"Didelot dances on the stage between two women, both very lightly clad in quasi-classical costume, and wearing 'cothurnes'. He wears a feathered hat, tunic, and cloak, and looks towards Mme Parisot (right); she strikes an attitude with right leg raised and arms extended, and looks alluringly towards him, her right breast bare. Mme Rose (left), his wife, dances with more restraint, her sharp-featured profile turned austerely towards her husband. All wave their arms above their heads, and their attitudes are in fact graceful (though caricatured). Two plump 'danseuses' (left and right) whirl on one toe in the background. Behind Didelot is an irradiated sun, with features looking down disapprovingly at the dancer."--British Museum online catalogue.
Alternative Title:
Operatical finale to the ballet of Alonzo e Caro
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Didelot, Charles Louis,--1767-1837--Caricatures and cartoons., Didelot, Marie Rose Paul,---1803--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Ricciardi, Domenico. Alonzo e Cora.
"Four designs on one plate. [1] 'English Convenience - the Water Closet'. A grossly obese alderman of repulsive appearance sits full-face, clasping his sides. He wears his gown and chain, one gouty leg is swathed in bandages. On the wall behind his head are two placards: 'Bill of Fare, - Turtle Soup Fish Poultry H . . .' and a broadside, 'Roast Beef of old England headed by a sirloin'. For the history of this English contribution to civilization see M. and H. B. Quennell, 'Hist. of Everyday Things in England 1733-1851', 1933. It derives from an invention of Sir John Harington, see P. Lindsay, 'One Dagger for Two', 1932, p. 178. [2] 'Scotch Convenience - the Bucket'. A woman seated in back view on a pair of tongs across a bucket in some sort of permanent shelter composed of ramshackle planks. On this are two papers: 'The Sweets of Edinbro' to the Tune of Tweedside' (cf. BMSat 5941) and 'Croudie a Scotch Reel'. In the foreground are pigs and poultry. [3] 'French Convenience - le Commodites'. A pretty young woman, full-face, in a latrine with three apertures. She crouches with one foot on the ground, one on the seat. On the wall are two papers: 'Caira nouvelle chanson' and 'Soupe Maigre petit Chanson.' [4] 'Dutch Convenience - the Lake'. A stout man (? or woman) in back view sits on a rail, smoking a pipe. In the foreground is shallow water with ducks. Behind and in close proximity are town houses with high crow-stepped gables."--British Museum online catalogue.
Description:
Dutch convenience: the lake., English convenience: the water closet --, French convenience: le commodites --, Scotch convenience: the bucket --, and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Time stands behind an oval table covered with a cloth on which is an hour-glass, its sands nearly run out, standing on a large flat book inscribed 'Traitè de Paix', from which five seals hang evenly. Behind him is a doorway in a stone wall, covered with a curtain, one side of which he holds. With his left forefinger he points upwards at the inscription above the door: 'L'avenir', which is decorated with seven (drooping) ears of corn. The seals are inscribed (left to right): 'F.W.' [Frederick William of Prussia]; 'G Rx', with its ribbon inscribed 'God save the King'; France; a crowned 'C' [Catherine II]; 'Fr. Imp.' [Francis Imperator] (prophetic of the powers that decided the fate of Holland in 1815). 'Le génie du Terns garde la porte de l'avenir;... Qui est le mortel assez hardi, pour oser le penetrer? . . .' Text, 'Proverbs', x. 28. To this is added, in English only, 'St. Matthew', v. 9, 'Blessed are the peacemakers!'"--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "20" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Emblems: hour-glass -- Personifications: Time -- Seven ears of wheat-corn as United Provinces., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"A buxom girl pushes (left to right) her barrow of carrots along the pavement of Bond Street, looking over her right shoulder at Lord Sandwich ('Jemmy Twitcher'), who overtakes her and twitches her apron. He is in profile to the right, leering at her. Her elegant shoes and clocked stockings are inconsistent with her occupation. The background is a bookseller's shop at the corner of 'Little Maddox Street' (left) and 'New-Bond Street' (right), displaying the royal arms. Over the door, in Bond Street, is 'Faulder' and above the two windows, 'Bookseller & Book Binder'. Pamphlets or open books fill the panes of the windows: 'Rules of the Order of Sr Francis' [an allusion to Sir Francis Dashwood and the profligate order of Medmenham Abbey]; 'List of Servant Maids'; 'A Chip of the old Block'; 'Doe Hunting an Ode by an old Buck Hound'; 'The Beauties of Bond Street' (cf. BMSat 8377); 'A Journey through Life - from Maddox Street unto Conduit Street & back again'. The side of a third shop-window in Maddox Street appears on the extreme left. Cf. BMSat 7080."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Faulder, Robert,--1747 or 1748-1815., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Sandwich, John Montagu,--Earl of,--1718-1792--Caricatures and cartoons.
"George Hanger bestrides a pile of calves with which his pony is laden, high above his mount's head. He sits in profile to the left, carrying a bludgeon; his right leg thrust forward over the calves. The fore-feet and hind-feet of the calves are tied and lie across the pony and each other. Eleven heads are visible. Hanger says: "Here they are my Lord, here's the slunk Calves, by Gxx - no allusion, dxm'me! - almost forgot you was a North-Countrey-Man! - Runt carries weight well! - no less than Thirteen damme! - come push about the Bottle, & I'll tell you the Story; - In Scotland they eat no Veal, by Gxx! nothing but Staggering-Bobs, - by Gxx! - on my Honor & Soul I mean no insult! - but Tattersal he swore, d------n me, if he didn't, - that on a small Scotch Runt, he saw, Gxx dxxn my blood, - how many d'ye think he saw? - ( - "Saw what, Georgey? - ) - why Calves! - Staggering-Bobs to-be-sure! - why d'ye think he saw Seventeen? - no! - but dxxme, by Gxx, he saw Thirteen!!! - & all just upon such another little Cock-Horse as my own!!!' ..."--British Museum online catalogue.
Alternative Title:
Munchausen driving his calves to market
Description:
One line of text below title: This print is dedicated to Lord Exxxl [i.e., Errol], his party, & the frequenters of Steevens's in general., Printmaker from British Museum catalogue., and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Hanger, George,--1751?-1824--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A grotesque body of tradesmen, &c, march in close formation, with fixed bayonets. They wear military coats and crossed bandoliers with very unsoldierly foot-gear and appurtenances. Their leader (right) marches in profile to the right, a very short and fat butcher in over-sleeves wearing a feathered cocked hat above his butcher's cap, a military sash (from which hangs his steel) over an apron. He carries a banner on which St. George is killing the dragon. The front rank consists of (left to right): a cobbler wearing an apron, with the twisted shins known as cheese-cutters, and tattered stockings; a bricklayer, with thick gouty legs, a trowel thrust through his apron-string; an artist, his palette inscribed 'R.A', very thin and with a grotesquely thin neck; his toes project through a tattered boot of fashionable shape; a tailor with shears and tape-measure, a hairdresser with scissors and combs wearing a fashionable stock. On the left of this front rank a dwarfish drummer, an old campaigner with two wooden legs and one eye, beats his drum. Behind, the men recede in perspective, densely packed together."--British Museum online catalogue.
Description:
One line of quoted text following title: "The French invade us, hay? Damme, who'se afraid?" and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Hoppner, John,--1758-1810--Caricatures and cartoons., and Humphrey, Hannah, active 1774-1817, publisher.
"The Prince of Wales, very fat and pompous, in night-cap, dressing-gown, and slippers, walks in profile along a corridor leading from his own door (right), above which are his coronet and feathers, towards that of Lady Jersey, which is wide open and reveals its occupant holding apart the bed-curtains with a gap-toothed grin. Lord Jersey, dwarfish, shambling, and elderly, dressed in nightcap and night-shirt (on which is a 'J' with a coronet), stands by the door, holding a candle and pointing to the bed; he raises his night-cap deferentially to the Prince, who says, with contemptuous arrogance, 'va-t-en' (see BMSat 8809). The Prince walks on a fringed strip of carpet. On the open door behind Lord Jersey is 'A [torn] Map of the Road into the Harbour of Jer[sey]'; the islands of 'Guernsey, Alderney, Sark and [Je]rsey' are depicted, with a route leading to Jersey (cf. BMSat 8810)."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Jersey, Frances Villiers,--Countess of,--1753-1821--Caricatures and cartoons., and Jersey, George Bussey Villiers,--Earl of,--1735-1805--Caricatures and cartoons.
"The Princess of Wales (left), candle in hand, approaches the bed of the Prince, who wakes up, raising his hands in dismay. Lady Jersey (here, an attractive woman, cf. BMSat 8811) is asleep, her head on the Prince's shoulder, her arms round his neck. The distressed Princess wears a coronet and triple ostrich plume, her right arm is flung back. Behind her (left) is an open door through which is seen the baby princess in a cradle ornamented with the Prince's feathers, with which his bed is also decorated. On the twisting draperies of the bed is the star of the Garter. Above the Princess's head hangs a 'Map of the Road back to Brunswick'."--British Museum online catalogue.
Alternative Title:
Good cause for discontent, Good cause for separation, and Good cause for seperation
Description:
Printmaker from British Museum catalogue. and Title etched below image; the word "seperation" has been scored through and the word "discontent" inserted above it using a caret.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Caroline,--Queen, consort of George IV, King of Great Britain,--1768-1821--Caricatures and cartoons., Charlotte Augusta,--Princess of Great Britain,--1796-1817--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Jersey, Frances Villiers,--Countess of,--1753-1821--Caricatures and cartoons.
"A stout naval officer (right) is attacked by a taller and slimmer officer (left), who siezes him by the coat and raises his cane to strike. A civilian stands between them holding back the aggressor. The stout officer, Captain Vancouver, wears an enormous sword; a fur mantle hangs from his shoulders inscribed 'This Present from the King of Owyhee to George IIId forgot to be delivered'. From his coat-pocket hangs a scroll which rests on the ground, part being still rolled up: 'List of those disgraced during the Voyage - put under Arrest all the Ships Crew - Put into Irons, every Gentleman on Board - Broke every Man of Honor & Spirit - Promoted Spies - ' His left foot is on an open book: 'Every Officer is the Guardian of his own Honor. Lord Grenvills Letter'. From the pocket of the civilian (Vancouver's brother) projects a paper: 'Chas Rearcovers Letter to be publish'd after the Parties are bound to keep ye Peace.' Vancouver's assailant, Lord Camelford, says: "Give me Satisfaction, Rascal! - draw your Sword, Coward! what you won't? - why then take that Lubber! - & that! & that! & that! & that! & that! & - Vancouver, staggering back, with arms outstretched, shouts: Murder! - Murder! - Watch! - Constable! - keep him off Brother! - while I run to my Lord-Chancellor for Protection! Murder! Murder! Murder". Behind him, on the ground, lies a pile of shackles inscribed 'For the Navy'. Two very juvenile sailor-boys stand together (left) watching with delight. On Vancouver's right is the lower part of a shop (right) showing a door and window in which skins are suspended. Round the door are inscriptions: 'The South-Sea-Fur-warehouse from China. Fine Black Otter Skins. No Contraband Goods sold here.'"--British Museum online catalogue.
Alternative Title:
Caneing in Condiut Street, Caneing in Conduit Street, and Caning in Conduit Street
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Pitt, Thomas,--Baron Camelford,--1775-1804--Caricatures and cartoons., and Vancouver, George,--1757-1798--Caricatures and cartoons.