A pretty young woman sits on the knee of an officer (left) wearing a gorget and cocked hat. She looks over her shoulder to speak to her elderly husband who leaves the room (right) supported on crutches: "Pray my Dear go and speak to Sir John in the mean while the Captain & I will push the point in this Quarter." He answers: "I'll go this momment. now is the Golden instant so dont be Idle but exert yourselves to have the affair well done & quickly." Over the doorway is a stag's head with antlers. The captain says: "Thanks, Sir. I trust your good Lady will Succeed in her Undertaking
Description:
Title etched below image., Printmaker from British Museum online catalogue., State with street address '20 Strand' burnished from plate., and Mounted to 38 x 28 cm.
Publisher:
Pubd. Sepr. 24, 1802 by T. Williamson, London
Subject (Topic):
Adultery, Couples, Horns (Anatomy), Military uniforms, British, Sofas, and Spouses
"A scene on the poop of a man-of-war. A lean and shambling civilian, his hat tied on by a spotted handkerchief, clutches the coat-tail of a sailor to say: "My dear Friend - I understand you are Captain of this here ship - and they says a how the Enemy, is in sight - now could not you put the ship a little on one side, and not be too ventersome - its the best way to be a little cautious - I am but a poor weaver - but however life is sweet." The sailor (r.) (dressed as in BMSat 10894) holds a cudgel, has a quid of tobacco in his cheek, and points with his left hand to the right. He glares fiercely at the weaver, saying, "Why you paltry land Lubber do you want me to run away? - but however I never bear malice so I'll give you a little Comfort - before I would strike to an Enemy d'ye see - I would blow the vessel up in the air - So before you could turn a chaw of tobacco you would be out of your misery." Behind (l.) two sailors man a gun. On the deck (r.) is a pile of cannon-balls."--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., Printmaker and date of publication from British Museum catalogue., and Cf. No. 10897 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8.
"A young woman sits despairingly on the edge of a bed, with the end of a garter round her neck; the other end dangles from the bed-tester. It is inscribed 'Tis expected every' and (round her neck) 'will do his duty'. She watches a servant holding a foppish and elderly naval officer, while he flourishes a cudgel. Bellows lie on the ground. The servant had discovered Miss Baily hanging, and after reviving her with bellows, had fetched the object of her affections and compelled him to marry her."--British Museum online catalogue. On the wall is a painting of Venus and Adonis with Cupid
Alternative Title:
Miraculous recovery of the unfortunate Miss Baily
Description:
Title etched below image., Later printing, not before 1812., Possibly also the work of Isaac's son George., One line of text immediately below title: A ballad by W.J. Donne., Five numbered stanzas of verse arranged in two columns in lower portion of print: A lady fair in deep despair, who pleas'd the beaux in singing, From off the tester of her bed, one morning she was singing..., From the Laurie & Whittle series of Drolls, plate numbered: 456., and Watermark: [Turke]y Mill 1812?
Publisher:
Publish'd Jany. 28th, 1807 by Laurie and Whittle, 53 Fleet Street
Subject (Topic):
Adonis, Cupid, Venus, Beating, Bellows, Bedrooms, Canopy beds, Military officers, British, Paintings, Seduction, and Servants
One of a collection of four similar images; the others in this series are: Miss Hargraves as Amy; Madame Vestris as Don Giovani; Miss Bartolozzi as the page in The marriage of Figaro. Formerly part of an album (now lost), each on the same size sheet but different colors and attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, constructed from the same fabrics, were made by friends and exchanged as gifts. In this image, a full-length image of Edmund Kean as Othello constructed from parts of a print or prints while his costume and hat and their trimming are cut from satin cloth with additional decorated paper trimming and small metal buttons. This image is the only one of the four mounted on a secondary sheet, this one ruled as if from a ledger
Description:
Title written at bottom of sheet., Statement of responsibility written at top of sheet; "the author" is unidentified., and Date of production from recipient's note on the verso of one of the collages and other internal evidence.
Subject (Name):
Kean, Edmund, 1787-1833, and Shakespeare, William, 1564-1616.
One of a collection of four similar images; the others in this series are: Mr. Kean as Othello; Madame Vestris as Don Giovani; Miss Bartolozzi as the page in The marriage of Figaro. Formerly part of an album (now lost), each on the same size sheet but different colors and attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, constructed from the same fabrics, were made by friends and exchanged as gifts. This collage shows full-length image of a woman, identified as Miss Hargraves. Her head and neck, arms, and feet have been cut from an unidentifed print or prints while her costume and its trimming are cut from satin cloth. On each side are small images also cut from prints: on the right a house with a second story wrap-around porch and on the right a covered structure ladened with refreshments and On the back of this collage are mounted three small engravings of women in fashionable dress; with notes in red ink "Presented by Sarah, Apl. 8 1830" written twice in the upper left and right and below also on the right and left "The author returns thanks". In the same hand the middle print has been annotated "Kemble" which is also engraved in the plate with the author and printmaker statements "R. Cruikshank delt. J. Rogers sc."
Description:
Title written below image; artist statement above image. and Date of production from recipient's note on the verso and other internal evidence.
One of a collection of four similar images; the other three images are titled: Mr. Kean as Othello; Miss Hargraves as Amy; Miss Bartolozzi as the page in The marriage of Figaro. Formerly part of an album (now lost), each on the same size sheet but different colors and attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, made using the same farbics, were made by friends and exchanged as gifts. In this collage a full-length image of a woman, identified as Miss Vestris: her head and neck, arms, and boots have been cut from an unidentifed print or prints while her costume and hat and their trimming are cut from satin cloth with additional decorated paper trimming. On the verso written in red ink, two poems: "The Snow Drop by Henry Neele" and "I Saw Thee Weep, Byron" transcribed in two columns
Alternative Title:
Madame Vestris as Don Giovanni
Description:
Title written at bottom of sheet., Signed with initials in lower right corner; artist "H.A.S" is unidentified., Date of production from recipient's note on the verso of one of the collages and other internal evidence., and The poem on verso "The Snow Drop" in the Oriental Herald and Journal of General Literature, volume 16, page 502 and signed "W. B." Also published in May 1828 in the The Ariel: A literary and cricial gazette (Philadelphia), vol. 2. no.1.
Subject (Name):
Vestris, Lucia Elizabeth Bartolozzi, 1797-1856,, Mozart, Wolfgang Amadeus, 1756-1791., and Da Ponte, Lorenzo, 1749-1838.
Subject (Topic):
Characters, Actresses, British, and Operas & operettas
One of a collection of four similar images; the other three images are titled: Mr. Kean as Othello; Miss Hargraves as Amy; Madame Vestris as Don Giovani. Formerly part of an album (now lost), each on the same size sheet but different colors and collages attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, constructed using the same fabrics, were made by friends and exchanged as gifts. In this collage a full-length image of a woman, identified as Miss Bartolozzi, with her head and neck, hands, and boots cut from an unidentifed print or prints while her costume and hat and their trimming are cut from satin cloth with additional decorated paper trimming. On the verso in two columns written in red ink and ruled in red ink: On the left the title of a poem only "Lines on my garden". On the right: Song, "My own Blue Bell".
Description:
Title written below image., Artist statement written at top of sheet; "Master Butcher" is unidentified., and Date of production from recipient's note on the verso of one of the collages and other internal evidence.
Subject (Name):
Vestris, Lucia Elizabeth Bartolozzi, 1797-1856, and Da Ponte, Lorenzo, 1749-1838.
A young woman sits despairingly on the edge of a bed, with the end of a garter round her neck; the other end dangles from the bed-tester. She watches a servant holding a foppish, elderly naval officer by the collar as he flourishes a cudgel. At his feet lie a set of bellows. On the wall is a framed picture of Venus and Adonis with Cupid
Description:
Title from published print based on this drawing., Signed "George Cruikshank" lower right. The British Museum catalogue attributes the design to George's father Isaac in its description of the print engraved after this drawing. Cohn similarly suggests that this design "was probably the work chiefly of Isaac"., A drawing for the illustrated songsheet "Galvanism, or, The miraculous recovery of the unfotunate [sic] Miss Baily", published by Laurie & Whittle in 1807, which tells the tale of a servant Darby Daly who discovers the young Miss Baily hanging, and after reviving her with bellows, forces her seducer to marry her., Backed with Japanese tissue; with the title "The outraged husband" printed on mount., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8, no. 10938., and Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 1144.
Subject (Topic):
Adonis, Cupid, Venus, Beating, Bellows, Bedrooms, Couples, Canopy beds, Military officers, British, Paintings, Seduction, and Servants
"British troops are about to march through a large fortified gate leading from open country (left) to the town of Buenos Ayres, where confused street-fighting is in progress. Can are fired from the battlements of the gate at the soldiers, some of whom lie dead or wounded. In the foreground an officer (mounted), in conversation with others, asks: "where is the General"; others say: "go look for the General"; "Find the General"; "why the General is lost". A Highland officer, taking snuff (right), slyly; "I dare say he is varra safe." From the country (left) three mounted men gallop, all saying, "I come for Orders". In the background Whitelocke's head and shoulders are seen peeping over a hillock on the extreme left. He says: "He that fights and runs away, May live to fight another day, But he thats in the Battle slain, Will never live to fight again". In the distance, behind him, are tiny (British) soldiers in close formation. In the city men are firing and hurling stones from the roofs of flat-roofed houses on British soldiers in the plaza. On the wall (right) is a placard: 'Lost, or Mis-led a General officer Who ever can [give] Information ... ampl[y] rewarded.'"--British Museum online catalogue
Alternative Title:
Symptoms of courage
Description:
Title etched below image., "G. Whiteliver" is a pseudonym. Questionable attribution to Isaac Cruikshank from the British Museum online catalogue, registration no.: 1868,0808.7629., Variously attributed to either Isaac or George Cruikshank; see British Museum catalogue., Title is a direct reference to an Isaac Cruikshank print, published by S.W. Fores in 1790, entitled "Symptoms of courage, or, The tables turned." Cf. No. 7667 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed to plate mark at top edge., and Penciled note in an unidentified hand: relates to Genl. Whitelock's conduct at Buenos Ayres, S. America.
Publisher:
Pub. by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
Argentina and Buenos Aires.
Subject (Name):
Whitelocke, John,
Subject (Topic):
History, Campaigns & battles, Soldiers, British, Military officers, Scottish, Ethnic stereotypes, Gates, and Signs (Notices)
"Tipu Sultan (left) gallops (right to left) past Cornwallis who is seated in an ornate chair on the back of an ill-drawn elephant. Tipu, rising in his stirrups, excretes a blast which displaces a boy-mahout on the elephant's neck and strikes Cornwallis. He says, "Now my Lord I'll Tip you the Swamps". The horse excretes a blast directed at the elephant's eye. The elephant, raising its trunk, says, "I wish I could run as fast as he how i would thump him." Cornwallis, with his sabre raised above his head, his left fist clenched, says, "These Monsoons are more Violent than ever I knew them before Boy turn back again." The boy says, "Yes my Lord I am going backwards Pr force." Behind Cornwallis's seat is a box inscribed 'Rice for Gruel during the Monsoons'. Behind Tipu (left) is a circular fort inscribed 'Seringapatam'."--British Museum catalogue
Alternative Title:
How to gain a complete victory and say you got safe out of the enemys reach
Description:
Title etched below image., Printmaker from British Museum online catalogue., and Watermark: I Taylor.
Publisher:
Pubd. Decr. 15, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
India and India.
Subject (Name):
Cornwallis, Charles Cornwallis, Marquis, 1738-1805., Cornwallis, Charles Cornwallis, Marquis, 1738-1805, and Tipu Sultan, Fath ʻAli, Nawab of Mysore, 1753-1799
Subject (Topic):
History, Daggers & swords, Defecation, Elephants, Horses, Military retreats, British, and Urination
"Naval mutineers, seated and standing at a long table, glare ferociously at Admiral Buckner, who stands (left) calmly, hat in hand, in profile to the right at the foot of the table. The man at the head of the table, seated in a chair which is higher than the others, holds a blunderbuss and wears a hat. He must be Richard Parker, but does not resemble him. At his elbow and on the extreme right stands Thelwall filling a glass from a 'Grog' can; he says "Tell him we intend to be Masters, I'll read him a Lecture"; from his pocket hangs a paper: 'Thellwals Lecture' (see British Museum Satires No. 8685). One man only is seated on the president's left and on the near side of the table. He places a fist on a long paper headed 'Resolutions'. Under the table in the foreground, lifting up the tablecloth, five secret instigators are (left to right): Lauderdale, holding a paper: 'Letter from Sheerness to Ld L------le'; Horne Tooke, Stanhope, Grey, Fox, the most prominent, saying, "Aye, Aye, we are at the bottom of it", and Sheridan. All have satisfied smiles. Four ruffians are seated at the farther side of the table, others stand behind them; one aims a pistol over the admiral's head, one man smokes, another chews tobacco, taking a quid from his box. Weapons lie on the table. On the wall behind them are a print of Britannia head downwards, and two torn ballads: 'True Blue an old Song' and 'Hearts of Oak are our Ships Jolly Tars are our men We alway are Ready', the last word scored through. On the right the slanting window of the captain's cabin is indicated."--British Museum online catalogue
Alternative Title:
Beggars on horseback
Description:
Title etched below image., Publisher's advertisement following imprint: Folios of caricatures lent out for the evening., Sheet trimmed within plate mark., and MS. notes in pencil in an unidentified hand, describing the satire.
Publisher:
Published by S.W. Fores, N. 50 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Buckner, Charles, approximately 1735-1811, Grey, Charles, 2nd Earl, 1764-1845, Fox, Charles James, 1749-1806, Lauderdale, James Maitland, Earl of, 1759-1839, Parker, Richard, 1767-1797., Sheridan, Richard Brinsley, 1751-1816, Stanhope, Charles Stanhope, Earl, 1753-1816, Thelwall, John, 1764-1834, and Tooke, John Horne, 1736-1812
Subject (Topic):
Sandwich (Sloop), Nore Mutiny, 1797, Spithead Mutiny, 1797, Sailors, Admirals, Interiors, Mutinies, Firearms, Ships, and British
"A fat squat and ugly woman sits on a sofa next a tall dandified officer (right) who makes his address, his hand on his breast. She turns to him complacently, her feet awkwardly resting on a stool. Their two dogs face each other, each with shape and manner corresponding with its owner. Two appropriate pictures are on the wall: Bank of England (left) and Seige of Acre (right)."--British Museum online catalogue
Alternative Title:
Had I heart for falshood fram'd, I ne'er could injure you and Had I heart for falsehood framed, I never could injure you
Description:
Title from later state., Four lines of quoted dialogue below image: "Had I heart for falshood [sic] fram'd, I ne'er could injure you - For tho' your tongue no promise claim'd, your charms would make me true! &c. &c. &c.", First state, before title added above image. For a later state with G. Humphrey's imprint and the title "Money hunting," see Lewis Walpole Library call no.: 823.01.10.01. For a reissue with Thomas McLean's imprint, published in Cruikshankiana (London : Thomas M'Lean, [1835]), see British Museum online catalogue, registration no.: 1853,0112.247., and Sheet trimmed within plate mark.
Publisher:
Pub. Jany. 10, 1823 by G. Humphrey 27 St. James's Stt
Subject (Topic):
Dandies, British, Military officers, Dogs, Couples, and Courtship
"A man in ragged but quasi-fashionable dress rides (right to left) an ass through a river which flows past a steep mountain. The animal jibs, with ears set back; the rider raises a whip in each hand. He wears, and uses, three pairs of spurs, and attached to his shoulders and to the ass is a monstrous pile of bladders inscribed respectively 'Repartee', 'Nonsensical Verses', 'Catastrophe', 'Sentiment', 'Blasphemies', 'Puns', 'Duels', 'Double Entendres', 'Metaphors', 'Ghosts', 'Melting Speeches', 'Squibs', 'Dialogue', 'Daggers Poisons'."--British Museum online catalogue, description of the print engraved after this drawing and A rough pencil sketch of the same design but lacking much of the detail on the verso
Alternative Title:
Dramatic author foiled in his endeavor to ascend Parnassus
Description:
Title written below image, in the artist's hand., Unsigned; artist attribution from statement of responsiblity "Giles Grinagain in. et f." present on the print made after this drawing., Date surmised from that of the print based on this drawing., Giles Grinagain is possibly a pseudonym of Samuel Howitt. See British Museum online catalogue., and Original design for a print first published by S. Howitt in 1802 and then reissued by S.W. Fores in 1804. Changes in the printed version include the replacement of the word "endeavor" in the title with "attempt," and the elimination of the speech bubble emanating from the man. Cf. No. 10334 in the Catalogue of prints and drawings in the British Museum, v. 8.
Jones, J. (John), approximately 1745-1797, printmaker
Published / Created:
[17 January 1786]
Call Number:
Portraits B747 no. 4+
Image Count:
2
Resource Type:
still image
Abstract:
"Portrait of James Boswell after Reynolds (Mannings 214); half-length, turned to left, eyes to front; wearing plain, unbuttoned coat and waistcoat; curtain and landscape behind; lettered state before title erased."--British Museum online catalogue
Description:
Title engraved below image., State from: Russell, C.E. English Mezzotint portraits and their states., Unframed in February 2023. Printed label of the Rowley Gallery in Kensington, London, and a second label with a 20th century ink inscription, affixed to backing of former frame., and Watermark: Whatman.
Publisher:
Pubd. as the act directs Janry. 17, 1786, by I. Jones, No. 63 Great Portland Street, Mary-le-bone
Plate [188] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Vignette to Bowyer's edition of Hume's 'History of England'; portrait medallions of Cooper, Sir Godfrey Kneller, Mrs Beale, Sir James Thornhill, Hogarth on a wall with Ephesian Artemis kneeling above, holding a veil over herself, watched by a painter kneeling in the left foreground with portfolio in hand."--British Museum online catalogue
Description:
Title from catalogue., Sheet trimmed within plate mark., and Plate [188] in a volume bound to 50 cm.
Publisher:
Published by R. Bowyer, Historic Gallery, Pall Mall
Title from inscription in ink, in 18th century hand, Full inscription: "Mrs. Mary Beal. Paintress. Born 16[?]5 ob. 1700. Beale. fil. pinxit. Orig. in posses. Alex G[?] [L[?]." "Orig. in posses...." on fragment paste down in lower right corner., For an engraving based on this portrait after Charles Beale, refer to Early British portraits, v. iii, p. 67., and George Vertue, English artist, 1684-1756.
Profile portrait depicting the young traveller Henry Bunbury wearing an academic gown and mortar board. This drawing was used as the basis for Thomas Patch’s conversation piece of the interior of his Florentine studio painted in 1770 and now in the collection of the Lewis Walpole Library, Farmington
Alternative Title:
Mr. Bunbury, 1769
Description:
Title and date inscribed by the artist (?) in lower right., Unsigned; attributed to Thomas Patch., Inscribed below the title in a different hand: Drawn by Gezze at Florence., and From the same sheet as another drawing of "Valentino, Servitore di Piazza, 1769", now separated.
"Gunboats in the form of coffins are foundering or about to founder. Each has a single cannon in the bows, and a mast with a triangular sail whose corner is held in the teeth of the skull which surmounts the mast. The crews all wear shrouds and bonnets rouges; on the skulls also are bonnets rouges. Some of the men are screaming in the water, where a floating skull holds the end of a sail in its teeth, looking round fiercely at one of the drowning men. Others are still in the coffin-gunboats, holding muskets or making gestures of despair. One says: "Oh de Corsican Bougre, was make dese Gun Boats on purpose for our Funeral." In the background are two British men of war. Two tiny sailors say: "I say Messmate if we dont bear up quickly there will be nothing left for us to do", and, "Rigt [sic] Tom, & I take them there things at the mast head to be Boney's Crest, a Skull without Brains." A satire on the manifest impracticability of an invasion (see British Museum Satires No. 10008) by gunboats without the command of the sea, cf. British Museum Satires Nos. 9995, &c, 10125, 10223, 10231, 10260, 10277."--British Museum online catalogue
Alternative Title:
Boney's invincible armada half seas over
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement beneath imprint: Folios of caracatures lent out for the evening., Printseller's stamp in lower right corner: S.W.F., and Mounted at the corners: 30 x 42 cm.
Publisher:
Pubd. Jany. 6th, 1804, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Coffins, Gunboats, Cannons, Rifles, Skulls, Liberty cap, Drowning, Warships, and British
Ten hand-colored engravings, depicting scenes from the Battle of Seringapatnam, form the border of a writing sheet, one each along the upper and lower edges and four on either side. Illustrations include, at the top, a battle scene; portraits of the British generals, Harris and Stuart; Tippoo Saib discovered among the slain, Tippoo's sons surrender; A sepoy upon a charge, An Indian soldier; Tippoo Sultan, Tippoo Sultan's wife; a design with flags, drums, cannons, swords and bugles. The battle scene and the image with the two sons include images of elephants
Alternative Title:
Conquest of Seringapatnam
Description:
Title from head of sheet., Numbered '65.' in lower right corner., With blank center of sheet filled in manuscript in black ink with an adage and a poem and signed: John Halton June 12th, Prescot School, 1801., and With watermark and countermark.
Publisher:
Published 18th Novr. 1799 by Laurie & Whittle, 53, Fleet Street
Subject (Geographic):
India, India., Śrīraṅgapaṭṭaṇa., and Indian
Subject (Name):
Tipu Sultan, Fath ʻAli, Nawab of Mysore, 1753-1799, and Tipu Sultan, Fath ʻAli, Nawab of Mysore, 1753-1799
"Mrs. Clarke (left) stands on one of a pair of scales which is held down by Wardle and almost rests on the ground, while three lawyers in wigs and gowns (evidently Sir W. Grant, Gibbs, and Plomer) stand on the other (right) which General Clavering tries desperately to pull down. The beam is inscribed England expects every Man to do his Duty, and is supported on a mitre (see British Museum Satires No. 11227) worn by the Duke of York, who stands on William Adam's back, which is inscribed Rock of Adam ant. Adam, who lies prone, puffs a blast inscribed Gratuisously [sic] against Mrs. Clarke. Under his hand is an Anonymous Letter. Wardle, in civilian dress, holds out towards the Duke a paper headed [Ch]arges. Perceval, in his Chancellor of the Exchequer's gown, leans towards the right scale, holding out two papers: 199 Majority and 82 Majority, another, 241 Majority, lies on the scale. Where this scale is attached to the beam there is a purse labelled Light Crown Pieces. The Duke wears regimentals with gorget and star, and holds a paper: the Honor of a . . . [Prince]. He holds his drawn sword across Perceval, as if protecting him. Clavering sits on the ground, straining at the ropes. He sits on a paper inscribed [G]enl Claver[ing], and has a paper: Prevaricating Evidence [see British Museum Satires No. 11247]. Beside him is a fragment of paper inscribed Sic donec. Beside the principal performers, and between Mrs. Clarke and the Duke, stands John Bull, a short fat 'cit', holding a large weight inscribed Vox Populi --Sterling. He says: If I dont throw in my weight, our dearest sweetest Love will get the worst of it after all. (Her scale, however, rests on the ground with Wardle's help only.) She turns to him, saying, O Mr Bull! Pray give a pull! At her feet are Letters [see British Museum Satires No. 11228, &c.]."--British Museum online catalogue
Description:
Title etched below image. and Attributed to Charles Williams in the British Museum catalogue.
Publisher:
Pubd. March 1809 by Walker, No. 7 Cornhill
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Wardle, Gwyllym Lloyd, 1762?-1833, Grant, William, Sir, 1752-1832, Gibbs, Vicary, Sir, 1751-1820, Plumer, Thomas, Sir, 1753-1824, Clavering, Henry Mordaunt, Adam, William, 1751-1839, and Perceval, Spencer, 1762-1812.
Subject (Topic):
Military officers, British, Mistresses, Lawyers, Miters, and Scales
Full-length portrait of a soldier, in profile to the left, a rifle with bayonet resting against his left shoulder
Description:
Title from inscription below image., Unsigned; attributed to Rowlandson., and Probably a study drawing for one of the plates from Loyal Volunteers of London & environs ..., published by R. Ackermann in 1799. For a similar study by Rowlandson for the same publication, see British Museum online catalogue, registration no.: 1871,0812.1666.
"Mrs. Clarke (left) and Mrs. Carey (right) (see British Museum Satires No. 11050) berate each other; both wear evening dress, with feathers in their hair, those of Mrs. Carey being the taller. The Duke, wearing regimentals, watches the quarrel, equally distant from both. Mrs. Clarke, arms akimbo, says: "Why how now Madam Carey, although you are so Warey In saveing of your cash, John Bull and I we both will try, And settle all your hash." [see 1803 Isaac Cruikshank print for an earlier use of this phrase, BM impression 1868,0808.7141/ PPA108823] Mrs. Carey retorts: "Why how now Madam Clarke------ Why since you thus can chatter------ And thus betray your spark------ I wonder whats the matter with, you, Madam Clarke!!" The Duke looks at Mrs. Clarke, stopping his ears, a leg raised in angry protest; he says: "Zounds! the thunder of Valencienes was Music to this". Behind Mrs. Clarke is a cockatoo on a high perch, screaming: "go it! go it"; a chair has been overturned, and a mastiff, its collar inscribed 'John Bull', barks at the Duke. A small dog behind Mrs. Carey also barks. She stands with her back to the fire. On the chimney-piece a china Cupid aims his arrow at a heart on the trunk of a tree."--British Museum online catalogue
Alternative Title:
Rival queens, or, A scene in The beggars opera and Scene in The beggars opera
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. March 1809 by Walker, Cornhill
Subject (Geographic):
Great Britain.
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Military officers, British, Mistresses, Quarreling, Headdresses, Cockatoos, Dogs, and Fireplaces
Heading to a broadside printed in two columns. Prince Frederick, Duke of York and Albany, is dressed in an officer's uniform and seated at a writing desk next to a window. He turns to gaze at a portrait of his mistress, Mary Anne Clark, on the wall behind him, which hangs next to another painting of Cupid with his bow and arrow. Printed below the illustration are a love poem and a quoted extract from a love letter, taken from the work 'The Authentic and Impartial Life of Mrs. Mary Anne Clarke' that was published after the Duke severed ties with her in 1809
Description:
Title printed in letterpress below image., Date of publication inferred from the inclusion of extracts from The authentic and impartial life of Mrs. Mary Anne Clarke, published in 1809., Letterpress text beneath title begins: Pretty! Pretty! Mistress Clarke, None than I can love thee better; ... ., Not in the Catalogue of prints and drawings in the British Museum., and Watermark.
Publisher:
Published by M.C. Springsguth
Subject (Geographic):
Great Britain.
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Military officers, British, Writing materials, Mistresses, Love letters, and Portraits
A satire on London hunters: A hare crouching in long grass beside an old tree at left while a young man runs forward dragging his gun, and holding out his hat to throw it over the animal. Two dogs follow behind him and a second man squats down with his gun to watch
Description:
Title etched below image., Date suggested by Isaac and by British Museum record for another popular print by Davison., A copy of Gillray's print "Cockney-sportsmen finding a hare", published 12 November 1800. Cf. No. 9599 in the Catalogue of prints and drawings in the British Museum, v. 7., and Not in the Catalogue of prints and drawings in the British Museum.
A young huntsmen with a barnyard rooster hanging from his waist, negligently uses a ramrod. His pot-bellied companion leans against a fence, voraciously gnawing a cold chicken, a bottle of 'Porter' in front of him. Near him lies a dead cat. The men are accompanied by two dogs
Description:
Title etched below image., Date suggested by Isaac and by British Museum record for another popular print by Davison., A copy of Gillray's print "Cockney-sportsmen re-charging", published 12 November 1800. Cf. No. 9598 in the Catalogue of prints and drawings in the British Museum, v. 7., and Not in the Catalogue of prints and drawings in the British Museum.
Hayter, George, Sir, 1792-1871, printmaker, artist
Published / Created:
[approximately 1823]
Call Number:
Drawer 823.00.00.28+
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of the House of Lords, crowded with nobles in the benches and galleries on either side, attending the trial of Queen Caroline for adultery with Pergami, her Italian secretary; George IV stands, hands on hips, in the left gallery, the editors of the Times and Courier lean over the front bench below it, Robert Gifford, attorney general, stands in front of them holding a finger to his chin thoughtfully while Spinetti interprets for a witness, Majocchi, at the bar, behind which Tyrwhitt, Long and Castlereagh, sit sifting papers to the left of the Queen's solicitor and Denman, who takes a paper from Henry Brougham, the Queen sits to the right in front of the bar, Earl Grey stands in the right aisle, pointing with his right arm towards the witness, and the artist is shown standing with a folio under his arm on the far right."--British Museum online catalogue
Description:
Title etched at top of image., Initial letters of printmaker's name form a monogram., Sheets trimmed within plate marks., Five of the six prints comprising this image were issued as illustrations in: Descriptive catalogue of the great historical picture painted by Mr. George Hayter ... London : Gold and Walton, 1823. Cf. British Museum online catalogue, registration no.: 2010,7081.7373.1-5., and Annotated in black ink by an unidentified hand with numbers by each image matching those used for the printed key to the later published state.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821,, Bergami, Bartolomeo Bergami, Baron., George IV, King of Great Britain, 1762-1830,, Gifford, Robert Gifford, Baron, 1779-1826,, Majocchi, Theodore, active 1820,, Tyrwhitt, Thomas, 1762 or 1763-1833,, Long, Charles, 1760-1838,, Castlereagh, Robert Stewart, Viscount, 1769-1822,, Denman, Thomas Denman, Baron, 1779-1854,, Brougham and Vaux, Henry Brougham, Baron, 1778-1868,, Lushington, Stephen, 1782-1873,, Grey, Charles Grey, Earl, 1764-1845,, Hayter, George, Sir, 1792-1871,, and Great Britain. Parliament. House of Lords
Subject (Topic):
Scandals, Trials (Adultery), Government officials, Judicial proceedings, Queens, and British
Invitation to a dinner of the Guardians of the Asylum for Female Orphans. At top is a scene of a woman leading three orphan children away to the left, while the bodies of soldiers are taken away to the right; text with the details of the meeting engraved below. The whole is enclosed within a border of leaves
Description:
Caption title., All engraved., Illustration is signed: C.R. Ryley delin.; W. Skelton sculp., Beneath title are the names of six "Stewards", engraved on either side of a small image of a woman with the caption "When my father and my mother foresake me, the Lord taketh me up"., "Dinner to be on table at half past four o'clock precisely. No collection after dinner."--Bottom of sheet., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Asylum for Orphan Girls (London, England)
Subject (Topic):
Orphanages, Charities, Charity, Orphans, Soldiers, and British
A German copy of Hogarth's "The Discovery" (1743?): a scene in a bedoom where four gentlemen stand beside a curtained bed in which a black woman reclines; she reaches out to touch the chin of one of the men who has evidently just pulled back the curtain. The scene is thought to record a practical joke carried out on the lothario John Highmore by his friends: having arranged an assignation with an attractive young woman, they replaced her with a black prostitute. When he discovered the swap, on climbing into bed, they appeared from hiding. See Paulson
Description:
Title from text below image., Printmaker's name below image, right, most erased from this impression, After Hogarth. Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 155., Date based on publication date of the Samuel Ireland copy of this Hogarth image., Sheet trimmed within plate mark., Eight lines of text below title: Ein Personalcaricatur! Ein gewisser Highmore, der im Spiel und mit Mädchen sein Vermögen durchgebracht hatte ..., Plate numbered "30" in upper right margin., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal, v. 3, no. 2600., and Sheet laid on board.
Publisher:
publisher not identified
Subject (Name):
Highmore, John, 1694-1759,
Subject (Topic):
Black people, Actors, British, Bedrooms, Canopy beds, Practical jokes, Prostitutes, and Women
"Portrait of Samuel Foote in character; whole length, standing, wearing the latest 'French' fashions, including large fur muff, wig with pointed sides, mis-matched tights, and coat with over-sized cuffs; his outfit is scrutinized by two English gentlemen to the right; two men in background, one preparing a hat, bending over a dressing table with mirror."--British Museum online catalogue and On the back wall are two large framed pictures, both with scenes from mythology. On the left, Apollo with bow and arrow pursues Daphne who has begun the turn into a laurel tree. On the right, Leda and the swan
Alternative Title:
Buck metamorphosed and Mr. Foote in the character of the Englishman return'd from Paris
Description:
Title engraved below image., Date of publication based on the first performance of The Englishman returned from Paris, which premiered at Covent Garden Theatre in 1756., Probably published no later than 1760, when Robert Withy began trading on his own from a Cornhill address. His partnership with John Ryall, at the Fleet Street address listed here, is documented by prints and trade cards in the British Museum from the 1750s. See British Museum online catalogue., Sheet trimmed to plate mark., For a probable reissue of this plate, published by C. Sheppard in the 1790s, see British Museum online catalogue, registration no.: K,60.14., Cf. Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 2, page 231, no. 15., and Mounted to 37 x 27 cm.
Publisher:
Printed for John Ryall & Robt. Withy, at Hogarth's Head in Fleet Street
Subject (Name):
Foote, Samuel, 1720-1777. and Foote, Samuel, 1720-1777
A scene on the frontier of the United States: a Native American (left) is shown scalping a dead British soldier. Another British soldier who has already been scalped is shown on the left edge of the design. In the center a second Native American, from whose rifle hangs a sign "Reward for 16 ... scalps" and in whose knife initials "G.R." have been etched, is shown handing a scalp to an obese British soldier (right). The speech balloon above the soldier 's head reads: "Bring me the scalps and the King our master will reward you"; from his pocket a strip of paper "Secret service money". In the background, Native Americans and British soldiers dance around a fire
Description:
Title etched above image., Signed with the initials "L.G." in lower right corner., A copy in reverse of a print by William Charles. For original version, see Library of Congress call no.: PGA -- Charles (W.) -Scene on the frontiers ... (A size) [P&P]., and Eight lines of verse in two columns below image: Arise Columbia's sons and forward press, your country's wrongs call loudly for redress ...
Publisher:
publisher not identified
Subject (Geographic):
United States
Subject (Topic):
Indians of North America, History, Scalping, Soldiers, and British
An old officer in uniform with a wrinkled face and carbuncles looks lustfully at a pretty young woman as they walk together on a path, his hand grasping hers
Description:
Title inscribed below image., Attributed to Rowlandson., and Date supplied by cataloger.
Subject (Topic):
Military uniforms, British, Lust, Older people, Young adults, and Women
In an elegant sitting room, a Hogarthian young dandy lounging on a sofa with a young woman by his side, both holding wine glasses, as she lays one hand on his knee. She rests her elbow on a round side table on which there sits a bottle of Madeira and a bottle of claret along with a dish of peaches and a knife; through the open door in the background to right is a canopy bed
Description:
Title from text below image., Text below title: With women & wine I defy ev'ry care., From a set of four 'times of day' after Dighton., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published 18 June 1795 by Haines & Son, No. 19 Rolls Buildings, Fetter Lane
Subject (Topic):
Bedrooms, Couples, Dandies, British, Intoxication, and Parlors
Purcell, Richard, approximately 1736-approximately 1765, printmaker
Published / Created:
[between 1762 and 1766]
Call Number:
Portraits G41 no. 5+
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of David Garrick after Reynolds (Mannings 700); standing three-quarter length between Comedy and Tragedy, smiling towards the latter, but allowing the former to tug him towards her; landscape behind."--British Museum online catalogue
Description:
Title engraved below image., Charles Corbutt was a pseudonym used by Richard Purcell., Date range for publication from the British Museum online catalogue, registration no.: 2010,7081.1321., Text below title: Reddere Personae scit convenientia cuique., and For a larger version by Purcell, published by Sayer and Carington Bowles, see British Museum online catalogue, registration no.: Ee,5.144. See also: Smith, J.C. British mezzotinto portraits, v. 3, no. 31, page 1016.
Publisher:
Printed for Robt. Sayer, map & printseller at the Golden Buck near Serjeants Inn, Fleet Street
"Three volunteers or militiamen, three-quarter length figures, exult at the head of Bonaparte which one of them (right) holds up on a pitchfork, saying, "Here he is Exalted my Lads 24 Hours after Landing." The head is in profile to the left, the sharp well-cut features contrast with those of the chubby yokels. The centre figure, holding out his hat, says, turning to the left: "Why Harkee, d'ye zee, I never liked Soldiering afore, but some how or other when I though [sic] of our Sal the bearns, the poor pigs, the Cows and the Geese, why I could have killed the whole Army my own Self." He wears a smock with the crossed straps of a cartouche-box. The third man (left) in regimentals, but round-shouldered and unsoldierly, says: "Dang my Buttons if that beant the Head of that Rogue Boney - I told our Squire this Morning, what do you think say's I the Lads of our Village can't cut up a Regiment of them French Mounsheers, and as soon as the Lasses had given us a Kiss for good luck I could have sworn we should do it and so we have." All three have hats turned up with favours and oak-twigs, the favours being inscribed respectively (left to right): 'Hearts of Oak'; 'Britons never will be Slaves', and 'We'll fight and We'll Conquer again and again'. In the spaces between these foreground figures is seen a distant encounter between English horse and foot and French invaders, who are being driven into the sea, on which are flat-bottomed boats, all on a very small scale. Two women search French corpses; one says: "why this is poor finding I have emtied the pocketts of a score and only found one head of garlic 9 onions & a parcel of pill Boxes." Cf. British Museum Satires No. 8145."--British Museum online catalogue
Alternative Title:
Levée en masse, or, Britons strike home and Britons strike home
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Publisher's advertisement below image, in lower right: Folios of caracatures [sic] lent out for the evening., and Sheet trimmed to plate mark on top and bottom.
Publisher:
Pub. Augt. 6th, 1803, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Soldiers, British, French, Militias, Pitchforks, Heads (Anatomy), Decapitations, and War casualties
"A group of three half length figures. Two ladies of meretricious appearance seated at a tea-table, a man with a large Macaroni club of hair is handing one of them a cup of tea. One holds a fan and looks coyly towards the man, the other leans over her shoulder."--British Museum online catalogue
Description:
Title engraved below image. and Date of publication from British Museum catalogue.
Publisher:
Printed for Robt. Sayer, No. 53 Fleet Street
Subject (Topic):
Dandies, British, Hairstyles, Tea, Tea services, and Fans (Accessories)
Caption title., Printed in two columns with a woodcut at the head of each column, and playing cards surrounding text., Text begins: The serjeant commanded his party to the church, and when the parson had ended his prayer, he took his text; and all of them that had a Bible pulled it out to find the text, but this soldier had neither Bible, almanack, nor common prayer book, but he put his hand in his pocket and pulled out a pack of cards, and spread them before him as he sat, and while the parson was preaching he first kept looking at one card and then at another., Undated; James Catnach was active at this address from 1813 until his retirement in 1838; see Hindley, C. The history of the Catnach Press ..., 1886. Queen Victoria is mentioned in the text: "And also of Queen Victoria, to pray for her.", so the printing date must be after her accession in 1837., and For further information, consult library staff.
Publisher:
J. Catnach, printer, 2 & 3, Monmouth-Court, 7 Dials
Subject (Geographic):
Great Britain.
Subject (Name):
Middleton, Richard, Private in the 66th Regiment of Foot.
Subject (Topic):
Gambling, Prayer, Christianity, Soldiers, Religious life, Almanacs, Playing cards, Religious services, Soliders, and British
"John Bull, as a burly and ugly sailor, sits enthroned (right), listening to Melville's plea of innocence. Melville, in Highland dress, and wearing a feathered bonnet, stands in profile to the right. with clasped hands and flexed knees; he says: "Indeed Mr Bull - I knaw nae more aboot it - than Johnny Groat o'the Highlands." Trotter lurks behind him (left) furtively twitching his superior's kilt, and jerking his thumb to the left.; he says: "Take my advice - and let us Trot off while we are well, he looks confounded inquisitive." John scowls and glares pugnaciously, saying, "Why Look ye - de ye see - I dont come for to go for to say - exactly, that you sack'd the cole - all I say is the Shiners set sail - and as you had the care of the Hatches - it is, likely, you should know what Port they steer'd into! I say let's look at your log book Old one." He wears striped trousers and a knotted scarf; in his hat is a tobacco-pipe. His chair stands on a dais and is decorated with a crowned anchor and dolphins."--British Museum online catalogue and A satire on Henry Dundas, 1st Viscount Melville, who was accused of appropriating funds for non-naval purposes during his tenure as Lord of the Admiralty. Dundas was the most prominent Scottish politician of his era and instrumental in the progress of the Scottish Enlightenment. He is controversial today through his delaying the abolition of slavery for several years
Alternative Title:
Iohn Bull makeing a naval enqury and John Bull making a naval enquiry
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., and Publisher's advertisement in lower right: Folios of caracatures lent out for the evening.
Publisher:
Pubd. April 1st, 1805, by S.W. Fores, 50 Piccadilly
Subject (Name):
Dundas, Henry, 1742-1811, Dundas, Henry, 1742-1811., and Trotter, Alexander, 1750-1830
Subject (Topic):
John Bull (Symbolic character), Sailors, British, Thrones, Ethnic stereotypes, and Pleading (Begging)
"A sailor on shore, holding a bottle, with a well-dressed young prostitute on each arm, the one on his [left] arm carries a cauliflower while the other holds up her dress; a boat moored against the quay in the [left] foreground, ships at sea and a fortification in the [left] background."--British Museum online catalogue, description of another print engraved after the same painting
Description:
Title from text below image., Date inferred from that of another print after the same painting, published by C. Knight in 1794, showing the identical scene in reverse. See British Museum online catalogue, registration no.: 1881,0409.25., and Companion print to: Scarcity in India.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Topic):
Sailors, Social life and customs, Courtesans, British, and Piers & wharves
"Mrs. Clarke stands just within the House of Commons triumphing over her opponents and victims. She strikes a member (Croker) with a rapier, while holding up in her left hand a letter headed My dear Mrs Clark. She tramples on a military officer who lies prone; a paper under his hand is inscribed Genl [Clav]ering. Her antagonists have dropped their swords, which lie broken on the floor. Her large muff lies beside her with a bundle of Love Letters. Croker tries to escape, exclaiming, By Jasus she'll give us 100 Cuts in 60 thrusts. Perceval rushes off, with a mutilated hand, saying, I am Struck dumb, and lost my thumb! I Percieve all. Another (the Attorney-General) exclaims: Oh! dear! Oh dear! she has cut off my Ear Ex officio. A little man whose nose has been cut off, exclaims: What dreadfull blows--Witness my Nose, my Honeys. In his pocket is a paper: Memorandum for Mr Hague [see British Museum Satires No. 11211]. A tall man (Yorke, see British Museum Satires No. 11535) shouts, raising his arms: Take her into custody--She will be to much for us--send her to York Jail. Shadowy figures watch the encounter. A corner of the gallery is seen, crowded with eager spectators. Two men watch from the lobby (right)."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark at top and bottom.
Publisher:
Pubd. March 1st, 1809, by Fores, No. 50 Piccadilly
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Croker, John Wilson, 1780-1857, Perceval, Spencer, 1762-1812, Yorke, Charles Philip, 1764-1834, Gibbs, Vicary, Sir, 1751-1820, Clavering, Henry Mordaunt, 1759-1850., and Great Britain. Parliament. House of Commons,
Subject (Topic):
Interiors, Fighting, Daggers & swords, Military officers, British, Wounds & injuries, and Muffs
"A very fat and jovial volunteer, dressed as a light horseman, holds ln his left hand a pole on which is the head of Napoleon in profile to the right. and wearing a huge cocked hat decorated with plumes, tricolour cockade, gold lace, and tassels. The hand that holds the pole holds also, by the hair, a bunch of bleeding heads which form a grisly garland round it. In his right hand is his sabre. He is surrounded by women; two embrace him, others hasten up; he swaggers with raised left leg, saying, "There you rouges, there! there's the Boney Part - twenty more killed them!! twenty more killed them too!! I have destroyed half the Army with this same Toledo." The women say, respectively: "Bless the Warrior that saved our Virgin charms"; "take care I'll smother him with Kisses"; "Oh! what frightful Heads how ravishing they look, - they would have used us ill I am sure"; "ha ha, thats, that great man little Boney, how glum he looks." An elderly spinster exclaims: "ah bless him he has saved us from Death and Vileation." A handsome woman turns to a tall young man in civilian dress on the extreme left, saying, "There you Poltroon look how that noble Hero's Caressed!" He turns away, saying, "Ods Niggins I wish I had been a Soldier too then the Girls would have run after me - but I never could bear the smell of Gun powder"."--British Museum online catalogue
Alternative Title:
Hero's reward
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Preceding imprint are the words "Pubd. July", which have been mostly obscured with shading., Publisher's advertisement following imprint: Folios of caracatures lent out for the evening., Sheet trimmed within plate mark on top edge., Text following title: None but the brave dsere [sic] the fair., Text within bottom part of image, above imprint: The Yeomanry Cavalry's first essay., and Watermark: Slade 1802.
Publisher:
Pubd. August 1st, 1803, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Soldiers, British, Obesity, Daggers & swords, Heads (Anatomy), Decapitations, and Women
"Mrs. Clarke sits on Wardle's right shoulder, to place over the head of the Duke of York a giant extinguisher which covers all but his legs and (military) coat-tails. At the apex of the extinguisher is a five-pointed star surrounded by the letters 'T' 'R' 'U' 'T' 'H'. She says: "Beneath this Canopy's oblivious shade Detected Y------hides his diminished head" On the cone are the inscriptions: 'Multum in Papvo' [sic] and: 'Now Phoenix like, with renovated fire To noble deeds our Army shall aspire Whilst haughty Gaul shall emulate its praise And England round a Woman's brow entwine the Bays.' Wardle wears regimentals and sword and is tall and handsome; a letter 'To Col Wardle' projects from a pocket."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. March 1809 by I. Blacklock, Royal Exchange
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Wardle, Gwyllym Lloyd, 1762?-1833, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Fire extinguishers, Military uniforms, British, and Mistresses
"Portrait of Mrs Jordan as Peggy in 'The Country Girl' after Romney, standing three-quarter length with her hands clasped together in front of a doorway and column; state after title changed, before engraver's name altered."--British Museum online catalogue
Description:
Title engraved below image. and Second state, with title altered from "Mrs. Jordan in the Character of the Romp". For the earlier state, see Yale Center for British Art accession no.: B1970.3.341.
Publisher:
Publish'd June 24th, 1788, by John & Josiah Boydell, No. 90 Cheapside, London
Subject (Name):
Jordan, Dorothy, 1761-1816, and Garrick, David, 1717-1779.
"Two sailors are bargaining with a scantily clad Indian girl with a basket of fruit. Although pineapples were luxury goods at this time, the mirror, and in particular the watch offered by the seaman on the left represent a disproportionately high price for the fruit. The girl’s hairstyle resembles a pineapple reinforcing the point that she is the object of their attention rather than her wares. The two men are dressed in their shore-going clothes with buckled shoes and silk stockings. They wear baggy cotton trousers and short jackets. The sleeve of the left-hand sailor has a mariner’s cuff outlined in white piping and his wool jacket has metal buttons, which are probably made of brass. He wears a straw hat and his hair is done in a pigtail or queue. Both men have large silk neckerchiefs probably originating in India. Sailor’s dress was much the same in the merchant service and the navy. There was no uniform for the lower ranks at this time."--Collections online, National Maritime Museum, Greenwich, Object ID: PAI4974
Description:
Title from text below image. and Companion print to: British plenty.
Publisher:
Published Jan. 1st, 1794, by C. Knight at Wm. Bonds, No. 98 Charlotte Street, Rathbone Place, London
A group portrait of George III, Queen Charlotte, and their thirteen surviving children each numbered with a key below. The youngest children play with kites and marbles. In the background Princess Amelia (the youngest) jumps into the arms of her brother, Prince Ernest Augustus. The older members of the family form small groupings that are engaged in conversation. In the foreground are books, charts, and globes, suggesting their education and cultural pursuits
Description:
Title engraved above image., Date of publication inferred from the apparent ages of the children depicted., Sheet trimmed within plate mark possibly with loss of date. Below the key "Published as the act directs August [...]" mostly worn and illegible., Plate numbered "219" in upper right corner., and Laid on ledger paper with red line rulings.
Publisher:
Printed and sold by Carington Bowles, No. 69 in St. Pauls Church Yard, London
Subject (Name):
George III, King of Great Britain, 1738-1820,, George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818,, Augustus Frederick, Prince, Duke of Sussex, 1773-1843,, and Adolphus Frederick, Prince, Duke of Cambridge, 1774-1850,
Subject (Topic):
Family, Marbles (Game), Kites (Toys), Globes, Families, and British
published as the act directs [...] [not before 25 June 1774]
Call Number:
774.06.25.01
Image Count:
1
Resource Type:
still image
Abstract:
"Satire; an extravagantly dressed woman catches a fashionable man by the arm as she points with her fan at a mezzotint droll in a print-shop window; a small dog looks up at her; an old gentleman with a stick standing on the right, stares at the prints and is surprised by a man with a warrant for his arrest."--British Museum online catalogue
Description:
Title etched below image., Attributed to John Raphael Smith by Frankau., Later state, with plate number added. For an earlier state lacking plate number, see no. 3758 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Date of publication inferred from earlier state with the date "25 June 1774" at end of imprint; see British Museum online catalogue, registration no.: 2010,7081.379., Sheet trimmed to plate mark on bottom edge., Description based on imperfect impression; date at end of imprint statement has been erased from sheet., and Plate numbered "300" in lower left corner.
Publisher:
Printed for Carington Bowles, at his map & print warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
England and London.
Subject (Name):
Bowles, Carington, 1724-1793.
Subject (Topic):
Dogs, City & town life, Clothing & dress, Stores & shops, Window displays, Dandies, British, Prints, Fans (Accessories), and Staffs (Sticks)
Off Cape Finisterre lay the King's ship La Loire and Yeo! Yeo!
Description:
Caption title., Woodcut vignette of a frigate above title.., Refers to an incident in Muros Bay, June 4, 1805, in which the privateer L'Esperance was captured by the British through the exertions of Lt. Yeo of the Loire., and Laid down on card. For further information, consult library staff.
Publisher:
Printed and sold by J. Jennings, No. 15, Water-lane, Fleet-street
Subject (Geographic):
Atlantic Ocean and Atlantic Ocean.
Subject (Name):
Yeo, James Lucas, Sir, 1782-1818 and Yeo, James Lucas, Sir, 1782-1818.
Subject (Topic):
Napoleonic Wars, 1800-1815, Campaigns, Military campaigns, Sailing ships, and British
"Two tiers of single English figures expressing appropriate opinions about the coronation of Napoleon."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in dealer's description. Questionably attributed to Isaac Cruikshank in the British Museum online catalogue, registration no.: 1985,0119.188., Sheet trimmed to plate mark leaving thread margins., "Folios of caracatures [sic] lent out for the evening"--Below image in lower right., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Pubd. July 16th, 1804, by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
France and Great Britain.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Foreign public opinion, British, Public opinion, Soldiers, French, Sailors, and British
"A Portuguese soldier and a British soldier, facing each other, co-operatively seize Ferdinand VII, who is putting his left foot across a line dividing Spain (right) from Portugal. Each holds a musket without bayonet. The Englishman's right hand is on Ferdinand's shoulder; the Portuguese clutches one of the King's ass's ears. Ferdinand wears a crown, a long cloak, and a spiky ruff. A French officer on the extreme right makes off to the right, shocked and alarmed; he looks over his shoulder, exclaiming, Sacré dieu! le pauvre bete est attrappée."--British Museum online catalogue
Description:
Title etched below image., From British Museum online catalogue Curator's comments: The Frenchman is evidently the Marquis de Moustier, French Ambassador at Madrid, who appeared covertly to countenance Ferdinand's support of the Portuguese refugees, and was recalled in disgrace., and Original price "2/-" written in ink in lower right corner of sheet.
Publisher:
Published by Thos. McLean, 26 Haymarket
Subject (Geographic):
Spain
Subject (Name):
Ferdinand VII, King of Spain, 1784-1833 and Moustier, Clément Edouard, Marquis de, 1779-1830.
Subject (Topic):
History, Soldiers, British, Portuguese, Military officers, French, and Firearms
"View of a row of tents and temporary shelters, one with the sign "Lloyds Coffee House", a group of four ladies outside, in foreground to right four children play, trees in background on left, a building in distance on right."--British Museum online catalogue
Description:
Title etched below image., Imprint and subtitle partially burnished from plate?, Sheet trimmed within plate mark on right edge., Fourth plate from the first of two sets of semi-comic small etchings, each set comprised of ten plates. Plates from this first set are numbered in Roman numerals in lower right, and the British Museum enters the plates as 'Ten Views of Encampments in Hyde-Park and Black-Heath (first series)' based on the title of the first plate in the second set. For further information, see Curator's comments for museum number 1904,0819.620 in the British Museum online catalogue., and Plate numbered "IIII" in lower right corner.
Publisher:
Publishd. as the act directs by P. Sandby
Subject (Geographic):
England and London.
Subject (Topic):
Military camps, British, Military life, Soldiers, Children, Tents, and Canteens (Facilities)
"Admiral Sir George Young, in naval uniform, stands in profile to the left, slim and erect, heels together, hand on the hilt of his sword. He wears a cocked hat and high boots. His expression is firm, alert, benevolent."--British Museum catalogue
Description:
Title etched below image., Leaf 8 in an album with the spine title: Characatures by Dighton., and Figure identified as "Admiral Young" in pencil in lower left corner of sheet.
"A farmyard scene, with a corner of the house on the left. A grossly fat and carbuncled parson on a quest for tithes encounters the farmer's wife, who runs towards him proffering an open bandbox, with a dangling lid inscribed 10th. A miniature hussar, very dandified in shako and pelisse, stands in it, superciliously inspecting the parson through an eye-glass. The woman, who is plump and well-dressed, wearing apron and bonnet, says: Seeing your Reverence comeing for your Tithes, I have brought you a Tenth. The parson, who holds a large book, Tithe list, and has a chicken in his capacious pocket, answers with a scowl and gesture of refusal: Take it back! take it back! good Woman; I never tithe Monkeys. The little hussar says: Eh! eh! what does that there fellow say? An amused yokel with a pitchfork leans over a gate (left). A cock crows on a dunghill, an ass brays. Corn-sheaves stand in a distant field."--British Museum online catalogue
Alternative Title:
Dandyfied coxcomb in a bandbox and Dandified coxcomb in a bandbox
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 28 x 39 cm.
Publisher:
Pubd. 10th April 1824 by John Fairburn, Broadway, Ludgate Hill
Subject (Topic):
Dandies, British, Military uniforms, Clergy, England, Obesity, Boxes, Farms, Donkeys, Roosters, and Pitchforks
Title etched below image. and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Pubd. by W. Holland N 50 Oxford St
Subject (Geographic):
India
Subject (Topic):
Smoking, Alcoholism, British, Social life and customs, Water pipes (Smoking)., Sick persons, and Wine
"Two ladies embrace, seated on a sofa, not noticing the entry of their husbands. One, Lady Strachan, says: "You know my dear Sarah I love you very well yet I must reserve a few Kisses for the worthy old Ad-l." Lady Warwick: "Oh never mind him, my Sweet Louisa he's undeserving your embrace's and only fit for walking the Quarter Deck." In the doorway is Sir Richard Strachan, in admiral's uniform, followed by Lord Warwick, indicated by a paper or pamphlet: 'Warwick Gude' [sic]."--British Museum online catalogue
Alternative Title:
Amorous Ladies, or, Tete-a-tete ex strachnary, Tete-a-tete ex strachnary, and Tete-a-tete exstrachnary
Description:
Title etched below image., Questionable attribution to William Heath from British Museum catalogue., Sheet trimmed within plate mark., Temporary local Medical Library subject terms: Sex behavior., and Stamp in ink in lower right corner.
Publisher:
Pub. June 9th, 1820, by E. Brooks, 16 Panton Street
Subject (Name):
Strachan, Louisa, Lady, -1868, Strachan, Richard John, 1760-1828, Warwick, Sarah Elizabeth, Countess of, 1786-1851, and Warwick, Henry Richard Greville, Earl of, 1779-1853
Subject (Topic):
Homosexuality, Admirals, British, Couches, Kissing, and Doors & doorways
"Fashionably dressed men and women, in acute discomfort, hasten from right to left. A lady in the foreground (right) taking the arm of a dandy resembles Mrs. Robertson, see British Museum Satires No. 14557. There is a background of bushes and trees. The head of a black footman, wearing a cocked hat, pops up from behind a bush. On the extreme right is part of the Pump Room, with central cupola and pillared portico."--British Museum online catalogue
Alternative Title:
Tis necessary to quicken your motions
Description:
Title etched below image., Questionable attribution to William Heath from the British Museum catalogue., Temporary local Medical Library subject terms: The Royal Well, Cheltenham., and 1 print : etching, hand-colored ; plate mark 24.4 x 34.4 cm, on sheet 27.7 x 36.9 cm.
Publisher:
Pub. by S.W. Fores, 41 Piccadilly
Subject (Geographic):
Cheltenham (England)
Subject (Topic):
Hydrotherapy, Health resorts, Dandies, British, and Servants
Title etched below image., Sheet trimmed within plate mark on three edges., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Medical Fees -- Unsuccessful treatment, 1 print : etching and aquatint, hand-colored., Imperfect; sheet trimmed within plate mark with loss of all text from lower margin., and Pasted to mounting sheet with ink and wash border.
Publisher:
Publish'd April 1st, 1786, by H. Brookes, Coventry Street
Subject (Topic):
Death, Sick persons, Physicians, Wages, Military uniforms, and British
Title etched below image., Fifth plate of twelve, designed to illustrate Christopher Anstey's The new Bath guide., Sheet trimmed within plate mark., and Republished in 1857 by Robert Walker. See no. 9321 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
Publisher:
Pubd. Januy. 6th, 1798, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Geographic):
Bath (England)
Subject (Name):
Anstey, Christopher, 1724-1805.
Subject (Topic):
Gout, Health resorts, Horseback riding, Carriages & coaches, Crutches, Military uniforms, and British
Title etched below image., Sixth plate of twelve, designed to illustrate Christopher Anstey's The new Bath guide., Sheet trimmed within plate mark., and Republished in 1857 by Robert Walker. See no. 9321 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
Publisher:
Pubd. Januy. 6th, 1798, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Geographic):
Bath (England)
Subject (Name):
Anstey, Christopher, 1724-1805.
Subject (Topic):
Gout, Health resorts, Painters (Artists), Artists' materials, Courtship, Couples, Kissing, Military uniforms, and British
Title etched below image., Eighth plate of twelve, designed to illustrate Christopher Anstey's The new Bath guide., Sheet trimmed within plate mark., and Republished in 1857 by Robert Walker. See no. 9321 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
Publisher:
Pubd. Januy. 6th, 1798, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Geographic):
Bath (England)
Subject (Name):
Anstey, Christopher, 1724-1805.
Subject (Topic):
Gout, Health resorts, Interiors, Games, Card games, Wheelchairs, Crutches, Military uniforms, British, Bowing, and Courtship
"Lee Lewes stands on stage at Covent Garden, with busts arranged on a table behind him, he holds one up, turning to the crowd; the audience in the pit in the foreground, with four tiers of boxes behind; after Woodward."--British Museum online catalogue
Description:
Title engraved below image. and Frontispiece to: A lecture on heads / by Geo. Alex. Stevens ; with additions, as delivered by Mr. Charles Lee Lewes ; ... embellished with twenty-five humourous characteristic prints, from drawings by G.M. Woodward, Esq. London : Printed for Vernor, Hood, and Sharpe ..., 1808.
Publisher:
Pub. by T. Tegg, 111 Cheapside
Subject (Geographic):
Great Britain.
Subject (Name):
Stevens, George Alexander, 1710-1784., Lewes, Charles Lee, 1740-1803, and Covent Garden Theatre,
Subject (Topic):
Theaters, Actors, British, Interiors, Audiences, and Public speaking
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker, artist
Published / Created:
April 26th, 1834.
Call Number:
Print01027
Image Count:
1
Resource Type:
still image
Abstract:
"Two battered Greenwich Pensioners, one missing all four limbs, the other an arm and a leg, in conversation outside a building marked 'The Helpless Ward' of the Hospital Infirmary, with three other severely incapacitated veterans beside it. The inscription below the title reports the conversation: ' Ah! Messmate, you are a happy Fish to what I am. you have only got an Arm and a Leg lopp'd off. Whilst I hav'n't a Limb left about me but what's of Timber, with one Eye out and my Nose damaged.'- 'Go it Joe, grumble, grumble. You are like the rest of th' World. Never contented.'."--Royal Museums Greenwich online catalogue
Description:
Title from text below image.
Publisher:
Pubd. by J. Kendrick, 54 Leicester Squr and Printed by S. Lingham, Bazzar, Grays Inn
"Six pairs of persons converse, arranged in two rows, words etched above the head of the speaker. A plebeian-looking young man, fashionably dressed, and an elderly Scot sit facing each other. The former says: "You mun know Sir I have an idera [sic] of being made a member of Parlymint, so I wants to larn a little Horotry". The answer: "Depend upon it Mon while ye hae such a t'wang [sic] with you--you'l nere proo-noonce the angligh [sic] tongue as I do, wi awe purity". A dwarfish officer wearing an enormous cocked hat looks up at a corporal, saying, "As I am shortly to have a company--I want to know something about my Exercise". Corporal: "I'll soon set your eminence to rights in that respect, but I think your honor had better first take a little practice, as a Grenadier in the prussian service". A slim man in black bows to a clumsy fat parson, saying, "Sir as I am about to enter into Orders I wish to have a few lessons on the graces of the Pulpit". Answer: "Depend upon it I will make you perfect from the unfolding a white cambric, to the display of a diamond ring". A young man addresses an Irish barrister in wig and gown: "As I expect to be immediatly to be [sic] call'd to the Bar--I have waited on you Mr Sarjant O Brief, for a little instruction in the first rudiments of Law". Answer: "Upon my conscience Honey you could not come to a better parson I'll tache you to Bodder-em". ['Bother', an Anglo-Irish word meaning (inter alia) to confuse and to blarney or humbug. Cf. British Museum Satires No. 8141.] A yokel in top-boots and a London apothecary sit side by side. The former says: "You must know Sir I keeps a little Potticarys shop in our willage--but does not know how to make up the stuffs, I gives one thing for another, so hearing you be dead hands at Physic here in Lunon I be come to ax your advice". The answer: "Never fear I'll put you in the right way your patients shall never complain". A loutish countryman addresses an insinuating well-dressed man who holds a large volume: "Register for [Pla]ces: My Feather saw your Advartisement about pleaces--and has sent me up to you to provide for, as to my sen--I should like to be a Butcher has I always had a turn to somat genteel". The answer: "You have only a shilling to pay Sir, call again in a day or two and you may depend upon something in the genteel line that will suit you"."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Imperfect; sheet trimmed within plate mark with loss of series statement from upper right. Missing text supplied from impression in the British Museum.
Publisher:
Pubd. April 1810 by Ts. Tegg, 111 Cheapside
Subject (Topic):
Pharmacists, Ethnic Stereotypes, Military officers, British, Clergy, and Lawyers
Print shows three fashionable dandies in a well-furnished room. One (left) sings, seated, and with a leg resting on a second (lyre-backed) chair; he leans sentimentally, hand on heart, towards a lutanist reclining on a (Regency) sofa playing an ornate curiously shaped instrument. The third stands behind the sofa, playing a flageolet, and admiring himself in a mirror above the ornate fireplace. The vocalist holds an open music-book: 'Love has eyes.' On the floor beside him are two others: 'The Lovesick Swain set to Music' and 'Our Warbling Notes and Ivory lutes Shall ravish every ear.' Two whole length portraits flank the mirror, one of a lady in quasi-Elizabethan dress, the other of a man similarly dressed, both having pinched waists and full busts. Below one is a picture of 'Vacuna' [Goddess of rural leisure], a blowzy woman lying under a tree; below the other, a grotesque 'Narcissus' admires his reflection. On the end of the sofa sits a grotesquely clipped (and dandified) poodle suckling puppies
Alternative Title:
Dandy trio and Hummingbirds, or, A dandy trio
Description:
Title etched below image., After a design by amateur caricaturist John Sheringham; see British Museum catalogue., Later state, with G. Humphrey's original imprint replaced. For an earlier state, see no. 13446 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., A reissue of a print originally published 15 July 1819 by G. Humphrey. This later state was included in Thomas McLean's 1835 collective reissue of several Cruikshank etchings entitled "Cruikshankiana : an assemblage of the most celebrated works of George Cruikshank ...", and Sheet trimmed within plate mark.
Publisher:
Pubd. by Thos. McLean, 26, Haymarket
Subject (Geographic):
England, London, England., and London.
Subject (Topic):
Dandies, Fashion, Clothing and dress, British, Interiors, Musicial instruments, Musicians, Music, Parlors, and Poodles
"A pretty young wife sits beside an aged doting and rich husband, reading to him. He delightedly contemplates his glass, which is being filled by Death, who leans over a screen. The girl's left hand is held by a young officer who leans through the window (right)."--British Museum online catalogue
Alternative Title:
Honeymoon and When the old fool has drank his wine and gone to rest, I will be thine
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: When the old fool has drank his wine / and gone to rest, I will be thine., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 1, opposite page 106., and Temporary local Medical Library subject terms: Marriage & married life -- Skeleton as Death.
Publisher:
Pub. Augt. 1, 1814, by R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Dance of death, Death (Personification), Marriage, Skeletons, Courtship, Adultery, Military officers, British, Eating & drinking, Alcoholic beverages, Windows, Interiors, Stringed instruments, Books, Dogs, Fireplaces, and Screens
"The corner of a house seen from a walled garden. Death throws down a ladder which gave access to a window from which a distraught girl looks out; her lover, a young lieutenant, falls from it towards a pond, while an elderly colonel, the father, fires a blunderbuss towards cats on the wall, the charge being intercepted by the falling man. A prancing dog barks."--British Museum catalogue
Alternative Title:
Assailant does not feel a wound; but yet he dies, for he is drown'd
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: The assailant does not feel a wound; but yet he dies, for he is drown'd., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 2, opposite page 241., and Temporary local Medical Library subject terms: Skeleton as Death.
Publisher:
Pub. Jany. 1 - 1816, at R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Death (Personification), Accidents, Courtship, Military officers, British, Gardens, Garden walls, Skeletons, Ladders, Falling, Firearms, Dogs, Cats, and Lakes & ponds
"View in Whitehall with the royal carriage departing led by marching foot soldiers, passing the Holbein Gate, the Banqueting House on the left."--British Museum online catalogue
Alternative Title:
Vüe de l'hotel royal, pour les Gardes du Corps et a Piè, vis à vis la Salle Blanche a Manger à Londres
Description:
Titles engraved below image, in English and French., Date of publication from the British Museum online catalogue, registration no.: 1880,1113.2763., 1 print : etching and engraving on laid paper ; sheet 23.7 x 40.9 cm., Imperfect; sheet trimmed within plate mark with loss of imprint from bottom edge and some loss of image from top edge., and Leaf 45 in an album of views of London and its vicinity.
Publisher:
Printed for Ino. Boydell, Engraver, Cheapside
Subject (Geographic):
Whitehall (London, England),, England, and London.
Subject (Name):
Horse Guards (London, England : Building), and Whitehall Palace (London, England),
Subject (Topic):
Government facilities, Castles & palaces, Gates, Carriages & coaches, Soldiers, and British
Title from dealer's description., Unsigned; attributed to Rowlandson., and Inscribed on verso: Names of the Ships taken by Lord Howe on 1st of June 1794, and brought into Portsmouth Harbour; Sans Pareille 84 Guns, L'America 74, Limpetue 84, Northumberland 84, Achille 76, La Vengeur 74.
Subject (Geographic):
Portsmouth (England)
Subject (Name):
Howe, Richard Howe, Earl, 1726-1799.
Subject (Topic):
First of June, Battle of the, 1794, Harbors, Warships, British, French, Crowds, Cannons, Carriages & coaches, Peg legs, and Victories
Cooper, Richard, approximately 1730-1820, printmaker
Published / Created:
[1 April 1810]
Call Number:
Portraits D157 no. 1
Image Count:
1
Resource Type:
still image
Abstract:
A three-quarter length portrait of Mrs. Damer, with sculptor's tools at the base
Alternative Title:
Honourable Mrs. Damer
Description:
Title etched below image., Artist identified as Angelica Kauffmann in the Catalogue of engraved British portraits., Frontispiece to: La Belle assemblée, April 1810., and Sheet trimmed within plate mark.
Portrait of David Garrick, seated at a desk, with his wife standing behind him, reaching to grasp the pen that he is holding in his right hand and "Portrait of David Garrick, three-quarter length, seated at a writing table, to the left, looking at viewer, his head supported by right hand, which also holds a quill, his right elbow resting on table; pointing down to the right with left hand; behind him his wife stands, reaching over the back of the chair towards the desk with her right hand, looking down towards Garrick."--British Museum online catalogue
Description:
Title etched below image., Plate from: The art-journal. [London] : [George Virtue], February 1855, opposite page 42., Imperfect; sheet trimmed within plate mark with loss of imprint from bottom edge. Imprint supplied from impression at the Massachusetts Historical Society, call no.: Special Colls. Waterston autograph vol. 2., Window mounted to 51 x 36 cm., and Mounted opposite page 613 (leaf numbered '47' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published for the proprietors
Subject (Name):
Garrick, David, 1717-1779,, Garrick, Eva Maria, 1724-1822,, Garrick, David, 1717-1779., and Garrick, Eva Maria, 1724-1822.
A self-portrait of Hogarth painting Thalia, the Comic Muse holding a satyr's mask in her left hand and a book in her right hand. On the pillar to her left is engraved the words "Comedy 1764." Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife, a pot of oil on the floor beside the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a copy of "Analysis of Beauty", the accompanying print protruding from its pages
Alternative Title:
William Hogarth 1764
Description:
Title, state, publisher, and date from Paulson., After the painting in the National Portrait Gallery., For a description of prints from this plate, see R. Paulson, Hogarth's graphic works (3rd ed.), no. 204., and See Catalogue of engraved British portraits preserved in the Department of Print and Drawings of the British Museum, v. 2, p. 539.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764,
Subject (Topic):
Painting, Muses (Greek deities), Artists, and British
Print shows actor David Garrick in the role of Kitely from the play "Every Man in his Humour" by Ben Jonson, half-length portrait, facing left, in costume
Description:
Title engraved below image., State from: Smith, J.C. British mezzotinto portraits., Imperfect; sheet trimmed within plate mark with loss of title and imprint statement. Missing text supplied from impression in the British Museum, registration no.: 1902,1011.2088., Window mounted to 51 x 36 cm., and Mounted opposite page 116 (leaf numbered '167' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Sold by Mr. Parker, No. 82 Cornhill, & Mr. Finlayson in Berwick Street, Soho
Subject (Name):
Garrick, David, 1717-1779,, Garrick, David, 1717-1779, and Jonson, Ben, 1573?-1637.
"Portrait of the actor Edward Shuter; half-length in oval frame, looking to the right, holding a comic mask."--British Museum online catalogue, description of an earlier state
Description:
Title engraved below image., State from: Russell, C.E. English Mezzotint portraits and their states., Date of publication based on publisher's street address; see British Museum online catalogue., Sheet trimmed within plate mark., With wash-line mount 37.4 x 28.9 cm. Window mounted to 51 x 36 cm., and Mounted opposite page 100 (leaf numbered '150' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published by W. Richardson, Antient & Modern Print Warehouse, 174 Strand
"Portrait of Joseph Richardson, half-length, directed to the left, looking towards the viewer, in double-breasted jacket; after Sir Martin Archer Shee; finished state."--British Museum online catalogue
Description:
Title from text below image, Frontispiece to: Literary relics of the late Joseph Richardson, Esq. ... London : Printed for J. Ridgway, 1807., Sheet trimmed within plate mark., Window mounted to 51 x 36 cm., and Mounted opposite page 438 (leaf numbered '52 in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
J. Ridgway
Subject (Geographic):
Great Britain.
Subject (Name):
Richardson, Joseph, 1755-1803, and Richardson, Joseph, 1755-1803.
Saunders, Joseph, active 1772-1800, printmaker, publisher
Published / Created:
[24 June 1773]
Call Number:
Folio 53 Sh52 M78
Image Count:
1
Resource Type:
still image
Abstract:
"Half length, seated at a table in profile facing left, looking at a miniature of Shakespeare, a long stick over his shoulder; published state."--British Museum online catalogue
Description:
Title engraved below image., State from: Smith, J.C. British mezzotinto portraits., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge. Imprint supplied from impression in the British Museum, registration no.: 1902,1011.4098., Window mounted to 51 x 36 cm., and Mounted opposite page 18 (leaf numbered '74' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Publish'd as the act directs June 24, 1773, & sold by J. Saunders, at Mr. Deschamps Upholder in Compton Street, Soho
Subject (Name):
Garrick, David, 1717-1779, and Shakespeare, William, 1564-1616,
Subject (Topic):
Miniatures (Paintings), Dramatists, Actors, and British
Portrait of the actor William Farren, in character as Sir Peter Teazle in Sheridan's 'School for Scandal'; whole length, standing facing right, his right hand tucked inside his waistcoat
Description:
Title etched below image; the letter "z" in "Teazle" is etched backwards., Reissue of a print likely published by Richard Dighton himself; a blank space in the statement of responsibility, between "etchd." and "by Richd. Dighton", probably contained the words "& pubd." in the original issue of the print., Date of publication from the British Museum online catalogue entry for publisher Thomas McLean, which notes that "all prints dated before 1824 are reissues of 1824 or later"., Imperfect; sheet trimmed within plate mark with partial loss of statement of responsibility and imprint statement., Window mounted to 51 x 36 cm., and Mounted opposite page 166 (leaf numbered '207' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. by T. McLean, Haymarket
Subject (Name):
Farren, William, 1786-1861, Farren, William, 1786-1861,, Sheridan, Richard Brinsley, 1751-1816., and Farren, William, 1786-1861.
Subject (Topic):
Performances, Teazle, Peter, Sir (Fictitious character), Actors, and British
"Plate to the 'Scourge', iv, before p. 349. An illustration to 'Elections in the Isle of Borneo', pp. 349-55, relating a dream in which the Prince chooses his Ministers and Household officers according to their proficiency in adultery. A sequel to British Museum Satires No. 11899. The Regent is enthroned under a canopy in the centre of a long platform backed by the pillars of Carlton House. Below is the cobbled street, with passers-by and spectators whose heads are just below the platform, so that the figures are arranged in two tiers. The Regent's throne is on a triple dais; he puts one arm round the waist of Lady Hertford who sits on his knee, holding at arms' length a brimming goblet. She puts her right arm round his neck, and also supports herself by placing a finger on the branching antlers of her husband, who stands in his chamberlain's robes, and holding his wand of office, beside the dais, at which he points with a complacent grin. He says: "My gracious Master is personelly acquainted with my merits, they live in his bosom, & he will reward me, according to my Deserts." Lady Hertford wears a spiky crown, and her vast spherical breasts are divided by a jewel in the form of the Prince's feathers with his motto 'Ich Dien.' The drapery over the throne is centred by the crowned skull of a stag, with wide antlers; in its nostrils is a ring from which a birch-rod hangs above the Prince's head. A grinning demon, standing on the antlers, straddles across the crown, holding up the drapery. On the left of the throne the Duke of York, in uniform with cavalry boots, his hand on his sword, stands swaggeringly. A woman clutches his arm and whispers in his ear; beside them is a basket containing three infants and inscribed 'Mother Careys Chickin' [see British Museum Satires No. 11050]. He says: "I was turned out of the Office I now solicit because I was too fond of a married Woman [Mrs. Clarke, see British Museum Satires No. 11216, &c.] & could not live without commiting Adultery I claim therefore to be once more elevated to the Office of Commander in Cheif." Behind Lord Hertford (and a pendant to Mrs. Carey) stands an elderly posturing peer, wearing a star, his hands deprecatingly extended. He says: "As for business I never had a Headfor't but I have laid the Country under a Massy load of Obligations in other respects Adultery is my Motto so give me ******ship of the H-." Next (right) is a group of three: the Duke of Cumberland in outlandish Death's Head Hussar uniform holding a sabre with a notched blade and seemingly dripping blood, though not so coloured. He stands between two young women; one, holding his arm, brandishes a razor over her head, the other holds a paper called 'Nugent'. The Duke says: "Considering my Exploits you cannot do less than make me a Field Marshal." On the extreme right is the Duke of Clarence in admiral's uniform with trousers, pointing to a broken chamber-pot ('Jordan') decorated with a crown and containing seven children, two in uniform. Mrs. Jordan takes him affectionately by the arm. He points downwards, saying, "I have lived in Adultery with an actress 25 years & have a pretty Number of illegetimate Children. I hope you will make me an Admiral of the Fleets." On the extreme left McMahon, dwarfish and ugly, stoops over the edge of the platform, pouring coins from a bag marked 'P P' [reversed letters], for Privy Purse (or Pimp), into the apron of a hideous bawd who grins up at him. He says: "Let her be forty at least, plump & Sprightly." Next stands Lord Yarmouth, wearing a star, his hands in his pockets, scowling at a young woman who puts her hands on his shoulders; he says: "Confound my Wishers if Venus alias Fanny Anny [Fagniani] may not go to Juno----I'm Vice all over. Let me con tinue so." Next is a tall man wearing a long driving-coat with a star and a small rakish top-hat (? Lord Melbourne); one leg terminates in a cloven hoof. He stands between two disreputable women of the lowest St. Giles type, ragged and hideous, an arm across the shoulders of each; both offer him drink, one takes him by the chin. A third and younger woman sits on the ground at his feet, drinking from a bottle. He says: "As for me my Name is sufficient, I am known as the Paragon of Debauchery and I only claim to be the-s [Regent's] Confidential Friend." On the ground (left to right) are the bawd receiving money from McMahon, a ragged dustman with the curved shin-bones then known as 'cheese-cutters', a result of rickets; George Hanger, with his bludgeon under his arm (cf. British Museum Satires No. 8889, &c.), saying, "Hang her She's quite Drunk"; Augustus Barry, grotesquely thin and very rakish, with long coat, standing with widely splayed-out feet. These three stare up at the throne, Barry looking through an eye-glass. A ragged, sub-human creature picks Barry's pocket, taking a paper: 'A Sermon to be Preached at Cripple gate by Revd Honble A Newgate'. A blind beggar (? a sailor) walks with a stick, and a dog on a string, holding out his tattered hat. A Quaker-like figure stares up at the platform where the legs of the seated prostitute hang over its edge, as does a beggar boy with badly twisted legs. Next, a fashionably dressed man and woman shake hands, bending to stare into each other's face. He takes her left hand. His dress resembles that of the dandy of a few years later: shock of hair, exaggerated neck-cloth, hussar-pattern trousers, and long tail-coat. The centre figure in this lower row is John Bull looking up angrily over his shoulder at the prostitute, and pushing away to the right three young girls; he says to them: "Get away get away, if you go near the Platform you'll be ruined." His bull-dog looks pugnaciously up at the platform. A tall emaciated cavalry soldier speaks to a woman in a poke-bonnet, while a little ragged boy clasps the long horse-tail which hangs from his helmet. On the extreme right is Sheridan in (ragged) Harlequin's dress (cf. British Museum Satires No. 9916), moribund or drunk, supported between two top-booted bailiffs; one holds a writ and says "Poor fellow his Magic wand is broken." On the ground lies his wooden sword in two pieces, one inscribed 'M', the other 'P'; at his feet is a paper: 'Princely Promises'."--British Museum online catalogue
Alternative Title:
Election in the island of Borneo
Description:
Title etched below image., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 4 (October 1812), page 349., Sheet trimmed within plate mark., Window mounted to 36 x 51 cm., and Mounted opposite page 318 (leaf numbered '143' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published November 1st, 1812, by W.N. Jones, No. 5 Newgate Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Francis Ingram Seymour, Marquis of, 1743-1822, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Ernest Augustus, King of Hanover, 1771-1851, William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, McMahon, John, approximately 1754-1817, Hertford, Francis Charles Seymour-Conway, Marquess of, 1777-1842, Melbourne, Peniston Lamb, Viscount, 1745-1828, Hanger, George, 1751?-1824, Barry, Augustus, Honble., 1773-1818, Sheridan, Richard Brinsley, 1751-1816, and Carlton House (London, England),
Subject (Topic):
Harlequin (Fictitious character), John Bull (Symbolic character), Dustmen, Thrones, Canopies, Columns, Adultery, Antlers, Cobblestone streets, Demons, Military uniforms, Baskets, Infants, Daggers & swords, Poor persons, Pickpockets, Beggars, Staffs (Sticks), Prostitutes, Soldiers, and British
"Portrait; short half-length to left, looking down, wearing a plain dark suit and full chin-length wig."--British Museum online catalogue
Alternative Title:
Samuel Johnson, L.L.D.
Description:
Title from dedication below image., State from: Smith, J.C. British mezzotinto portraits., "Chaloner Smith's third state is in fact a separate plate: there are several small differences, particularly in the chin."--Curator's comment, British Museum online catalogue, registration no.: 2010,7081.3485., Window mounted to 51 x 36 cm., and Mounted opposite page 26 (leaf numbered '82' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published as the act directs 20th Feby. 1792, & sold by C. Townley, No. 38 Greek Street, Soho
"Portrait standing three-quarter length with his right hand inside his coat, holding papers in his left hand, head turned in three-quarter profile to left; wearing dark suit, white cravat and his hair short, with long sideburns; pillar behind at left."--British Museum online catalogue, description of a later state
Alternative Title:
Right Honble. G. Canning, M.P. and Right Honourable George Canning, M.P.
Description:
Title devised by cataloger; alternative title from lettered state., Artist and printmaker from statements of responsibility on lettered state: Painted by T. Stewardson Esqr., portrait painter to H.R.H. the Princess of Wales ; engrav'd by William Ward, engraver to their R.H. the Prince Regent & Duke of York., Proof before letters. For the lettered state with the title "The Right Honble. G. Canning, M.P.", see British Museum online catalogue, registration no.: 1902,1011.6204., Publication information inferred from imprint on lettered state: Publishd. Novr. 1, 1813, by Wm. Ward, 24 Buckingham Place, Fitzroy Square., Sheet trimmed within plate mark on two sides., Bound in opposite page 550 (leaf numbered '138' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan., and Manuscript title "George Canning" in ink below image.
"A whole length portrait of a military officer standing in profile to the left holding papers in his (gloved) left hand; right hand behind his back. He wears a small pigtail, cocked hat, and sash. His sabre hangs very low, resting on the ground. He is Lord Berkeley (1745-1810), colonel of the South Gloucester Regiment (gazetted 14 Mar. 1794), see British Museum Satires No. 5140."--British Museum online catalogue
Description:
Title etched below image., Leaf 72 in an album with the spine title: Characatures by Dighton., Figure identified as "Lord Berkley" in pencil in lower left corner of sheet., and On verso is some arithmetic in pencil, beside which is written "3 plates" in ink.
Publisher:
Pub. Decr. 1801 by Dighton, Charg. Cross
Subject (Name):
Berkeley, Frederick Augustus Berkeley, Earl of, 1745-1810
"The enormously fat Stephen Kemble, as Hamlet, gesticulates, right arm extended, left arm thrown back, fingers (very large) pointing awkwardly; his head is turned in profile to the left. He wears quasi-contemporary dress, much dishevelled, with a star and ribbon from which hangs the elephant of the Danish order."--British Museum online catalogue
Description:
Title etched below image., Publisher from the British Museum online catalogue, registration no.: J,2.22., Two lines of text from Hamlet are etched below title: ---------- that I have thought some of nature's journeymen had made men, and not made them well; they imitated humanity so abominably., Leaf 23 in an album with the spine title: Characatures by Dighton., 1 print : etching and stipple engraving on laid paper, hand-colored ; plate mark 22.5 x 16.1 cm, on sheet 31.1 x 25.5 cm., and Figure identified as "Stephen Kemble" in pencil below plate mark.
Publisher:
Robert Dighton
Subject (Name):
Kemble, Stephen, 1758-1822
Subject (Topic):
Actors, British, Obesity, and Theatrical productions
"Portrait of George Morland; half length, to the left, holding drawing of woman, head turned to look at viewer; after Muller; illustration to Cunningham's 'Lives of the Painters' (London: 1830)."--British Museum online catalogue, description of published state
Description:
Title from published state., Artist and printmaker from statements of responsibility on published state: Robt. Muller ; W.C. Edwards., Proof before letters. For the published state with the imprint "London, Published by John Murray, Albemarle St., 1830," see British Museum online catalogue, registration no.: 1927,1126.1.30.58., Proof state of a plate from: Cunningham, A. The lives of the most eminent British painters, sculptors, and architects. London : J. Murray, 1830-39 (v. 2, opposite page 222)., Window mounted to 51 x 36 cm., and Mounted before page 687 (leaf numbered '130' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
"Portrait, after a self-portrait (Mannings 21); half-length to right and turned to face front, wearing his robes as President of the Royal Academy."--British Museum online catalogue
Description:
Title etched below image., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., and Bound in opposite page 108 (leaf numbered '157' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published May 8, 1809, by T. Cadell & W. Davies, Strand, London
Green, J. H. (John Hippisley), 1753- printmaker, artist
Published / Created:
[1803]
Call Number:
Folio 53 Sh52 M78
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of the actress Jane Green, in character in Foote's 'The Author'; half length, to the front, looking to the left; wearing hat perched on top of raised hairstyle; a sunflower pinned to dress."--British Museum online catalogue
Description:
Title etched below image., Artist and printmaker identified as J.H. Green in the Catalogue of engraved British portraits., Sheet trimmed within plate mark on three sides., Window mounted to 51 x 36 cm., Mounted before page 101 (leaf numbered '151' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan., and Pencil annotation on verso: Mrs. Green daughter of Hippisley the commedian [sic]. See Genest vol. IV - p. 253.
Publisher:
Published 1803 by J.H. Green, No. 1 Wells Street, Oxford Street
Subject (Name):
Green, Jane, 1719-1791, and Foote, Samuel, 1720-1777.
"Portrait of Francis Rawdon Hastings, 1st Marquess of Hastings and 2nd Earl of Moira, after Reynolds (undescribed by Mannings); half-length, standing slightly to left against background of cloudy sky, with head turned and slightly tilted to look towards the viewer; wearing military uniform with epaulette on his right shoulder, dark neckerchief and white frill; in an oval, bordered by stippled line."--British Museum online catalogue, description of an earlier state
Alternative Title:
Right Honourable Francis Rawdon Hastings
Description:
Title etched below image., Printmaker identified as Joshua Kirby Baldrey; see description of the earlier state in the Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 2, page 462, no. 11., Later state, with altered title and new publication line, of a print published 1 June 1784 by Joshua Kirby Baldrey. See British Museum online catalogue, registration no.: 1840,0808.93., Window mounted to 51 x 36 cm., and Mounted opposite page 656 (leaf numbered '105' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Publish'd August 9, 1800, by Anthy. Molteno, printseller to Her Royal Highness the Dutchess of York, 29 Pall Mall
Subject (Geographic):
India and India.
Subject (Name):
Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826,, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826., Great Britain. Army, and Great Britain. Army.
Subject (Topic):
Officers, Governors general, Armed Forces, Governors, and British
Picart, Charles, approximately 1780-approximately 1837, printmaker
Published / Created:
[24 January 1810]
Call Number:
Folio 53 Sh52 M78
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of William Eden, 1st Baron Auckland, half-length, seated to left, looking towards the viewer, wearing coat, waistcoat with standing collar, and frill."--British Museum online catalogue and Bust portrait of Lord Auckland, turned slightly left, facing front, one eyebrow raised, wearing dark jacket and light ruffled shirt
Description:
Title etched below image., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., and Bound in before page 279 (leaf numbered '99' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published Jan. 24, 1810, by T. Cadell & W. Davies, Strand, London
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Auckland, William Eden, Baron, 1744-1814, and Auckland, William Eden, Baron, 1744-1814.
"Portrait of Sir Samuel Hood, half-length, slightly turned to the right, one hand on his hip, dressed in gold-laced naval uniform with epaulettes upon his shoulders, the star of an order upon his breast and a medal hanging from a thick ribbon about his neck, a sash across his breast, a black stock about his neck."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Window mounted to 51 x 36 cm., and Mounted opposite page 623 (leaf numbered '60' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published May 10, 1813, by T. Cadell & W. Davies, Strand, London
"Portrait of Richard Colley Wellesley, Marquess Wellesley, whole length, standing to right, looking to front, his right hand on his hip, holding plumed hat in the left, over a chair; wearing Garter robes and chain with George; sword and mace on cloth embroidered with coat of arms at left, fluted column and curtain behind."--British Museum online catalogue
Description:
Title etched below image., "Proof"--Lower left corner of plate., Dedication etched beneath title: To His Most Gracious Majesty George the Fourth, King of Great Britain, &c. &c. &c. this engraving is humbly dedicated by His Majesty's faithful and devoted subject, Andrew Robertson., and Bound in opposite page 634 (leaf numbered '78' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published 1st Feby. 1827, by Messrs. Colnaghi Son & Co., Pall Mall East, London; R. Milliken & J. Allen, Dublin
Subject (Geographic):
Great Britian.
Subject (Name):
Wellesley, Richard Wellesley, Marquess, 1760-1842, and George IV, King of Great Britain, 1762-1830,
Subject (Topic):
Governors, British, Politicians, Robes, and Ceremonial maces
Score, William, active 1778-1815, printmaker, artist
Published / Created:
[3 March 1791]
Call Number:
Folio 53 Sh52 M78
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait, standing half-length with his hands resting on his cane in front of him, looking up thoughtfully with a slight smile to right, wearing dark coat with high collar and large buttons, white collared waistcoat and white cravat, short brown curly hair brushed forward with a fringe; state with Howland St address."--British Museum online catalogue
Description:
Title engraved below image., Imperfect; sheet trimmed within plate mark on bottom edge, resulting in loss of imprint statement. Imprint supplied from impression in the British Museum, registration no.: 1923,1016.3., Window mounted to 51 x 36 cm., and Mounted opposite page 124 (leaf numbered '174' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Publish'd as the act directs March 3d, 1791, by Wm. Score, No. 9 Howland Street, Tottenham Court Road
"Portrait of Swift seen half length, within oval frame, panelled corners, directed towards left, facing towards and looking towards left, wig, bands, black gown; after face and title altered from Benjamin Pratt, and arms and inscriptions erased."--British Museum online catalogue
Alternative Title:
Jonathan Swift S.T.D.
Description:
Title engraved below image., State from: Russell, C.E. English Mezzotint portraits and their states., Later state of a plate, engraved by John Simon and published circa 1715 by William Sarson, that originally depicted the clergyman Benjamin Pratt and had the title "The Reverend Mr. Benjamin Pratt A.M." The face was altered to that of Jonathan Swift by the engraver Peter Pelham, and the original inscription was erased and replaced. See: Smith, J.C. British mezzotinto portraits., Date of publication from the British Museum online catalogue, registration no.: 1935,0413.132., Twelve lines of verse in two columns below title: Four brillant [sic] gems, in this great genius shine, The scholar, poet, statesman and divine ..., Window mounted to 51 x 36 cm., and Mounted opposite page 2 (leaf numbered '30' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
John Bowles
Subject (Name):
Swift, Jonathan, 1667-1745, and Pratt, Benjamin, 1676 or 1677-1715.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[6 December 1772]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 109. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on social aspiration: a plump young man standing facing to right wearing a wig with a long queue, flowers on his left breast and carrying a cane with a tassel; he appears to be saluting someone by removing his hat."--British Museum online catalogue
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed to plate mark., Temporary local subject terms: Macaronies, 1772 -- Nosegays -- Canes -- Male costume: Shoes with buckles., and Mounted on page 109 of: Bunbury album.
Publisher:
Publish'd as the act directs, 6th December 1772, by J. Bretherton, No.134 New Bond Street
Subject (Topic):
Dandies, British, Corsages, Staffs (Sticks), and Daggers & swords
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 June 1772]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 107. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Stephen Fox, 2nd Lord Holland: a portly man with coat and sword in profile asleep on his feet."--British Museum online catalogue
Alternative Title:
Sleepy macaroni stealing a nap
Description:
Title from text below image., Sam Sharp-Eye is the pseudonym of an unknown artist, possibly H.W. Bunbury. See no. 5083 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: Macaronies, 1772 -- Male costume, 1772., Mounted on page 107 of: Bunbury album., 1 print : etching with drypoint on laid paper ; sheet 14.2 x 10.2 cm., and Sheet trimmed to plate mark.
Publisher:
Publish'd as the act directs June 1st, 1772, by J. Bretherton, No. 134, in New Bond Street
Subject (Name):
Holland, Stephen Fox, Baron, 1745-1774
Subject (Topic):
Dandies, British, Daggers & swords, Obesity, and Sleeping
"The Regent, as Macheath, wearing military uniform and heavily shackled, stands between Mrs. Fitzherbert, who kneels at his feet (left) removing his leg-irons, and Lady Hertford (right), who stands beside him taking the fetters from his wrists (inscribed 'Restri[ctions]'), He sings "How happy could I be with either." Mrs. Fitzherbert, a long rosary dangling from her waist, says: "The Benediction of His Holiness light on the Defender of Our Faith." Lady Hertford, sultana-like in a jewelled turban, says: "You heard of the Row & the Rowly Powly Song before Our house the Other Night?!!" Behind and on the right Eldon stands full-face between Perceval and McMahon, who face each other in profile. Perceval, in his Chancellor of the Exchequer's gown, and holding a brief-bag, says: "The Greys won't move without their own Coachman tho the Brewer [Whitbread] has offerd his black to do the dirty Work." Eldon, in a huge wig, holds the Purse of the Great Seal; he says: "We must hire Jobs for the Night Work but we are Pro' Rogued." McMahon, in military uniform, has a number of ribbons and stars hanging over his arm; he says: "These Garters & Ribbonds are all returned." On the wall are two pictures: George Hanger, bestriding his pony (as in No. 8889) with a burly bailiff seated behind him, rides in the direction of a sign-post, with a noose hanging from it, pointing 'To the Kings Bench'. This is 'George & his Hanger On, takeing a ride together to a Lodging in Surry'. The other is Sheridan as Bacchus, but dressed as Harlequin (cf. British Museum Satires No. 9916), bestriding a cask of 'Old Sherry'."--British Museum online catalogue
Alternative Title:
Polly & Lucy taking off the restrictions, Polly and Lucy takeing off the restrictions, and Polly and Lucy taking off the restrictions
Description:
Title etched below image. and Watermark: J. Whatman.
Publisher:
Published March 1812 by J. Jonhston, 98 Cheapside
Subject (Name):
Gay, John, 1685-1732., George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Fitzherbert, Maria Anne, 1756-1837, Perceval, Spencer, 1762-1812, Eldon, John Scott, Earl of, 1751-1838, McMahon, John, approximately 1754-1817, Sheridan, Richard Brinsley, 1751-1816, Hanger, George, 1751?-1824, Grey, Charles Grey, Earl, 1764-1845., Whitbread, Samuel, 1764-1815., and Dionysus (Greek deity),
Subject (Topic):
Harlequin (Fictitious character), Military uniforms, British, Shackles, Religious articles, Turbans, Wigs, Bags, and Pictures
"Portrait in Van Dyck dress, reclining on steps turned in profile to left, with his knees bent and legs drawn up, right hand at his breast, looking at the viewer, swathed in a cloak with a plumed, broad-brimmed hat, with a book labelled 'Vita Di Rubens' at the foot of a column to left; after a self-portrait."--British Museum online catalogue
Alternative Title:
Richardus Cosway Armiger R.A.
Description:
Title from text below image., Early state, with title in light scratched lettering. For a later state with title lettering strengthened, see British Museum online catalogue, registration no.: 1875,0814.1224., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge. Imprint supplied from impression in the British Museum, registration no.: 1876,1209.145., Window mounted to 51 x 36 cm., and Mounted opposite page 390 (leaf numbered '6' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Publish'd as the act directs March 20th, 1786, by Mno. Bova & E. Diemar, No. 114 Strand
"Portrait; almost half-length standing to left, head turned towards the viewer, wearing a double-breasted military coat with a star of the Garter and powdered hair tied at the nape; in an oval."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Window mounted to 51 x 36 cm., and Mounted opposite page 690 (leaf numbered '146' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Publish'd by E. Harding
Subject (Geographic):
Great Britain.
Subject (Name):
Edward Augustus, Prince, Duke of Kent, 1767-1820, and Edward Augustus, Prince, Duke of Kent, 1767-1820.
"Portrait of Spencer Perceval, bust directed to the right, looking at the viewer, wearing dark coat and neckerchief tied in a bow, powdered hair; in oval."--British Museum online catalogue
Description:
Title etched below image., Window mounted to 51 x 36 cm., and Mounted opposite page 647 (leaf numbered '94' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published June 15th, 1812, by Colnaghi & Co., Cockspur Str., [15 June 1812]
Volume 2, after page 270. Memoirs of Horace Walpole and his contemporaries.
Image Count:
1
Resource Type:
still image
Abstract:
A man in riding dress stands on the right, bending forward to take the hand of a young woman on the left, who leans away from him. He wears spurred top-boots and holds a whip in his left hand; a long queue protrudes from under his hat. The woman has a tall coiffure and holds a fan in her right hand. Two bollards line the walkway they stand upon; the exterior wall of a building is seen behind the pair
Description:
Title etched below image., Imperfect; date at end of publisher's statement has been erased from sheet. Date of publication supplied by curator., Sheet trimmed within plate mark on bottom edge., Not in the Catalogue of prints and drawings in the British Museum., Window mounted to 22 x 14 cm., and Bound in after page 270 in volume 2 of an extra-illustrated copy of: Williams, R.F. Memoirs of Horace Walpole and his contemporaries. London : Colburn & Co., 1852.
Publisher:
Printed for Carington Bowles, No. 69 in St. Pauls Church Yard, London
"Double portrait, Mattocks to right standing with hands clasped in pleading, looking to right at Mendoza, who stands drawing his sword, looking implacably at the other, both wearing richly decorated suits and coats and small ruffs."--British Museum online catalogue
Description:
Title engraved below image., The head of John Quick seems to have been engraved after a painting by Johann Zoffany; see Curator's comments, British Museum online catalogue, registration no.: 1902,1011.7269., Publisher Carington Bowles was located at the listed street address between 1766 and 1793. A publication date of 1777 is deduced from the plate numbering; see table on page 786 in v. 5 of the Catalogue of prints and drawings in the British Museum., Imperfect; sheet trimmed within plate mark with loss of imprint and plate numbering from lower edge. Missing text supplied from impression in the British Museum., Plate numbered "369" in lower left corner., Window mounted to 51 x 36 cm., and Mounted opposite page 122 (leaf numbered '171' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Printed for & sold by Carington Bowles, at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Name):
Quick, John, 1748-1831,, Mattocks, George, 1734 or 1735-1804,, and Linley, Thomas, 1733-1795.
Subject (Topic):
Characters, Actors, British, and Theatrical productions
"Portrait of George Augustus Eliott, 1st Baron Heathfield, after Reynolds (Mannings 578a); almost three-quarter length to front, facing and eyes to the left, wearing uniform and holding a large key in his right hand; smoke and cannons in the background; his lower body in outline."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., Window mounted to 51 x 36 cm., and Mounted opposite page 604 (leaf numbered '39' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published Feb. 4, 1813, by T. Cadell & W. Davies, Strand, London
Subject (Name):
Elliott, George Augustus, 1717-1790,
Subject (Topic):
Military officers, British, Governors, Cannons, and Keys (Hardware)
"Two designs placed side by side, the title so arranged that 'The Contrast' applies to both, the first four and last two words to the two designs respectively. [1] A scene outside Jaffa where the French flag flies from a fort on a rock at whose base are hospital tents (left), in which the sick can be seen. In the foreground Napoleon (a poor portrait) points with an imperious gesture to a bottle of 'Opium' in the hand of a distressed doctor in civilian dress. He says: "Don't talk to me of Humanity & the feelings of a generous heart, I say Poison those Sick dogs they are a burthen to me, & can no longer fight my Battles!!! I say destroy them - As for those Turks, them up in the Garrison, turn all the Guns upon them, Men, Women, & Children & blow them to atoms, they are too bold & resolute for me to suffer them to live, they are in my Way." In the middle distance (left) is a body of Turks, their arms tied behind them, guarded by a French soldier who points at Napoleon. Behind Napoleon two French officers exchange glances, acutely dismayed at the orders." ... [2] Two black soldiers, in neat regimentals, prepare to kill three haggard French officers. One raises an axe to smite a bound prisoner. Two British officers (left) interpose with outstretched arms; one says: "We know they are our Enemies, & yours, & the Enemies of all Mankind, nevertheless Humanity is so strongly planted in the Breast of an Englisman [sic], that he can become an humble beggar, for the lives, even of his enemies, when they are subdued." The other adds: "A mercy unexpected, undeserved surprises more."--British Museum online catalogue
Alternative Title:
Contrast to English humanity
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement in lower right: Folios of caracatures [sic] lent out for the evening., and Mounted on a 19th-century blue album sheet. On the verso are newspaper clippings on a variety of topics: Sir Lionel Darell and the benevolence of the King to grant him land for his greenhouses in Richmond Park; "Observations on the rot of sheep"; Poem entitled "Leamington Spa"; "Balloon Ascension" an extract from a letter from Bristol, dated Sept 26.; an report of the death of Simon Southward, a miller who was a prisoner for 43 years for debt and the delusion of being the Earl of Derby.
Publisher:
Pubd. Jany. 13, 1804, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Black people, Flags, French, Forts & fortifications, Tents, Military medicine, Sick persons, Soldiers, Physicians, Opium, Military officers, Prisoners of war, Turkish, British, Physical restraints, and Axes
"Portrait of Sir William Temple, half-length to right, with head turned to front, looking towards left; wearing a wig, loose gown, and lace cravat; in an oval frame decorated on top with Acanthus leaves and ribbon lettered with motto "Servare modum [...] sequi.", placed on a pedestal, with coat of arms in front."--British Museum online catalogue
Description:
Title engraved below image., Frontipiece to: The works of Sir William Temple. London : Printed for A. Churchill, T. Goodwin, J. Knapton, R. Smith, B. Tooke [and 6 others in London], 1720., Sheet trimmed within plate mark., Three lines of Latin text below title: Sermi. et Potmi. Mag. Brittanniae Regis ad Ords. Faedti. Belgÿ̈ Legatus ..., Window mounted to 51 x 36 cm., and Mounted opposite page 76 (leaf numbered '125' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
A. Churchill, T. Goodwin, J. Knapton, R. Smith, B. Tooke, and 6 others
"Portrait of Thomas Cochrane, 10th Earl of Dundonald, three-quarter length, standing slightly to right, his right hand on his hip, holding hat and walking stick in his left hand; wearing braded coat, waistcoat, neckerchief and frill; curtain and column behind."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark on right and left sides., Window mounted to 51 x 36 cm., and Mounted after page 626 (leaf numbered '66' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published February 1st, 1819, by T. & H. Rodd, 17, Little Newport St., Leicester Sq.