Manuscript on paper (watermarks: unidentified, in gutter; outer and inner bifolios reinforced with parchment strips) of Giordano Ruffo, Marescalcia equorum
Description:
In Latin., Script: Written by one person in round gothic bookhand; additions by a later hand., Small plain initials, in red, mark beginning of each section; headings, paragraph marks, some strokes on initials in red., and Binding: Fifteenth century. Sewn on two tawed, slit straps laid in a channel and nailed in square, flush wooden boards. The spine is square. Covered in reddish brown leather with corner turn-in tongues. Decorated with a blind-tooled panel of interlaced rope work and green dots in circles inside concentric borders. A catch on the lower board and a cloth strap (velvet?) attached to the upper with star-headed nails. Strap wanting, otherwise intact.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ruffo, Giordano.
Subject (Topic):
Animal culture, Horses, Latin literature, Medieval and modern, and Manuscripts, Medieval
The decoration is uneven and differs from section to section. Artt. 1, 3, 5, 6, 7, 8 have headings in red ink, red heightening of majuscules, red paragraph marks and red plain initials (plain and unusual flourished initials in red in art. 3) of various sizes. Artt. 2, 4 and 5-8 may have yellow heightening of majuscules too. No initials or paragraph marks in art. 8. Artt. 9-11 have red plain initials up to f. 81v; after that blank spaces with guide-letters; headings are missing after f. 67r. Artt. 2, 4, 12, 13, 14 have almost no decoration. Running headlines (author names) in large Southern Gothica Textualis Formata on pages of artt. 1, 3, 5 and 6., Binding: Nineteenth-century. Damaged half linen, the pasteboard covers covered with red paper impressed with a spiky lozenge pattern in black. Removed and rebound in purple paper. Modern binding not digitized., Cite as: Mariological, Ascetical and Other Texts. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on paper. This incomplete manuscript consists of a series of more or less independent sections. An unusual feature is the writing of text parts in the lower margins as if they were catchwords. Leaves are missing, and many texts are consequently incomplete. Many pages spoilt by the acidity of the ink. Apparently copied by four different hands, mostly very unstable and looking different depending on the period during which they entered the various sections. A (ff. 1r-54v = artt. 1-8 and ff. 107v-108v = art. 14) writes peculiar forms of Humanistica Semitextualis Libraria, which if written rapidly (Currens) tends to become a Cursiva with more pronounced Gothic features, especially in the additional artt. 2, 4 and 14; typical is the unusual abbreviation for in in the shape of dotted i. B (ff. 55r-66v = art. 9) writes Humanistica Semitextualis Libraria, equally under Gothic influence. C (ff. 67r-98v = artt. 10-11) writes a small sloping Gothico-Antiqua Currens. D (ff. 99r-105r = art. 12) writes a Humanistica Cursiva Libraria under Gothic influence; a deviant form D' is seen on ff. 106r-107r = art. 13., and Modern foliation followed. Wanting ff. 71-72.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 91-1153, John, of Wales, 13th cent, and Mary, Blessed Virgin, Saint
Subject (Topic):
Christian literature, Latin (Medieval and modern), Contemplation in literature, Exempla -- Early works to 1800, Manuscripts, Medieval -- Connecticut -- New Haven, and Sermons
Manuscript fragment on parchment of medical recipes, primarily of a gynecological nature; recipes include: medical recipes for tumors or swelling of the vulva; medical recipes for hardness of the breasts, ulcers, and cancers, increasing milk, so a girl will not grow breasts nor a boy testicles, and so that the hands and neck will be white; there are several undecipherable recipes and a portion of a poem in a thirteenth- or fourteenth-century hand on the sounds made by various animals
Description:
In Latin., Script: written in early gothic script (littera textualis); the added entries on fol. 2r are written in a French or Italian cursive hand from the second half of the fourteenth century; the upper portion of fol. 2v is written in littera textualis currens from the thirteenth century; the verses on animals are in a littera textualis from the latter thirteenth or early fourteenth century., and Decoration: punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Formulas, recipes, etc, Manuscripts, Medieval, and Medicine, Medieval
Autograph manuscript, on paper, containing a collection of texts on medicine and surgery. Includes: an index (front flyleaf recto), an unidentified medical text: A malis curis et a falsis (front flleaf verso), "Mens hominis discedendo alitur" (f. 1), a text on surgery: dicatur primo quid est chirurgia (ff. 2r-3v), Descriptions in Latin and Itailan of illnesses and presriptions for their cure (ff. 4r-71v), treatise on the science of medicine (ff. 72r-80r), index, prescriptions, and other notes (ff. 81-105).
Alternative Title:
Medical notebook ; in his autograph (Italian and Latin)
Description:
In Latin and Italian., Title devised by cataloger., Script: italic cursive., Layout: single column of around 20 lines., Binding: bound in a fourteenth-century vellum sheet of music (missal or antiphonary)., Author signs on f. 70 and ff. 72-80., and Dated on f. 37: September 1596, and f. 83: January 15th, 1604.
Subject (Topic):
Surgery, Manuscripts, Medical, Medicine, Practice, Manuscripts, and Medicine, Medieval
Manuscript fragment on parchment of a missal containing Palm Sunday and Feria II after Palm Sunday
Description:
In Latin., Script: written in two sizes of rounded gothic script (littera textualis), a larger script for the lessons and prayers and a smaller script for chants., and Decoration: 2-line initials of prayers and lessons alternate red and blue; 1-line initials within lessons, of chants and the first letters following a 2-line initial are brown and yellow; rubrics written in a red cursive script; punctuated with the punctus; a contemporary hand has made corrections in black ink.
Manuscript fragment on parchment of a missal containing: Third Sunday after Pentecost; Fourth Sunday after Pentecost; Fifth Sunday after Pentecost; Eighth Sunday after Pentecost; and Ninth Sunday after Pentecost
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: 2-line initials alternate red and blue; written over guide letters in black ink; 1-line capitals, which include the first letter after the 2-line initials, are in black filled with yellow; rubrics written in red in the same script as the text; punctuated with the punctus and punctus elevatus; hyphenation in the same ink as the text.
Manuscript fragment on parchment of a missal containing among others: St. Felix in Pincis (14 January); St. Marcellus (16 January); St. Prisca (18 January); St. George (23 April); St. Mark (25 April); Letania Maior ad S. Laurentium (25 April); Apostles Philip and James (1 May); and Sts. Alexander, Eventius, Theodolus, and Juvenal (3 May).
Description:
In Latin., Script: written in Caroline minuscule by two scribes, one on fols. 1-2 and the other on fols. 3-4., and Decoration: there are two 7-line initials on fol. 2; they are in red outline with a center shaft filled with red and are decorated with foliate ornamentation; 1- and 2-line prayer initials alternate red and brown; the red initials are sometimes filled with yellow; 1-line chant initials are in brown rustic capitals, occasionally highlighted with red; punctuated with the punctus and punctus interrogativus; diacritical marks appear over the interrogative word in a question, in the Beneventan fashion; accents in the same ink as the text; there are 2 10-line initials on fols. 3-4; rubrics written in red rustic capitals marked with a horizontal yellow line; punctuated with the punctus.
2-line plain initials (Capitalis) in red, with guide-letters. A few flourishes in black at the end of articles., Binding: Sixteenth-century. Italian brown leather over pasteboards, both covers blind-tooled: fillet frames and a border of floral tools, in the centre a fleuron. Marks of two ties. Yellow edges., Cite as: Moral Treatises. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., In Italian and Latin., and Manuscript on parchment of 1) Treatise on Christian love. Several later corrections on f. 10v. 2) On the contemplation of death, final judgment and hellish punishment. 3) Six prescriptions for Christian life given by St. Bonaventure (Bonaventura, 1221-1274) to a young friar. Translated into Italian. 4) The qualities of a perfect monk. Copied by one hand in large calligraphic Humanistica Textualis Formata; line-fillers in the form of crossed i.
Subject (Topic):
Christian literature, Italian, Christian literature, Latin (Medieval and modern), Didactic literature, and Manuscripts, Medieval -- Connecticut -- New Haven
Manuscript fragment on parchment of Gregory the Great (Pope Gregory I), Moralia in Iob, chaps. 22.7.17-7.68; 22.8.48-9.28; and 31.43.14-51.27.
Description:
In Latin., Script: written in Caroline minuscule, with marginal notation (on f. 1v) in a contemporary hand, probably the text scribe., Decoration: 1- and 2-line initials in brown uncials; punctuation consisting of the punctus, punctus elevatus, and punctus interrogativus., and Former call numbers: Beinecke MS 482.17 (f. 2).