lower border, medallion framed by gold interlace bands and supported by two putti wearing red necklaces, with a coat of arms, now erased, on green ground. Four illuminated initials, 7- to 5-line, in gold, framed in yellow, on blue, green and red grounds, with dots as above. Initial on f. 1r, inhabited by standing putto wearing a red necklace, is joined to the border. Other initials have vine-stem decoration extending into the margins and terminating with groups of three gold balls. Headings and names of interlocutors in red., Purchased from L. C. Witten in 1954 by Thomas E. Marston., and Script: Written by a single scribe in a somewhat angular humanistic bookhand.
Subject (Name):
Hieron--I,--Tyrant of Syracuse,--d. 467 or 466 B.C, Innocent--VII,--Pope,--1336-1406, Niccoli, Niccolò,--ca. 1364-1437, and Plato
Subject (Topic):
Biography--To 500, Dialogues, Greek, Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Philosophy, Ancient
Manuscript on parchment of Nicolaus de Lyra, Postillae on Genesis, Exodus, Leviticus, Numbers, Deuteronomy, Joshua, Judges, Ruth, and I-IV Kings.
Description:
19 pen-and-ink drawings with washes in red, green, blue and pale yellow, some inserted into the text column, others up to half-page size dealing with the Tabernacle in the Desert and the Temple of Solomon: the drawings serve to clarify the written text by depicting differences in interpretations between Jewish and Catholic exegesis; contrasting drawings are usually juxtaposed and labelled with the respective source for each., Binding: Modern restoration? Limp vellum case with earlier title (mostly illegible) running lengthwise on spine and later title added at top of spine: "Fr. Nicolai de Lyra ord. min. Commentaria in Libro historico Sacrae Scripturae"., ff. 43-44 loose., Many fine flourished initials, red and blue divided, 9- to 3-line, with penwork designs in red, blue and/or purple; somewhat smaller less ambitious initials alternate red and blue with designs in the opposite color. The minor decoration appears inconsistently, with running headlines, rubrics, paragraph marks and underlining of Biblical texts, in various colors or totally absent., Purchased in 1958 from Emile Rossignol, Paris, by L. C. Witten, who sold it the same year to Thomas E. Marston., Script: Written by several scribes in gothic bookhand., and Written by several scribes in gothic bookhand.
Subject (Name):
Nicholas,--of Lyra,--ca. 1270-1349
Subject (Topic):
Bible.--O.T.--Historical Books, Bible.--O.T.--Pentateuch, Bible--Commentaries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholasticism
Manuscript on parchment of Books of Proverbs, Ecclesiastes, Song of Songs, Wisdom and Ecclesiasticus, preceded by prologues. With two short prayers.
Description:
16th-century inscription of Heinrich Schkor von Stranov on verso of front flyleaf: "1542/ diss puechle gehert zu dem Edlen vnd Vesten [?] hainrichen schkor [followed by hole in parchment] von stranoff [Stranov in Bohemia] derzait haubtman zu prukh an der layta [Bruck an der Leitha, Southeast Austria]/ 15 A 47 [sic]..."., Acquired from B. M. Rosenthal in 1959 by Thomas E. Marston., Binding: Fifteenth century, Bohemia. Sewn on three supports, with two half bands near head and tail, fastened to wooden boards. Yellow edges and kermes pink place marks. Covered in brown calf, blind-tooled with floral designs, with a central and four large corner fittings on each board. Spine: supports defined with double fillets; four leafy flower bud tools pointing inward in the two central panels. Two fastenings, the catches on the upper board and the lower one cut in for tawed skin, cream colored straps (only stubs remain). Small pieces of liturgical manuscript (Northern Italy, 14th century) used for front and rear pastedowns. Head and tail of spine and the upper joint very unobtrusively repaired., Covered in brown calf, blind-tooled with floral designs, with a central and four large corner fittings on each board., For prologues and beginning of each book partial borders constructed of a thin bar, unburnished gold, pink or green with burnished gold balls, terminating in sprays of stylized foliage, green, pink, and blue with gold accents. One large illuminated initial, f. 1r, 13-line, blue with light blue foliage shading against a red and pink ground; foliage serifs in green. 6 smaller illuminated initials, blue, pink, green or gold against blue or pink ground with white or gold filigree and/or gold crosshatching. Numerous pen-and-ink initials, 2-line, alternate in blue with red penwork designs and gold with blue penwork designs. Running titles in red and blue. Headings in red. Initials touched with yellow., Script: Written in hybrida script by a single scribe. Arts. 2-3 added by later hands., Small pieces of liturgical manuscript (Northern Italy, s. XIV) used for front and rear pastedowns., and Written in hybrida script by a single scribe. Arts. 2-3 added by later hands.
Subject (Topic):
Bible.--O.T.--Apocrypha.--Ecclesiasticus, Bible.--O.T.--Apocrypha.--Wisdom of Solomon, Bible.--O.T.--Ecclesiastes, Bible.--O.T.--Proverbs, Bible.--O.T.--Song of Solomon, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Wisdom literature
Manuscript on parchment of Guarino of Verona, 1) Regulae grammaticales. 2) De orthographia. 3) Carmina differentialia.
Description:
Binding: Nineteenth century (?). Rigid vellum case. Remains of a brick red label., Bookplate of Thomas E. Marston; the date and source of acquisition unknown., One illuminated initial of poor quality, f. 1r, 11-line, purple with white filigree on gold and blue ground; filled with a stylized flower red and green with white filigree, upper terminal extending into pen-and-ink inkspray with gold balls and a mauve flower in upper border; pen-and-ink flourish with gold balls, ending in a bird's head, mauve, green and blue. Plain initials and paragraph marks alternate in blue and red; headings in red. Arms of the Valaresso family of Venice in lower border (azure, 3 bars gemelles or); partially effaced arms of Cardinal Bessarion in outer margin (azure, a cross botonny gules, a chief or; crest, cardinal's hat and crozier)., and Script: Written in humanistic bookhand, below top line; marginal annotations in humanistic cursive.
Subject (Name):
Guarino,--Veronese,--1374-1460
Subject (Topic):
Illumination of books and manuscripts, Medieval, Language and languages--Orthography and spelling, Latin language, Medieval and modern--Grammar, Latin poetry, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library